Posts in Media (20 found)
Kev Quirk 1 weeks ago

The Case for Blogging in the Ruins

Joan makes the case that the modern web, dominated by platforms and algorithms, has stripped away depth, ownership, and genuine thought. Blogging, she argues, is a quiet act of resistance that lets us think clearly, write freely, and leave something real behind. Read Post → I’m not sure where I first heard about Joan and her superb writing, but I’ve been following her for around a year or so now, I think. Anyway, I was catching up on my RSS feeds and came across this post from a few days ago. It’s fantastic, as it most of what Joan puts out. Start a blog. Start one because the practice of writing at length, for an audience you respect, about things that matter to you, is itself valuable. Start one because owning your own platform is a form of independence that becomes more important as centralized platforms become less trustworthy. Start one because the format shapes the thought, and this format is good for thinking. I couldn’t agree more. Thanks for reading this post via RSS. RSS is great, and you're great for using it. ❤️ You can reply to this post by email , or leave a comment .

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Ankur Sethi 1 weeks ago

I'm not listening to full albums anymore

In the last few years, I’ve lost my appetite for discovering new music. The main reason is that I’ve focused on listening to full albums for most of the last decade, but increasingly I find it irritating and anxiety-inducing to listen to albums from start to finish. I’ve been reading/watching music reviews online since my early twenties. In this time, I’ve also been part of a number of music communities online. One defining characteristic of music discussions online—at least in the Anglophone world—is that they’re centered entirely around the album. To most critics and “serious” music fans, the album seems to be a single, indivisible unit of music that must always be considered as a whole. Five minutes with a search engine will dredge up hundreds of blog posts and op-eds touting the benefits of listening to complete albums rather than individual tracks. Some people almost attach morality to the act of listening to an album. If you’re not listening to full albums from start to end, in a darkened room, with your eyes closed, with noise-cancelling headphones, then do you even respect the music? Are you even a true fan? In my mid-twenties, I wanted to be a musician (I still do, but not as intensely). So when I started taking music more seriously myself, I focused my listening mainly on albums. This wouldn’t have been such a terrible thing had it not been for the fact that I didn’t enjoy listening to full albums. At all. Never had, never will. I grew up in an era of cassette tapes. When I was a teenager, my parents would take me to the local Planet M once a month, where I would be allowed to buy exactly one album on tape. My family couldn't afford CDs because CDs cost ₹400-500, whereas cassette tapes cost ₹100-150. So even when most of the world had moved on to CDs, I was still listening to all my music on tape. When you're listening to albums on tape, you're not really skipping around the tracklist. Sure, it’s possible to skip tracks on a cassette tape. That’s what the rewind and fast-forward buttons are for. But it’s not easy. You have to know precisely how long to rewind and/or fast-forward so you land where you want to. If you don’t get it right the first time, it becomes a frustrating back-and-forth dance between the rewind and fast-forward buttons until you manage to find the exact spot you need to be. Kind of like parallel parking in a tight spot. Listening to most of my music on tape, I should’ve grown up to be the sort of adult who enjoys listening to albums, right? But that's not what happened. The moment I discovered I could record my favorite tracks from their original tapes onto blanks, I stopped listening to full albums altogether. I had discovered the joys of making mixtapes, and there was no going back. When my family finally bought a computer, and I discovered how to download MP3s from the internet, I completely gave up on listening to full albums or even downloading them illegally. Freed from the constraints of linear analog media, I began collecting individual MP3s, making playlists, and curating music for myself. This changed in my twenties. As I started participating in music communities, going to gigs and festivals, and running a music blog, I also started forcing myself to listen to albums. That’s how all the pros did it, after all, and didn’t I want to be a pro? However, even when I was listening to nearly a hundred new albums each year, they didn’t quite make sense to me. They still don’t. To me, they just seem like a convenient packaging for a collection of music. Outside of some loose themes and sonic similarities that hold an album together, I don’t see why a certain set of tracks placed in a certain sequence makes for a better listening experience than a slightly altered set of tracks in a slightly altered sequence. There’s a lot of talk about the artistic intent that goes into curating and sequencing an album. But when artists play their music live, they often curate setlists by mixing and matching tracks from several different albums. DJs go even further, curating their mixes from tracks by many different artists, genres, and eras. If musicians themselves don’t constrain themselves to the album format, why must I? Sure, there are some artists who have turned the album into an art form . There are albums out there that are designed to be one unified, cohesive experience. But those albums are exceedingly rare. I’m willing to bet less than one in a hundred albums is designed to be listened to as a unit. Most albums are just collections of tracks that an artist made in a certain time period, or which share a common theme or sound. Albums also seem to me a modern invention, one that came about because of the technical limitations of recording media rather than a human tendency for enjoying a certain amount of music at a time. An LP is about 40-50 minutes long , not because that’s a magic number but because that’s how much music a vinyl record can hold. That’s why so many rock albums are still around 45-50 minutes long to this day. Rock music rose to prominence in the heyday of the vinyl record. On the other hand, hip-hop rose to prominence around the time audio CDs became more common, which is why many rap albums are a bit longer at around 60-70 minutes . The length of an album has little to do with something inherent in the genre or user preferences and everything to do with the technical limitations of the media it's distributed on. And now that streaming music has become more common, we see many artists breaking the mold . Some artists release albums that last several hours , while others only ever release singles. Unless an artist is planning to release physical versions of their music, they’re no longer constrained to the album format. So after more than a decade of forcing myself to listen to albums, I too am releasing myself from the constraint of album-centric listening. Starting this year, I'm going to listen to music in the way I enjoy: by seeking out individual tracks that move me, and arranging them into curated playlists for myself and my friends. To discover new music, I'm listening to more singles, curated playlists, and radio stations. I'm reading Bandcamp editorials and diving deep into obscure tags. I'm allowing myself to open an artist's Spotify page and click around on whatever tracks catch my fancy. I'm even allowing myself to listen to albums on shuffle, something I’ve already done with Audrey Hobert’s Who’s the Clown over this last week. I'm hoping that by freeing myself to listen to music in the way I want will allow me to discover a lot more this year.

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Kev Quirk 1 weeks ago

How You Read My Content (The Answers)

Two days ago I published a simple survey asking how you read the content I put out on this site. Here's the results of that survey. Originally I was going to leave the survey running for at least a week, but after less than 48 hours, I received an email from Zoho telling me I’d hit the monthly response limit of 500 responses. If I wanted more responses, I’d have to pay. Nah. 500 responses is enough to give me a good indication on how people consume my content, so I was good with that. Also, 500 responses in less than 48 hours is bloody brilliant. Assuming only a small proportion of readers actually responded (as that’s usually the case with these things) that means there’s a healthy number of you reading my waffle, so thank you! The survey simply asked “how do you read the content I put out on this site?” and there were a handful of options for responses: If someone selected the last option, a text field would appear asking for more info. There were a few people who used this option, but all were covered by the other options. People just wanted to add some nuance, or leave a nice message. ❤ So I updated all the something else responses to be one of the other 4 options, and here’s the results: A highly accurate pie chart Well, quite a lot, actually. It tells me that there’s loads of you fine people reading the content on this site, which is very heart-warming. It also tells me that RSS is by far the main way people consume my content. Which is also fantastic, as I think RSS is very important and should always be a first class citizen when it comes to delivering content to people. I was surprised at how small the number was for Mastodon, too. I have a fair number of followers over there (around 13,000 according to Fosstodon) so I was expecting that number to be a bigger slice of the pie. Clearly people follow me there more for the hot takes than my waffle. 🙃 This was a fun little experiment, even if it did end more quickly than I would have liked. Thanks to all ~500 of you who responded, really appreciate it. See, you don’t need analytics to get an idea of who’s reading your stuff and how. Thanks for reading this post via RSS. RSS is great, and you're great for using it. ❤️ You can reply to this post by email , or leave a comment . Mastodon / Fediverse Occasionally visit the site Something else

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fLaMEd fury 2 weeks ago

Books I Read in 2025

What’s going on, Internet? I read fewer books this year, which reflects a shift rather than a slowdown. I listened to more podcasts during the day and read more comic books at night. Audiobooks remained my favourite format, I followed authors I already enjoyed, and I was quicker to walk away when something wasn’t clicking. This wasn’t a year of trying everything. It was a year of reading in ways that fit my day better. Stats shown here are generated from my metadata-library, I used ChatGPT to crunch the numbers. Don't @ me. Here’s how 2025 shaped up: Books Finished ↓ 10 from 2024 Still my default format Average Rating More consistency, less filler 5-Star Reads The standouts Reading less made the patterns clearer. When something worked, I kept going. When it didn’t, I moved on. Audiobooks continued to do the heavy lifting. Based on titles where duration is recorded, I listened to at least 260 hours of audiobooks this year, with Onyx Storm easily the longest single listen at just under 24 hours . My rating scale is deliberately simple. I rarely use one or two stars. If a book isn’t working, I’ll abandon it early and move on rather than finish it just to rate it. These were the books that really landed for me this year: Michael Bennett’s In Blood series was a real highlight this year. I read the three Hana Westerman books as back-to-back as the library would let me. They’re crime novels, and what really worked for me was the setting and perspective. They’re distinctly Aotearoa without leaning on clichés. As audiobooks, they were great to listen to and easy to stick with over long stretches. I finished the last book, Carved in Blood , during the final drive from Wellington to Auckland during our move. This was a good example of how I read this year. When something clicked, I kept going. Non-fiction showed up in a more focused way this year. I wasn’t reading broadly, but when I did pick something up it tended to circle similar themes: power, media, politics, and how systems affect people on the ground. These were the standouts. They weren’t comfort reads. Parts of Careless People had me thinking “what the actual fuck”, and A Different Kind of Power had me shaking my head at how many fellow Kiwis disappeared down the alt-right rabbit hole and turned on Jacinda, who saw us through the COVID years relatively unscathed. This wasn’t a year about reading more. It was about reading in ways that fit my day. Audiobooks for most of my reading. Comics before bed. Weekly, fortnightly, and monthly podcasts in between. A nice variety to keep things interesting. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website. ⭐️⭐️⭐️⭐️⭐️ Loved it ⭐️⭐️⭐️⭐️ Liked it a lot ⭐️⭐️⭐️ Liked it The Invisible Life of Addie LaRue Malibu Rising The Axeman’s Carnival The Dream Hotel Better the Blood Return to Blood Carved in Blood Careless People Wars Without End Fahrenheit-182 A Different Kind of Power Gangland my favourite

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A Room of My Own 2 weeks ago

My App Defaults (Jan 2026 Edition)

Note:   My list only includes apps for personal use; work is a whole different story. 📧 Mail service:   Yahoo  (main),  Gmail  (blogging, apps, services) 📬  Mail client:  Apple Mail (Mac and iPhone), web on PC 📇  Contacts:  Apple Contacts, Yahoo Mail contacts 💬  Chat:  SMS,  WhatsApp, Viber,   Facebook Messenger 📆 Calendar:   Google Calendar ✅  Tasks/To Do:   Trello ☁️  Cloud storage:   Dropbox 🌅  Photo library:   Dropbox 🔐  Passwords:   Proton Pass 🌐  Web browser:  Chrome on PC and Mac, Safari on iPhone 📰  RSS service:   Feeder 📚Read it Later:   Readwise Reader 📜  Journal:   Day One 📝  Notes (admin, personal): Bear 📝  PKM Notes:   Bear 📔 Learning:   Bear 🖊️ Long form Writing:   Dabble Writer 🖼️  Screenshots:   Lightshot 🎞️  Video editing:   VLLO  on my iPhone 🗺   Maps:   Google maps 🌤️  Weather:   Apple Weather 🎙️  Podcasts:   Spotify 🎶  Music:   Spotify 💬  Transcriptions:   Otter.ai or Untold 📚   eBooks:  Kindle 📚 Books disovery/tracking:   Goodreads 💁🏻‍♂️  Social:   Linkedin 🛒 Shopping List:   Google Keep  (shared with family) 📢 Blog:   Pika 💰 Budgeting:  Budget 🧘🏻‍♀️Workouts:   DownDog 🍔 Calorie Tracker:   LoseIt 🔢  Habit Tracker:   Good Habits 👗 Clothes App:   Closet+ My App Defaults (Mar 2025 Edition) A Digital Workflow to Run My Life (Mar 2025 Edition) 📧 Mail service:   Yahoo  (main),  Gmail  (blogging, apps, services) 📬  Mail client:  Apple Mail (Mac and iPhone), web on PC 📇  Contacts:  Apple Contacts, Yahoo Mail contacts 💬  Chat:  SMS,  WhatsApp, Viber,   Facebook Messenger 📆 Calendar:   Google Calendar ✅  Tasks/To Do:   Trello ☁️  Cloud storage:   Dropbox 🌅  Photo library:   Dropbox 🔐  Passwords:   Proton Pass 🌐  Web browser:  Chrome on PC and Mac, Safari on iPhone 📰  RSS service:   Feeder 📚Read it Later:   Readwise Reader 📜  Journal:   Day One 📝  Notes (admin, personal): Bear 📝  PKM Notes:   Bear 📔 Learning:   Bear 🖊️ Long form Writing:   Dabble Writer 🖼️  Screenshots:   Lightshot 🎞️  Video editing:   VLLO  on my iPhone 🗺   Maps:   Google maps 🌤️  Weather:   Apple Weather 🎙️  Podcasts:   Spotify 🎶  Music:   Spotify 💬  Transcriptions:   Otter.ai or Untold 📚   eBooks:  Kindle 📚 Books disovery/tracking:   Goodreads 💁🏻‍♂️  Social:   Linkedin 🛒 Shopping List:   Google Keep  (shared with family) 📢 Blog:   Pika 💰 Budgeting:  Budget 🧘🏻‍♀️Workouts:   DownDog 🍔 Calorie Tracker:   LoseIt 🔢  Habit Tracker:   Good Habits 👗 Clothes App:   Closet+

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ava's blog 2 weeks ago

enjoying media and fandom

I enjoy media without actively participating in fandom. I prefer that over witnessing fandom drama or being influenced by the current consensus these spaces hold. Fandom is not without its use or effect on me, but I enjoy the more passive, indirect parts of it more. I like being able to research in a wiki someone made, or reading an elaborate fan theory, a guide, or long effort post about a small detail or episode, or the fact that there is so much fanfiction to choose from and fanart to admire. I prefer seeing a strangers’ work vs. talking to them directly. What I have never enjoyed are the ways fandoms operate on microblogging services and Discord servers, so I don’t participate. They are just not designed to discuss media well, because you’ll join as a new member and bring stuff up, and the seasoned veterans go “ugh we discussed that like 4 times last month I’m kinda over it”. I also don’t want to talk about these things all day long directly to strangers, or make it my personality, but I also don’t see why I should discuss other things with a stranger just because we enjoy the same game or show. I enjoy more elaborate ideas on media over being fed small crumbs via short messages by just anyone. In general, prefer to talk with the people I know and like about the media. With them, I even enjoy short messages of liveblogging the experience. My wife and I are the kind of people who will pause multiple times in an episode to discuss what just happened and talk about our little theories, at least for shows like Severance or Pluribus. The discussions we had about Pluribus so far on the Gazette’s Discord servers have also been amazing. I think largely staying away from fandom has saved me from losing my enjoyment of certain games or shows, whether due to not associating difficult people with it or just not burning out on it. Whenever I do peek into spaces where a game or show is discussed, they hone in on negative aspects I haven’t even noticed or that didn’t bother me, and I don’t like how that can change my perception negatively. I’ve also gotten the impression that the loudest fandom people tend to be the most unstable and exhausting, and I don’t want that around me. The few times I tried, I just never felt free enough to discuss what I wanted to discuss because there are always “leaders” in the space who have the final verdict on a character or episode, and going against that is not as accepted. Sometimes those leaders are simply the most vulnerable in the group, who have built up an intense emotional reliance and connection to the story or character, who will interpret any mild criticism as an attack on themselves and so everyone is used to tiptoeing around it. I feel a little sorry for people who continue to get burnt in fandoms and keep seeking new spaces just to have to flee from another bully, but I also think some underestimate how much just not participating in fandom like this could help them enjoy media again. It initially might feel unusual or lonely, but I think it’s worth exploring why you might feel like enjoying media without talking about it publicly feels cheap or like it didn’t happen. It’s worth experiencing media without a performative aspect of it, and weaning your brain off of the dramatic, edgy, and highly emotional fandom discussions. In my experience, it often seems to negatively alter the way you talk about the things you love. Reply via email Published 30 Dec, 2025

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Circus Scientist 2 weeks ago

Google is dead. Where do we go now?

It’s anecdotal, I know, but my main entertainment business revenue is down 50% over the past 3 months. Our main paid source of leads was Google Ads, which have served us well over the past 10 years or so – I think I know what I am doing in adwords by now. Once per month I check the analytics, updating keywords and tweaking ad campaigns. Over the past year we increased our budget, and then I started looking at it once per week, running simultaneous campaigns with different settings, just trying to get SOMETHING. Last month Google gave us a bonus – free money! This was 5x our monthly ad spend, to spend just when we needed it most – over the December holidays. I added another new campaign, updated the budgets for the existing ones. Still no change. The last week there was money to burn, left over from unused ad spend. I increased our budget to 10x. ZERO RETURN. The money ran out. I am not putting more in. Where do we go from here? Research shows that many young people are getting their information from short video platforms like TikTok and Instagram. We are trying ads on there. Our customer base is comprised of 50% returning customers (I am proud of that statistic!). We have an email newsletter, we started sending them regularly over the past 2 months. Remember us? We also plan to do some actual physical advertising – I am going to a market next weekend, doing a free show or two, handing out cards. Also, we are branching out – I have some projects I want to make, related to the Magic Poi project , and hopefully sell. We ordered supplies last week. Right now, though – I’m broke. Anyone need a website or IOT project built ? I am AI assisted , very fast! Update: this post went viral on Hacker News! I went with Instagram ads because we have the most followers on there and got 4 new bookings in 48 hours! The post Google is dead. Where do we go now? appeared first on Circus Scientist .

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Phil Eaton 3 weeks ago

Year in books

Among the 50 books I read in 2025, I recommend the following 11 non-fiction and 7 fiction works (complete list here ). These were the 18 books that I rated a four or five out of five stars. This is the third or fourth time I've read this book and it has stood the test of time. It's been a few years since I last read it so it was a good reminder that a lot of the things I believe and tell people about writing actually just came from this book. The last 25% is a bit of a slog but nonetheless it remains one of the single books I think every professional should read. 5/5 I really like reading about how writers make their living. I've also been a modest fan of Asimov's works (I've loved what I've read I just haven't read that much). I also love to hear stories of first-generation immigrants to the US and also he lived in New York his whole life so it was quite enjoyable. 4/5 This was 100 years of the evolution of the film industry told basically entirely in disparate interviews edited together. 5/5 I love the history and business of newspapers and media. Moreover it's the guy that Citizen Kane was based on. 4/5 I have never learned about the history of Brazil and I found this introduction enjoyable. 4/5 I loved the retelling of human history focused on Persia (and later Iran). 4/5 I have never read about a supreme court justice before. This was a well-written biography and introduction to the history of law and law education. 4/5 Once again I love reading about newspapers and media and the business and history. This was told by the publisher of The Washington Post. 5/5 I've had this book about Warren Buffett on my shelf for nearly 10 years and finally went through it this year. A delightful and easy read despite the bulk. I only am unhappy that it focused more on family drama than on business decisions. Par for the course with biographies unfortunately. 4/5 This story spanned three or four major wars and a couple of continents. I didn't think I'd be interested in the history of luxury businesses but it has a lot in common with certain modern industries in tech too. You put premiums on relationships and building good faith and so on. 4/5 A history of Coca-Cola over the last 100 years or so. Lessons on how they dealt with competition (Pepsi and Keurig Dr. Pepper) and product revitalization (New Coke, Diet Coke, etc.). Quite an interesting read. 5/5 I got into horror fiction last year (not so much slashers but more just one of the better written categories of genre fiction). This book was one of my two favorite novels of the year. It's a fictional retelling of American history where a Native American becomes a vampire and takes revenge on American colonizers in the American West. 5/5 This was my other favorite novel of the year. I am embarrassed not to have read it before. It's a dystopian story about the USA if all women were required to give birth to deal with a fertility crisis. 5/5 A French woman gets to live forever but everyone she meets forgets her after leaving her presence. An easy and enjoyable read. 4/5 I love a good vampire story, and I love fictional retellings using fantastical horror elements to emphasize atrocities. Vampires employed by the US military help the US in the 1840s take Texas from Mexico. 4/5 This was a cute cozy mystery about British witches forced to hide from society, learning how to accept themselves and develop trust in their community. 4/5 I am likewise embarrassed I have not read this before, nor anything else by Austen. I'm told I haven't rated it highly enough. I will undoubtedly reread it. I loved the wit. It required closer reading than I expected. 4/5 This was a retelling of Adventures of Huckleberry Finn as told by the slave, Jim. If you saw the movie American Fiction a few years ago, it's the same author (of the original book). Everett has very interesting ideas and I look forward to reading more by him. 4/5 My 2025 year in books. 18 to recommend among the 50 I read. pic.twitter.com/mIcbPk7e5x

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Cassidy Williams 3 weeks ago

Making the "End of Year Developer" nature documentary

It’s Blogvent, day 23, where I blog daily in December! This month I went to the GitHub office in San Francisco and met up with some coworkers and put together some videos for work. While working on other content, we got a lot of b-roll of me around the office just like… walking, typing, and being dumb. So, when I got home and saw said b-roll without audio, and realized… this could be a meme. Because the videos were mostly me looking like I was “working” (in addition to a bunch of clips of me just checking out office props), the theme popped into my head pretty quickly: for this time of year, a whole lot of people are not actually working, but rather looking busy and just trying to get to their vacations. I wrote up a script and had my coworker Martin read it, plopped a bunch of clips together, and blammo, we had a joking nature documentary in less than an hour. Check it out, and enjoy!

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Hugo 3 weeks ago

Is Platform Moderation Doomed to Fail?

I've recently been building a blogging platform, writizzy.com , with the ambition of offering a European alternative to US platforms like Medium, Substack, Hashnode, and others. Now you might be thinking, "Aren't blogs kind of dead since YouTube, TikTok, Instagram came along?" I don't think so, but I'll get back to that. However, blogs do have one major weakness compared to all those platforms: discoverability. What makes these platforms successful is... their content recommendation algorithms. Yes, I know—that's also what we criticize them for. But without algorithms, nobody would ever discover Mike's video about his passion for ant-keeping. And that might be a shame. The thing is, recommendation comes with platform responsibility for suggested content, which means moderation. And so far, no platform has nailed this. Between YouTube's puritanical overzealousness, X's normalization of conspiracy theories, and Shein selling questionable products, it's clear this problem is far from solved. So what do we do? Is it doomed to fail? In this post, I'll cover the health of blogs, why discoverability matters, different approaches to discovery, content recommendation platforms, and moderation. Fair warning: I don't have all the answers—I'm actively working through this myself. But that's exactly why I'd love to discuss it. Surprise: blogs are actually thriving. According to OptinMonster, there are over 600 million blogs worldwide. More than 409 million people read over 20 billion pages monthly on wordpress.com alone, with WordPress still powering 40% of all websites. Another source claims that 83% of internet users (4.4 billion people) regularly read blog posts . So blogging is very much alive, though there's definitely been a shift toward video consumption. Today, 82% of global internet traffic is video, and many people now turn to TikTok, Instagram, and similar platforms for quick answers—whether it's recipes, DIY tutorials, or even tech topics. That said, written content has clear advantages: it's easier to create and update. I do both—videos and blog posts. Writing is obviously much faster than producing a video, plus I can update an article after publishing, which I can't do with a video. That's a significant advantage for people who don't have the energy to film themselves, or simply don't want to show their face. Yes, video will keep dominating entertainment and "brain off" moments, but blogs will remain more accessible and better suited for specialized, easily-updated content. However—and this is where video platforms win—the big difference is content recommendation. And that's what makes the blog model fragile. Discoverability is a broad topic, because the first question is: does it even matter when you're writing a blog? For some, the answer is clearly yes—people who've built media outlets, paid newsletters, and monetize their traffic. Examples: Pragmatic Engineer , Ali Abdaal . At the other end of the spectrum, it's purely personal—a journal where whatever happens, happens. Discoverability might even be actively discouraged, like n.survol.fr which publishes no sitemap and makes site exploration intentionally difficult. And between these extremes lies a whole spectrum: people working on personal branding (so 2010s), others using blogs for influence, weekend hobbyist bloggers, etc. I'm somewhere in that gray zone. I don't monetize my blog, which I've been running since 2001, but I'll admit I'd find it a bit sad if nobody read it. So I pay attention. Even though I use it as a kind of personal digital memory, my original motivation back in the early 2000s was sharing tutorials and experiences. And if absolutely nobody reads them, I'd probably put in less effort. That's precisely why I added YouTube videos a year ago—to scale up. I understand this isn't everyone's goal, but personally, I'm trying to have an impact—at my own scale—on understanding tech topics and their influence on business and society. I'm not selling anything; I'm trying to contribute something. Here's the thing: when I post a YouTube video, I average several thousand views, with my personal best at 35K so far. (For example: as I write this, I published a video this morning and it already has 3.6K views in under 7 hours.) On the blog, views range from 50 to 12 000, with most posts hovering around 1K. And that's for an established blog with decent domain authority and reasonable SEO—these aren't even bad numbers. Again, maybe some people are totally against tracking these "vanity metrics," but I won't pretend I'm not competitive, and I'd bet some blogs would be more active if they were more widely read. When content isn't read, it's not necessarily because it's bad—it's because it's hard to find. Without active promotion, nobody reads a blog post. SEO for individual bloggers is a nearly lost battle against platforms and professional sites with better authority or marketing budgets. That's why 90% of bloggers use social media to promote their posts. And naturally, while building Writizzy, I'm wondering: what if we could do better? What if we could enable content discovery through a community of readers? This is exactly where platforms come in. Instagram, YouTube, TikTok, X—they all work the same way. They create personalized content feeds, trying to maximize time spent on the platform by continuously serving content tailored to each user. The idea is to leverage content produced by all users to determine the right audience for any new video. When I publish on YouTube, I make zero promotional effort—YouTube handles it. It identifies the right audience, shows them the video, measures reactions (clicks, watch time, likes, comments, etc.), validates the audience, and repeats. That's what we call an algorithm. But these algorithms have plenty of flaws. They can be optimized to favor negative engagement (like X, which amplifies controversial content), or even favor certain political viewpoints (X again, implicated in several recent election interference cases). They're also criticized for creating filter bubbles that trap us in belief patterns—though I'd argue our own confirmation biases already do that on their own. They can also lock us into infinite scrolling, rewarded by small dopamine hits, while we passively accept ads scattered throughout. Yes, algorithms have a bad reputation, but in practice, they're the main reason we stay on these platforms. They let us discover available content, and for creators, they're what prevents total anonymity. If I'm convinced discoverability matters for blogs, one question emerges: how do we give control back to users? Before going further, I should note that not all algorithms are opaque and complex. There are "lightweight" alternatives, like Hacker News, which ranks purely by vote count and freshness. Bearblog uses the same approach, displaying its formula at the bottom of the page: Other solutions offer simple chronological sorting. That's Mastodon's approach—posts sorted purely by date. I find this too minimalist. What really interests me is whether there's a virtuous approach. How do we preserve recommendation quality without imposing unilateral choices? This is exactly what this blog post addresses, making an important observation: You can pay money and advertise to women of color between 40–60 in Seattle, but you can't choose to read perspectives from those women The post highlights a solution, an MIT research project: Gobo (unfortunately inactive as I write this), which lets you aggregate data from platforms and apply your own filters. Similar projects include Youchoose and Tournesol , all sharing the same goal: empowering users. While these initiatives remain niche, the most polished and widely-used implementation is probably Bluesky, which lets anyone choose algorithms that can be created by other users . If I were to build a content recommendation system for Writizzy, this would be the approach that appeals to me most. However, discussing this with Thomas (who also works on Writizzy), offering a content feed quickly raises two other problems: I'll skip the first topic—it's not what this post is about. But the second is serious. The moment you create a page aggregating content from multiple users, the risk of inappropriate content exists. It could be adult content, spam, scams, racist abuse, etc. Writizzy already has responsibilities under the European DSA (Digital Services Act). I must provide a reporting mechanism and act on reports of illegal content. Note: as a host, I'm not required to proactively monitor—only to respond to reports. As long as blogs remain separate, it's still manageable. Impact is limited to the individual's blog. But once a feed exists, impact multiplies—that's the whole point—but it also creates more pressure on moderation. And it's far from simple, because you have to judge whether content is illegal, and that judgment isn't always clear-cut. What's acceptable varies. Where's the line between satire and insult? Between political criticism and defamation? How do you detect and handle fake news? What's the line between pornographic nudity and art (Courbet's L'Origine du monde , for instance)? I've tried to catalog different moderation methods to see what might work for Writizzy: Two main categories here: manual moderation by one or more super-admins, and mass outsourced moderation. Small-scale manual moderation is what you see on Mastodon, with the obvious bias of moderator subjectivity and resulting conflicts between instances with different political positions. I'm not infallible; I don't want to be responsible for moderating all published content. And it won't scale. Then there's mass moderation, often outsourced to low-wage countries by major platforms like Meta, TikTok, or OpenAI . It's far from pleasant work, and abuses have been documented extensively . It's unsuitable for Writizzy—economically and ethically. This relies mainly on user reports. X's Community Notes fall into this category, as do Wikipedia's discussion threads. It's obviously the cheapest approach, but it can be gamed if groups coordinate to censor content. This system can be improved with reputation points awarded by the community. That's Reddit and Hacker News Karma, or Stack Overflow reputation scores. This mechanism could make sense for Writizzy. However, community moderation is reactive—meaning the damage is done; content has already been exposed before being flagged. This can involve keyword detection, user profiling (new accounts, posting patterns, etc.), or nudity detection algorithms for images. It's the easiest method to implement. You can adjust tolerance levels. This is where AI could shine for understanding text, but it's far from foolproof—people use word substitutions, altered spelling, emojis representing concepts, or algorithms simply perform worse in certain languages. My conclusion from this mini-study is fairly obvious: you'd need automated detection upfront, then a reporting system enhanced by Karma scores downstream, and finally manual super-admin intervention as a last resort. Yet these systems exist and platforms are still criticized, because all moderation is imperfect. There's always the central question of interpretation: what's legal or not? And that interpretation varies by country and culture. This brings us to another approach—Bluesky's again—where one of the fundamental principles is decentralization, including moderation via labelers . Bluesky's moderation has two levels: Once again, it comes back to the same idea: giving users control. (Even if 90% will probably keep the default settings.) What's certain is that this topic is complex, and I completely understand Thomas's reluctance to venture into it. So we discussed other approaches. Rather than aggregating content, we could start with content curation. It's much simpler—we could manually select content to highlight each week or month. We could also consider smaller-scale recommendations: Or we could focus on automating cross-posting: RSS and newsletters today, automatic distribution to ATProto, Bluesky, Nostr tomorrow? There are other possibilities, and no decisions have been made yet. What would you do? If discoverability matters to you, what would be your ideal solution? Do you use Medium's or dev.to 's recommendations? Are you already cross-posting to federated networks? How do you start with only 140 users, of which maybe 10-15% are truly active? This is called the Cold Start problem. Moderation. Base moderation, handled by Bluesky itself. This first layer uses Ozone, an open-source moderation tool . It's configurable so users can set their own tolerance levels. This step catches universally unacceptable content (child abuse, incitement to violence, etc.) for which the platform can be held legally responsible. Optional moderation provided by independent labelers. These labelers can be built with an SDK and offered to users who choose them to customize their expected moderation. Related content suggestions at the bottom of articles Similar newsletter suggestions when users subscribe

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ava's blog 3 weeks ago

silly social media features i thought of

These aren’t genuine proposals to fix social media sites, but thought experiments that I wonder about in terms of how it would affect online discussion culture. Wouldn’t mind seeing it on alternative platforms that want to try out something new or weird, though. Social media site where you can’t leave a comment on a link submission until 12h have passed. Social media site where you only ever see one comment underneath a post that you can engage with, not all of them. Reply via email Published 21 Dec, 2025 Arose out of the realization that the immediacy of being first to comment something ruins things. People wanna be the first one to get the highest visibility, upvotes and attention, but those who rush to be first are only reading the title or only skimming for 20 seconds at best, which creates confusion and misinformation. Lots of people’s arguments in comment sections are already refuted in the original post or link, or they would know if they clicked around on the linked site. A cooldown period would enable more deep reading and time to think about the contents before writing a hot take. I know it would cut down on comments and post engagement, but is that necessarily bad if you are trying to build a good site that doesn’t make money off of toxic engagement? If you really want to comment on something, you’ll go back to do so. On a slow site, which would be preferable anyway, it would still be on top 12h later. Maybe that mechanism would make people realize that 99% of stuff probably doesn’t warrant a comment from them (especially since so, so many online comments just reiterate what was already said!) and that they’re fine letting it go after sitting through the initial discomfort of not being able to comment. Problem: You might not have seen it 12h ago, and could immediately comment if you see it late enough. Wondered if it should be “12h after seeing a post” instead. Would unlock the post at different times for everyone though, and don’t know if that’s good. Which one you see is random on first click, but then consistent for all other times you click on it as it is saved to your account. This ‘match’ stays until the post is archived. Then, everyone gets to see all comments and conversations. Logged out users get a random one each refresh. Reasoning: Big comment sections are overwhelming: You can get in there and beef with hundreds of people and have multiple conversations in different sub-threads and child comments at once, and I don’t think that’s good. Imagine in real life, just 100 people in the room all talking at each other at the same time. It’s too big, too much. No deep conversation possible because so many people quickly butt in with flippant short responses and will never fully read your comment or your replies. So, what about a link post on a Reddit/HN type of platform, and you see it got 1.300 comments, but when clicking on it, you get to make one top level comment, but also get matched with only one other top level comment? Means you’d have a conversation about the link content with two other people: One is responding to you (if you chose to comment and they chose to engage with you) and one is with another person that posted. There’s no huge sea of people, no people just butting in and derailing. Problem: Would probably feel like censorship to people if most others on the platform will never get to see their comment, as most won’t go back to an archived post to read it all. The interactions that do happen might feel more personal, but there will be less interaction overall.

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Manuel Moreale 3 weeks ago

On simple solutions

Every now and again, a post I read on Mastodon weeks ago pops back into my head. It said: We should keep the bigots out and let all the good normal folks in. It does sound simple, doesn’t it? Everything is such a shitshow. Why don’t we simply keep the bad ones out and let the good, normal ones in? This was in the context of social media, but why stop there, I wonder? This solution applies to everything. It’s so simple and effective. I keep thinking about this tweet because to me it embodies one of the core issues I have with general social media discourse: the lack of depth. The idea expressed in that single sentence is so devoid of details and substance that it is effectively meaningless. Call me insane, but I believe two things when it comes to the other ~10 billion human beings out there: The whole concept of being able to divide people into “the bigots” and “the good normal folks” sounds so insane to me. And by the way, I have zero doubts in my mind that I’d be left out and not be labeled as a “good normal folk” in this scenario. Thank you for keeping RSS alive. You're awesome. Email me :: Sign my guestbook :: Support for 1$/month :: See my generous supporters :: Subscribe to People and Blogs They are complex and multifaceted Their ideas and beliefs exist on a spectrum

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A Room of My Own 3 weeks ago

I Journaled My TV and Movie Watching for a Year

At the beginning of this year, I started tracking how much TV and how many movies I actually watch. Not because I wanted to optimise it, cut it down, or feel bad about it - I mean, I watch what I watch. I always have. It’s often my outlet, my decompression time, and we’re also a family that watches a show together with dinner in the evening (even though I’ve spent years trying to make “sit down at the table” our family thing). I try not to track everything (I can be/have been/am a compulsive tracker of many things). But a few things feel worth paying attention to. I already journal in Day One and keep a reading journal there for books ( in addition to Goodreads) , a habit I picked up after reading this blog post by Robert Breen . Related:  Keep a Book Journal with Day One and Apple Shortcuts 10 Reasons to Use Goodreads Tracking film and television felt like a natural extension of that practice, just another way of noticing how I spend my time. And somehow, I managed to stick with it for a full year. Whenever I watched something, I logged it. For TV shows, I noted the season, number of episodes, and average episode length. For movies, I recorded the basics. At the end of the year, I dropped everything into ChatGPT to get averages and totals. The result came to about sixteen days. At first, that number felt confronting. Sixteen full days of a year spent watching tv. But here is the actual excerpt from that exercise. Average runtime: 1.8 hours ≈ 430–450 episodes total Average episode length (weighted): ~42 minutes ≈ 305–315 hours That’s roughly: 15–16 full days 7–7.5 hours per week About 1 hour per day, averaged across the year And a kind ChatGPT comment I didn’t ask for: This isn’t actually excessive — especially considering how many long-form, narrative-heavy shows you watched (The Expanse, Parenthood, Silo). That kind of viewing is closer to reading novels than mindless scrolling. It’s also very seasonal: big immersion months, then quieter gaps. Not constant, not compulsive — more intentional than it might look on paper. ONE hour a day! That’s way below average. I don’t spend much/any time on social media. I don’t scroll endlessly or fall into algorithmic rabbit holes (I am so so mindful about that). I use Reddit occasionally when I’m researching something specific, but otherwise I’m careful about where my attention goes. Most of what I watched was long-form, narrative content: films, series, documentaries; chosen more or less deliberately, not consumed by default. That distinction matters. Tracking didn’t make me watch less; it made me watch more consciously. My system isn’t particularly elegant. I don’t use templates or ratings. I usually note what I watched, who I watched it with, a few words about whether I liked it or not  and basic details pulled from Wikipedia: the year, cast, director. If something sparks my interest like an interview, a review, a long-form article, I add that too. After seeing Nuremberg at the cinema, for example, I saved a Smithsonian piece that added depth to the experience. Writing things down shifted the experience from mostly consumption to something closer to engagement. Instead of shows blurring together and disappearing, they became moments with shape and memory.  This type of journaling practice is a way of being present with my experiences rather than letting them slip by unnoticed. Everything lives in Day One, dated and accompanied by a film poster (it just looks nicer like that in Day One if I want to view it in “Media” mode). What surprised me most wasn’t the number of hours, but how reassuring the practice felt. In a digital world designed to pull our attention in every direction, simply knowing how you spend your time is grounding. Mindful consumption doesn’t require perfection or abstinence, just awareness. I’ll probably keep tracking in the coming year, maybe with a few tweaks, maybe without. In the end, this isn’t about watching less. It’s about watching well. Everything I watched in 2025 (minus whatever I watch in the next few days of 2025) Movies: Tara Road , Gladiator , Red Sparrow , Burlesque , The Whole Truth , Promising Young Woman , I, Robot TV & Series: La Palma (limited series) Movies: The Last Witch Hunter , The Day After Tomorrow , The Mountain Between Us , I Feel Pretty , The Man from Earth: Holocene , Kinda Pregnant , Bridget Jones: Mad About the Boy , The Endless , Supernova TV & Series: New Amsterdam (Season 5), The Resident (Season 6), Obsession (miniseries), Apple Cider Vinegar (miniseries), The Search for Instagram’s Worst Con Artist (docuseries), Missing You (miniseries) Movies & Documentaries: American Murder: Gabby Petito , Gifted Hands: The Ben Carson Story , Black Bag TV & Series: Fire Country (Season 1) Movies: Time Cut , The Life List , The Amateur , Lonely Planet TV & Series: Zero Day (miniseries), Adolescence (miniseries), Matlock (Season 1), Fire Country (Seasons 2 & 3), The Swarm , The Expanse (Seasons 1–6), The Big Door Prize (Season 2) Movies & Documentaries: Seen TV & Series: Silo (Seasons 1 & 2), Cobra Kai (Season 6), Disclaimer (limited series), Locke & Key (Seasons 1–3), The Witcher: Blood Origin (limited series), The Four Seasons (Season 1) Movies & Documentaries: Ocean with David Attenborough , Sweethearts , Juror #2 , A Perfect Murder , Trap TV & Series: Loot (Season 2), Running Point (Season 1), Bob Hearts Abishola Movies: Godrich , Garfield , St. Vincent , A Man Called Otto , Forgetting Sarah Marshall TV & Series: Sirens (limited series), No Good Deed (limited series), Too Much (Season 1), Untamed (Season 1), The Signal (limited series), The Diplomat (Season 2), Pulse (Season 1), Little Disasters (limited series) Movies: The Old Guard , The Twits , Dinner for Schmucks TV & Series: Ghosts (Seasons 1–4), Dark Winds (Seasons 1–2), Elsbeth (Season 2), Mayfair Witches (Seasons 1–2) Movies: The Woman in Cabin 10 , Good Boys , A Merry Little Christmas , The House of Dynamite TV & Series: The Diplomat (Season 3), Nobody Wants This (Season 2), Parenthood (Seasons 1–6), All Her Fault (miniseries) Movies: Nuremberg TV & Series: The Beast in Me (miniseries), Boots (Season 1) Average runtime: 1.8 hours ≈ 430–450 episodes total Average episode length (weighted): ~42 minutes ≈ 305–315 hours 15–16 full days 7–7.5 hours per week About 1 hour per day, averaged across the year

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Rik Huijzer 3 weeks ago

The Bad News

Pastor Adam Fannin of Law of Liberty church had a good description of the news. He calls it the “bad news” because there is nothing good in it. Source: .

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Andy Bell 3 weeks ago

Wrapping up 2025 (sort of)

I’m doing my annual wrap up post early this year because I’m really tired and want to completely switch off for a couple of weeks. It’s time to spend some quality time with my lovely family. This isn’t my usual style of wrap-up. Consider this wrap up more of a call to action than a retrospective. Let’s get stuck in. We’ve watched our western legacy media and politicians alike say, “nothing to see here” while Palestinians have been massacred by Israel. In fact, our government in the UK has persecuted supporters of Palestinian rights, some of which are still on hunger strike while they are held on remand, awaiting trial. This is on top of the government’s complicity in genocide of course. We’ve also seen (only if you look) a horrifying genocide in Sudan that continues to decimate the population. We’ve watched our pathetic politicians and again, legacy media give ground to the far right and thin-skinned Billionaires . There’s been ample opportunities to change that direction and it’s not been taken. Personal, party affiliation and corporate interests are prioritised, as always. The mainstream political parties will not get us out of this. Give money and support to actual progressive parties. In the UK, the only valid choice is the Green Party as I see it. If we don’t fight back in 2026 — regardless of your political party affiliation — we’re fucked. Sports team politics helps only the rich and there are more of us than them. Never forget that and stop being comfortable with the status quo. There are more of us than them. AI — more accurately Large Language Models (LLMs) — are a disaster. Don’t come at me with your mealy-mouthed “but I really enjoy it.” Grow up and start being serious. Over a trillion USD has been pumped into this technology that works only some of the time and literally drives people to the point of suicide . Here, I collected some awful things throughout the year . Sorry in advance for making you furious. You’d think that people in the tech industry are smart and can see these problems and I wish I could agree. Instead we see sycophantic celebrations of this technology and continuing false claims that “this is the future” and “this is a game changer”. I agree in part about the future — you can’t put the LLM toothpaste back in the tube — but the bubble is not going to stay inflated. It can’t possibly do that, and you’ll see that fact if you just listen to people who know what they are talking about . We have to act against this technology to reduce the damage in the long term. It is our responsibility . It’s easy to call yourself an engineer but now, it’s time to actually be an engineer and act on your ethical responsibilities. Here’s what I’m asking people to do to take the “shine” off LLMs in the tech industry: Right now, it’s not a fair fight, especially as the vast majority of tech media appears to be “on side” with these AI companies. We have to change that as a collective unit. Support smaller, independent tech media and above all else, let’s organise . There’s been a bit of a culture of “I don’t need to bother doing that because of AI” and let me tell you — from someone who has been doing this stuff for nearly 20 years — that is a dangerous position to put yourself in. No single technology has surpassed the need for personal development and genuine human intelligence. You should always be getting incrementally better at what you do. Now, what I am not saying is that you should be doing work work out of hours. You are not paid enough and frankly, the industry does not value you enough. Value yourself by investing your time in skills that make you happy and fulfilled . Here’s some ideas: I must be clear here too. When I say improve your skills, I’m not saying you have to be designing and coding. We are humans and we have vast levels of intelligence and creativity. Our purpose is much more than coding. Embrace that in whatever form you want . Embrace art . By doing this, you’re bringing back your ability to be curious, your ability to be creative and your ability to improve. It’ll do wonders for the understandable feeling of helpfulness too. Don’t fall into the trap of chasing metrics. Write because you want to write. Paint because you want to paint. Create because you want to create. Let the art fulfil you . Don’t let likes, follows and page views ruin that for you. Fight the urge to turn personal projects into a money making and/or clout chasing venture. You should definitely do more designing, coding and learning to improve your professional skills, but it is your boss’s responsibility to give you the time and resources to improve those. If you are a boss reading this who doesn’t do that: you are wrong and your staff will leave unless you change that. “AI” won’t save you here. I hope you have a restful holiday period. I want to thank everyone who has supported Piccalilli , Set Studio and my work this year. It means everything to me and next year, expect to see a lot more. I’ve written more about that in the Piccalilli year in review . It’s rosier, I promise. Thank you to everyone that responded to my post on how hard this year has been too. I’m delighted to say that our Black Friday sales shot up and we’ve got some really good client work to get stuck into next year. To everyone I spoke to who’s also had a really hard year, I truly hope things have picked up for you too. Let’s all help and support each other in 2026, onwards. Please make sure you rest up and spend time with the people you love and the people that make you happy. I know that’s what I’m going to be doing. I’ve got a couple of Professional Obligations™ to do, then clocking off now for the year to enjoy the holidays with my family. Although I’m angry at the industry and the global situation, I feel like I’m in a much better headspace than I thought I would be in at this point. There have been lots of positives throughout the year, especially with Piccalilli . Next year will be very different for me. I want to do more making . I design so little and write so little code now and I’m starting to feel really rusty. That changes in 2026. Less spreadsheets and more CSS. I’m also going on a speaking hiatus with minimal conference attendance. The conference circuit won’t miss yet another white guy. I’ve done way too much this year, so a year off will do me good. Anyway, let’s all come back in 2026 refreshed and take these motherfuckers down . Constantly and consistently post when it goes wrong. This could be on your blog or social media. Post anyway . When people (especially people who are paid to peddle this technology) post claims: challenge them to provide evidence and prove their claims. It might sound harsh, but it’s long overdue that “thought leaders” in our industry are held to account for the effects of their influence. Create a culture of shame for AI boosting. Never forgive and especially never forget those who have boosted and vocally supported this technology . Unless there are consequences, we’ll continue to have hype cycles like crypto, NFTs and now, LLMs. We have the power to break the cycle of cycles in our vast numbers. Stop paying for AI services. Make yourself, and maintain a personal website Make random stuff that makes you happy Find a creative outlet that you really enjoy Find other people’s creative outlets then celebrate and enjoy with them Spend less time scrolling timelines and chasing metrics. Spend more time embracing the things that you love Participate in smaller communities that bring you joy and support. Delete your Twitter account while you’re at it

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Jim Nielsen 3 weeks ago

You Might Also Like: My Notes Blog

If you subscribe to this blog, you must like it — right? I mean, you are subscribed to it. And if you like this blog, you might also like my notes blog . It’s where I take short notes of what I read, watch, listen to, or otherwise consume, add my two cents, and fire it off into the void of the internet. It’s sort of like a “link blog” but I’m not necessarily recommending everything I link to. It’s more of “This excerpt stood out to me in some way, here’s my thoughts on why.” It’s nice to have a place where I can jot down a few notes, fire off my reaction, and nobody can respond to it lol. At least, not in any easy, friction-less way. You’d have to go out of your way to read my commentary, find my contact info, and fire off a message (critiquing or praising). That’s how I like it. Cuts through the noise. Anyway, this is all a long way of saying: if you didn’t already know about my notes blog, you might like it. Check it out or subscribe . Today, for example, I posted lots of grumpy commentary. Reply via: Email · Mastodon · Bluesky https://notes.jim-nielsen.com/#2025-12-18T1130 https://notes.jim-nielsen.com/#2025-12-18T1128 https://notes.jim-nielsen.com/#2025-12-18T1136

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マリウス 3 weeks ago

The Mysterious Forces Steering Views on Hacker News

I was initially torn about whether to publish this story, as I don’t have a clear or constructive recommendation on how to resolve the issue. I also didn’t want to come across as a paranoid conspiracy theorist – birds aren’t real, by the way. However, after repeatedly witnessing firsthand how Y Combinator’s Hacker News platform influences the spread of information and, consequently, opinions within the tech scene , I believe this topic deserves to be discussed, even if only briefly. I approached this subject rationally, aiming to explain certain metrics I observed in my log files. I began exploring the Hacker News algorithms , along with related posts by other authors and, naturally, the comment sections of those discussions . Although I hadn’t previously delved into the topic, the deeper I went, the more I realized it wasn’t just a case of me being overly paranoid or seeing ghosts . It became increasingly clear that some form of censorship , whether through subtle slowing or outright blocking , does seem to be a recurring issue on the Hacker News platform. By censorship , I don’t mean the removal of deceptive or harmful content, but rather the suppression of factual material that happens to be critical of, let’s say, friends of Y Combinator . I began writing this post after noticing unusual behavior when another one of my articles was shared on Hacker News . It triggered an immediate spike in traffic, which then dropped off abruptly for no apparent reason. While the post in question appeared to resonate with many readers, it rapidly fell from the top ranks of the Hacker News front page to the second, then third, and within minutes to the fourth page. The decline was so sudden that even the very people whose product my post was criticizing, and who understandably weren’t pleased with it, stepped in to dispute any claims of censorship . Nevertheless, the data from my analytics clearly shows a traffic chart in a shape that couldn’t be further from being organic , leading to the assumption that the post was demoted from the front page both sharply and deliberately. Note: The Element CEO’s comment reads: neither YC nor any YC-intermediary is an investor in NV This statement, however, doesn’t appear to be factually true. Protocol Labs , who is the lead investor of the Series B funding round of Element ( New Vector ), was initially founded as part of the Y Combinator S14 program . This means that Y Combinator invested money into Protocol Labs , who in turn is a lead investor in New Vector , the company behind Element . One could argue that there is in fact an interest by Y Combinator , or at the very least by their friends over at Protocol Labs to protect Element from negative publicity – if you can even call my post that. Similarly, I analyzed gigabytes of log files and traffic behavior for another post of mine that gathered some attention on news.ycombinator.com just recently. In this case, however, the censorship became more evident, even to the casual reader on Hacker News . If you’re looking at the post today, though, you might not fully understand the comments, as the post is clearly no longer flagged . This critical deep dive into a specific project by a well-known tech figure took off within minutes of being shared on Hacker News . My analytics immediately alerted me to a surge in traffic, which is when I first noticed. The post reached the Top 5 list ( on X ) on Hacker News ’ front page within minutes, accumulating over 40 upvotes in a short period. Then, abruptly, the traffic came to a complete stop when the post was suddenly flagged by Hacker News for no apparent reason. Even though the post was flagged and essentially became invisible on the platform, community interest remained so high that the post went from about 50 upvotes to over 100, all while still being effectively censored. It wasn’t until several hours later (amid puzzled comments from the HN community and others) that Hacker News seemingly decided to silently unflag the post, as if nothing had ever happened and the post simply didn’t gain a lot of traction. And it worked: The post had dropped from the visible ranks and wasn’t going to return. Hacker News had effectively stopped it at just the right the moment, when it could have gained serious traction, as it was scrutinizing a project tied to a prominent and influential tech figure. While the post was picked up by Lobsters and spread further, attracting many views and, more importantly, thoughtful responses, its reach didn’t come close to matching the influence of what seems to be the most powerful tech aggregator on the internet. Hacker News is neither unbiased nor free from censorship. While it generally remains hands-off with neutral content, the moment a post that’s critical or even just slightly negative towards projects or companies affiliated with Y Combinator (either directly or indirectly) gains traction, the platform’s moderation team will seemingly step in to significantly limit its reach. Unfortunately, I don’t believe there’s anything the community can do about this, as Hacker News has maintained its position as a leading tech news institution for years, with little competition on the horizon. As search engines continue their decline and are increasingly replaced by similarly censored LLMs, the discoverability of tech content, especially slightly more critical pieces, is likely to become a significant challenge in the future. My only advice is to keep in mind that, whenever you find yourself browsing Hacker News , you’re seeing a curated view of the current tech landscape that won’t necessarily represent the full picture.

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fLaMEd fury 4 weeks ago

What Music Ownership Means to Me

What’s going on, Internet? If a song isn’t available on Spotify or Apple Music, a lot of people these days assume it isn’t an official release. I reckon that idea is wrong. Digital Streaming Platforms (DSPs) are not archives. They’re digital storefronts. What you see is a product that depends on licensing, timing, and deals, not history. Availability gets confused with legitimacy, and anything missing is treated like it never existed or as some kind of lost media. Streaming platforms are not archives. They are storefronts with licensing constraints. Availability is not authorship. Absence is not “unreleased”. This has quietly changed how people think about music. Not how they listen, but how they decide what’s official. If it’s not on a DSP, for a lot of people, it may as well not exist. One of my favourite Eminem songs is Bad Influence . It’s an official track from the MMLP era. It appeared on the End of Days soundtrack and was also a B-side on The Real Slim Shady single , which I owned on CD back in the day. Pretty sure it’s still in a box in storage - I’ll let you know if I find it. Today it sits in a weird place. Check out the MusicThread generated links . Apple Music has the soundtrack and lets me preview the song, but I’ve got no idea if the full track is actually available because I don’t have an account. Spotify lists the soundtrack but won’t play it in my region. Other services break or don’t surface it at all. Depending on where you look, the song both exists and doesn’t. Nothing about the song has changed. It didn’t suddenly become officially released when the sound track showed up on streaming, and won’t become unofficial when it dissapears again. The only thing that changes is what people think of it. Sometimes music doesn’t even get that half availble treatment. I recently wrote about the one and only album from the New Zealand band Atlas. Reasons for Voyaging was released in 2007. A proper release from a real band on a major label (Warner Bros. Records), on CD. The single Crawling climbed to the top of the NZ charts and received the full music video treatment. It was a huge tune in NZ at the time. It landed at an awkward moment, right as music was shifting from physical to digital, and was never licensed for streaming platforms. As a result, it’s now genuinely hard to find. Unless you know to check local libraries and hope there’s still a CD sitting in a basement somewhere. Not because it was unofficial. Not because it wasn’t good. Just because it fell between the cracks. Lol. That’s the risk when DSPs are treated as the record of what exists. They’re not preserving music. They’re selling access to whatever they can get licensed. They exist to benefit whoever is funding them, not the artists. This is why music ownership still matters to me. Not in a “vinyl is better” way, and not as a rejection of streaming entirely. I stream music all the time. Just not from DSPs. I stream from my own home server, from a digital library I’ve built over time, made up of music I actually own. That difference matters. Streaming as a way of playing music is fine. Streaming as a replacement for owning is what I don’t trust. At the end of the day it’s rented access, and the artists aren’t benefiting most of the time either. Stuff comes and goes. Tracks get greyed out. Albums dissapear. Licensing, regional, business, exclusivity deals. None of that has anything to do with the music itself. Steph Vee recently posted, Delete Spotify, sure, but don’t just replace it with another subscription . Same idea really. Ditching Spotify doesn’t mean much if all you’ve done is rent your music from someone else instead. When I own something, it’s there. No “unavailable in your region”. No wondering if it’ll exist next year. No egomaniac rapper changing the album post release, lol. I’m also not interested in hoarding music just for the sake of it. Loading up a server with ten thousand albums I’ve never listened to, or never will, isn’t collecting. That’s just noise. Digital hoarding without backups is fake ownership, and hoarding without listening is pointless to me. I collect muisic I care about , espeically on vinyl. Stuff I’ve lived with. Albums tied to certain times, places, and memories. If those memories matter to me, I don’t want them at the mercy of a streaming licence. So how do I actually go about getting my music? I try to buy music as close to the artist as possible. If an artist has an official website, I’ll check there first. If I’m going to a gig, I’ll wait and see if they’ve got vinyl available. If there’s a direct way to buy the music, that’s the path I’ll take every time. Bandcamp often fits nicely into that. If I’m still after the vinyl and Bandcamp is the closest thing to an official storefront, I’ll go there. It’s ideal. I get the record and a digital copy at the same time. The vinyl is nice to own, and the digital files go onto my home server and are what I listen to day to day. I’ll usually save things in my cart until a Bandcamp Friday lands so as much money as possible goes to the artist rather than the platform. If I’m buying records from a local store or retailer, I’ll usually grab a digital copy elsewhere. Sometimes that means Bandcamp, sometimes an official store, sometimes as AI training data, lol. The goal is always the same. Own the music. Don’t rely on a platform. If there isn’t a clear option, I’ve even reached out directly. I did this recently with local artist Niamh Crooks . She had CD copies of her EP that weren’t for sale on her website, so I bank transferred some cash and she posted a signed copy. Pretty cool. She also promised to look into setting up on Bandcamp. Yeah, sometimes there just isn’t an official path at all. No Bandcamp. No store. No label link. Just a link page pointing at those damn DSPs. In those cases I’ll grab the album as AI training data, add it to my library, and carry on with life. Once it’s in my library, it lives on my home server and I stream it from there. Same convenience as the DSPs, but without the shenanigans and with the reassurance tat what I’m listening to today will still be there next week. For the really special albums, they’re added to the record collection . Not everything needs to be owned on vinyl, but the stuff that means the most to me deserves a physical presence. Okay, I do have some dumb records in there too, just because I can. I’m not trying to convince anyone to cancel their streaming subscriptions or start a vinyl collection. That’s fine, you do you. This is just what music means to me. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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Jim Nielsen 4 weeks ago

The “A” in “AI” Stands For Amnesia

My last article was blogging off Jeremey’s article which blogged off Chris’ article and, after publishing, a reader tipped me off to the Gell-Mann amnesia effect which sounds an awful lot like Chris’ “Jeopardy Phenomenon”. Here’s Wikipedia: The Gell-Mann amnesia effect is a cognitive bias describing the tendency of individuals to critically assess media reports in a domain they are knowledgeable about, yet continue to trust reporting in other areas despite recognizing similar potential inaccuracies. According to Wikipedia, the concept was named by Michael Crichton because of conversation he once had with physicist Murray Gell-Mann (humorously, he said by associating a famous name to the concept he could imply greater importance to it — and himself — than otherwise possible). Here’s Crichton: you read with exasperation or amusement the multiple errors in a story—and then turn the page to national or international affairs, and read with renewed interest as if the rest of the newspaper was somehow more accurate about far-off Palestine than it was about the story you just read. You turn the page, and forget what you know. He argues that this effect doesn’t seem to translate to other aspects of our lives. The courts, for example, have a related concept of “false in one thing, false in everything” . Even in ordinary life, Crichton says, “if somebody consistently exaggerates or lies to you, you soon discount everything they say”. In other words: if your credibility takes a hit in one area, it’s gonna take a hit across the board. At least, that’s his line of reasoning. It’s kind of fascinating to think about this in our current moment of AI. Allow me to re-phrase Crichton. You read with exasperation the multiple errors in AI’s “answer”, then start a new chat and read with renewed interest and faith as if the next “answer” is somehow more accurate than the last. You start a new prompt and forget what you know. If a friend, acquaintance, or family member were to consistently exaggerate or lie to you, you’d quickly adopt a posture of discounting everything they say. But with AI — which even comes with a surgeon general’s warning, e.g. “AI can make mistakes. Check important info.” — we forgive and forget. Forget. Maybe that’s the keyword for our behavior. It is for Crichton: The only possible explanation for our behavior is amnesia. Reply via: Email · Mastodon · Bluesky

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Stratechery 1 months ago

2025.50: Netflix and a Hollywood Chill

Welcome back to This Week in Stratechery! As a reminder, each week, every Friday, we’re sending out this overview of content in the Stratechery bundle; highlighted links are free for everyone . Additionally, you have complete control over what we send to you. If you don’t want to receive This Week in Stratechery emails (there is no podcast), please uncheck the box in your delivery settings . On that note, here were a few of our favorites this week. This week’s Stratechery video is on Google, Nvidia, and OpenAI . Why Does Netflix Want Warner? There are an entire category of stories that are shocking but, after a few moments, not surprising; Netflix buying one of Hollywood’s most iconic studios was not necessarily shocking — it’s been rumored for a few months — but it is surprising. Netflix dominates paid streaming distribution; why do they need to get into production as well? Both Andrew and I offer our theories of the case on Stratechery and Sharp Text , and we debated the same on this week’s episode of Sharp Tech . For me, the biggest answer is what’s becoming a theme: the specter of Google, in this case YouTube. — Ben Thompson And a Bit More Netflix.  I love every Michael Nathanson interview on Stratechery, because the conversations are equal parts substance and chummy chemistry as two old friends size up the media landscape. Needless to say, this was a very good week for an extended conversation about the entertainment business , and I was delighted to see the transcript land in my inbox on Sunday night (yes, I get advance copies). Come for ribbing about previous long-running Netflix debates, and stay for two friends grappling with the logic of the deal for Netflix, regulatory questions to come, and the implications for show business. The interview is as timely this weekend as it was earlier this week, as all the questions surrounding this deal remain very much unresolved!  — Andrew Sharp All About Flighty.  If you’re a Stratechery reader or Sharp Tech listener, you’re probably familiar with Flighty , a flight-tracking app that Ben finds an excuse to recommend at least once a month. This week Ben interviewed the Flighty CEO, Ryan Jones , and we got the full backstory on how Jones went from the oil industry to Apple, how the Flighty app came to exist, and what its future looks like in the modern app environment. The interview is a fun conversation between two nerds who like building things, but more than that, the Flighty story is worth appreciating as a reminder of what tech can be at its best: a business identifies a problem, uses technology to fix it, and makes life better for everyone.  — AS Netflix and the Hollywood End Game — Netflix is driving the Hollywood end game, likely confident it can increase the value of IP, and fend off YouTube. An Emergency Interview with Michael Nathanson About Netflix’s Acquisition of Warner Bros. — An interview with MoffettNathanson’s Michael Nathanson about Netflix’s acquisition of Warner Bros. and the Hollywood end game. Trump Allows H200 Sales to China, The Sliding Scale, A Good Decision — The Trump administration has effectively unwound the Biden era chip controls by selling the H200 to China; I agree with the decision, which is a return to longstanding U.S. policy. An Interview with Ryan Jones About Flighty and Building Apps in 2025 — An interview with Ryan Jones about Flighty, my favorite iOS app, and how the App Store has evolved over the last 15 years. Netflix and the Flattening of Everything — Whether the $72 billion Warner Brothers deal closes or not, the era of Netflix as big tech Switzlerland is now over. Netflix Buys Warner Bros. State Department Serifs Legends of the RISC Wars From Wheat to Cherries in Chile Trump’s Plan to Sell Advanced Chips to China; U.S. Concessions Piling Up Amid a Push for ‘Stability’; Macron and the EU Conundrum A Cup Week Mailbag: LeStreak, The Pat Spencer Revolution, Bucks PhDs, SVG on Jokic, and Lots More Netflix Opportunities and Anxieties, Merger Hurdles to Come, Hollywood’s Endgame and What Comes Next

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