Posts in Music (20 found)
Unsung 3 days ago

“They take time. Put in the time.”

À propos the last post , from music editor Marc Weidenbaum : The first is don’t let anyone or anything, or anything acting like anyone, or anyone promoting anything, convince you that craft is outdated or will ever be outdated; you will only improve, only make the sounds you imagine in your mind’s ear and feel in yourself, by working steadily to achieve them. Also recognize that expected paths lead to unlikely ends the more patiently and curiously, guided by instinct and experience, you walk those paths. There is always an excuse to not put in the work. If you allow “AI” (I put it in quotes because it’s less a specific thing, in this context, than what is often cast as, to borrow a historical term, a specter) to become that excuse, well, it’s unfortunate, but there would have been other excuses. So, the best thing to do is put the threat you may perceive from AI in a tidy little box full of all those other excuses, don’t distinguish it from them, and get to work. […] I’ll close now as I opened, with the bad news. These two suggestions, you may have noted, have something in common: they don’t happen instantly, at the push of a button. They take time. Put in the time. (Quote discovered via Robin Sloan’s newsletter .)

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Jason Scheirer 2 weeks ago

A Revival of Sorts: Where I Wound up With my iPod Classic 7th Gen

I’ve been using my iPod classic as my sole music player all summer now. The replaced screen, battery, storage, and front shell are all steady. I’ve found myself on an alternate build of Rockbox called Rockpod ; the main thing I like about it is very superficial: it changes the theme colors based on the playing track’s album art. It also claims other features that probably matter like being flash-aware so it treats flash storage like flash and not like spinning metal. However, the firmware also chokes on MP3s that are not 44kbps. So I have to re-encode everything that isn’t that bitrate. So now I have a system that works: I’m not a huge fan of LLMs, but they can reduce toil in some cases. OpenCode was running a free trial of Ox Alpha one long weekend so I used the free tokens to help me shape my itch-scratch tool: . I use the script to see what files are missing from the iPod, re-encodes them as needed, and checks Musicbrainz for missing album art. It can also update the stock firmware’s itunesdb, which was a nice to have when the tokens were free but I don’t use much. In all, this piece of 2005 technology still feels good to use in 2026 because everything in 2026 sucks so badly . Reboot the iPod in stock firmware for disk use (it randomly trips on its feet and stops working when you copy lots of files) Treat the music library not as a synced copy of my core music library but a transformed copy – the Rhythmbox library is the point of truth and the iPod data is an adaptation of it that plays on the iPod.

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Brain Baking 2 weeks ago

October Is Spooky Video Game Month

It’s just two days shy of being October, the spookiest month of the year. October does not just signify Inktober or any other compound word involving the name of the month. No; October means playing Mega Ran, Richie Branson & Kadesh Flow’s Ghouls ‘N Ghosts albums on repeat ( we’re the kings of the night; GnG resurrected ). I have high hopes of them releasing album number five, but in the meantime, just listen to a few tracks of the latest album and you’ll know why it’s part of the October canon: The first song on the album is a rearrangement of a classic Castlevania track—something Mega Ran loves to do and I love to listen to. The lyrics of the linked track—nr. 2; Make It Out (Siren Head) —set the tone of a dark haunted castle that, once entered, refuses to let you go: Too much time trying to get away Eerie sounds almost had me swayed Thinking there was someone to save Got me dodging an early grave […] I don’t know if I’ll make it out (4x) But Lord knows I’m trying Speaking of which; why don’t we all play as many Castlevania games as we can in October? We’ve got two things to celebrate: the spooky season (and thus the harvest of ample of pumpkins I guess) and the arrival of Castlevania: Belmont’s Curse , a new 2D entry in the mainline series! If you don’t count Igarashi’s Bloodstained series as a mainline Castlevania game, it’s been since Order of Ecclesia in 2008—18 years ago—that we ‘Vania fans are being treated to a brand new 2D metroidvania game. I’m not counting 2009’s The Adventure ReBirth ; the remake of the 1989 Game Boy game; nor 2024’s Haunted Castle Revisited ; the remake of the 1987 arcade game. Yet perhaps it is worth it to paste in a flyer for the arcade game to help get you into a creepy mood. Haunted Castle: Re-Vamp An Old Game With This New Kit! 1 To 2 Players. Doesn’t that penetrating gaze from the beautifully dressed woman kneeling next to a grave marked as “STONE” without getting a single spot of dirt on her very visible shiny legs send a chill down your spine? Or send anything down anything else? How about the gaze of Dracula himself, staring dangerously looking into the foggy distance, or rather, having this I-need-to-pee look? That was the late eighties—they don’t make them anymore like this. But no worries: they are still making a Castlevania game! Someone at Konami finally resurrected the genre after realising that this could be a sure way to fill the coffins back up with lots of cold hard cash; needed for research purposes to do execute some more cross-breeding vampire-werewolf-human experiments. I don’t understand why they realised it so late but better late than never. The Castlevania Collections on multiple platforms are still selling well; shouldn’t that be an indication for an appetite for more? In any case, I will enter October prepared. I already went ahead and played a couple of 16-bit entries that I somehow missed, such as Bloodlines on the MegaDrive and Vampire’s Kiss on the SNES. I play Aria of Sorrow each year: to me, it’s simply the best game in the series, and one of the best games ever created. It executes every typical ‘Vania mechanic flawlessly, has a soundtrack that just slaps, and doesn’t outstay its welcome. Obviously, it’s in my Top 20 GOAT list . Yet for being such a fan of the more “modern” metroidvania adaptations the series evolved towards after Rondo of Blood , I have never truly finished thé most important entry: Symphony of the Night . I wasn’t a Sony/PlayStation kind of person and even after finally having access to it through a hidden unlockable in the Dracula X Chronicles remake on the PSP, I had other more pressing things to do such as trying to figure out how this thing called working works. The game arrived in Europe a year after I graduated. Each year in October, we at the DOS Game Club play a spooky DOS game . Last year, that was Halloween Harry . In two days, you can join us playing Legacy: Realm of Terror . In Legacy , you explore yet another spooky mansion—this time not Dracula’s, but from someone or something much worse: something that serves as a gateway to ancient eldritch horrors. Why don’t you create your own spooky video game backlog to try and work through in the upcoming month? Here’s mine: I don’t expect to finish them all but if you are interested in exploring the Castlevania series, I do recommend to just start with the beginning. The original “classicvania” stage-based games are very short—but also very hard: that was the accepted way to artificially prolong the game length in the eighties/nineties. Play them through the Anniversary Collection or en emulator that features save states in case you get frustrated by bats knocking you off staircases. Trust me, you will. There are enough “best ‘Vania games” lists floating around on the internet. For me, the GBA and DS games are firmly placed at the top. Skip a game if it doesn’t click with you in thirty minutes. Enjoy whipping and be whipped by Death! And don’t forget to make good use of the bathroom if you suddenly find yourself staring at the distance. Related topics: / games / By Wouter Groeneveld on 29 September 2026.  Reply via email . Castlevania: Dracula X Chronicles (the Rondo of Blood PSP remake) Castlevania: Symphony of the Night Diablo II: Resurrected (I’ve played the original to death and feel the sudden urge to do a few more Mephisto hell runs. Plus, the new class looks amazing: official new content in a game that’s basically 26 years old!)

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Chris Coyier 2 weeks ago

Banjos in the Woods

Went camping with Adam. He blogged it because blogging rules. His post has some videos we did kinda right when we got there for a memento. Here’s a couple of those same songs in shorter clips smooshed together. View this post on Instagram

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Chris Coyier 3 weeks ago

Bass

I bought a standup bass back in June! I set up a Facebook Marketplace alert for them, and it actually worked; a good option came up. It feels like Craigslist and Facebook Marketplace are the only options for local sales online, and it’s been that way for a long time. And Craigslist sucks? It used to be this site super fancy people would point to and say see, design doesn’t actually matter that much. Sure, ok, fine. Well, Craigslist still looks like shit, and it’s riddled with scams. I can’t believe it still exists, honestly, but I also completely understand the absolutely no-Facebook people, so I guess I’m glad it does, even if it’s not for me. The woman selling the bass was named “Kay” which I found very funny, because Kay basses are very expensive and sought-after vintage instruments, which this was definitely not. I don’t even really know what this bass is. It was made in China. It’s… a bass. Notably, it’s a 1/2 size bass. Most standup basses are 3/4 size, so this is a bit smaller. It fits in the passenger seat of my van, which I like. The bass was Kay’s COVID project that didn’t materialize. Totally get it. She wanted $800, and I didn’t haggle. So it’s mine now. I don’t even have a case for it; I just lug it around as-is. I’m not very precious about instruments, but this bass feels extra hearty and can handle it. I’m already a passable bass player in Americana-esque music. But I wanted to get better, and it’s nice to, ya know, actually have a bass to practice with. I also like having it because it’s a rare-ish instrument to have handy, so I feel extra welcome at jams and the like when I have it, rather than being yet another guitar, banjo, or whatever else. Plus, I just leave it lying around at festivals, and other people can pick it up and run with it. OK — end of story. I have a bass now. I put it on the timeline .

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fLaMEd fury 3 weeks ago

London Hardhouse Reunion 2026

What’s going on, Internet? Later post. Write me. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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Andy Bell 4 weeks ago

An RSS feed for a daily album recommendation

My music collection is ever-growing and I have a habit of listening to the same stuff on repeat. Mostly, it’s overwhelm-related because as you can see by this album covers view , there’s a lot to choose from. I thought RSS could be useful here, so I wrote a little feed that picks a random album, each day, then serves that as the single RSS item. This works great because my RSS reader, Feedbin will happily build those up if I don’t get around to checking. Try it for yourself . You might discover something you love!

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Chris Coyier 1 months ago

46

It’s my birthday! Well, it was a couple of days ago. I was busy . Here’s an element that I made all by myself. People that make things interesting are so cool. I’m super down to go to a Renaissance Fair. Vouri t-shirts are the best. Their socks suck. Smart wool is the way there. I can’t get enough of that banjo+fiddle sound. Just listen to Ducks on the Millpond on Rayna Gellert’s Ways of the World album. Then the way the guitar and bass come in about 30 seconds in. Gold. Twin fiddles is sick too. Listen to Spencer & Rains do Apple Blossoms . Unreal. You should have a lucky belt. At least hippies smiled a lot. I bought a safe once. One day I couldn’t get it open despite knowing the code and it trying to open. It just wouldn’t unlatch fully. One day, mercifully, I got it open. Then I took the safe to the dump. End of story. It all sounds about the same until you learn about it. Where have all the designers gone? I get intense tingles (literally: back of neck) when I briefly witness little beautiful slices of life. Like a kid and his grandma sitting on a park bench. Or someone tossing a congratulations banner over a fence as I drive way. Making fun of sports is boring. Everybody is into fashion in their own way. Changing your mind is cool. We should all probably work on friendships. Microwave cheese curds for like 7 seconds. I love it when people have some ultra-niche thing they dislike. Dance boatman dance. The best pizza is a tavern-style cracker crust. Sausage & jalapeño with a little Italian seasoning. I wanna be really sure before I put something on my body for the rest of my life!! Borrringg. Just get the tattoo. The city flag of Milwaukee still sucks and it’s still badass that the people embrace their own . Everybody looks dumb in shorts. Everybody looks like an asshole in sunglasses. “I guess I feel like most people do. Like I’ve got two good folk albums in me.” What is that from?! I think I’m ready to forgive LOST. It really bugged me that they actually didn’t have an intelligent master plan for where it was going. That feels more relatable to me now. The documentary was good. You can make the things you’re interested in interesting for others . That’s how you make friends, by the way, or avoid the right people. Do the stuff that you can only do where you are. Experiencing kids grow up is such a joy. Their understanding of things and capabilities grow so fast. Be the guy who always has some cash. Maybe even a couple coins. Be yourself is such great advice and amazingly hard to act on. I like that feeling when I’m so productive by like 10am it would be a solid day if I clocked out right then. Lemme see that enthusiasm. I don’t think any amount of Wegovy can make an orange soda taste bad. Say yes to your friends. Making shit is the coolest thing you can do. But maybe the new coolest thing you can do is actually care for the things you make for the long haul. I like the old adage: You want something done? Ask someone busy. That reminds me of how you only want to go to busy buffets. The 1904 Olympic marathon was hilarious. Every time I see someone running I’m like good for you buddy. The great secret of camping is that it’s actually pretty boring. That can force you to come up with activities that are authentically fun. You could learn to play passable bluegrass bass in a day. Sometimes I get super nervous that someday the US government is really going to fuck with the web. Like they are going to decide they just don’t have enough control over it and are going to get really heavy-handed somehow. Feels like a miracle it hasn’t happened yet. There are so many “inventions” that are way worse at killing flies than a flyswatter. It’s time for a re-evaluation if you’re getting real worked up over how someone else is living. Fuck cancer Go PRO on CodePen .

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fLaMEd fury 2 months ago

Miley Cyrus, what's going on?

What’s going on, Internet? I jumped on YouTube and found six new Miley Cyrus videos sitting there waiting for me. Six of them. Was this the rollout of a new album? Why hadn’t I heard about this already? It wasn’t. They’re just videos for Something Beautiful , last year’s record, and they’re the last pieces of the pop opera film that went with it. I caught the film when it came out last year in the theatre but never came back to the album. These were all released 17 hours ago, when were they made? Is she just emptying the vault before a new rollout? Let’s have a quick surf around the web to see what’s going on. She’s had a big week, is what’s going on. On the 27th she guest edited Wonderland’s summer issue . Next day she signed to Atlantic . Columbia’s done after Endless Summer Vacation and Something Beautiful. Four days after that, six videos. Turns out it’s just a clear out. Everything left over gets dumped on YouTube. The next one will be her tenth. Something Beautiful was an experimental album, will the tenth be similar? Who knows. She’s never really made the same record twice. Good for her, but it’s also why I keep going back to my favourites. Not the new album I got excited about, then. Here are the six new videos. Something Beautiful never lived up to Plastic Hearts for me, and I kinda just want more of that, but I doubt it. Either way, I’m here for the next era. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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Unsung 2 months ago

A time machine in Logic Pro

A nice moment in Logic Pro, a music app. Like with most such apps, you can press R to record you playing an instrument. However, if you forgot to play record, or were just goofing around and stumbled upon something wonderful, you can press ⇧R and the recording will appear anyway, as if you had a time machine. This is a quick TikTok video showing it in action: = 3x)" srcset="https://unsung.aresluna.org/_media/a-time-machine-in-logic-pro/tt1-play.1600w.avif" type="image/avif"> The feature is called Flashback Capture. Of course, just like with undo send , this is no magic. The app is always recording the events quietly, and then offers you to make them “real” if you want. I dug around and found a support document that offers a rare view into the mechanics of this feature, which are slightly more sophisticated than I imagined: When playback is stopped, Flashback Capture creates a separate region containing all the MIDI events received since the last playback. However, after a pause of 20 seconds between incoming MIDI events, those initial MIDI events before the pause are discarded. If when playback is stopped, you perform some MIDI events and then pause for 1.5 bars or longer, those initial notes aren’t included in the visible part of your region. If you do want those MIDI events to be included in the created region, you can drag the left region boundary to expose them. What it seems to say is: This seems like a good and thoughtful feature that prevents data loss, a sort of magical “reverse redo.” (Thank you to Chris Krycho for telling me about this feature, which is apparently also available in other music apps, e.g. Cubase and Dorico.) #above and beyond #details #errors #preview #undo If there is a longer pause within your play, the notes are still recovered, but hidden. You can always drag to reveal them, but in effect, only the most recent of your notes are immediately visible – a nice touch. (The moment you start dragging, it also shows you a quick preview of where you’re going, which is also thoughtful!) If the pause is 20 seconds or more, all the notes before that pause are no longer preserved – presumably to prevent too much wasted data in your file. However, after you stop playing, you have infinite time to invoke Flashback Capture and recover the notes.

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fLaMEd fury 3 months ago

There And Back Again

What’s going on, Internet? This was meant to be the April wrap-up. It’s now the middle of July, so let’s call it the autumn-into-winter wrap-up and pretend that was the plan all along, lol. Autumn kicked off with Easter down in Martinborough and a batch of hot cross buns . I managed to get to three gigs in three months: MGK at Spark Arena , Split Enz at Spark Arena , and a solo night out for Home Brew performing Last Week at the Auckland Town Hall . I’m so happy I got to see Home Brew perform live, finally after all these years. Auckland has been really good for me being able to get out to gigs more frequently. More recently, this month we escaped a rainy afternoon at Kelly Tarlton’s . The following weekend we headed south to Butterfly Creek and spent the afternoon there. My first time visiting and really enjoyed it. It’s part butterfly sanctuary, part farm, part zoo, part adventure playground, and part dinosaur kingdom, lol. There’s a lot going on. We spent around 30 minutes in the butterfly house while my son stood super still in an attempt to have a butterfly land on him. So cute, but didn’t work out for him this time. Then finally the weekend just been we spent a long weekend on Waiheke for Matariki . We spent Friday on the beach, hot chocolate and fluffies at the beach cafe, late lunch at The HEKE, and a bus trip to Oneroa for ice cream. Saturday we spent the morning at the Ostend Markets, back to the beach, then back to the beach cafe for an early dinner and to watch the All Blacks Italy game. When I last wrote about books, it was all about reading eBooks again . Since then I’ve got through nine books, with only A Darkness Returns being an eBook. Highlights of these books were The New Girl and Leave Before You Go by Emily Perkins, Platform Decay by Martha Wells and the return to James S. A. Corey’s new universe The Faith of Beasts . I also read The Lean Startup , Blood Ties , Famesick , Don’t Burn Anyone at the Stake Today but mostly didn’t finish these. The record shelf did some damage this quarter, 20 new arrivals. June was basically an Olivia Rodrigo situation, and each gig sent me home with its record: MGK’s Lost Americana, True Colours after Split Enz, and Last Week on pink vinyl after the Home Brew show. I guess the other thing with three months to cover is that I got through a lot of media. Highlights being Outer Banks . I wrote up seasons one and two and have since torn through season three and halfway through season four as I write this. Such a fun show. I realised as I started season three that this reminds me of the recent Tomb Raider games or the older Uncharted games which I loved playing. The other big binge was Hacks , all five seasons, 47 episodes. I had an absolute blast with this show. It was sitting there waiting to be watched for literal years and I finally sat down and blasted through it. Another standout was Tulsa King , got through the last two seasons quickly. I wasn’t expecting to enjoy this show so much! The Boys wrapped up with season five. I think I was satisfied with how it ended? Yeah, I think so. I also got through Fallout season two quickly, can’t wait for the next. And also wrapping up was Euphoria which messily wrapped up with season three. This season was kinda bat shit, not sure whether I enjoyed it or not, but happy I don’t have to think about it any more. Keeping up with the weeklies and new seasons: House of the Dragon season three, X-Men '97 season two, and Power Book III: Raising Kanan season five. This season we’re really seeing Kanan turning into how we saw him in Ghost. I’m also slowly working through Only Murders in the Building season five with my wife and in-laws when we are able to sit down together and watch an episode. Eighteen movies since March. The highlights though. I caught Project Hail Mary at the theatre with my brother-in-law before it stopped showing. Finally caught up with The Fantastic 4: First Steps to make sure I’m up to speed with the road to Avengers: Doomsday. I was excited to see The Devil Wears Prada 2 as the first always had a special nostalgic place in my heart. Anniversary was an unexpected sleeper, I was not expecting what this movie ended up being after watching the trailer. Don’t Ever Stop , a fantastic documentary on Tony De Vit. This was especially good as a hardhouse fan and hearing legends of the scene talk about their interactions with Tony and memories of the origins of what became the hardhouse scene in the UK. The Drama was an interesting one, and to be honest I thought the other woman’s secret she shared was way worse than Zendaya’s. Locking a kid in a fridge in the forest and not telling anyone is wild. Get out of here. And the rest… Office Romance , Mile End Kicks , A Real Pain , Eenie Meanie , Carolina Caroline , Stone Cold Fox . I don’t think I watched any I didn’t like. The bookmarks kept flowing while the blog was quiet. The best of them are already rounded up in the May and June link dumps, so I won’t repeat them here. Check out the bookmarks page for even more. Around the web? I can’t remember if I shared this already, but I participated with issue 24 of the Ctrl-ZINE . Go give that a read! I also finally sat down with Manu to answer his People And Blogs questions. Manu has also hung up his hat since founding and running the series for the last few years and Zachary Kai has picked up the reins. You can find the archive here . James has recently started a new podcast, Wonders of Web Weaving which is 9 episodes deep as of writing. Catch up on all of them if you haven’t already, and if you keep listening you might hear yours truely in a week or two 😉 Website wise, there’s plenty going on under the hood while I prepare for the 2027 redesign. Really looking forward to sharing this with you all soon. There’ve been a few improvements around the site, but you’ll see most of the changes when I roll out the new design. I did sit down and refresh my 11ty and Neocities guide . I’m really pleased with all the great feedback I’ve received from this one, especially with all the people who have successfully managed to build a website using 11ty with it. Sweeet, laters 🤙 Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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fLaMEd fury 3 months ago

Mānawatia a Matariki

What’s going on, Internet? Mānawatia a Matariki, Happy Māori New Year! Today is a time for remembrance, celebrating the present, and looking to the future. In Māori culture, Matariki is the Pleiades star cluster and a celebration of its first rising in late June or early July. The rising marks the beginning of the new year in the Māori lunar calendar. See Matariki . I’ve spent the day on Waiheke, down on Onetangi with my amazing wife and family. We spent the morning on the beach. The early afternoon at The HEKE for a long lunch and then cuddled up with the kids watching Bluey this evening. I hope you’ve had a relaxing day too. If you want to get into some great homegrown kiwi music, RNZ put on ‘ Waiata 100: New Zealand’s most beloved homegrown songs ’ today, counting down the most loved kiwi songs as voted by 65,000 kiwis. Lots of great music in there, my only complaint is that a lot of bangers from the last decade have been overlooked I guess based on the voter generation. I’ll follow up a post of great music from the last five years another day. Anyway, happy Matariki. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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Manuel Moreale 3 months ago

A moment with blue and orange

I was down in Sesto a few days ago for Apparat ’s concert. The new album is great, attending the event with family and a few friends was a very enjoyable experience, and the atmosphere was very blue! Thank you for keeping RSS alive. You're awesome.

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Jason Scheirer 3 months ago

A Revival of Sorts: Getting my iPod Classic 6G Working Again

I’ve been very happy with my Y1 MP3 player over the past 9 or so months. I take it with me everywhere! It’s a companion on my commute, it’s a focus tool in my open office, it’s a way to have a single-purpose device that doesn’t have the distractions of my glass Everything Rectangle and, as the phone ages, a way to mitigate its now-horrible battery life by using a different device with a different battery. As God confounded the language and scattered the people building the tower of Babel, I have confounded the functionality and scattered the responsibilities of the apps on my iPhone. My wife brought up a point that is completely fair: why am I using this $60 piece of crap when she, through great sacrifice, bought me a top-of-the-line iPod Classic 160GB for the same purpose? Sure, that was in 2012, but it was expensive . It’s still worth $350+ today, right? So what the hell, I dug it out of my Closet of Cables and Mystery. Plugged it in. Battery charged. It booted. My music was still in it, last addition to the library wa 2014. Fantastic! I bought a protective case, some new 30-pin USB cables because the ones I had remaining were all frayed and kind of scary, and I got ready to swap the Y1 with the iPod for a while as an experiment. Then my first hurdle: I wanted to add some songs to it. I know Rhythmbox , my player of choice 1 , has an iPod plugin on its list of installed plugins. I plug the iPod in, it shows up! Hooray! I try to drag music onto it: no dice. Checking I see some very threatening notices that HFS+ with journaling is not supported by Linux at all . So I know on Mac it’s a simple command line call to turn journaling off on a volume so it’s probably a trivial process, but I have no working personal Apple desktop machines. Have no fear: I found a chunk of unvetted C that directly alters the raw filesystem to do it for me on Linux! Boom! We’re in business! Back to Rhythmbox. Drag the music I want over to the iPod. It copies! Bingo! Only: no bingo! I disconnect the iPod and it says ’no music.’ The music is on the device, but the iPod’s music database got clobbered. Well crap. So now I know Gtkpod is purpose built for this. Apparently the iPod Rhythmbox plugin isn’t any good on these models, so let’s try that. No dice. It repeatedly hangs, crashes, and when it does work it still fails to correctly update the database. Still ’no music.' Maybe this is all because it’s still HFS+ and not FAT? It seems like most tools assume you’ve liberated your iPod and you’re using it in Windows mode, not Mac mode. So I attempt to wipe the drive, but can’t for the life of me figure out how to do it correctly with Gtkpod or just plain old partitioning tools. Looks like I need to restore the hardware from iTunes for this route. What about Rockbox ? I use it on my Y1. The annoying thing is that I have to manually update the database on the actual device, whereas the typical iTunes stock experience is one that updates the database iteratively as a matter of course of adding music. But the trade-off is no more struggling with Gtkpod and friends, which is higher friction than the drag-and-drop experience of putting music on my Y1 anyway. And I saw this totally cool skin on Reddit I want to try ! I already have the Rockbox utility on my machine from installing it onto my Y1. It sees my iPod but dies on an SSL handshake talking to rockbox.org while downloading resources. I don’t remember this happening last time I ran this. I downloaded and ran the utility on another Linux machine and got the same result. I gave up about 45 minutes into building the tool myself from source. Now I need a Windows machine to use iTunes in Windows to reformat the iPod. I have a debloated Win11 VM in Gnome Boxes, I fire that up and go in to iTunes, I plug in the iPod, then I go to set up USB forwarding so the VM can do its magic and – “USB Forwarding is Not Supported in the Flatpak version of Boxes.” So I uninstall the Flatpak and migrate my disk images from to somewhere less Flatpak-specific and install the dnf version of Gnome Boxes. I migrate the machine over, set up forwarding, everything seems to be working. Only USB forwarding forgets the device when it disconnects and I have to reconnect multiple times. It also doesn’t see the device when it’s in that raw flash mode, so it can’t forward to install the iPod firmware. This is a dead end. Okay, so I have one Windows machine in my house: my kid’s 2013 Intel Macbook with Boot Camp and a debloated copy of Win10 we solely use to play Minecraft Java together with. Only ever since I set up a local server with GeyserMC and Floodgate we’ve been playing mixed me-on-Java/him-on-iPad-or-Switch-Bedrock so the laptop is mostly neglected. So I install iTunes and wipe the iPod. Takes awhile, because I have to install a cascading series of drivers, but it eventually works. The firmware was the latest for the Classic, released 2009. Then I remember that 18 year old bit of early enshittification of iTunes: the iPod can’t simply be its own library you add/remove items from. I was falling out of love with Apple about that long ago , and I had forgotten how low and slow we’ve been dealing with the world of You Will Own Nothing enshittification that’s been inflicted on us. No wonder we’re so complicit, we’re pushing a quarter century of Everything Rental now. So to do iTunes proper I’d need enough storage on this laptop to hold the music in my library on it, be logged in, and sync a selection of it to the iPod. I remember this now: they made life harder and worse on purpose. And now we have Spotify, where we never had freedom or affordances at all. I remember thinking what an incredible act of charity it was that Spotify let your have an offline playlist on your device. I would have expected offline first as a matter of course in prior hardware/software cycles. Rhythmbox and Gtkpod still don’t sync correctly. Same database issues, so nothing I’d done with wiping the iPod had fixed the fundamental first issue. So I install the Rockbox utility on the Windows machine. I have to install some additional Windows components to get it to load, but it works. I flash the iPod. It doesn’t boot. I flash it again. It boots. Hell yes. And I have my cool theme. So I drag music over. 16000 tracks to start, takes 2 hours to copy. HDDs are slow . Afterward I have to manually update my database from Rockbox, which takes hours . I fall asleep as it runs. I can hear the physical spinning platters. It’s a very strange experience having a device with a real life magnetic disc hard drive again. The future we occupy today is strange in the UX of the iPod and its software feels modern enough but small aspects like an HDD feel anachronistic. The Rockbox experience is a lot nicer on the hardware it was designed for than the crappy Rockbox-in-emulation on an Android device that has absolutely no business whatsoever claiming it can run Android. It is responsive, it doesn’t crash, all the plugins work, etc. Next rabbit hole is investigating battery/storage upgrades. There are cheap and expensive options, I need to go through them. As is my wont, I do not need bluetooth on anything I own, but a modern USB-C connector might be nice? Do I want to go the SD card route or a proper SSD? That is for another time. Anyway, no normal person would inflict this experience on themselves willingly, and would likely give up at some point close to the beginning. It is a reminder that much like if you stay very quiet near a playing iPod you can hear the whir and rattle of the HDD. If you stand very quietly near me you can hear the fluttering and tapping of dozens of moths smashing their bodies against the inside of my skull in the space where a brain should be. I am not aware of any other MP3 player that can handle large music libraries this well and still have a presentable UI. TUIs usually suck, “new” apps are all super slow because of Wirth’s Law.  ↩︎ I am not aware of any other MP3 player that can handle large music libraries this well and still have a presentable UI. TUIs usually suck, “new” apps are all super slow because of Wirth’s Law.  ↩︎

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ava's blog 3 months ago

rose ▪ bud ▪ thorn - june 2026

Reply via email Published 30 Jun, 2026 My wife and I visited a jewelry-making class, and I made a ring! We met cool new people to play Magic the Gathering with. I bought new furniture for my home to use the space for efficiently, and I love the new setup. My wife baked incredibly gorgeous and tasty bread. It's pride month, and my balcony has a rainbow flag and a trans flag flying for the time. I bought a little alien plushie, and two new books. I found new black tea I enjoy! Golden Seylom from Laos. I accidentally ordered way too much, but that's ok. I'm proud of the progress I make at the gym and the visual changes in my body. Been more into music this month, and rediscovering music I haven't listened to in years, or new songs by those artists I had missed in the meantime (from Tame Impala and JAWNY, mostly). Managed to do an injection all by myself for the first time. Cold water was restored in my apartment (context: for almost 3 weeks, I only had hot water). Finding new/additional furniture for kitchen and bathroom to have more storage there as well. Going to take a step back in July and not read my RSS feed, the Discover page, not blog, not read any articles or papers, etc. to truly focus on recovering from stress, do less in total, and relax. I hope I can do it, and I hope I don't immediately feel like catching up afterwards and land right back where I started mentally. Building up the new role of data protection coordinator at my workplace has been extremely messy. I struggle against the general culture of distrust, hierarchies and knee-jerk rejection of anything new, and hatred of anything data protection related. I've been having so many meetings, and I have so much to prove. It feels like I have 3 people on my side, and that is it. Scheduling meetups with people was hard! There is always something going on, which is understandable, but still frustrating. I wish I could see some people more and keep more in contact :( I miss forced proximity. I felt like I had to chase after too many things for a follow-up or a reply lately. I asked people to hang out, received answers after days had passed, sometimes even after the suggested date had already passed. I called a company to fix my water issue, they said they’d call back, they never did. I wrote an email to my building management, no reply. Had to call them and sit through a phone queue to get through to them. It’s like I have to beg for crumbs and keep on top of everything because the other side just cares less or not at all. I felt like while many of my wishes and desires come true, it ends up being a monkey's paw situation, where the result has a strong downside or is implemented as shittily as possible. I struggled with a bad mental health episode that is now over, and a lack of appetite and some sleep issues. I seem to have become a lot more sensitive to violence and gross stuff in media, so I had to stop watching some series (for now) or risk going to bed in a sad and anxious mood. I had to have some tough private discussions. Found out the office layout is getting restructured in July and I’m getting moved from my office into a shittier one with different people. It shouldn’t bother me this much, but it does. I’m really mentally attached to keeping things how they are in my office environment and always having the same desk to go to, and this will destabilize me for a while, even if it’s something very small to others. I’m a bit oversensitive in this regard, and always have been. What makes it harder is that while the move is mandated from above, it is completely disorganized and no one seems to be tasked with doing or planning it properly, so that creates more uncertainty and anxiety for me. If I come into the office and it's suddenly done without warning, I might have a full on meltdown in the toilet, which would be annoying and embarrassing, and something I would like to avoid. The less fun effects of autism.

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Jason Tucker 4 months ago

Nautiline vs. NaviBeat: Two iOS Apps worth considering for your Navidrome Library

In Part 2 of this series I mentioned Nautiline as my iOS client for Navidrome and kept moving. That wasn't the whole story. Since then I've been testing a bunch of mac, AppleTV and other apps to see whatelse is out there and a second notable app entered the picture: NaviBeat. It's newer, it covers more Apple hardware, and just like Nautiline it costs money up front. Both apps connect to Navidrome via the OpenSubsonic API. That's where the obvious overlap ends. Here's how they actually compare. Nautiline is an iOS-only OpenSubsonic client. It's $9.99 on the App Store and does exactly what it says: streams music from your Navidrome (or any OpenSubsonic-compatible server) with a clean, native-feeling interface. The feature list covers the things that matter day-to-day. Home and Away modes let you point the app at your local server address when you're on the same network and a public URL when you're not. Offline downloads work. Gapless playback works, even on transcoded streams, which is not something you can take for granted across clients. CarPlay and Siri are both supported. You can add custom headers, which is the feature that makes Cloudflare Access tunnels or Tailscale viable without jumping through authentication hoops every time. Transcoding support deserves a specific mention. Nautiline handles seekable transcoded playback, meaning you can jump around in a transcoded file the same way you would a locally cached one. A lot of clients struggle with this and quietly degrade the experience on mobile connections. Nautiline doesn't. It's iOS-only. No Mac app, no Apple TV, no iPad-native layout (it runs on iPad, but it's the phone layout scaled up). If your listening happens entirely on iPhone, that's fine. If you want something that spans devices, you're already at the edge of what Nautiline does. NaviBeat is a $5.99 Universal Purchase that covers iPhone, iPad, Mac, Apple TV, and Apple Watch. One purchase, five platforms, no subscription. Built by one developer in Belgrade using native SwiftUI throughout. The platform breadth is the headline, but the detail that actually matters more to me is that each version is purpose-built for its screen. The Apple TV app is focus-driven, designed for a Siri Remote. The Mac app has a real Mini Player that pins on top of other windows. It's not an Electron wrapper or a Catalyst port doing its best. Each app is native to the platform it runs on. Time-synced lyrics are supported across all platforms. NaviBeat reads LRC files straight from your Navidrome library and scrolls them in sync with playback. Tapping any line seeks to that point in the track. It's a small thing that becomes surprisingly useful once you have it. Offline pinning works for albums, playlists, and whole artists with an LRU cache size you set yourself. Last.fm integration is opt-in and requires no third-party relay. CarPlay is included. The Apple Watch app handles offline pinned playback independently, so you can leave your phone at home on a run and keep the music going from your wrist. NaviBeat is also a v1.0 release. It's solid but it's new. Rough edges exist. The developer is responsive and the roadmap is shaped by what beta testers actually ask for, which is a reasonable operating model for a one-person app. The creator of NaviBeat left a comment below indicating that much like Nautline it too has header login support for cloudflare and the like. If you need to login with Authelia and such you can do so using the add headers function. NaviBeat has this great feature that checks the server health for Artist Images, Lyrics and Album Covers and will event provide you with instructions on how to fix this for you. Price comparison first: Nautiline is $9.99 for iPhone. NaviBeat is $5.99 for iPhone, iPad, Mac, Apple TV, and Apple Watch. If you own more than one Apple device and want a consistent experience across all of them, NaviBeat is the more cost-effective option by a significant margin. Nautiline has been in development longer and feels more settled. The transcoding experience in particular is polished. If iPhone is your only Apple device and you want something that's been road-tested, Nautiline is the safer choice. NaviBeat's multi-platform approach is genuinely useful if you move between devices. The same library, the same queue, the same playback state, whether you're on your phone, your Mac, or your couch with the Apple TV remote its' very comparable to Spotify in this regard. That continuity across screens is something Nautiline can't offer. Both apps handle the core listening loop well: connect to your server, browse by artist and album, play music, manage a queue. Neither is missing the fundamentals. Both suppose login headers for cloudflare and such. Both, depending on what I'm doing. Nautiline stays on my phone for commuting and casual listening. It's been reliable long enough that I don't think about it, which is the correct end state for a music app. NaviBeat landed on my Mac and Apple TV because nothing else was filling those slots. Having Navidrome on the TV with a native tvOS interface is something I didn't know I wanted until I had it. I've been playing with a few apps for Mac and Windows to see what would works best for me. There are some great apps out there I'll be covering here but its nice to have a single app across all of the devices. At work I listen to music on an older iPad that sits next to my desk and is connected to my officer speakers, it works well running NaviBeat. If I were starting fresh today with zero Nautiline history, I'd probably go NaviBeat first. The $5.99 Universal Purchase covers the entire Apple ecosystem in a way that makes it hard to argue against. But Nautiline earned its place the hard way, by working correctly over time, and that counts for something. The good news for anyone just getting into Navidrome: you have MANY real options now and these two only scratch the surface of whats ou there. The iOS client situation for self-hosted music has gotten noticeably better, and both of these apps are part of why. As always I welcome your thoughts in the comments. What are you using to listen to your locally stored music?

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Jason Tucker 4 months ago

Streaming Navidrome to Yamaha MusicCast with upmpdcli (No Shared Filesystem Required)

Navidrome is a great self-hosted music server. Fast, clean UI, solid Subsonic/OpenSubsonic API support. But Yamaha's MusicCast ecosystem doesn't speak that language. MusicCast uses DLNA/UPnP, which Navidrome doesn't serve natively. The obvious workaround is to run a separate DLNA server like Gerbera or MiniDLNA pointed at your music folder. That works, but it means both containers need access to the same filesystem path, you're maintaining a second index of your library, and you lose any metadata or playlist structure Navidrome manages. There's a cleaner approach: upmpdcli . upmpdcli is a UPnP media server that uses a Subsonic-compatible backend to serve content. You point it at your Navidrome instance via the Subsonic API, and it advertises itself on the network as a DLNA media server. MusicCast discovers it, browses it, and streams directly from Navidrome's library. No shared volume mounts. No second database. No filesystem access required at all. upmpdcli acts as a protocol translator between the Subsonic API and UPnP. That's the part that makes this setup worth writing about. The host networking requirement is non-negotiable. UPnP relies on multicast packets that don't survive Docker's default bridge networking. If your MusicCast gear sits on a separate IoT VLAN, you'll need a multicast proxy. More on that at the end. This is the whole thing. It's refreshingly short. Replace the IP and port with your actual Navidrome address. The is what shows up in the MusicCast app when you browse for media servers, so name it something you'll recognize. There are no volume mounts here. upmpdcli doesn't need access to your music files directly. It fetches everything through the Navidrome API and streams audio on demand. On Unraid, the easiest path is to drop this into a new compose stack via the Docker Compose manager (or the Community Apps compose UI if you're using that). Set the network mode to and paste in your environment variables. Because upmpdcli uses host networking, it won't appear in Unraid's Docker network view the same way bridge-networked containers do. That's expected. Check that it's running with: You should see output indicating it connected to your Navidrome instance and started the UPnP advertisement. If it throws a connection error, double-check the URL. Even with host networking, won't resolve to another container. Use the actual LAN IP of the machine running Navidrome. Open the MusicCast Controller app. Navigate to the room with your device, tap the input source, and look for Server or Media Server . "Navidrome DLNA" (or whatever you set as the friendly name) should appear automatically within a minute or two of the container starting. Browse in and you'll see your Navidrome library organized by Artist, Album, Genre, and Playlist. Select something and play it. Audio streams directly from Navidrome to the MusicCast device. The playlists part is worth calling out specifically. Because upmpdcli pulls from the Subsonic API rather than just reading a filesystem, it can expose playlists you've built in Navidrome. A basic DLNA file server can't do that. UPnP discovery breaks across VLANs because multicast doesn't route between network segments. If you've got your IoT devices isolated (good practice with UniFi), you need to reflect those multicast announcements between VLANs. Enabling IGMP snooping helps within a VLAN but won't bridge between them. For cross-VLAN UPnP, you need a multicast proxy. Running with on a host with interfaces on both VLANs handles this. It can also run as a Docker container with host networking: In your avahi-daemon.conf, set enable-reflector=yes under the [reflector] section. Once that's running, MusicCast should find upmpdcli even across VLAN boundaries. MusicCast's DLNA client is functional but not fancy. No queue management beyond what the device itself supports, no scrobbling, no smart playlists generated on the fly. You're browsing a tree, not using a purpose-built music app. For day-to-day listening I still reach for Symfonium on my phone connected to Navidrome directly. But for whole-home audio through MusicCast receivers and speakers, upmpdcli just works. It's local, fast, and the only thing that can break it is Navidrome going down, which would break everything else anyway. One container, a handful of environment variables, and your Navidrome library shows up on hardware that has no idea what a Subsonic API is. Navidrome already running and accessible on your network (Docker or otherwise) A Navidrome user account with API access (any account works) Your MusicCast device on the same VLAN as the machine running upmpdcli Host networking available for the upmpdcli container (required for UPnP/mDNS discovery)

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Jason Tucker 4 months ago

From Plex to Jellyfin, Part 2: The Case for Navidrome (and Why Jellyfin Doesn't Get My Music)

I told you in Part 1 that PlexAmp was my biggest concern going into this migration. Spent some time sitting with that. Found an answer. That answer is Navidrome. And it means Jellyfin never has to touch my music library at all. Jellyfin is a video-first platform. Everything about how it's built and where developer attention goes reflects that. Music got added because a media server without music support feels incomplete, not because anyone set out to build the best music server on the internet. That's not a criticism. It's just the honest framing. Once you accept it, the weaknesses stop feeling like bugs and start feeling like predictable results of prioritization. Here's what those weaknesses look like in practice. The Subsonic API is an afterthought. The Subsonic API has been the standard protocol for self-hosted music clients for over fifteen years. Navidrome implements it natively; it is the protocol. Jellyfin's Subsonic support is a community plugin. It's partial, it has compatibility issues with certain clients, and you have to maintain it yourself outside of Jellyfin's core update cycle. If the plugin breaks on an update, your music clients break. The client ecosystem is thin. Because Jellyfin's Subsonic implementation is limited, the 20+ mature clients in that ecosystem don't fully work with it. You end up funneled toward Finamp. Finamp is a good app, but one client versus an ecosystem of purpose-built music apps is a real constraint. On iOS especially, the music client story hasn't kept pace with the video story. Scrobbling requires a plugin. Last.fm scrobbling in Jellyfin needs the Last.fm plugin installed and maintained separately. When Jellyfin updates, you hope the plugin ships a compatible version at the same time. It usually does. "Usually" is not a comfortable operating condition for something that should just work. Smart playlists don't exist. Jellyfin lets you build manual playlists. That's the whole story. No rules-based playlists, no "give me everything rated 4 stars or higher released before 1990 that I haven't played in 60 days." If you have a large library and care about how you surface music in it, this gap will bother you. ReplayGain support is inconsistent. If you've tagged your files with ReplayGain values, Jellyfin's handling of that metadata varies by client. Some honor it, some ignore it, and Jellyfin itself doesn't have a clear answer. That inconsistency matters if you've put in the time to get your listening levels right across albums. Performance degrades with large libraries. Jellyfin indexes video metadata, music metadata, and everything else in one database. Adding a large music library on top of an already-loaded video library produces real slowdown. A server handling 500 movies and 30 TV shows without complaint can start dragging when you throw 20,000 music tracks into the mix. Jellyfin's music feature exists. For casual listening, a playlist here, an album there, it's probably fine. For anyone with a real library who thinks about how they listen, it's a workaround looking for a better answer. Navidrome is a music server and nothing else. Written in Go, fast, and running in a container that idles around 50MB of RAM. It implements the full OpenSubsonic API natively, which means every client in that ecosystem connects without workarounds or plugins. It indexes your library, handles on-the-fly transcoding via FFmpeg when clients need it, scrobbles to Last.fm and ListenBrainz at the server level, and builds smart playlists from tag-based rules. No GPU required. No resource competition with Jellyfin. No plugins to maintain across updates. One container, one job. What it doesn't do: video, anything the *arr stack needs to talk to, or anything outside of audio. Music in, music out. That narrowness is the point. If you care about lossless audio, and if you're self-hosting your music library in 2026 you probably do, this part matters. Navidrome doesn't transcode by default. It streams files in their original format. FLAC, ALAC, WAV, your 24-bit/96kHz files arrive at the client exactly as they left your drive. FFmpeg only kicks in when a client requests a lower bitrate, say on a slow mobile connection, or when you've explicitly configured a transcode profile. Jellyfin also passes through lossless files, so on a spec sheet the difference looks small. The gap shows up in the client layer. Nautiline on iOS handles lossless passthrough properly and respects the ReplayGain tags already embedded in your files. Jellyfin's music clients are less consistent on both counts. Navidrome also recently added sonicSimilarity support through its plugin system. Audio-based recommendations, finding tracks that actually sound like the one you're playing, are now possible when a plugin provides the capability. It's early, but it's the kind of music-specific feature development that simply won't happen on the Jellyfin side. Jellyfin has video to worry about. PlexAmp works because it's a music-first iOS app built specifically around a music server. A purpose-built server paired with a purpose-built client is what makes it feel like a real product instead of a bolted-on feature. The equivalent on the Navidrome side is Nautiline . It's a $10 iOS app built specifically for OpenSubsonic-compatible servers. The interface feels native, not like a port of an Android app or a web wrapper in a trench coat. Album art renders correctly. Now Playing is clean. Offline downloads work. ReplayGain is respected. CarPlay works. The queue is persistent. Reviews from people switching to Navidrome tell the same story: try the available iOS clients, land on Nautiline, stop looking. That's where I landed too. The reason PlexAmp felt irreplaceable was that it was the only mobile music client in the self-hosted space that felt finished. Nautiline is finished. That's the gap closing. iOS covered. Desktop is a different conversation, and the answer there is Psysonic . Psysonic is a native desktop client for Mac and Windows built primarily around Navidrome. It's not a web app in an Electron shell pretending to be a desktop app. It uses Tauri and React and actually feels like something installed on your machine. The library browser is fast, the Now Playing dashboard is customizable, and it supports smart playlists natively, which pairs well with Navidrome's tag-based playlist rules. It's under active development, so rough edges exist. But the trajectory is clear and the update cadence is solid. The feature that stands out is Orbit . Orbit is Psysonic's shared listening mode. You start a session, share an invite link, and anyone else on your Navidrome server can join and listen in sync. The host controls playback and the queue. Guests can suggest tracks from anywhere in the library (albums, playlists, search results, favorites), and the host either approves them manually or enables auto-approve to keep things moving. Everyone's client mirrors the same track and position in real time. The thing that makes this practical rather than gimmicky: it runs entirely over your existing Navidrome server. No external relay, no third-party sync service, no extra account anywhere. Your server, your users, your playlists as the transport layer. Guests do need their own Navidrome login and access to the same server, so for anyone outside your network that means having Navidrome reachable publicly, which in my setup means pointing them at home-domain.com through Cloudflare rather than the Tailscale hostname. It's a genuinely fun feature for the "what are you listening to right now" use case, without turning your self-hosted setup into a social platform. Here's the decision this unlocks. If Jellyfin has to handle music well, I'm comparing the entire Jellyfin experience to the entire Plex experience. Plex wins that comparison on music. Every time. That's a hard migration to justify. But if Navidrome handles music and Jellyfin only has to handle video, the comparison becomes video versus video. That's a much more favorable fight for Jellyfin, which is genuinely good at video and improving. Navidrome is already running, pointed at the same directory that Lidarr writes to, doing its job in the background. That piece is done. Navidrome doesn't care what I decide about Jellyfin. The remaining concerns from Part 1, Tautulli, family app quality, the Prologue audiobook situation, are all video-adjacent problems. I can work through each of them without music muddying the comparison. Jellyfin doesn't have a music problem it's actively trying to solve. Navidrome is a music server that does nothing else and does it well. Those two facts point at the same answer: don't ask Jellyfin to handle music. Split the stack. One container, one job, a $10 iOS app. Music is handled. On to the harder problems. Next up: Part 3 — Setting Up Jellyfin on Unraid and Connecting the *arr Stack Running Navidrome? Using a different iOS client? Drop it in the comments.

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fLaMEd fury 4 months ago

Home Brew Presents: Last Week

What’s going on, Internet? Last night I headed out by myself to catch the Home Brew Crew perform their first project Last Week at the Auckland Town Hall. I was supposed to go with my wife, but last minute plans saw her and the kids head to Waiheke for the long weekend. Solo gig? No problem! I started my night solo by hitting up Low Brow on K Road for a burger and beer before making my way down Queen Street to the venue. Sitting at the bar with my beer waiting for my burger, it wasn’t long until a group of people out for the night approached the bar and hovered waiting for a table. I started talking with one of the group and quickly discovered that they were out for a work social club event and also heading to see Home Brew. I ended up chatting with them and a couple beers later I headed off with them for the walk down Queen Street to the show. We arrived just before 7pm as the doors opened, and there was a line all the way down the street. We headed across the road to an Irish Pub for another drink and wait for the line to clear out. In the pub I was introduced to more people and had some more chats with other concert goers. It was great to have a chat with others about Tom Scott, Home Brew and the other music associated with him and Young Gifted & Broke (YGB). As we finished up our drinks and headed across to the venue, it was time to part ways as I was heading up stairs to my seats while the group was heading inside to the floor. I said my goodbyes, exchanged phone numbers with a quick txt message and made my way to find my seats. Once orientated I headed back downstairs to check out the merch stand. I was hoping for a copy of the vinyl which has only been available during its first pressing in 2010 and a hoody. I made it to the front of the line and was able to get a copy of a recently repressed vinyl in pink , a black “LISTEN TO HOME BREW” t-shirt, and a Run It Back lyric book. No hoody though. I grabbed a couple drinks, a bottle of water balanced in my hands with my merch and made my way back to my seats. I had seats up in the circle which proved to be popular as many people hovered nearby, some asking if they could sit in the vacant seat that I had also purchased for the night. I kept the seat occupied with my jacket and merch haul. The place was heaving with people. The stage design was fantastic. Set up to resemble the Sandringham flat where Tom lived at the time when they created and recorded the EP complete with fridge full of beer. They also had the egg cartons on the wall as mentioned in the closing track on Run It Back, “Run It Back Again”: Remember when we first started this shit? (Yeah run it back) Studio with the egg cartons and shit (ha ha yeah) The stage soon filled up with what Tom describes as his favourite people in the world. I saw Team Dynamite, Brandan Shiraz, Mellowdownz (I think?) up there on stage. It wasn’t too long before Tom burst onto the stage and started spitting the words to the hit, Monday. The crowd went wild, the floor was heaving under a cloud of smoke (not ciggis). He continued through the EP setlist including all the hits, Tuesday, Wednesday, Thursday, Friday, Saturday, and Sunday. Once Last Week was finished he dived into the rest of the Home Brew hits, Drinking In The Morning, Alcoholic, Datura/White Flowers and many more! I had a super fun time, even though I was solo, there were enough people around who were happy to talk so I never felt alone. I’m super happy I got to see Home Brew perform live finally as with them all off in their own musical directions we might not get to see them perform together again, especially not Last Week, front-to-back. Listen to Home Brew, laterz. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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Kev Quirk 4 months ago

📝 2026-06-08 14:22

So I've been listening to #Spotify most of the day while working. Instead of playing my liked songs, I've just let it play whatever. This is the way! It's been banger after banger, and lots of great news tracks. Thanks for reading this post via RSS. RSS is ace, and so are you. ❤️ You can reply to this post by email , or leave a comment .

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