Posts in Music (20 found)
fLaMEd fury 1 weeks ago

MGK At The Spark Arena

What’s going on, Internet? Last night, me, my sister-n-law and our friend went into town to see the MGK gig as he brought his Lost Americana tour to Auckland for his only New Zealand show. MGK, aka Machine Gun Kelly, aka Colson Baker is one of those artists where it’s probably good to separate the art from the artist as he seems to be a ball bag in real life. I never paid any attention to him while he did hip hop records, but as soon as I saw the Bloody Valentine I was hooked. The album, Tickets To My Downfall was the exact type of nostalgia I needed for early 2000s pop punk in 2020. I skimmed through Mainstream Sellout when it released and never came back to it. We got Lost Americana last year which was a step up from the second record and I listened to it a bunch. But we also got Tickets To My Downfall All Access last year, the 5th anniversary reissue. Original tracklist, the bonus tracks from the SOLD OUT Deluxe , plus 5 new unreleased tracks. Whew. It was good to hear some more tracks from that era. We managed to grab reseller tickets, paid less for the three of us combined than a single ticket at face value, and the seats were pretty decent for where we ended up. Sweet as. Anyway, the show was good. It kicked off on time, it was loud, there were guitars and drums, only a couple throwbacks to the rap days and one or two songs from Sellout. It didn’t take long to get right into the Tickets To My Downfall songs and that was all I needed to hear. The stage was on theme too. A model of the Statue of Liberty’s head looming above with a cigarette hanging out her mouth, and his mic stand was a giant cigarette to match. Lost Americana indeed. The crowd around us were all there for the same reasons. Singing along with strangers who love the same songs is one of the best bits of a gig, especially the Tickets ones. Title Track , Drunk Face , Forget Me Too , Concert For Aliens , Jawbreaker , Nothing Inside , all hit. The cover of Paramore’s Misery Business was expected, and rocked. My absolute highlight was belting out Bloody Valentine word for word with everyone around me. My Ex’s Best Friend my second favourite on the album, still can’t get that one out of my head. We had a great time, a fantastic night out. Damn, what a show. I’ll see it again without hesitation. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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Unsung 2 weeks ago

“The Helvetica of music notation”

A 19-minute video from Tantacrul about a parallel universe that’s right next to ours, but most of us don’t get to think about – typography of fonts for music notation: = 2x) and (width >= 700px)" srcset="https://unsung.aresluna.org/_media/the-helvetica-of-music-notation/yt1.2096w.avif" type="image/avif"> = 3x) or (width >= 700px)" srcset="https://unsung.aresluna.org/_media/the-helvetica-of-music-notation/yt1.1600w.avif" type="image/avif"> The video has some nice things going on besides specific details and conventions: there is a glimps of an obsolete app with a fascinatingly obtuse interface, a mention of modern standardization developments, and even a little (sad?) story of perfectionism and legacy. I’m also kind of mesmerized by this shot of what music typesetting used to be: There is also a short 1936 video showing more of that process . A small contribution from my end – a photo of the Keaton Music Typewriter from a museum in Catalonia: = 2x) and (width >= 700px)" srcset="https://unsung.aresluna.org/_media/the-helvetica-of-music-notation/2.2096w.avif" type="image/avif"> = 3x) or (width >= 700px)" srcset="https://unsung.aresluna.org/_media/the-helvetica-of-music-notation/2.1600w.avif" type="image/avif"> #history #typography #youtube

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Harper Reed 2 weeks ago

Note #731

Merzbow @ club Quattro in Shibuya Thank you for using RSS. I appreciate you. Email me

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Chris Coyier 3 weeks ago

Stories from Alaska Folk Fest 2026

[Folk Fest] is not an intellectual experience, it’s an emotional experience. Visiting Alaska gives me the feeling that people are chasing after when they travel: a little taste of what it’s like to be a part of another world. To live another version of life. Not just looking at it or fantasizing about it (which are fun too), but getting to live it for a little while. I’m lucky enough to have visited Juneau a number of times. My friend Justin Shoman lives there. President of the radio. His deep connection with the community makes the trip more fun than it might be otherwise, as I get to sidecar all that community goodness. Last year, I came up for the 50th annual Folk Fest , and it was a no-brainer to come back for the 51st. The 50th was such a milestone that documentarian Paige Sparks took the opportunity to make a literal movie about it, “50 Years of Folk Fest”. I caught a screening of it at KTOO and got to briefly meet Paige, who did a wonderful job. The documentary was a brisk 50 minutes and managed to explain the history without being boring, like how the original bylaws of the organization require the event to be free. It spotlighted some long-timers with zinger quotes, like the one at the top of this blog post, then focused on some of the new faces of folk fest, like Taylor Dallas and Annie Bartholomew , giving it modern relevance and freshness. A great thread in the documentary featured an awkward fella struggling with his own musical abilities and belonging. He blossomed into performing a really lovely original folk song that couldn’t have fit in anywhere better than Folk Fest. OH, I’M ALSO IN IT. There is a quick moment from an old-time jam at Amalga Distillery where you can see the back of my head. I loved that jam dearly last year and was sad that Amalga didn’t do it this year. They had make-your-own peanut butter and jam sandwiches (get it). C’mon that could have been a whole thing. When I landed in Juneau and walked out of security, I was relieved to see that my favorite plaque is still there. Thanks, plaque. I can’t wait to check out those additional displays throughout the terminal. I had some anxiety arriving. I didn’t get there until Thursday, DAYS LATE, so I had some FOMO — like I had already missed amazing opportunities. That feeling wore off quickly. I b-lined it to Devil’s Club , where I had tons of great jams last year. There was a great jam going on as I got there with Chaz from Ketchikan/Dude Mtn, Evan from Astoria/The Strongbacks, Rosemary from Fairbanks/Writing, and several others. Comradery was immediate. My friends Amy, Roger, Dave, Dennis, and Laura were there, all from various cities in Oregon. I think it was a first for most of them. I haven’t talked to them since leaving, but Amy was dreaming of getting two hotel suites next year instead of just one. One morning, I jammed with them in their hotel suite. It was a weird jam in the key of E, with the fiddles in calico tuning, which is fairly unusual for Old Time. I was on guitar and loving it. Heidi from Fairbanks is there, whom I love because of her unabashed love of banjos. The more banjos the better in her world (there are plenty of situations where people like to keep it to one banjo). She’s also very good, so I learn a lot. The book I read during the trip was an Alaska book I’ve been waiting to savor: Of Bears and Ballots . It delivers. It’s Heather Lende, of If You Lived Here, I’d Know Your Name fame. I’ve read a lot of Alaska books, but nobody evokes the feeling you get there like Heather, even as a mere visitor like me. I also picked up  The Tao of Raven , which I’ve only just started, but it starts with a lavishly wordy version of the fable where the Raven frees the sun, which I’m fond of. I have a version of the raven story that I typeset and letter-pressed myself, and my mom watercolored over, in my guest bathroom at home. Speaking of my banjo, I checked it on Alaska Airlines on the way up. I love my banjo, and it’s nice, but I’m not precious about it and don’t love schlepping things through airports. Some people gasp at the thought of checking an instrument. Well, here are some more points for them. The peg for my 5th string must have loosened and straightened out, causing a buzz as it went over the little mini nut on that string. That’s not an acceptable state to leave the banjo in for Folk Fest, so I had Justin swing by a shop to grab some wood glue, then did emergency surgery on it. I yanked out the peg with a channel lock, rotated it back correctly, then glued it up and hammered it back in. Not pretty, but it’s held up just fine since then. A bar that doesn’t seem to officially participate in Folk Fest (but is at the heart of it anyway) is The Triangle. It ends up being kind of a home base or where to go sit in lieu of any better idea. It’s a place that ends up generating memories for me. A drunk local buying us shots for listening to his life story. Two mandolin players trading fascinating chord transition licks. A beautiful woman frantically trying to find her friends, only to be calmly distracted by the historical photos on the wall. I promised to tell her what I know of them when she comes back, but alas. One of the many cool things KTOO does, in addition to the studio-audience shows, documentary screening, and all that, is to put every main stage performance on the radio. Every second of it! Plus they stream it so people around the world can listen. Driving around, or if we happen to be at Justin’s spot, we’d usually have it on. One thing we caught that way was Sea of Heartbreak (feat. Katy Harris, Caroline Oakley, Reeb Willms, Ava Honey, Pharis Romero). Kind of a supergroup of old-time ladies. I only know exactly who it is now, because it was so good on the air, I looked it up on the official website. One day, sitting at the Alaskan, I was chatting with the bartender, Morgan, who used to run the place. It seems people, bartenders especially, live in this palpable daze of excitement and exhaustion during Folk Fest. The next day, after a nice beach walk “up the road”, as they say, at Eagle Beach , we stopped into Squirez, a cozy little bar that overlooks Auke Bay. It was Morgan bartending again. There was an awful lot of bartender overlap like that. Just the night before, the day bartender at The Alaskan was working the door bar in the evening at The Crystal Saloon. Morgan is extra fun, though, as she travels a lot to interesting places and seems to be doing interesting things with her life, like starting a new gig at Uncruise. She also works at the Lucky Lady, although I didn’t see her there. At Squirez, she did a little rave about what’s so great about Folk Fest. It’s the end of winter (this was a rough one up there), and it’s before the cruise ships come. So it’s a week that feels like a special treat just for the locals. A beautiful gift. Morgan was on the same flight out on Tuesday morning as I was. It was nice to high five out along with another friend (a board member of KTOO) I met at the corndog brunch who had a daughter the same age as Ruby running around. That made me miss Ruby and think of my hope that Ruby and I get to share a love of music and community events one day. One particularly fun live show was Raisin’ Holy Hell at The Crystal Saloon. There were a bunch of rowdy old-timers in the band (some faces I recognized from the documentary) who really got after it and made a ruckus of a show. They played classics like Angeline the Baker and Stickin’ to the Union, mixed with Sublime covers and modern shit like that to switch it up. They had a drummer and a solid bass player holding it all together and making it more than worthy of the killer night slot it had. The whole audience was super into it, and I was having a great time. This feels weird to write, but one of the things that fed into the fun and the feeling of living a different life for a moment is that I’m essentially single now and approaching the point I’d be ready to date (long story, private). Chatting with single strangers can have that hey, is this… something? feeling that can be exciting if a little emotionally dangerous. In my real life, I’m a dad and a co-founder of a busy tech company, and I wouldn’t have it any other way. But once in a while, I can LARP as a freewheelin’ banjo-playin’ Alaskan. Another day, I popped into The Alaskan only to be perfectly on time to catch The Strongbacks , a sea-shanty group of five dudes that I quite like, hosting a “vocal jam”. I was surprised at how many sea shanty enthusiasts showed up. Half the people in the audience were mouthing along to the songs. An Irish session in the back of the bar didn’t stop playing for them, which made me furious. I considered saying something, but ultimately chose not to, as somehow nobody else seemed to care. Not even the bartender? Perhaps, as this wasn’t an official show and the jam had just as much right to make sound, asking them to stop would have been an injustice in its own right. Whatever, I’m still mad about it. The beauty of unamplified harmonizing voices should always take precedence over a mediocre Irish session. Just move! There is so much going on at Folk Fest, you’re definitely going to miss more than you do, even if you shortlist stuff you’re especially interested in. Here’s my list of things I would have liked to do but just… didn’t get to: That’s a big list. And yet: no regrets. Bocca al Lupo hosts a Corndog Bruch at 11am on Saturday. I missed it last year so I was glad to catch it this year. Arriving at 10:40am, there were already a few dozen people in line ahead of us. They passed out paper fliers detailing the gourmet corndogs that would be available. You were supposed to pass the paper back, but you could tell nobody wanted to actually be the one holding the paper. Way too much responsibility for a hungover Saturday morning. I had the elote and the honeybutter, both extraordinary, but I eyed up pickle-style with envy. The cashier was drinking a Bush NA. It sounded good at the time, so I ordered one. She had brought it from home. The band playing at the corndog brunch was The Heists , the last name of the lead couple, fleshed out by a great fiddler and bassist. Importantly: they replaced words in the songs with corndogs and corndog puns. Will the circle be a corndog and the like. I would have liked to be consulted on this endeavor, as I like to think I could have gotten the corndog integration density even higher. I recognized [Andrew] Heist from previous visits as I think he played in the band Taking Care of Bluegrass, which I’d seen a couple times, and saw again on this trip, but he didn’t seem to be in anymore. Possibly because he was in EVERY OTHER BAND . I saw them together again in The Boyfriend Girlfriend Bluegrass Band at the Alaskan. I saw him play with Raisin’ Holy Hell at The Crystal Saloon. I saw them in some very endearing moments in the documentary. I saw them play the main stage. I saw him out jamming. It’s a good thing they kick ass. There were so many times I was doubled over with laughter on this trip. Maybe that, all things considered, was the best part. I’ve come to think that laughing is my #1 bucket filler. One night at dinner, there was an appetizer called “Bread and Bones” (which turned out to be a bone marrow thing), but we weren’t sure, so we just made silly guesses about what it might be, and I haven’t laughed that hard in a long time. One day, sitting at Amalga (and I have absolutely no memory of how this came up), we opened up the Claude app on my phone and vibe-coded different trivia-style games. It competently crafted an “alive or dead” game with random celebrities, and we kept adding features and making variations. The new bar game is making your own. Justin is seeing someone. It was lovely to meet her. We spent a lot of time all together as a group of three (plus dogs!). She was kind, endearing, funny, and up for anything. I’m glad to have made another friend. I think three can be a magic number. There are more personalities and things going on to play off of. I need to remember this more specifically for friend trips: 3-5 is a good number range. Last year, for the 50th, the weather was shit. It was cold and rainy the entire time. That’s how it always is. I’m sure months of dark, wet weather generally have mental consequences for the Alaskan natives, but it doesn’t seem to affect people’s moods during Folk Fest. There was a bit in the documentary about where they are clear on the matter: it just doesn’t matter . Put on your coat. That was put to the test this year in an interesting way. While there were still big piles of snow everywhere, it was kinda nice out. Twice! Blue skies; warm sun. I was curious whether people would take to the streets, with outside jams, impromptu parties, and such. There was a little. I saw a couple of jams move chairs outside or play on the concrete outside the Sealaska Heritage Museum. It was kinda fun, but it wasn’t like this transformative thing for the festival. It was fun, but again, the weather just doesn’t seem to matter much. One of those nice days I popped into Devil’s Club to find the jam was Irish. Which is fine , but I’m not skilled enough in Irish to contribute much and there is usually enough going on I don’t need to force it. There was another fella sitting there, I noticed, who had a fiddle case, and we got to talking and turned out he played old time like me. So we found a little stoop over by Deckhand Dave’s, he flipped over an old, dirty bucket, and we played old-time duets for a couple of hours. Didn’t even catch his name. I only went to the main stage once this year. The very last night. There’s just so much to do, it’s not even weird to miss most of the main stage stuff. One way to engage with Folk Fest is to hang out at the main stage primarily, and I’m sure a ton of people do that, but the musician types are always seeking out gigs and jams, and the younger crowd (and people that just don’t care that much about folk music) take the opportunity to enjoy all the great human energy downtown. Bar hopping and seeing the many non-folk shows and such. I’m so glad I went to that last night, though. RO Shapiro had a powerful voice, sang beautiful songs alone on stage, and reminded us how important it is to support musicians. He had a wonderful song about how they all pass the same $20 bill around. I was stoked to see Riley Baugus, a banjo hero of mine. He was charming and funny and interesting in a way I definitely did not think he would be, and he managed to keep the huge audience captivated entirely alone with a banjo. He was there with The Red Hots , who I unfortunately missed. Willie Carlisle closed it up, playing with a couple of multi-instrumentalists (one of whom I got to jam a little with, incredibly). Willie is a monster with a huge voice, huge personality, and huge opinions. He’s got a kind of old timey way of speaking and choosing words. He felt like a modern embodiment of folk, blending instruments and styles that are quite different while carrying a consistent air of quality. He opened with a monster vocal-only The Balad of Penny Evans, a Steve Goodman song about Penny who’s husband dies in Vietnam and is none too happy about that. A song called Crittertown brought out a surprise friend in a giant possum costume to wander the audience (gave me big Northern Exposure feels). My favorite was Big Butt Billy, an extra-folky guitar number about a kinda gender-neutral waiter at a diner with an ass so incredible Willie breaks down into exasperated spoken word in the middle of the song, finding different wild-eyed words to praise the ass. One day in the afternoon, I was sitting in The Alaskan having a pint and waiting for Justin to get off work. There was a band setting up I’d never heard of: Big Sissy. Sisters from Connecticut. They played well and harmonized beautifully. I remember a First Aid Kit cover perfectly done. Fifteen minutes after their set was over, we had walked over to Griz Bar, and they all walked in. I got a chance to say hi and thank them for their amazing and unexpected set. It was a warm moment. Another day sitting on a stool at Griz Bar, there was a woman playing guitar really well and singing a Tom Waits cover. Rosemary was sitting, putting in little fiddle fills. They came over to the bar, and I got to buy them a drink, and the world felt warm again for another moment. She then played another Tom Waits cover. Yet another day at Griz, Dude Mountain was playing an acoustic set. It was packed, even in the drizzle. There was a large man dressed up as a kind of cartoon wizard. He didn’t look like he left the house much, honestly, but he was out now, and he brought his cat, which kinda crawled around on his shoulders. Then someone brought like a dozen Domino’s pizzas and passed them out for free. I’d say food isn’t particularly notable in Juneau. I had a steak dinner at SALT one night. The service was good. We laughed our asses off at stupid jokes. The steak was good, but everything else was fairly poor, honestly. They put this huge dollop of horseradish on my plate, camouflaged next to the au gratin potatoes, and I accidentally ate the entire thing. It was a real mouth problem for a minute there. My bad, I guess, but like, isn’t this a plating UX issue? I had a Pickle Rick at The Hanger. The Cubano at Devil’s Club. The Taco Bell replica Crunchwrap Supreme at the Imperial (regrettable but necessary). Pizza at the Island Pub over on Douglas was good, but gave me heartburn that was hard to kick. One night, we had a decent Indian spread at Spice. The vibes are a little sleepy; they didn’t seem to book any musicians this year, and the naan was a bit dry. The Mexican food at Mar y Sol is fine, but they are a dry restaurant, and no margs with Mexican is rough. Amy and crew had dinner there, and I got a text from her that they started a jam there, and honestly, that was really fun. Kinda brought Folk Fest to another area of town that doesn’t normally get it. The noon latte at Coppa was a 10. What you want out of a culinary experience in Juneau is to go out to Sand Bar in the valley and get the fried halibut. It’s literally all they do. The halibut comes from fishermen literally in Juneau. Even as a totally non-fish guy, I love it. I was sad to miss it this year. On my last full day there, I wanted to do some gift shopping. I called it Power Shopping because it was something I wanted to do, but wasn’t super in the mood for it, so the plan was hot’n’fast. I ended up getting: While Folk Fest officially ends on Sunday, and I imagine a lot of folks need to take off on Sunday or Monday, I scheduled my flight out on Tuesday on purpose because Monday is reserved for an all-day jam at The Imperial . The Imperial is right at the heart of downtown Juneau, but doesn’t seem to be an active participant in Folk Fest. Until Monday, when it’s absolutely taken over. All the stragglers show up there and all the musical styles represent. I listened to an alt-old-time jam singing Reeltime Travelers, a classic old-time jam, a country jam, and a monster cajun jam. It took me a while to get the nerve up to get my banjo and get in on it (my confidence ebbs and flows). Honestly, a couple of beers always helps, which I don’t love, but it is what it is. I ended up playing with Heidi again for a while, bookending the trip nicely, and then another group of lovely folks before feeling good about retiring the banjo for the trip. Lodestone library was hosting jams, and I peeked in and saw it, but I didn’t stop to jam, and should have. There is a new brewery in town, Harbor Mountain, that hosted stuff, but I never made it in there, even just to try a beer. I like the group Wool Pullers, who had a couple of shows, and I missed them both. I really wanted to see the band High Costa Living featuring the exuberant powerhouse that is Collette Costa , but the line at the door for that show at The Red Dog Saloon was just insane (hundreds long?) seemingly the entire night. I missed the rad metal band Bards of Mendenhall I missed The Red Hots (I should have gone to the live studio audience show at KTOO). I didn’t go to any dances. I’m dead scared of making a fool of myself at a dance, but I also want to get over it and do it. I didn’t do any workshops. I didn’t catch Caleb & Reeb, who had a LOT of shows. I saw them around a ton but didn’t seem them play, other than Reebs Sea of Heartbreak thing. I’ve still never even met Caleb, who’s a bit of a hero to me. A little intimidating. I missed the Canadian tuxedo party. I missed the cosmic truckstop brunch thing. A book from Sealaska Heritige Store . They had a Trickster basketball that was freakin’ art , but I just couldn’t justify traveling with it Some postcards and a book from Kindred Post A comic book at art supplies from Alaska Robotics (which had an incredible display of paintings of hikes in Juneau) T-Shirts from Treetop Obligatory shirts from Devil’s Club and The Alaskan

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Linux Apps Starter Kit (Gnome Edition)

I find beautiful, well-designed, native applications to be a source of inspiration when using my computer. I've posted on Mastodon about the native Mac applications that were hard to leave when switching to Linux. Now that I've fully made the switch, I figure it's only fitting to do the reverse post on the Linux applications that I've fallen in love with. For this post, I'll be focusing on Gnome/GTK/Adwaita applications. Why? Two reasons. First off, I use Fedora with Gnome 49 so I'm most familiar with this territory. Second, Gnome has a very well defined HIG (Human Interface Guidelines), resulting in a strong visual identity. Applications enhance the operating system in a consistent, fluid way, rather than serving a jarring experience (ie an electron app with radically different UI/UX). This is key to me for finding inspiration and joy when using an application. With all that said, let's dig into the apps I consider essential! Internet radio is awesome and Shortwave is the best application I've found on any platform for listening to it. Search for stations, add to your library and jam! It also has a DVR-like function (okay I get it, I'm getting old) so you can download tracks you've listened to. Finally, there's an amazing skeuomorphic mini-player (I'm a sucker for skeuomorphic design). 📦 Shortwave on Flathub ♥️ Support Shortwave 👤 Meet the Developer "Plays music, and nothing else" is the tagline of this beautiful audio player. For those of us still rocking local media collections, Amberol is the way to go. I mean, just look at it! Point it at a folder, play the music inside, easy! I have my NAS mounted as a bookmark in Nautilus, so I just point Amberol to my network music folder. Who needs streaming?!? 📦 Amberol on Flathub ♥️ Support Amberol 👤 Meet the Developer I've been using Blanket longer than most apps on this list, long before I made the full switch to Linux (and heck, it's probably one of the reasons I eventually made the switch). It's a no-frills ambient noise machine. Comes with a large selection of high-quality samples that can individually be toggled and adjusted. You can save preset configurations (ie coffee shop in a thunder storm), and add your own audio samples. On any other platform this would cost $15 or more, but here it is on Linux, free and open-source. 📦 Blanket on Flathub ♥️ Support Blanket 👤 Meet the Developer Need to quickly edit an image or make a thumbnail? Pinta to the rescue! It's fast and has a familiar UX. Sure, it's not as powerful as GIMP, but I find myself reaching to it more often. 📦 Pinta on Flathub 👤 Meet the Developers This app right here should be a default Gnome app, it's that good! Hands down the most powerful and user friendly screenshot tool I've used (and yeah, I've tried the popular Mac OS ones). Bind Gradia to a shortcut (I use Super + Shift + S) and it'll open after you take a screenshot. Gradia lets you add arrows, drawings, blur text, perform OCR, crop, add backdrops and more. It's honestly an essential application, and performs better than apps I paid $15+ for on Mac. 📦 Gradia on Flathub ♥️ Support Gradia 👤 Meet the Developer There's a lot of single purpose, well-built applications for Gnome, and Switcheroo is a great one I use daily. It takes an image in, and outputs in a different format. You can add on compression, resizing, strip metadata and replace transparency. I use it to optimize images for web. 📦 Switcheroo on Flathub ♥️ Support Switcheroo 👤 Meet the Developer I don't use social media beyond Mastodon, but Tuba makes me glad I'm at least on that platform. Tuba is well designed, fast and filled with thoughtful features (like a custom emoji picker and the ability to schedule posts). I've tried the best on Mac (Ice Cubes), and it doesn't get close to comparing with Tuba. 📦 Tuba on Flathub ♥️ Support Tuba 👤 Meet the Developer Mmmm RSS, my favorite (and probably how you're reading this article)! Newsflash is a great excellent, way to stay on top of your feeds. It's got categories, tags, OPML import/export, themes, and more. My favorite feature is the "Today" tab filtered by unread, great to catch up on what's new. 📦 Newsflash on Flathub 👤 Meet the Developer Here it is, my top pick. You don't even need to read this, just go download Planify, it's incredible. Alain took todos and added a bucketload of thoughtfully designed microinteractions. Labels, scheduling, today view, sections, kanban board, natural text to date parsing, the list goes on. When you hover the "Add" button, it does a little animation. When you complete a task, it gives a little sound. There's so many thoughtfully designed pieces in here! 📦 Planify on Flathub ♥️ Support Planify 👤 Meet the Developer Markdown based note taking, done very well. Notes are organized into notebooks and paired with a pleasant, minimalist markdown editor. 📦 Folio on Flathub 👤 Meet the Developer Distraction free markdown editor for writing long form content. Basically, the Linux alternative to iA Writer on Mac. It's beautiful, fast and has just enough features. I use it to write most of my blog posts! 📦 Apostrophe on Flathub ♥️ Support Apostrophe 👤 Meet the Developer Another excellent, single-purpose application that I use on a daily basis. Sessions is an egg/pomodoro timer that beeps when time's up. You just drag the slider and the timer starts. Great for keeping yourself focused! 📦 Sessions on Flathub ♥️ Support Sessions 👤 Meet the Developer Holy crap this app looks good! John did an incredible job building the best ebook reader on Linux. You can bring your own books, or use the catalogs feature to discover public domain literature. There's support for annotations (with import/export), bookmarks, text to voice and theming. 📦 Foliate on Flathub ♥️ Support Foliate 👤 Meet the Developer Got a sqlite database and want to know what's inside? Bobby to the rescue! Drag and drop your database file in and see the data. Simple, well designed and useful! 📦 Bobby on Flathub ♥️ Support Bobby 👤 Meet the Developer There's so much value packed into this app! Replace random sketchy websites you found on Google by using Dev Toolbox to generate a QR code, check contrast ratios, parse CRON strings and so much more. There's too much in here to cover, but it's become an essential part of my toolkit. 📦 Dev Toolbox on Flathub 👤 Meet the Developer Bazaar is a faster, more reliable and visually more appealing alternative to the default Gnome Software application. It's one of my first installs on a new system and another application that should be a default Gnome app. 📦 Bazaar on Flathub ♥️ Support Bazaar 👤 Meet the Developer The absolute best way to discover, install and update Gnome shell extensions! 📦 Extension Manager on Flathub ♥️ Support Extension Manager 👤 Meet the Developer Copyous is a shell extension, and it's the best clipboard manager out there. Visually browse and search your clipboard history. Supports image previews, syntax highlighting, color previews (ie copy a hex code and it shows the color) and so much more! 📦 Copyous on Gnome Extensions There's so many amazing applications on Linux that I definitely missed some! Feel free to shoot me an email at [email protected] with recommendations. I'll do a separate post in the future for KDE applications! I mentioned a few times in this article that some applications on Linux provide better value than alternatives I paid for on Mac OS. There's not a single paid application on this list, but that does not mean you shouldn't support the developers! These developers work hard to design, build, test and support the software that makes Linux great. If you like their work, show them some love!

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Kev Quirk 1 months ago

Why Have a Dedicated Music Device?

In the last year or so I've read about many people moving from streaming services, like Apple Music and Spotify, to their own music library. To support these local libraries, many seem to be getting themselves a music player, such as the Fiio Echo Mini . While moving to a local library is something that I've thought about many times 1 , I don't understand why people are buying these little music players. The big selling points generally seem to be: With the exception of the 3rd point, pretty much every smartphone on the market will do all of this. And let's be honest, #3 doesn't really matter as most people use Bluetooth buds these days. Yes, I know some people still use old school wired earphones. I don't need an email from you. So if the device that's already in your pocket will do everything these little music players will already do, why get an extra device to lug around everywhere? I want to stress, these look really cool, and if that's why you want one, that's totally fine. But anecdotally, that's not what I'm seeing. Can someone enlighten me? I see the advantages of owning your own music library, but I don't get why people want to carry another device everywhere. I've decided to stick with streaming, but that's a post for another day.  ↩ Thanks for reading this post via RSS. RSS is ace, and so are you. ❤️ You can reply to this post by email , or leave a comment . Bluetooth connectivity so you can use with buds, or in your car. Plenty of local storage. Audio jack. Easy to drag and drop music. I've decided to stick with streaming, but that's a post for another day.  ↩

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HeyDingus 1 months ago

7 Things (Which Are Songs I’ve Been Obsessed With) This Week [#185]

A weekly list of interesting things I found on the internet, posted on Sundays. Sometimes themed, often not. 1️⃣ “ Badlands” by Mumford & Sons & Gracie Abrams 2️⃣ “ Easier Gone” by Jason Aldean & Brittany Aldean 3️⃣ “ Grace Kelly” by Piper.Ally 4️⃣ “ Forever Start (Stripped)” by Ryan Nealon & Jillian Rossi 5️⃣ “ FTS ” by The Summer Set & Travie McCoy 6️⃣ “ Opalite” by Taylor Swift 7️⃣ “ Angels Like You” by Miley Cyrus Thanks for reading 7 Things . If you enjoyed these links or have something neat to share, please let me know . And remember that you can get more links to internet nuggets that I’m finding every day by following me @jarrod on the social web. HeyDingus is a blog by Jarrod Blundy about technology, the great outdoors, and other musings. If you like what you see — the blog posts , shortcuts , wallpapers , scripts , or anything — please consider leaving a tip , checking out my store , or just sharing my work. Your support is much appreciated! I’m always happy to hear from you on social , or by good ol' email .

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fLaMEd fury 1 months ago

Bic Runga At Te Paepae Theatre

What’s going on, Internet? Friday night my wife and I enjoyed a couple hours out in the evening to catch Bic Runga perform the second show on her Red Sunset tour at the recently opened Te Paepae Theatre. We got into town 30 minutes before doors opened, but rather than stress about catching the warm up act we grabbed dinner at an old favourite, Depot. We enjoyed clams, snapper slides, skirt steak and potato skins. Comforting knowing this is the same food we’d get here when we last visited a decade ago. We arrived at Te Paepae around 8 pm, headed up stairs and found our seats. The warm up band which turned out to be Bic’s husband’s band were just finishing up. We had to double check, but yes that was Bic on the drums. After a short 15-20 minute interval the show was back on with Bic taking the mic, and her husband returning the favour on drums. Bic wove in old favourites among new songs from the latest album Red Sunset. Red Sunset is her first album in 15 years (if we don’t include 2016’s cover album). I hadn’t managed to listen to Red Sunset yet, so the new songs were a first listen live. Pretty sure she opened with Drive. The new songs sounded great and I can’t wait to dive into the album on an upcoming roadtrip. As the show drew to an end Bic let us know that the show was wrapping up and rather than piss around with leaving the stage and coming back for the encore she got straight into her biggest and favourite track, Sway. What a tune to end the show with. After the show Bic headed straight to the merch tent and was signing vinyls and CDs and posing for selfies with fans. I grabbed a copy of her 1997 album Drive and got it signed by her. The vinyl itself wasn’t anything special. A single cardboard sleeve with a standard black vinyl. Sony obviously didn’t put a lot of effort into the production of this classic kiwi album. Drive will always be a favourite of mine, it is one of my earliest memories of really getting into kiwi music. During third form (Year 9) for a music class project we had to find a local artist to do a report on, I wasn’t clued up on local music back then like I am now. Dad shared a newspaper or magazine article on this new album from a 17 year old, Bic Runga. And that I would say was my awakening to local music. It wasn’t too long until the third labour government under Helen Clark would invest heavily into the arts and we’d all be exposed to kiwi music for a solid few years. Leaving the venue with my wife and the signed copy of Drive in my hand was a nice way to wrap up the evening and a good reminder of why I love kiwi music. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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fLaMEd fury 1 months ago

MF DOOM: Long Island to Leeds

What’s going on, Internet? A quick post to share some thoughts on a great little podcast I just listened to, MF DOOM: Long Island to Leeds . Even if you’re not a fan of underground hip-hop, or even hip-hop in general you may have heard of MF Doom. MF Doom is your favourite rapper’s favourite rapper. The podcast, hosted by AFRODEUTSCHE and Adam Batty takes us through the story of how the reclusive underground MC from Long Island, New York came up in the underground Hip Hop scene and wound up in Leeds, England where he passed away in 2020. It’s crazy to me how many American based Hip Hop artists were born outside of the USA but are still able to make it big in American hip-hop. His particular circumstances when it came to leaving and coming back to the States after touring were quite unfortunate but highlights the stance the United States takes on immigration. I’d hate to think how this would have come down if he was going through this today with the current immigration climate over there. I’ve always been aware of MF Doom and listen to his music, but not a mega fan. What this podcast has done for me is bump up some of his albums to the top of my vinyl wish list. The podcast is made of five 30 minute episodes. Even if you’re not a big Hip Hop head, give it a listen 🤙 Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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Justin Duke 1 months ago

Stop Making Sense

A polite man is driven to murder. He becomes a prophet and screams manifestos on love, war, and the increasingly alarming impact of technology and progress. Driven to insanity by his own insights into the human condition, he travels to a river in an attempt to drown himself but instead is baptized and absolved of sin. He dies, crosseyed yet painless. This is the definitive fairytale of my generation, and the moral is "watch out, you might get what you're after". Jesus lives, and he's wearing a giant suit. A film that is so flatly and universally beloved by all who watch it, regardless of affiliation with the band itself. And truth be told, I don't really care much for the Talking Heads — not that I dislike them or their music, but to me they are one of many bands that I can recognize the artistic and aesthetic value in at an intellectual level more than a Dionysian level. (And I don't really prefer my listening to be pleasurable on the intellectual level.) What did I think about while watching this excellent film, a master of its genre? I thought about the greatest concerts in my life: Lost in the Trees playing in the tea house in Charlottesville, an equal number of band members and audience members; Blind Pilot playing in the Crystal Ballroom, an entirely acoustic set and an audience willing enough to go along with it; CHVRCHES at the Paramount in Seattle, sweaty and glowlit. What Demme captures here is that same indelible feel of the best live music, where you feel in the same breath and beat both completely alone and completely surrounded by the only people who matter: building, building, higher, higher. I have half-joked with friends over the past couple years that I'm done with concerts as a medium. The event no longer holds any sort of allure outside of special occasions (once-in-a-lifetimes, family). The highest praise I can give this film is that it made me reconsider that stance.

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Rik Huijzer 2 months ago

Ani Ma'amin

I came across a video of a Purim celebration in Tel Aviv on Mar 14 2025. The party looks like any generic non-religious party you would expect. To my surprise, however, the crowd was singing something _messiach_ (messiah) around 0:32. After a bit of searching, it turns out the crowd is most likely singing the _Ani Ma'amin_ (1915) song by Simeon Singer. The lyrics that the crowd sing between 0:37 and 0:49 are _Ani ma'amin \ b'e munah sh'leimah \ b'viat ha mashiach, \ Ani ma'amin. \ mashiach, mashiach, mashiach_ where the first three lines mean: _I believe with perfect faith in the coming...

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Brain Baking 2 months ago

An Album For Every Year Of My Life

Inspired by Tom’s One Album for Every Year of Life compilation, Robert created his own list. It’s been a while since I last published a list related to music so here’s my own that should contain 40 items. This was a much more challenging exercise than I initially thought. It took me almost an entire day to compile the list and it still contains holes. In any case, scrolling through the list is another way to reveal the evolution of my musical taste . Each row includes a sample track I picked out for your listening pleasure. Every link redirects to YouTube to keep things as simple as possible. The idea is that these samples make the list a bit more interesting for people who are looking into expanding their musical tastes. Album art: the eighties. Very easy to compile. Genres: metal, pop/rock, new wave/synth. I love eighties music as is apparent by having the GTA Vice City radio stations on repeat for years and years. I kind of cheated by including two compilation albums in this list of which Decade is the first: all the good stuff is from before 1985. There’s so much great new wave/synth pop music out there, but I have yet to discover the full length albums as I usually aim for the more popular individual tracks. When I’m in the mood, I appreciate the odd metal/hard rock track, but as will become clear in the next section, it’s not my main genre. Album art: the nineties. Very easy to compile. Genres: rap overload! My music nineties are heavily dictated by hip-hop super-groups of which Wu-Tang’s Enter The Wu-Tang is the most influential. Since then, I’ve been a devout Wu follower as is apparent from the spin-offs ( Gravediggaz ) and solo albums ( Liquid Swords ) on this list. Beyond a good doze of underground rap, there’s also the king of the G-Funk. I first had the new king listed on 1999 ( Dr Dre: Chronic 2001 ) but Dan The Automator’s weird stuff takes more priority. The few non-rap albums are either compilations ( Middle of the Road ) that my mother brainwashed me with or late pop rock goodies (I love Genesis but hate their slow songs). Album Art: the noughties. Moderately difficult to compile. Genres: alternative/underground rap, electronic. I faced difficulties filling the latter half of the noughties as my musical brain was stuck in either the golden age of rap (the nineties) or the golden age of synth music (the eighties). Still, this decade includes some of the best albums ever made ( Madvilliany ) and great super-group deliverables that I’ll listen to any day ( Jurassic 5 & Hieroglyphics ). Much later, I discovered I also love chiptune music and electronic (rock). The inclusions here are recent aquisitions: in the noughties, my mind was still very much set on rap. Album art: the 2010s. Difficult to compile. Genres: hip-hop, electronic, funk. Mega Ran is probably my biggest discovery from this time: an MC rapping about video games and remixing classic video game soundtracks? Here’s my wallet, where do I sign? More chiptune electronic starts finding its way into my playlist feed, with Cory Wong and his Vulfpeck as the latest funky additions. Album art: the 2020s. Impossible to compile. Genres: Hip-hop, funk, electronic. Most albums I buy nowadays are released in the previous decade(s); I’m a “slow discoverer” when it comes to contemporary music: hence the absence of entries in the years 2024, 2025, 2026. If you have any suggestion based on my taste laid out here please let me know. I’m happy to report that hardcore hip-hop is not dead yet. Czarface proves this—yet another Wu spin-off by original Wu member Inspectah Deck and the duo 7L & Esoteric . They consistently put out great comic book inspired stuff. I just learned about Stress Eater , a spin-off involving Kool Keith . Maybe that album should be on 2024 in a few months. Related topics: / music / By Wouter Groeneveld on 2 March 2026.  Reply via email .

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xenodium 2 months ago

Ready Player cover download improvements

At times, even purchased music excludes album covers in track metadata. For those instances, ready-player-mode offers , which does as it says on the tin. The interactive command offers a couple of fetching providers (iTunes vs Internet Archive / MusicBrainz) to grab the album cover. The thing is, I often found myself trying one or the other provider, sometimes without luck. Today, I finally decided to add a third provider ( Deezer ) to the list. Even then, what's the point of manually trying each provider out when I can automatically try them all and return the result from the first successful one? And so that's what I did. In addition to offering all providers, now offers "Any", to download from the first successful provider. Now, why keep the option to request from a specific provider? Well, sometimes one provider has better artwork than another. If I don't like what "Any" returns, I can always request from a specific provider. While on the subject, I also tidied the preview experience up and now display the thumbnail in the minibuffer. In any case, best to show rather than tell. Enjoying your unrestricted music via Emacs and ? ✨ sponsor ✨ the project.

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fLaMEd fury 2 months ago

Carl Cox On Waiheke

What’s going on, Internet? Ferry ride over, no kids. Bus to Onetangi. Alibi for a late lunch. Picanha steak with seasonal vegetables. Unfortunately, they had some type of beer shortage, so their usual selection was limited to four tap beers. I enjoyed the Ruru Hazy, even though it was a hazy. Hopefully, they have the full range available next time I’m there. The gig was a minute walk up the road at the Wild Estate . I was wondering how they would do the setup, and once I saw the fences and tents set up on the front lawns, it made sense. We got through check-in sweet as. The drinks were supplied by Pals. We grabbed a drink, my wife a Purple Pals and a Frankie’s Cola for myself. We took a short walk around the venue to get a lay of the land and found a table to sit down at. There was one person there enjoying a pizza. We said hello and sat down. Shortly after, a couple approached and asked if the seats were free. Of course, come sit down. Let’s chat. Want another drink? Sure, let’s go. Friends were made. Another couple, two friends, sat down in the remaining seats. Hi, how are you? More friends. Time to dance. We met up on the dance floor. A group of new friends dancing amongst the crowd to Nichole Moudaber before Carl Cox came on. Both sets were amazing and just what I wanted to hear on a Saturday afternoon. It’s pretty cool that Carl can play something like Awakenings Festival to hundreds of thousands of people, and then a month later play a small venue on Waiheke to a crowd of a thousand. The gig started at 3pm and went until 9pm. Perfect timing for us. We decided to skip staying to the end of Carl’s set and grabbed the 8:11pm bus back to the ferry terminal. I think we made the right call, as the next boat back to the city was at 9:30pm. Sure, we had to wait at the ferry terminal, but we were at the front of the line and got a seat right away as the boat turned up. There were hundreds of people left waiting at the terminal for the next boat. We managed to get home and into bed by 11pm. Perfect timing for a good enough sleep before kids’ activities in the morning. ← Previous 1 / 4 Next → Close ← Previous 2 / 4 Next → Close ← Previous 3 / 4 Next → Close ← Previous 4 / 4 Next → I miss nights out like these. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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ava's blog 3 months ago

album: girls by princess nokia

As I said before, I’m a lazy listener . I don’t listen to a lot of music; I often just like one song of an artist, and I tend to listen to single songs and playlists instead of albums. But recently, I finally checked out the new album of an artist I enjoy: Princess Nokia. It’s been a few months since the “GIRLS” release, but it totally passed me by until now. After listening to the album, I felt changed. Healed. It felt like a whole body experience! For once, an album that I wanna experience as a whole. I do not dare to pluck out songs from it, remove them from their context, or to play one over and over and over again. I want the whole thing, I want the experience of each song being embedded in the rest, I want to “earn” listening to my faves and eagerly await their turn. That’s a new experience for me. So I wanted to write down how the songs (except FM intro and interlude) made me feel, what moves me about them. I’ll bring up something that continues on throughout the album irrespective of specific songs: Uplifting songs, and specifically women empowerment songs are often rather… clean. They’ll talk about all their material wealth, their perfect looks, their moods and hobbies in a way that feels sanitized. Good vibes only, being confident but not too much, treading carefully, still being kind and nurturing, not pushing many boundaries, no talking about trauma or resentment, no offending anyone. There is just clean self improvement in a way that doesn't gross anyone out. They sound like “ I like myself, but don’t worry, I am not arrogant or anything, I’m not a downer and I still look fuckable in the eyes of men and will laugh at your bad jokes. ” I sometimes miss the darker, more embarrassing emotions; anger that doesn’t feel watered down, accusations that aren’t sugarcoated, beauty that doesn’t hinge on heterosexual performance. Grossness, imperfection, self-isolation that isn’t depressed or sad, a vibe that doesn’t feel like a curated version of the Manic Pixie Dream Girl. Songs that treat women fully as people with all kinds of uncomfortable edges and unreasonable feelings, not just advertising space, a decorative item, a housewife, the main character’s development, and a hole. Things that are embarrassing, that the world heavily wants to police you for. You are always supposed to forgive and forget, to be relatable and put others’ needs first, to be the bigger person and give in. You’re supposed to read everyone’s mind. You’re the homemaker. You’re supposed to wear eyeliner “ so sharp it kills a man ”, but do it for him. You can sing about getting all the guys and driving in your sports car, but it has to feel like a persona, a trend, an act (not real), a revenge on rap music, and you have to still shake ass for them. You’re defiant, but you're so palatable. Queer art and sexuality feels different, more free, less in this box. Your body is sexy like it is, but not because it is contorted and watched. There’s more room to be evil and disgusting, your worst instead of best version. The mainstream empowering songs can feel like you’re only your “true” self when half of your humanity is missing; you love everyone and not take anything personally and are above everything, and every struggle is already therapized, processed, and neatly packaged up into a relatable lesson for everyone’s consumption, with an unspoken vow to never do it again. Not here, at least in the beginning. We are in the struggle, we are holding grudges. We know healing isn’t linear, and indulging in our worst thoughts and re-entering some grief and anger about what happened to you every now and then is normal and healthy. The vibe is eerie, it’s deep at night, the wolves are howling. We’re up late, we’re sick with anger, we can’t and don’t want to sleep. Girlhood is a spectrum Pretty is destruction I just fell from grace And I made it into something Everywhere around us, we’re inundated with beauty ads under the guise of self care. Put on all these products to become happy and look your best, queen! Not doing this is so slob, so bedrotting, so depression. Have you done your morning shed? Your 5 minute gratitude journaling? To be a woman, you have to take care of yourself, be in your feminine era! I enjoy using some products to make me feel good and affirm my gender - that’s not a crime! But the goalposts keep moving, more and more products are presented as staples, and getting started with a routine feels overwhelming. Do I do it for me, or for you? For us? I nick myself while shaving my leg and bleed, and waxing hurts more; my trash can is full of sheet masks, and we’re all scrolling while the conditioner does its magic. The hair gets tangled up anyway, hurts while brushing. It mats in the neck while you’ve called in sick due to cramps and you keep rolling around in bed trying to find a comfortable position. Everything we carefully draw on our faces gets demolished again, every acrylic nail fades into dust, and there’s a callus where the nail tech hits your skin with the e-file. It's two-fold. What makes you pretty can also make you a target and bring you destruction; the attention of evil people, jealousy. Now I'm fucked up and I'm bended If only I could understand the reason for my crying If only I could stop the fear of dreaming that I’m dying This is also partially a quote from Jennifer Lynch from The Secret Diary of Laura Palmer. What bends can snap. Every time I know it’s coming, every time I think I am prepared, but I’m not. The feelings overpower me, but why am I so sad? Why does everything seem so dark and hopeless? Why does my mind wander to worrying about terrible events and tragedies? Why do I simultaneously want to kill myself and fear I won’t wake up again tomorrow? Even a look in the cycle tracking app doesn’t make that go away. I have to wait for it to pass and trust that this isn’t the truth. This is for my rapist And all of my abusers You may have all the world fooled But I see right through you [...] I've been a statistic, and everyone ignored me [...] But I am a girl, so they hate my fucking guts They tell me I ain't shit And that I fucking suck If I was a man, I would get away with murder But I am a girl, so I have mental disorder So many like me have coped by directing it all against themselves. The outside world can’t be reasoned with; they’ll blame you, they won’t believe you, they’ll make themselves out to be a victim because your criticisms or accusations made them feel bad. Every time you try to fix it or extend an olive branch, the other party stomps on it and the situation gets worse. So you comply, you grey-rock, you plan your escape, you write it in your journal, you daydream about a different life. You starve yourself, you overexercise, you cut and you burn, you give yourself a bad haircut at 3am, you spend money you don’t have to make yourself happy, you numb yourself with the benzos you got your your anxiety. You do everything but not punch their face, scream at them, or give them the silent treatment, because if push comes to shove, you. will. lose. You are dependent on them and their approval. Everyone who feeds you can also starve you. It also reminds me of the Ashnikko quote " God made me pretty, you made me mean. " I am very girly And also very violent The juxtaposition of girlhood and violence makes the final girl so compelling. The final girl is a woman who is the sole survivor of a group in (usually) a slasher film, who are chased by the villain. She gets the final confrontation with the villain and often ends up killing him. Final girls tend to be very beautiful and have a certain aura, an implied moral superiority through refusing certain behaviors or acting "like a lady". I’m past my expiration date He called me damaged goods I’m the rotten fruit Low hanging in the woods How dare you weaponize my looks? I’m a bad bitch You’re impotent and bald We all know why you’re angry You’ve hit the wall, they say. 30 year old women are ancient. Your life is over. You are undesirable. If no one chose you by now, there’s something wrong with you. Even if you tried getting with people, each relationship was one too many; now you’re a whore. You’re easy. You’re the last option. You are not allowed to have standards, be happy someone picked you at all. Make it work with them no matter what. Never be mean to him back! If he acts out, that’s your fault. Stop expecting anything of him, stop nagging him, stop being such a bore and a prude, stop bring slutty in public. Why can’t you be agreeable? Why can’t you maintain your body in a pristine condition? Who wants you with a buzzcut and your blood and sweat? It’s a projection. The people throwing these things at you do not age well either and are afraid of being alone. Manipulating women with kindness is such a sin to me Premeditated You pretend to be a friend of me And rip out my wings while I’m sleeping You’re fucking dead to me I remember the time when my friendships with boys started to transform in early puberty. They suddenly acted odd. They weren’t carefree and silly anymore, but more macho, sarcastic, weirdly flexing. It’s like they went from being a person to being the image of a gender, forcefully. They put on a mask and looked at me differently. Now hangouts became unsafe. Every conversation could send the wrong message. I was now expected to do the work of managing these hormonal moods around me, juggle everyone’s feelings, and fawn. Make people comfortable. Reject them, but not too much, and not in a way that would hurt them so deeply that they’d retaliate physically or by spinning up rumors. But you first have to learn that, so by the time you’re 16, you know that in the eyes of others you are simultaneously ugly and fat but also a slut, and everyone whose romantic interest you had to handle like a fragile flower and spend nights worrying about allegedly didn’t want you anyway. Friendship destroyed. But some are more sly than that, and that’s even more painful. They’ll strike when you least expect it and disarm you with kindness and safety before you know what’s happening. They wield your connection like a sword. He’d never do that; that was probably unintentional; he didn’t mean it like that; he just needed some support in a stressful time; I must have sent mixed signals; I didn’t say no, so it was my fault. My friend’s brother went and did some weird shit Do I tell her Or keep it to myself? Is it common? Does she already know now? If I told her, I think she’d be embarrassed I think about it and all the girls just like me I dance around it ‘cause I don’t wanna hurt her This is what keeps rapists and similar folks so protected in our society; they’re embedded in the systems we rely on. Not just emotionally, where they have the potential to destroy our friendships. They’re your coworker, and you don’t wanna create a weird environment at work (even though they did), or they’re your boss and you need that promotion; they’re your grandpa, your uncle, your older brother, and you’d make everyone sad and split the family, ruining the family get-togethers (even though they did). The common solution once again falls on the girl. She will suck it up, she will keep it a secret, she will direct the anger against herself and protect everyone else from seeing it. Succubus male demon I know what you did I know what you did I know what you did But the mood begins to lift. We got the pain and crying out of our system. Our pants are stained, our beds are messy. It’s laundry day. We kill ourselves a thousand times in our head, but now we’re better, we reemerge on the scene. The vibe is hopeful. Now we want it all and we don’t mince our words. Eat your heart out, cunt I’m holding nothing back Of course I’m wishing death on you I hope you have a heart attack Sorry, did I do that? I have not one remorse There’s a pivotal shift in your life, maybe because of therapy, when you stop internalizing everything and directing everything against you, no longer taking on the blame for everything and denying your own feelings. The time of making amends towards these people and prioritizing their comfort over yours is over. Now you let them know. You have become independent, you have a backup plan, you’ll make your escape. You’ll give them a piece of your mind. You allow yourself to have these dark thoughts and wishes that you have always swallowed and pushed away. You own it now. “ I’m a bitch? Okay, I’ll be that. ” You’ll get called mean for things men pat each other on the back for. And I’d rather be seen as arrogant while I love myself, than being seen as arrogant for self-isolating and sitting in the corner with a resting bitch face because I’m nervous, insecure and just want to hide. I heard I’m a fucking cunt I know I’m a fucking bitch I’m judgmental, mean as shit My autism make me tick This song makes me cry. The longing for a girlhood like the movies and TV shows depicted is as much as I memory as the real girlhood we lived. We searched for it and saw glimpses of it in the cherry-flavored glitter lipgloss we put on at 8 because it was included in some horse magazine for girls, the short skirts we aspired to wear while we played browser dress-up games at 12, or in the iced latte we got at Starbucks at 15, feeling like those Instagram girls older than us. Lemon girl, kiss, kiss, she's so sorbet Lip gloss, glass skin, and a doll-like face Bows tied, mini skirt, skirt, skirt, ballet Iced chai, stardew, internet cafe I like that this song doesn’t feel rooted in the past or too nostalgic; it still mentions more modern elements of girlhood of the girls growing up right now, not just the singers’ upbringing - like Chappell Roan, glass skin and matcha. Things change, but some things stay. The core is the same. The yearning, the collage of all these things we want to be, the Pinterest boards, the feeling of what it is like to enter puberty or be a teen, or your “second puberty” in your 20s. The idea of sleepovers, the stereotypical cliques, Mean Girls, giving the other girls gum or your Labello in class, strawberry cented paper or pens. Even if we didn’t live it, a part of us wanted to. So badly. And even just listening to songs that have this vibe feels like a throwback to that time where we thought this was in the cards for us. It's so healing, even when older, to occasionally do these really girly nights for you. Make your phone pink, add glitter, wear something pink, play a browser game again, add charms to everything. It's going to be alright. Brow tint Lash lift Nails done Life’s great In the first song, pretty is destruction . But here, it’s also self care, a way to feel reborn, make yourself feel good. Beauty rituals and feeling put together gives us a little boost. It’s affirming, it’s relatable, you’re in the in-group. No matter other disagreements or differences, stuff like this is what can transcend barriers between women, in a way. Even if the beauty standards themselves or the procedures and rituals differ, we share in knowing how it feels. It’s a gift and a curse; on one hand, strutting down the street feeling your best after getting your nails done, but also having phases of wanting to do away with all of it. It costs so much time and money, and is it feminist? Is it not? Who am I really doing it for? Would I do these things if no gender roles and beauty standards existed? The feelings around it are messy. Can you truly own something, make it yours, do it for yourself if it is so mandated? We try. I’m in love with her See myself in her Think I know that girl I’m in love with her See myself in her I think I am that girl This piece makes me feel warm and connected to any woman, no matter the age, upbringing, or the time when she first started pursuing womanhood. It makes me recognize myself in every woman, and recognize them in me. It also makes me proud of everything that I have already achieved and look forward to achieving more. I simultaneously feel like the little girl I was, and the protective adult woman I am, and the motherly figure I needed. I want to give all versions of me a deep hug. I know everything I admire in other women, I also have in me. God, boys are so out Girls are in, girls are in And I'm obsessed with them, I love everything about them Their hair, their nails, their accessories Their poetry, their songs The cherry girls, the latte girls, the lemon girls, the coconut girls, the tropical girls The girls who get it, the girls who don't get it The girls who rot in bed all day, the girls who get up and go to Pilates and yoga Like, I'm somewhere in between both of them and I just love it I love being a girl, there's nothing else in this world I'd want to be Do you know what I mean? This is the power song. The song to put on at the gym, the song for getting ready to go out, the song for strutting down the street in the summer in your best fit. The kind of song that makes you think of music videos showing moments of parties and jumping into the pool. The song for when you are sick of the sad songs after a breakup and start to own singlehood again, feeling relief and contentment with it all. Acceptance. A way forward. A little manic. Girlhood, girls bleed Mean girl, girl fun Girl books, girl code Girl hate, girl love Free the girls Hope they all get divorced It’s time to shock yourself awake, remember you have free will, do some daring stuff, reinvent yourself. What does the average common man have to reinvent himself? A new car? A change in beard style? Going bald? But you . You have everything. New makeup, new nails, new haircut, new hair color, new style, new clothes, new bags, new rings… even plastic surgery, if you want. New aesthetically pleasing home decor where his shit used to be. It’s a new chapter. Drop dead gorgeous Scream queen fun Beauty pageant killer She's the one It continues with a similar vibe: This song makes me feel like an it girl, a red carpet girl, a girl hunted by paparazzi. A girl dressed by Chanel and other luxury brands. The kind of super model that is inexplicably always somewhere in France. Once again, a nod to Gossip Girl (which I still have to watch!), what seems to be a staple in many teen and early 20s women's lives. This one is kind of the weakest song for me on the album, but still enjoyable. It feels like a breather in-between; just a nice imagery about loving the sea, craving the beach and feeling like a mermaid; beautiful, mysterious, a siren. My favorite on the album, and the second song to make me cry. Sound-wise, it’s very clearly inspired by, and a nod to, Lana Del Rey, who was also mentioned in a lyric in Drop Dead Gorgeous (“ Lana del Rey, side of fries and a Diet Coke ”). I first thought Lana had a feature on it, it’s that close. Tired of surviving, I just wanna live White picket fence with no man and no kid Love is romantic, I know that it is Love by myself is the love that I give The track fills me with hope for my future, that I can make it, that I can create the life I want for myself and the ones close to me. That even if everything goes wrong, I’ll still have the love I give to myself. Our wishes sometimes get distorted, we get influenced by marketing or the goals of others and wonder: Am I asking for too little? Should I aim higher? Am I a fool for wanting so little? If I reach my easy goals, what then? Am I missing out? The most peace we can give ourselves in life is to be happy with little and having the appropriate amount of gratitude towards the things we already have. You can aim high, but you can always be happy with less. Isn’t all that we want some damn safety, getting out of the stressful areas, some time with loved ones and ourselves, and time for our hobbies? Green juice, Bling Ring Soft girl life, take it easy Pink room, pink clothes Brand new house, Pink Bronco I remember being a teen and imagining the life I’d live once I moved out. Not just the aesthetic of the furniture, but how the fridge would be sorted and how my clothes rack would look. Always having fresh flowers on my desk. Hanging out on the balcony in the summer. A whole apartment to myself, not just a room that felt like it was rented from a parent. I’ve been out of my parent’s home for close to a decade now, and the dreaming continues; now about living in a different city, closer to friends and family, in a bigger place, with my wife. I have outgrown the person I was when I moved into this apartment. Back then, I was recently broken up with, in the middle of a traineeship, not earning much, financially reliant on parents, and it was my first own apartment. I was very frugal, modest, minimalist and very attached to an all-white, empty home. I swore never to move in with anyone again. But I have changed, and my needs have too. Nowadays, I work full time, I am no longer reliant on anyone financially, I am halfway through a degree, I got more qualifications and I am married. I welcome color now, textures, a bit more decoration, less sterile. I’m willing to let someone in, to live with someone again, to share a space. I want character. It’s time for a new chapter, to build something together. It has manifested in the desire to sell a lot of my furniture and get new one with my wife at flea markets, antique stores, and eBay. I am willing to let go of who I was and embrace my new goals, my new perspective and new life. I wonder about the room we’ll paint pink in our new place. This song reminds me of what I’m doing it all for. My pink Bronco are the degrees I want, the job I want, the home I want, the entire life I want. After everything I've been through, and all the hard work I put in, I deserve it. I want pink diamonds, pink flowers, pink sand Took off my hair and rolled in the sand Starting life over, it's my second chance Packed up my suitcase and never looking back I'm standing firmly, the past is the past Well, pink is forever, at least in my head I had to actually research who that is! She’s an influential fashion designer, and her current fashion brand also bears her name. The song is filled with references to powerful and influential women (real and fictional): Phoebe Philo Joan Didion Emily Dickinson Chloë Sev (= Chloë Sevigny) Beth Dutton Maxxxine (reference to the movie with its character Maxine Minx) Suspiria (reference to the movie its character Mother Suspiriorum) It’s clearly a girlboss-fantasy (“ I’m dodging taxes babe ”). I never thought I’d miss the boss babe era of online content and that stream of feminism, but now that influencers have shifted into romanticizing being a SAHM and tradwife, I kinda do. The lyrics and beat remind me of The Devil Wears Prada somehow; I think of Meryl Streep as Miranda Priestly. It makes me feel as if I’m walking to my luxurious fashion industry job, wearing a fashionable long coat, some heels, and huge sunglasses with a fitting fancy bag. This is more like Princess Nokia’s previous albums (especially Everything Sucks ) both the sound and the lyrics. It’s rap, it’s competitive, it’s Sugar Honey Iced Tea and It’s Not My Fault . It's a message to people that love to see you fail, that doubt you, that are jealous. There's a difference from a star and a girl in a moment Half of y'all is temporary and you don't even know it You had your fifteen and I seen that you blown it My bad, I had to show it, I think you had to know it The song, and therefore the album, ends with a little message I can relate to, applied to me and my circumstances. I’ll let it close this blog post, too. I finally understand myself and my process And I respect everyone, but I know myself best And I don't like working with writers I don't like working with a lot of producers The formula to my success is silence, isolation, stillness My talent is best suited in that environment I know what works and I know what doesn't work I know what I like, who I like, what I want to make And everyone who works with me, they respect me They don't question it, in fact they encourage it And yeah, I wrote this entire album by myself in a span of one year And I had the best fucking time and it's the greatest album I've ever made So I know what I'm doing I trust my process Reply via email Published 10 Feb, 2026

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fLaMEd fury 3 months ago

The Summer Took Hold

What’s going on, Internet? I was going to have this post as the December wrap up post but the summer took hold of me and here we are at the end of January and a week into Feb, lol. December kicked off with a Tuesday night gig, Lewis Capaldi At The Spark Arena , a fantastic show. I finished off a post about what music ownership means to me , I was happy to get that one out of drafts and published. Then we were straight into finishing up work for the year and I took some time to reflect on the beers I drunk , the books I read , and the music I enjoyed throughout the year. Christmas was an exciting time. With a four year old and a two year old we were in full hype mode. I also got into the hype and had a blast. We had a pre-Christmas lunch at my brother’s place with his family and my parents, two days of work and then straight into Christmas Eve prep which we had at my parent-in-law’s place with the kids, their aunties and all their grandparents. They actually managed to go to sleep and woke up super excited and we got to do it all over again on Christmas Day. I braved the mall on Boxing Day and managed to pick up the last copy of the 2025 Indie Store exclusive re-issue of Get Rich Or Die Tryin’ pressed on red vinyl. The mall itself wasn’t too bad, but the traffic into the mall was horrific. Worth it though. With Christmas out of the way we had a couple days down time before we started our road trip down south. This was so much fun. Our end destination was the Marlborough Sounds, and we broke the trip up into stages so we could explore some of the country and also make sure that the kids weren’t stuck in a car non-stop for days on end. On day one we headed to the Hawke’s Bay via Orakei Korako Cave & Geothermal Park . We stayed one night in Havelock North and visited the national aquarium in Napier before continuing on to Martinborough where we spent two nights. The kids got some grandparent time and my wife and I managed to head over the hill to Wellington to catch up with some friends. On New Year’s Eve we packed up the car again and made our way with the kids to the ferry terminal in Wellington to cross the Cook Strait and make the drive to a remote part of the Marlborough Sounds . After four nights down there enjoying the remote tranquility of the top of the South Island, we headed back to the ferry terminal in Picton to catch the boat back to Wellington and drove straight back to Martinborough for a week of working remote rather than cutting the road trip short. We then packed the car up for a final time and made our way back up north, back to Havelock North again for one more night. Before heading north again the next morning we took the kids to Splash Planet and had a fun time in the water and playing mini golf. We stopped off in Hastings for some ice cream before heading back to Taupō where we stopped off at the Hooker Falls and Cobb & Co for dinner. My wife and I have great memories of family dinners and birthday parties at the Cobb and were hoping the kids would have a blast, but I think they were over it and were just tired. Luckily it was only three more hours back to Tāmaki Makaurau so I made the drive home while the family slept. Then it was back home to unpack and get back to the reality of the weekly grind of school and work. What an epic road trip though. I look forward to more of them, and they’ll only get better as the kids get older. I’ve been watching a lot of great shows recently, old and new. I saw Tulsa King on Cory’s website, gave it a go and ended up watching the entirety of season one over a couple days. I’m going to get right onto season two as soon as I can. The second season of The Vince Staples Show was like a fever dream. Short episodes, easy to watch. My favourite universe, the Power Universe had season three of Power Book IV: Force on the screen and I loved it. It’s so over the top and the premise is wild. Great end to the series and looking forward to Power Book Legacy! I watched all four episodes of Sean Combs: The Reckoning - it really shows what a psycho that guy is. The fourth season of Industry has started and I’m watching my way through that, I have no idea if I actually like this show anymore - it’s kinda fever dream like itself, but I’ll keep watching it. Shrinking is back for its third season. And finally A Knight of the Seven Kingdoms started, I loved the books and I’m loving this show. Set a hundred years before the events of A Song Of Ice And Fire, it’s a bit more lighthearted and funny than Game Of Thrones was. Been a good run of movie watching over here recently. Partly due to Mr 4 taking more of an interest in them. He’d been coming home from preschool talking about KPop Demon Hunters , and we’d been listening to the music and so we sat down and watched the movie together one afternoon. I really enjoyed it. He did too. He’s also been into Paw Patrol recently so as a treat he’s been able to watch some of the Paw Patrol movies starting with PAW Patrol: The Movie , which I also ended up really enjoying. Surprising at the big names doing the voices. Totally different to the budget voices on the Tonies 🤣 So yeah, the movie was really good, although he got quite upset when Chase lost his confidence. It was cute. Christmas was also a bigger than usual thing in our household this year and so on Christmas Eve we all sat down together and watched Home Alone with him. A fun movie which he enjoyed, and maybe laughed a bit too hard at parts. When the kids did eventually go to bed I enjoyed the annual screening of The Guardians of the Galaxy Holiday Special . During the roadtrip we stayed at a motel on the way down south and we took advantage of the yearly screening of Grease - one of my all time favourite movies. After the kids sleeping for hours in the car we knew they weren’t going to bed easily so we had a family movie night. Grease isn’t a kids movie, but it’s also quite tame compared to movies today. I enjoyed it, they enjoyed it and we all had a good time, and they eventually went to sleep. The other movies I enjoyed were Woodstock 99 which dove into the absolute state of the 99 Woodstock festival and how it eventually turned into what it was. What a shit time that would have been. On the lighter side I enjoyed Good Fortune and then Shithouse , which has a shit name, but explored the isolating side of social interaction. Eleven records added to the collection across December and January. A lot of anniversary editions and special pressings landed on the shelf. Here’s all the posts I enjoyed recently. You can check out more over on the Bookmarks archive. Shellsharks is back and publishing Scrolls again so go check that out. Hyde is still publishing his Over/Under series and has just published issue #50 with Bobby Hiltz . I really love the way Hyde personalises each Over/Under interview with his guest - it makes for an interesting read and shows that he does go out of his way to read their websites. xandra has also just dropped the Autumn/Winter 2026 issue of Good Internet magazine. I can’t wait to get stuck in and read all the new articles while I wait for my physical edition to arrive. Plenty of hacking on the website over the break. I’ve been messing with the homepage layout. I’m still not entirely happy with the bento, but it’s fine for now. I’ve added a “Stuck In My Head” section that highlights the six most played songs from last.fm . I’ve also moved the webrings into the bento and revived my buttons collection - I’ve got more to add here later. I’ve started adding garden indicators for living posts that I intend to keep working on over time. I will eventually create a /garden/ page to list these pages for easy browsing. I guess that tag page serves that purpose at the moment. Along with that I think I’ve improved the post metadata on each post that helps tell the story better with category, tags, and dates. Let me know what you think. I spent some (a lot) of time unifying the look and feel across Beer Fridge , Recordshelf , Bookshelf , and Comics pages with cleaned up CSS and introducing a common layout for the stat cards. That damn comics page needs a lot of work. This update was brought to you by Girl in Stilettos by Annah Mac Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website. App selection criteria - Cory Dransfeldt on his criteria for choosing apps. Delete Spotify? Sure, But Don’t Just Replace it With Another Subscription - Stephanie Vee on thinking beyond just swapping one subscription for another. Why RSS matters - Ben Werdmuller on why RSS still matters. What happened to the comment section? - The History of the Web looks at what happened to comment sections. Three Predictions For The Web - Three predictions for the future of the web. IndieWeb Carnival December 2025 – The IndieWeb in 2030 - The Frugal Gamer hosts the December 2025 IndieWeb Carnival. Static sites killed the blog comment star - Did static sites kill blog comments, and can old tech bring them back? An Island in the Net in 2030? - Khürt Williams imagines the IndieWeb in 2030. Drinking The Largest Beer At The Airport Makes Everything Better - A celebration of the airport beer. Backing up Spotify - How to back up your Spotify library. 30 Years of br Tags - A look back at 30 years of the humble tag. Looking beyond collective blogging - V.H. Belvadi looks at what comes after collective blogging. Readers, writers and blogging ethics - On saying what you mean and being damned. How and Why Do I Blog? - Reflections on the how and why of blogging. Building an IndieWeb house (I): introduction - Starting the journey of building an IndieWeb house. The IndieWeb Doesn’t Need to ‘Take Off’ - Susam Pal on why the IndieWeb doesn’t need mass adoption. Experiences with social medias - Reflections on experiences with social media. Writing Hyperlinks: Salient, Descriptive, Start with Keyword - Nielsen Norman Group on writing better hyperlinks. Why 90s Movies Feel More Alive Than Anything on Netflix - Why 90s movies hit different. You should start a blog today - A nudge to start blogging. Self-hosting versus lots of small indieweb providers - The trade-offs between self-hosting and using small IndieWeb providers.

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Andy Bell 3 months ago

I listen to a lot of I Prevail

I only discovered them in July 2025 and I’ll let this last.fm chart do the rest to illustrate the point. I think this chart sums me up as: Anyway, I think they rip. They’re a bit cheesy, sure, but this record especially sounds massive , so if you’re into metalcore etc, give ’em a try.

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