KTT x 80Retros GAME 1989 Orange
I picked up the KTT x 80Retros GAME 1989 Orange switches a while ago at Funkeys , a physical brick-and-mortar mechanical keyboard store in Yongsan-gu, Seoul , and it’s my first linear switch. Given its surprisingly cheap price I really didn’t expect much from it to be honest. KTT is a name people normally associate with budget options, like Peaches , Sea Salts , and Strawberries . It’s the kind of switches that show up in beginner build guides and they are generally good stuff, but not really the kind of thing that made me stop and think about what I was typing on. However, the GAME 1989 Orange changed that perception for me, and it did it in a way I genuinely didn’t see coming. But before we get into the switch itself, we need to talk about the vibe , because the vibe is half the story here. 80Retros is a relatively young brand out of China that debuted on ZFrontier around December 2023 with an interest check for their GAME 1989 cherry-profile PBT keycap set inspired by the original Game Boy . They describe themselves as lovers of all things vintage and retro, and unlike a lot of brands that slap “retro” on things as a marketing afterthought, they actually seem to mean it. What’s remarkable is how fast they’ve moved since then. Within a few years, they went from a single keycap IC to pushing out nearly a dozen different switches across two separate manufacturers ( KTT and HMX ), along with matching keycap sets in multiple colorways. The G.O.A.T. of switch reviews himself, ThereminGoat , covered this in detail in his HMX Volume 0-T review , and the GAME timeline is pretty interesting: The original HMX -manufactured GAME 1989 switches came first, followed by what he calls the “Film Trio” (the KD200 , FJ400 , and GAME 1989 Classic ), all packaged in these absolutely gorgeous film canister-inspired containers that look like oversized Kodak rolls. The film canister thing started as a nod to the KD200 and FJ400 being camera-brand-inspired, but the community loved the packaging so much that 80Retros seemingly just kept using it for everything. Even for switches that have nothing to do with photography. The KTT -manufactured GAME 1989 Orange and Red are the newer entries in this expanding catalogue, released as part of an “Expanded Film Series” in early 2025 alongside a Silent White variant and an HMX XMAS switch. So we’re looking at a brand that is absolutely not slowing down. On paper, PC top and PA66 bottom is a pretty classic material combo. KTT has used variations of this pairing for years. What makes this switch interesting is the KT2 stem made out of their proprietary UPE blend. UPE ( ultra-high molecular weight polyethylene ) is a material that’s been showing up more and more in the switch world, but it’s one of those things where the specific manufacturer’s blend matters enormously. Keygeek ’s U4 , for example, sounds glassy and solid. KTT ’s KT2 is more dry, a bit foamy, and (this is the part I didn’t expect) it brings an audible character that I can only describe as “marble-y” . It’s not soft, but it’s not hard either. It sits in this interesting middle ground. At 4mm travel with a pole bottom-out the switch is technically a long-pole linear, but the full travel distance means it doesn’t feel like one in the snappy, sharp way that most long-poles do. The pole bottom-out is there, but it’s mellowed out by the travel length and the stem material. More on that later. Stock smoothness is good, and I mean genuinely good. Probably not HMX -tier buttery, and probably not the absolute smoothest thing I’ve tried in the recent years, but there’s a quality to the travel that feels deliberate and controlled. The factory lube is present but light. A thin coating on the bottom housing railings, some on the stem legs and leaf, and the springs seem lightly done too. There is a texture to the keystroke and some people might call it scratch, but I’m not sure that would be fair, though it’s not entirely wrong either. UPE blends can be unpredictable when paired with other housing materials. Sometimes you get something silky, sometimes you get audible friction. The KT2 blend with this PC/PA66 housing produces a slight tactile grain in the travel that I genuinely enjoy. It’s subtle enough that you won’t notice it during normal typing speed, but if you slow-press a single key at ear level, it’s there. Spring-wise, 40g actuation bottoming out at around 50g is on the lighter side, especially for me and my usual Frankenswitches . I wouldn’t call it featherweight, but if you tend to bottom out hard, you’ll definitely hit the end of the stroke with minimal effort. The springs are clean, without noticeable ping in my set. The factory lube on the springs seems to do its job. One thing to note is that there’s reportedly about a 3g variance between individual switches. I couldn’t verify that precisely, but I did notice the occasional key that felt marginally different. Not a dealbreaker for me, but if you’re the kind of person who weighs every spring in a batch, keep it in mind. As for wobble, it is present. There’s some slight vertical (north-south) wobble and maybe a touch of east-west if you go looking for it. This seems to be a known trade-off with KTT ’s newer molds. Their older switches like the Hyacinths seemingly had incredibly tight tolerances, but those molds are from a different era. KTT has been retooling to accommodate new materials like their KT2 and KT3 blends, and the fit isn’t quite as snug as the old stuff. As for films, they probably do help to tighten up the housings and I’ve read that filming the switches apparently also compresses the sound profile slightly. Personally, the wobble doesn’t bother me too much. The sound profile is where the GAME 1989 Orange gets genuinely interesting, because the sound profile is busy , and I mean that in a good way. The bottom-out is lower-pitched than you’d typically expect from a PC -topped switch. The PA66 bottom housing and the KT2 stem material seemingly pull the tone down into a territory that’s thocky without being mushy. There’s a definite pop to the keystroke, and the bottom-out has weight to it. The top-out (the return stroke) is a touch brighter, creating this slight tonal contrast between the downstroke and upstroke that gives the switch a lot of auditory dimension. There’s a lot happening acoustically at any given keystroke and none of it sounds muddied or confused. The “marble-y” quality I mentioned earlier really comes through in the sound. It’s not a wet, lubed sound, but a relatively dry and more textured one, with a character that feels… natural, in lack of better words. The slight scratch in the travel actually adds to the sound profile rather than detracting from it. The initial contact, the pole hitting bottom, the spring compression, the return remains distinct of each other and layered. Volume-wise, it’s moderate. Definitely not silent, but also not exactly loud. Slightly quieter than your average long-pole, which makes sense given the full 4mm travel and the way the KT2 material absorbs some of the impact energy. I haven’t yet tested it on any of my aluminium builds , but at least on the few keyboards Funkeys had these switches on, as well as on my Kunai , I find that the sound profile works beautifully. Having that said, these switches are definitely less ideal for quiet/public environments, like open space offices and cafes. The switches come factory lubed and they work just fine stock. I’d personally resist the urge to lube them further unless you specifically want to kill the audible scratch, which I think is part of the charm. If you do lube, know that you’re trading character for smoothness, and these are already reasonably smooth to begin with. They accept films, and filming them does seem to tighten the sound slightly with less resonance in the housing, a more compressed signature. Depending on your build and plate material, that might be exactly what you want or exactly what you don’t. Try a few with and without before committing. As for the packaging, if you buy the 35-switch sets, they come in those aforementioned film canister containers. It’s genuinely lovely and a nice touch that makes the whole experience feel considered. Not something I’d pay extra for, but it’s a detail that matters for the overall product identity. One thing to note is that the canisters open very easily. I wouldn’t walk around holding them upside down unless I’d want to play find 35 switches hidden underneath the furniture . The KTT x 80Retros GAME 1989 Orange surprised me. It’s a switch that trades the ultra-polished, frictionless perfection for something with a dry, textured, slightly scratchy keystroke that somehow comes together into a sound profile that’s warm, full, and more complex than it has any right to be at this price point. It’s not perfect. The wobble is there, and the housing tolerances aren’t as tight as the best in the business. It doesn’t feel like every other linear on the market, at least not like the ones I had the chance to try over the past years. It has character, which, in a hobby that’s increasingly crowded with technically excellent but personality-free switches, has its charm. If you want the smoothest linear available, look elsewhere. If you want something that sounds interesting, feels engaging, and comes wrapped an homage to a long gone era give the 1989 Orange a shot. I’m genuinely glad I did. Disclaimer: I’m not a switch scientist. I don’t own a force curve rig, I can’t tell you the exact durometer of the KT2 blend, and my ears are probably not calibrated to the standards of someone like ThereminGoat . This review is based on my personal experience typing on these switches across a few different boards and ultimately actively using them on my primary keyboard . Your mileage may vary based on your plate material, case, keycaps, and other factors. Take everything here as one person’s experience and use it as a starting point for your own.