Posts in Books (20 found)
annie's blog 6 days ago

Oh to be a snail feasting on a sycamore // Week 21 — 2026

Are these weeknotes again ? Yes they are! Is this a fluke or is it a trend? Who knows! Who cares! Let’s do iiiiiittttttt. Current situation: Monday 18 May: Went for a walk early, before the rain set in. I adore a rainy day. Got a lot of work done. Afternoon thing canceled due to power outage from the storm. Evening thing canceled due to it being outdoors. Busy day became cozy day. Did an interview for a freelance piece. Do you have questions about EoE? I might have answers 1 . Thinking about studying but not studying. I should just study. Tuesday 19 May: Hospital day. Walking out to my car I happened to go past a young couple leaving the hospital with their brand-new baby. Mom sitting in backseat, leaning over, looking, exhausted smile. A glimpse of tiny baby face nestled in. Dad checking and rechecking the car seat, slowly easing the door shut, hustling around to the driver’s door. A precious, unrepeatable moment I was lucky enough to observe. Grammar books were my books of prayer. Looking up words in the dictionary was for me an image of goodness. The endless endless task of learning new words was for me an image of life. — A Word Child , Iris Murdoch Wednesday 20 May: Long walk in the morning listening to podcasts. Trying to brush up on my Spanish so it doesn’t fade away entirely. I don’t think this conversational listening podcast is gonna do it but maybe it will help. When I can’t make a decision I’m usually overcomplicating the context and overestimating the impact. A veces no me gusta tomar decisiones. Thursday 21 May: Early morning meeting. Long walk. Work. Last day of school. For Lily, last day of middle school. If I squint and tilt my head I can see the light at the end of the school-parent journey. Then I start crying. WHY ARE THERE SO MANY FEELINGS ALL THE TIME. Anyway here’s a flower. Another Official and Exceedingly Delightful Meeting of the Cunty Bitches Book Club. We talked about books for 10 minutes. It’s fine, books aren’t even the point. Friday 22 May: Made shrimp and collard greens and cornbread for dinner. Mom used to boil collard greens with a ham hock. I sauté them in bacon grease. Won’t change a thing about her cornbread recipe, though. It’s perfection. It  is all a question of weeding out what you yourself like best to do, so  that you can live most agreeably in a world full of an increasing number  of disagreeable surprises. — The Art of Eating , M.F.K. Fisher Saturday 23 May: Hospital day. Hit 10,000 steps by 12 but things were fairly quiet all afternoon, so only 15k total for the day. Sunday 24 May: Hiking church. Look at this snail feasting on a downed sycamore. 💪 Three gym sessions: push/pull/legs. Sauna every time. Benched 95 lbs, my max so far. Maybe I’ll hit 100 next week. 👟 Four long walks and a nice hike. 🎵 Leave Me When I Need You // Lahra 📚 Continued A Word Child by Iris Murdoch. Started The Night Watchman by Louise Erdrich. Dipped into The Art of Eating by M.F.K. Fisher. Started Moonbound by Robin Sloan. Reread a bit of Finite and Infinite Games 2 by James P. Carse. 🔗 I Did Not Come to This Kids Party for an AI Sermon // Justin Ribeiro h/t Baldur Bjarnason The quagmire is clear; to engage with the preachers is to legitimize not  only the sermon but rather the dominant hierarchy that the viewpoint  attempts to crystalize. That hierarchy is not one of “the AI fulfills  your needs” but rather the external force that AI is is inevitable and  places a radical demand on your life—you may not want to use it, but its  placement in applications you use places demands on you. The sermon is  no different; it places a radical demand for you to engage, with someone  who is either ill-informed or worse, well-informed and willing to seek  gains at your expense. 🔗 Friction deserves a better reputation // Nicholas Bate What costs something to produce tends to be better than something which  costs nothing. The slow letter beats the careless message every time. I agree. 3 🔗 Prepare your no and keep it handy // Derek Sivers It’s so handy in those high-pressure moments where someone is looking  you in the eyes, asking you to do something, and awaiting your answer. No problem! You have it memorized and ready-to-go, even when unexpected. You can be kind but decisive on the spot. A good practice . I leave you with this cautionary reminder: Eosinophilic esophagitis. It’s becoming much more common. Caused by food allergies but the triggers aren’t obvious as symptoms/reactions build over a long period of time. The gist is if you have trouble swallowing or keeping food down, it’s not normal, get it checked out, symptoms do worsen without treatment. This is not medical advice. I can’t find anything I’ve written about this book but I know I’ve written about this book this is one of my favorite books wtf I must remedy this situation immediately OMG I AM LOVING THE PIKA LINK SEARCH FEATURE Eosinophilic esophagitis. It’s becoming much more common. Caused by food allergies but the triggers aren’t obvious as symptoms/reactions build over a long period of time. The gist is if you have trouble swallowing or keeping food down, it’s not normal, get it checked out, symptoms do worsen without treatment. This is not medical advice. I can’t find anything I’ve written about this book but I know I’ve written about this book this is one of my favorite books wtf I must remedy this situation immediately OMG I AM LOVING THE PIKA LINK SEARCH FEATURE

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Jim Nielsen 1 weeks ago

Book Notes: “Poor Charlie’s Almanack”

I’ve been slowly listening to Poor Charlie’s Almanack: The Essential Wit and Wisdom of Charles T. Munger . I like his practicality. He’s never trying to be overly academic, as if he needs to prove how smart he is. He says Berkshire’s success doesn’t come from them solving hard problems, but from spending their time knowing what a simple solution looks like — and acting on it when they see it! We’ve succeeded by making the world easy for us, not by solving the world’s hard problems. Munger analogizes their approach to investing like jumping a fence. They don’t spend all their time trying to figure out how to jump a seven-foot tall fence. Instead, they find a spot where the fence is only a foot tall, jump it, and take the reward on the other side. The approach he articulates for investing, in fact, seems broadly applicable to any kind of problem solving: Whenever people ask him for advice (as if somehow he could bestow upon them some kind of knowledge that will save them the pain and hardship of experience) he seems anathema to the idea that you can live life without making lots of mistakes. To paraphrase Charlie: “I don’t want you to think that we have a method of learning that will prevent you from making mistakes. The best you can do is learn to make fewer mistakes than others. And then, when you inevitably do make mistakes, learn to acknowledge them and fix them quickly.” Straightforward. Practical. No bullshit. No ego. (Basically the opposite of everything I see on social platforms.) I quite enjoyed his perspective. Reply via: Email · Mastodon · Bluesky Quickly eliminate the universe of what not to do. Follow up with a multi-disciplinary attack on what remains. Act decisively when — and only when — the right circumstances appear.

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House of Day, House of Night

In a region that was once Germany but is now Poland, a woman and her husband make a life in a house where a stream runs through the foundation. Their neighbors include Marta, an older woman and wig maker, and So-and-so, who tells the story of how young Marek Marek hanged himself. Other stories weave through this place: a man dies on the Czech border and his body is dragged from one side to the other; a young monk writes the story of a saint and longs desperately to be a woman; a husband and wife each fall in love with a mysterious visitor, neither of them knowing of the other’s indiscretion. Occasionally, Germans are seen walking through the fields at night, digging in the ground. There’s a question here about place and displacement, about what happens when the people who built a town come to haunt it, and the people who live in it walk lightly over the ground. View this post on the web , subscribe to the newsletter , or reply via email .

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Freedom from unreal loyalties

In the work against war, Woolf notes that women—unlike many of their brothers—have four great but perhaps misunderstood teachers: And those teachers, biography indicates, obliquely, and indirectly, but emphatically and indisputably none the less, were poverty, chastity, derision, and—but what word covers “lack of rights and privileges?” Shall we press that old word “freedom” once more into service? “Freedom from unreal loyalties,” then, was the fourth of their teachers; that freedom from loyalty to old schools, old colleges, old churches, old ceremonies, old countries which all these women enjoyed, and which, to a great extent, we still enjoy by the law and custom of England. We have no time to coin new words, greatly though the language is in need of them. Let “freedom from unreal loyalties” then stand as the fourth great teacher of the daughters of educated men. Woolf, Three Guineas , page 267 These are strange teachers. We may be forgiven for not seeing them as such when they’ve visited us. Woolf continues: By poverty is meant enough to live upon: That is, you must earn enough to be independent of any other human being and to buy that modicum of health, leisure, knowledge and so on that is needed for the full development of body and mind. But no more. Not a penny more. By chastity is meant that when you have made enough to live on by your profession you must refuse to sell your brain for the sake of money. That is you must cease to practice your profession, or practice it for the sake of research and experiment; or, if you are an artist, for the sake of the art; or give the knowledge acquired professionally to those who need it for nothing. By derision—a bad word, but once again, the English language is much in need of new words—is meant that you must refuse all methods of advertising merit, and hold that ridicule, obscurity, and censure are preferable, for psychological reasons, to fame and praise. Directly badges, orders, or degrees are offered, fling them back in the giver’s face. By freedom from unreal loyalties is meant that you must rid yourself of pride and nationality in the first place; also, of religious pride, college pride, school pride, family pride, sex pride, and those unreal loyalties that spring from them. Directly the seducers come with their seductions to bribe you into captivity, tear up the parchments; refuse to fill up the forms. Woolf, Three Guineas , page 270 Woolf is echoing what we already know of wealth, fame, and loyalty—namely, that they encourage possessiveness and defensiveness, that they drive us to the violent defense of prestige and power, and that on that road lies war . We see this possessiveness and defensiveness in the whingeing insecurity of the leaders declaiming DEI; in the boss who insists his workers flatter his every decision, however foolish and arbitrary; in the patriarch who demands obedience from his wife and children; in the man who beats his partner when she tries to leave. (The most dangerous time for a woman in an abusive relationship is always when she is trying to leave.) Woolf, again: “the public and the private worlds are inseparably connected…the tyrannies and servilities of the one are the tyrannies and servilities of the other.” 1 If we are to prevent war in our public worlds, then we must also root it out in the private. And we must root it out among ourselves. For we are no more immune to the appeal of tyranny than anyone else: And the facts which we have just extracted from biography seem to prove that the professions have a certain undeniable effect upon the professors. They make the people who practice them possessive, jealous of any infringement on their rights, and highly combative if anyone dares dispute them. Are we not right then in thinking that if we enter the same professions we shall acquire the same qualities? And do not such qualities lead to war? Woolf, Three Guineas , page 249 In naming these teachers, Woolf transforms a proscription into a refusal. The lack of wealth becomes the refusal of it; the lack of fame, of prestige, of authority becomes the rejection of all those ugly and pernicious forces. (The one benefit of living in an era in which we are bombarded with the lives of the super wealthy is we cannot even for one moment forget that they are deranged.) By claiming that lack as a refusal, we release ourselves from longing for that which we can never have; we end a ravenous hunger that could never be sated. For had we great rank and great wealth and all the rest, we would be as eager for war as the warmongers, as miserable and unhappy as the billionaires. Without, we can see war for the horror it is; we can use our time and attention to imagine other worlds, and other roads to get there. I think these teachers go by other names—frugality, integrity, humility, and solidarity, to name a few. Like the best teachers, they ask a lot of us. Perhaps too much on some days; we may not always be able to hear them, especially through the din of the war drums and the noise of the platforms and the very real fear of precarity that screams ever so loudly in our ears. But I think perhaps that if we make an effort to listen, we will find that they still have much to teach us, that we still have much to learn. Woolf, Three Guineas , page 364  ↩︎ View this post on the web , subscribe to the newsletter , or reply via email . Woolf, Three Guineas , page 364  ↩︎

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Stratechery 3 weeks ago

An Interview with Joanna Stern About Living With AI

An interview with Joanna Stern about her new book about living with AI, and starting her own media company.

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Martin Fowler 3 weeks ago

Bliki: Mythical Man Month

In the early 1960s, Fred Brooks managed the development of IBM's System/360 computer systems. After it was done he penned his thoughts in the book The Mythical Man-Month which became one of the most influential books on software development after its publication in 1975. Reading it in 2026, we'll find some of it outdated, but it also retains many lessons that are still relevant today. The book contains Brooks's law: “Adding manpower to a late software project makes it later.” The issue here is communication, as the number of people grows, the number of communication paths between those people grows exponentially. Unless these paths are skillfully designed, then work quickly falls apart. Perhaps my most enduring lesson from this book is the importance of conceptual integrity I will contend that conceptual integrity is the most important consideration in system design. It is better to have a system omit certain anomalous features and improvements, but to reflect one set of design ideas, than to have one that contains many good but independent and uncoordinated ideas. He argues that conceptual integrity comes from both simplicity and straightforwardness - the latter being how easily we can compose elements. This point of view has been a strong influence upon my career, the pursuit of conceptual integrity underpins much of my work. The anniversary edition of this book is the one to get, because it also includes his even-more influential 1986 essay “No Silver Bullet”.

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Kev Quirk 1 months ago

My Fear of Flying

I was recently reading The Long Ride Home by Nathan Millward and at one point in the book he talks about having to get on a plane, and his fear of flying: This was something I would have loved to have avoided [getting on a plane], my fear of flying (I think) born out of the absence of control you have up there. Everything in the hands of someone else, just sit there, hoping nothing bad happens because if it does I couldn't imagine anything worse than in that moment of free-fall thinking of all the things you should and could have done in life, as now it's too late to put things right or learn from your mistakes. Your time has come, and now it's gone. Though I suppose this is a fear of regret, as much as it is of flying. -- Nathan Millward This really resonated me, and for someone who flies semi-regularly for work, it often surprises people when I tell them I have a fear of flying. I dunno, maybe fear is too strong of a word, but it definitely makes me feel very uncomfortable. Especially if there's turbulence. Like Nathan, I think it's a loss of control. Yes yes, I know, I'm far more likely to hurt myself on my motorbikes , or in a car crash. But the difference is, if I have an accident in the car, or on a bike, I'm somewhat in control and there's a fair chance (especially in the car) that I will come out of it with only minor injuries . On the other hand, if I'm in a plane crash, I'm very likely to die in the most horrific way possible, and that absolutely terrifies me. This is often compounded by the fact that a lot of the travel I do is transatlantic, so I'm over a huge body of water. Brilliant. God knows I've tried! I've done the British Airways flying with confidence course, which gave me more knowledge, but hasn't really helped with my anxiety. I've tried sleeping pills, but all the over-the-counter ones in the UK are shite and do absolutely nothing for me. They don't even make me drowsy. A couple of people have recommended sedatives, but that gives me the ick. Not only would it be illegal, I have no idea what they would do to me. No thanks. I think I'm destined to be an uneasy flyer and just have to get on with it. I'm due to go to the States again in a few weeks, and as per usual, the anxiety is starting to bubble in my gut. If any of you have tips, I'd love to hear them! Thanks for reading this post via RSS. RSS is ace, and so are you. ❤️ You can reply to this post by email , or leave a comment .

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Unsung 1 months ago

Book review: Shadow of the Colossus (Boss Fight Books)

Decades ago, I used to work for a videogame magazine , but those days are long gone, and any videogame I play is a rare and intentional event. Shadow Of The Colossus , the 2005 title directed by Fumito Ueda, felt so important to get to know that I had to borrow a PlayStation in order to play it, instead of waiting for a conversion (which never came; the game remains a PlayStation exclusive even today). If you are not familiar with the title, I’m going to say little – the approach taken by the game, as well – and just point you toward the trailer for its remastered edition : = 2x) and (width >= 700px)" srcset="https://unsung.aresluna.org/_media/book-review-shadow-of-the-colossus-boss-fight-books/yt1.2096w.avif" type="image/avif"> = 3x) or (width >= 700px)" srcset="https://unsung.aresluna.org/_media/book-review-shadow-of-the-colossus-boss-fight-books/yt1.1600w.avif" type="image/avif"> Boss Fight Books has been publishing books about videogames since the early 2010s, and “ Shadow of the Colossus ” by Nick Suttner is a book number 10 out of 40+. The rather small and short volume is divided into chapters talking about each level of the game, one by one. But don’t let this discourage you – after all, recaps can be a literary art form . Here, every chapter goes on a side quest to talk about a larger component of the game or its backstory. Having said that, the writing didn’t fully connect with me. Some of the tangents do not flow well, and the author’s choice to put himself in the book yields mixed results. In good moments, it’s wonderful to see someone’s passion for the game, but at times we’re also subjected to tenuous anecdotes about, for example, author’s beard, or his walks in San Francisco. But the game! The game is definitely worth knowing more. It’s widely considered a masterpiece, a testament to choosing only a few things and doing them exceedingly well, a celebration of minimalism and deliberation, with so much – from world design to nuances of haptics – intently focused on creating the right ambiance to tell a story. This might be strange to say, but I have this belief the rules of world building and care about atmosphere apply even to boring enterprise apps with stock UI elements. You’re still creating a universe and its set of principles, figuring out how to walk the user through it all via certain narrative beats, and – ideally! – thinking about all the small design decisions that will contribute – ideally! – to a consistent overarching tone. The book occasionally peeks under the curtain to reveal design choices and details that could be inspiring to more than game designers: the control scheme, the fluid camera movement, intentional repetition of themes just to have them subverted, or the fascinating concept of “futile interactivity” (giving the player control even if the outcome is predetermined). What is interesting in particular are paths not taken : the initial idea of 48 monsters pared down to 16, or the multiplayer roots abandoned to focus on a linear, single-player experience. (In a particularly brilliant decision, the creators took some of the unfinished levels and still put them in the game… as ruins.) Is it a perfect book? No. But I’m glad I read it, and that writing about videogames in this form still exists – for a while, this was called “ new games journalism ” – and one way or another, it’s good to get closer to this strange beast of an AAA game with an indie game’s soul. = 2x) and (width >= 700px)" srcset="https://unsung.aresluna.org/_media/book-review-shadow-of-the-colossus-boss-fight-books/1.2096w.avif" type="image/avif"> = 3x) or (width >= 700px)" srcset="https://unsung.aresluna.org/_media/book-review-shadow-of-the-colossus-boss-fight-books/1.1600w.avif" type="image/avif"> #above and beyond #book review #games #review #youtube

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The Coder Cafe 1 months ago

The Reading Room is Open

We’re launching something new: The Reading Room , a book club right here in The Coder Cafe community. We’re kicking things off with one of my all-time favorite technical book: Designing Data-Intensive Applications , since the second edition just got released. If you’re interested, here’s how it works : One chapter every two weeks (no pressure, no guilt). You can find the full schedule here . Discussion happens in the #ddia-v2 channel on Discord. O’Reilly is kindly sponsoring the reading group! 🎉 3 participants will be randomly selected at the start to receive a free digital copy of the book. Depending on engagement, we may also organize a live session every half of the book to discuss together. A shared reading experience with other engineers who care about the same stuff as you. Next steps : To join, add a 👍 to this message in the Discord. Not in the server yet? Join here . To have a chance to win one of the 3 free copies, fill in this form (O’Reilly requires an email address to send the free digital copy). The random draw will happen on May 1st. We will start reading the first chapter will start on May 4th . See you in The Reading Room . We’re launching something new: The Reading Room , a book club right here in The Coder Cafe community. We’re kicking things off with one of my all-time favorite technical book: Designing Data-Intensive Applications , since the second edition just got released. If you’re interested, here’s how it works : One chapter every two weeks (no pressure, no guilt). You can find the full schedule here . Discussion happens in the #ddia-v2 channel on Discord. O’Reilly is kindly sponsoring the reading group! 🎉 3 participants will be randomly selected at the start to receive a free digital copy of the book. Depending on engagement, we may also organize a live session every half of the book to discuss together. To join, add a 👍 to this message in the Discord. Not in the server yet? Join here . To have a chance to win one of the 3 free copies, fill in this form (O’Reilly requires an email address to send the free digital copy). The random draw will happen on May 1st. We will start reading the first chapter will start on May 4th .

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A Working Library 1 months ago

The Meaning of Anxiety

Rollo May refutes the assertion that mental health is living without anxiety, proposing instead that anxiety is a necessary condition for creativity, intellect, and freedom. He defines anxiety as the “experience of Being affirming itself against Nonbeing,” as that which propels us to more self-awareness, consciousness, and life. He likewise shows that the refusal to embrace this anxiety, to attend to it and work with it and through it, is an invitation to authoritarianism and fascism. When we lack the skills of being with our anxiety, and feel our only option is to flee, we often flee right into the hands of a strongman who promises security at the cost of liberty. May wrote during the height of fascism in the last century; we read it during the renewal of the same in this one. The lessons hold. View this post on the web , subscribe to the newsletter , or reply via email .

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Justin Duke 1 months ago

Masters of Doom

One way to approach writing about Masters of Doom is to talk about its outsized influence. Just off the top of my head: two pretty meaningful pieces of art about technology — blackberry and Halt and Catch Fire — both crib heavily from its narrative and its depictions of the early-90s technology zeitgeist. On the private-sector side, the founders of Reddit and Oculus both cite it as a core text that inspired them to start their companies. While in 2026 some of its narratives and ideas sound a little dated or pat, it manages to be both hagiographic and educational. Kushner does a good job balancing the personality cult (though I found the cloying early chapters about the various protagonists' childhoods to be unrewarding) and the legitimate technology breakthroughs that brought id its success and fame. This is perhaps the strongest thesis espoused by the book, which goes something like as follows: id Software was successful because it had a maniacal engineer single-mindedly focused on technological breakthroughs, and creative designers in his orbit who could leverage those breakthroughs into games beloved by millions. Everything else is incidental and auxiliary, and the alchemy of Doom and Quake 's success hinged on the chimeric bond between the two Johns, neither of whom were able to replicate it independently. In the twenty years that followed, of course, the narrative becomes a bit messier. We leave the book before Doom 3 was released, and while Kushner suggests that Doom 3 may be a middling title and that Carmack is no longer interested in engineering, he manages to both hit and miss the mark. Doom 3 was another smashing success, but id Software faded into irrelevance shortly thereafter, and the realm of first-person shooters became dominated by the antithesis of id Software: very large tech companies with embedded game studios, treating the production line like a factory floor rather than a monastery. Romero's career after Ion Storm is hallmarked by a series of downwardly mobile steps — a fate that, if I may borrow some of Kushner's psychoanalytic inquiry, must seem a little worse than death. Having achieved fame and fortune, but not peace, and having burned through two more wives and four more studios since the book's publication. For all the duality that Kushner tries to imbue into the narrative, this is really Carmack's story, and Carmack's arc after the book is less depressing, but more surprising. Despite vowing to never sell, id Software sold to ZeniMax in 2009, having achieved nothing notable since Doom 3 's launch six years prior. Four years after that sale — and with nothing more to show for it besides perhaps a larger checking account — Carmack left to go work on Oculus as CTO, which is both a confirmation of the book's espousal of Carmack's love of VR and yet objectively a bit of a failure. Oculus never achieved anything close to mainstream success, and ten years after he joined as CTO, Carmack left Meta to work in his own personal AGI lab. Carmack is an interesting character, and I think some of the stickiness that Kushner deploys when describing him — the autistic mannerisms, the obsession with pizza and Diet Coke — belies what is truly great. Carmack is relentlessly charitable with intellectual property. He is also, as the book describes him, a sociopath who is willing to give away his cat if it starts bothering him, and cut his friends out of a company in order to meet his ends. We know through many media of technical sociopaths, and generally associate them with greed and vanity. Carmack is not one of those people. He seems earnest and driven, and also, during the book's events, a 20-year-old who is in way over his head. I started off this book really not liking it, and then by the end — the power of the narrative, the slow progression into the world I remembered of my youth, having never played Quake but knowing most of the personalities and zeitgeists depicted, including a US populace that was obsessed with the concept of video game violence (a concept which now seems alien) — my esteem of it kept ticking up and up, until it became a book I would generally recommend, and have done so already. Kushner's reportage is impressive. He moved to Texas for five years to embed himself in the history and the scene, and this is not the airport book it feels like at first glance. It is not barbarians-at-the-gate , but it is something quite close.

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neilzone 1 months ago

Resources to aid understanding someone else's perimenopause / menopause

I asked for reading recommendations, for a partner of someone who is going through the perimenopause / menopause. I got a lot of responses; thank you. I have included below those which seemed most relevant, for me to follow up on them. Apologies if I didn’t include your particular suggestions. I received quite a lot of advice too; thank you. Thayer said: I often help men understand their partners’ journeys as part of my therapy & coaching as it really affects men as well “Burning Up, Frozen Out” by Joe Warner and Rob Kemp “Menopause Manifesto” by Dr Jen Gunter (several recommendations for this) “Perimenopause Power” by Maisie Hill “Woman on Fire” by Sheila de Liz (multiple recommendations) anything by Dr Louise Newsome Trans experience of the menopause by Quinn Rhodes Two posts by Sundial : “Perimenopause hit me like a brick” and “Perimenopause: My HRT Journey” “Nobody told me about the way menopause restructures marriage. Here’s what I wish I knew then.” Ben’s toots “Body of Evidence” , including this episode “What’s Up Docs?” , including this episode “BDSM and the menopause” a Davina McCall documentatary (possibly this one )

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fLaMEd fury 1 months ago

Happy Easter 2026

What’s going on, Internet? I’m writing this from Martinborough in the pockets of time I have between activities with the family. I’ve found myself reading more eBooks rather than audiobooks this year. Turns out my brain still works without someone narrating to it . I need to take note of where I hear about interesting podcasts from, because by the time I get done listening to them, like MF DOOM: Long Island to Leeds , I totally forget! Maybe this would be a great use of the notebook I carry around but never write in? Over at the Cafe , yequari got an instance of Linkding setup and made available to all community members via our SSO service. I know a bunch of people in this corner of the web use it, so I got myself some focus time and moved my Bookmarks to Linkding . It’s improved my bookmarking workflow and hoping that makes me more inclined to actually saving them as I read them and I get more regular sharing them again, which lead me to trying out a Link Dump in their own post rather than hiding them away at the bottom of these posts each month. And finally, the musical highlight this month was seeing Bic Runga At Te Paepae Theatre , Dinner and a concert. Going into new music blind, a fantastic evening out with my wife. We don’t get too many times together like this these days between everything else going on in life. I haven’t picked up an audiobook again yet, but I’ve finished the Vega Jane stories with the last two books, Vega Jane and the Rebels’ Revolt and Vega Jane and the End of Time by David Baldacci. I really enjoyed this series, and like I mentioned previously I don’t even know how the first one wound up on my Kobo! Picked up English Teacher after a trailer came up on YouTube and after the first episode I was right into it. A group of 30-something teachers at an American high school navigating their own friendship dramas while dealing with hilariously difficult students. Two seasons were available so I blasted through all of them. Crackhead is a new local dramady and I got to attend a special screening of the first two episodes with the cast and crew. Created by Holly Shervey and based on her own early experiences, the show takes place within a rehab facility somewhere in New Zealand. Watching it episode by episode on Three Now as they come out. Continued watching Shrinking S3 as well, it feels like it’s wrapping up, does this have another season in it? I’m a sucker for dumb teen movies and Summer of 69 fit the description. A young twitch streamer gets to the point in life where they want to get it on with their childhood crush. They recruit a stripper and then it all goes down. Regretting You was an interesting one, turns out to be about a mother and daughter dealing with the fallout of a fatal accident that reveals a betrayal in the family. Such a wild plot, my wife only said wtf when I described it to her. I had Roofman playing in the background while playing Warcraft. It was okay, didn’t really care for it, I don’t think I really enjoy Channing Tatum. Four new records added to the collection. Frou Frou and Lisa Loeb from the Interscope Vinyl Collective (IVC). I wasn’t familiar with either record, they’re fine and have made me aware to exercise the cancel subscription button for releases that I’m not totally keen on. They’re gorgeous releases, I love them and have listened to them but yeah, could be spending that money on records I actually want . The other two were both Bic Runga records. Her latest release (first in 15 years), Red Sunset (signed) and then her original from 1997, Drive which I picked up at her show and got it signed in person 😃 What else have I been listening to? Been on a hard house kick recently so I dug up an old favourite from the early 2000s Wellington clubbing scene - Dynotuned by DJ Shakka, and went back through the Hard House Euphoria albums. After listening to the MF DOOM podcast I dived into the albums of his I have in my collection. Operation: Doomsday and Madvillainy. On the local music front I got really into The Panthers from Diggy Dupé, choicevaughan, and P. Smith (aka Troy Kingi). “The Villain” was on repeat, such a tune. Another new find was RNZŌ SZN from RNZŌ. Released January 2025, this one’s going to be in regular rotation for a while. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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Weakty 1 months ago

26/W15 - Project Hail Mary, Errands, Pens

The highlight of this week were a few social plans. I worked out with a friend and got lunch with another. I treated myself to a new Pilot Kakuno, a fine drawing implement, and of which my opinion has greatly raised since I last had one three or so years ago (and subsequently dropped it nib-first on the floor and ruined it). I also finished the audiobook of Project Hail Mary , which was excellent. I don’t usually watch movies, much less go to the theatre, but the idea of going to a movie on my own and seeing the adaptation is appealing.

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Summary of reading: January - March 2026

"Intellectuals and Society" by Thomas Sowell - a collection of essays in which Sowell criticizes "intellectuals", by which he mostly means left-leaning thinkers and opinions. Interesting, though certainly very biased. This book is from 2009 and focuses mostly on early and mid 20th century; yes, history certainly rhymes. "The Hacker and the State: Cyber Attacks and the New Normal of Geopolitics" by Ben Buchanan - a pretty good overview of some of the the major cyber-attacks done by states in the past 15 years. It doesn't go very deep because it's likely just based on the bits and pieces that leaked to the press; for the same reason, the coverage is probably very partial. Still, it's an interesting and well-researched book overall. "A Primate's Memoir: A Neuroscientist’s Unconventional Life Among the Baboons" by Robert Sapolsky - an account of the author's years spent researching baboons in Kenya. Only about a quarter of the book is really about baboons, though; mostly, it's about the author's adventures in Africa (some of them surely inspired by an intense death wish) and his interaction with the local peoples. I really liked this book overall - it's engaging, educational and funny. Should try more books by this author. "Seeing Like a State" by James C. Scott - the author attempts to link various events in history to discuss "Why do well-intentioned plans for improving the human condition go tragically awry?"; discussing large state plans like scientific forest management, building pre-planned cities and mono-colture agriculture. Some of the chapters are interesting, but overall I'm not sure I'm sold on the thesis. Specifically, the author mixes in private enterprises (like industrial agricultire in the West) with state-driven initiatives in puzzling ways. "Karate-Do: My Way of Life" by Gichin Funakoshi - short autobiography from the founder of modern Shotokan Karate. It's really interesting to find out how recent it all is - prior to WWII, Karate was an obscure art practiced mostly in Okinawa and a bit in other parts of Japan. The author played a critical role in popularizing Karate and spreading it out of Okinawa in the first half of the 20th century. The writing is flowing and succinct - I really liked this book. "A Tale of a Ring" by Ilan Sheinfeld (read in Hebrew) - a multi-generational fictional saga of two families who moved from Danzig (today Gdansk in Poland) to Buenos Aires in late 19th century, with a touch of magic. Didn't like this one very much. "The Wide Wide Sea: Imperial Ambition, First Contact and the Fateful Final Voyage of Captain James Cook" by Hampton Sides - a very interesting account of Captain Cook's last voyage (the one tasked with finding a northwest passage around Canada). The book has a strong focus on his interaction with Polynesian peoples along the way, especially on Hawaii (which he was the first European to visit). "The Suitcase" by Sergei Dovlatov - (read in Russian) a collection of short stories in Dovlatov's typical humorist style. Very nice little book. "The Second Chance Convenience Store" by Kim Ho-Yeon - a collection of connected stories centered around a convenience store in Seoul, and an unusual new employee that began working night shifts there. Short and sweet fiction, I enjoyed it. "A History of the Bible: The Story of the World's Most Influential Book" by John Barton - a very detailed history of the Bible, covering both the old and new testaments in many aspects. Some parts of the book are quite tedious; it's not an easy read. Even though the author tries to maintain a very objective and scientific approach, it's apparent (at least for an atheist) that he skirts as close as possible to declaring it all nonsense, given that he's a priest! "Rust Atomics and Locks: Low-Level Concurrency in Practice" by Mara Bos - an overview of low-level concurrency topics using Rust. It's a decent book for people not too familiar with the subject; I personally didn't find it too captivating, but I do see the possibility of referring to it in the future if I get to do some lower-level Rust hacking. A comment on the code samples: it would be nice if the accompanying repository had test harnesses to observe how the code behaves, and some benchmarks. Without this, many claims made in the book feel empty without real data to back them up, and it's challenging to play with the code and see it perform in real life. "Hot Chocolate on Thursday" by Michiko Aoyama - a bit similar to "What You Are Looking for Is in the Library" by the same author: connected short stories about ordinary people living their life in Japan (with one detour to Australia). Slightly worse than the previous book, but still pretty good. "The Silmarillion" by J.R.R. Tolkien - enen though I'm a big LOTR fan, I've never gotten myself to read this one, due to its reputation for being difficult. What changed things eventually (25 years after my first read through of LOTR) is my kids! They liked LOTR so much that they went straight ahead to Silmarillion and burned through it as well, so I couldn't stay behind. What can I say, this book is pretty amazing. The amazing thing is how a book can be both epic and borderline unreadable at the same time :) Tolkien really let himself go with the names here (3-4 new names introduced per page, on average), names for characters, names for natural features like forests and rivers, names for all kinds of magical paraphenalia; names that change in time, different names given to the same thing by different peoples, and on and on. The edition I was reading has a helpful name index at the end (42 pages long!) which was very helpful, but it still made the task only marginally easier. Names aside though, the book is undoubtedly monumental; the language is outstanding. It's a whole new mythology, Bible-like in scope, all somehow more-or-less consistent (if you remember who is who, of course); it's an injustice to see this just as a prelude to the LOTR books. Compared to the scope of the Simlarillion, LOTR is just a small speck of a quest told in detail; The Silmarillion - among other things - includes brief tellings of at least a dozen stories of similar scope. Many modern book (or TV) series build whole "universes" with their own rules, history and aesthetic. The Silmarillion must be considered the OG of this. "Travels with Charley in Search of America" by John Steinbeck "Deep Work" by Cal Newport "The Philadelphia chromosome" by Jessica Wapner "The Price of Privelege" by Madeline Levine

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flowtwo.io 2 months ago

Fundamentals of Software Architecture

A handshake should be firm, but not overpowering. Look the person in the eye; looking away while shaking someone’s hand is a sign of disrespect, and most people will notice that. Also, don’t keep the handshake going too long. Two or three seconds are all you need. — Richards & Ford, Fundamentals of Software Architecture , Ch. 32, para. 87 I swear, I find a lot of value in reading books about software. But I take issue with the length of some of them. When I'm 600 pages into an 800 page technical book, and I'm reading something barely tangential to the book's topic, like detailed instructions on how to shake hands...I get a bit annoyed. I think it's because every author wants to make their book "the definitive reference on X", whatever X is, so they feel the need to include stuff about leadership, soft skills, etc. Technical books like this could be more approachable if they kept to a more concise topic. My two cents. Anyways, Fundamentals of Software Architecture was written by Mark Richards and Neal Ford. It's a thorough cataloguing of every popular architectural style and their pros/cons. It introduces a lot of terminology, with the goal of defining how to evaluate and explain the architectural qualities of a system—qualities like availability, coupling, fault tolerance etc. This post is mostly a summary the architectural topics covered by the book; I've added some personal commentary on system coupling and AI near the end. According to Richards and Ford, the 3 laws of software architecture are: Everything in software architecture is a trade-off Why  is more important than  how Most architecture decisions aren’t binary but rather exist on a spectrum between extremes. They added the 3rd law in the book's 2nd edition. It sorta just feels like a different way of phrasing the 1st law, but I think they're trying to highlight that any architectural decision is never "absolute", i.e. most systems don't perfectly align to any one architectural style. A system might lean towards microservices architecture but have elements of other patterns too, for example. "As I have evolved, so has my understanding of the Three Laws. You cannot be trusted with your own system architecture." — Claude For mostly my own sake, I've briefly summarized each of the architecture styles covered by the book. Just 1 or 2 sentences explaining what it is and when you should use it—I'm aiming for brevity here, like a crib sheet. Pictured: Enterprise Service Java Beans from the Neolithic era. Thought to be a tribute to Sun Microsystems It's important to understand how to define a system's boundaries. In the book, the authors define the concept of an architectural quantum which is the "smallest part of the system that runs independently". The system might be your entire microservice architecture, but if one part of it can function independently of other parts of the system, it forms its own architectural quantum. So how does an architectural quantum run independently if it has to communicate with other parts of the system? The critical part is how the communication happens—whether it's synchronous or asynchronous: The dependency turns them into a single architectural quantum. Asynchronous communication can help detangle architectural quanta because it removes that dynamic dependency — Richards & Ford, Ch. 21, para. 48 If the operation of System A requires information from System B, then it's coupled to System B and they form a single architectural quantum. This means that System A's characteristics are impacted by System B's characteristics. If System A needs to be fast, we must ensure System B is fast, and consistently fast. At my current company, every service is associated with a reliability tier. The service's tier determines many of its operational requirements. For instance, a tier 0 system (the highest tier) needs to be deployed in multiple regions for redundancy. It needs an on-call engineer, clearly defined SLAs, etc. But if a tier-0 system needs to retrieve data from a lower tier system as part of its operation, all of a sudden the lower tier system needs to be a tier-0 system. They become coupled. In practice, there's some nuance here. Just because you call another service via HTTP and block the current process waiting for a response, doesn't mean the two services are fully coupled. As long as there's fallback functionality that doesn't constitute an error state, they needn't be considered coupled. If your service needs to be fast and the other service isn't reliably fast, you may implement a strict timeout and then fallback to some degraded functionality in the event the request times out. As an example, consider a new user recommendation system being built by your company's ML team. Your tier-0 homepage rendering service can still attempt to retrieve user recommendations from this new system, but as long as you can fallback to some other functionality (like just choosing the user's recently viewed content) we don't need to group that recommendation system in with our service and its strict functional requirements. The 2nd edition of this book was published in April 2025. So of course, AI was brought up a lot. In general, the authors' stance was that AI is not an effective replacement for human architects—and they didn't seem optimistic that it could ever be. Why? Because, as we’ve demonstrated in this book, everything in software architecture is a trade-off. LLMs are great for understanding knowledge, but to this day, they still lack the wisdom necessary to make appropriate decisions. That wisdom includes so much context that it’s much faster for the architect to solve a business problem by themselves than to teach an LLM all about the problem and its extended environment and context. The fact that we’ve included eight other intersections to be concerned about should be evidence enough that this is a daunting task. — Richards & Ford, Ch. 33, para. 80 While I agree that the amount of context necessary to properly make architectural decisions is hard to shove into an LLM's context window right now, I don't believe that'll be the case for long. I have a feeling the opinions in this book will become outdated quite soon. Also, despite the authors' insistence that "architecture is the stuff you can’t Google or ask an LLM about", I fully believe that AI tools are an indispensable tool for researching architectural decisions. They can explore the problem domain more completely and much faster than any human could. They can also illuminate trade-offs and nuances you might have missed. The fact that the authors' never mentioned this in their statements on AI utility is a major oversight. Every job function in software development, from junior dev to CTO, should be leveraging AI tooling at this point. Like I mentioned at the start, I found FoSA to be a bit bloated. Also, the book didn't didn't really cover what I was looking for. I wanted a book that described more specific architectural patterns for solving common technical challenges like cache invalidation, database replication etc. Instead, it focuses exclusively on the overall system layout—how the domain boundaries are divided and what the physical topology looks like. And how to shake someone's hand properly. I also think the book tried too hard to quantify complex system characteristics. I don't find much use in assigning a 1 to 5 star rating for the "maintainability" of a "microkernel" architecture style (which is 3/5 according to the book)—simply because both the characteristic and the style itself are too vaguely defined to warrant a rating. I'm certain you could build your microkernel system to have poor maintainability OR incredible maintainability. There's too much ambiguity to extract any conclusions from these assessments. Still, in general, FoSA is an interesting book that tackles one of the more complex and less formally researched areas of software development. Architectural decisions are the hardest to make due to their consequences and trade-offs, so knowing the patterns that have worked for others is a great starting point. Everything in software architecture is a trade-off Why  is more important than  how Most architecture decisions aren’t binary but rather exist on a spectrum between extremes. What is it: Technically partitioned: presentation, business, persistence, and database layers for example. Typically a monolithic application with a monolithic database. Very common, especially in legacy systems. When to use it: Small, low-budget applications. But it can scale surprisingly well. What is it: Another monolithic style, i.e. a singularly deployed application. The system is divided by business domain instead of technical functionality. Domains are called "modules". Goal is to minimize communication between modules as much as possible. When to use it: If teams are domain-focused and using domain-driven development, it's a good starting architecture. Can later migrate to a distributed architecture more easily. What is it: Topology consists of pipes and filters . Filters perform business logic; pipes coordinate and transfer data. Systems have a unidirectional data flow; it can be monolithic or distributed. When to use it: Suitable for systems with one-way, ordered processing steps. ETL pipelines, etc. What is it: Topology consists of a core system (the "microkernel") and plug-ins. Plug-ins are optional and provide extensible functionality to the system. Traditionally monolithic with a single database. Plug-ins shouldn't access database directly. When to use it: Installable desktop applications, or domains that address a wide market and require many custom rules and functionalities for each customer. What is it: Distributed architecture with a separately deployed user interface, coarse-grained domain-centric remote services, and a monolithic database. Basically microservices but with coarser service boundaries and a single shared database, or just a few. When to use it: When the system is of significant complexity and serves a wide enough user base that the benefits of a distributed architecture outweigh the costs. Can be a stepping stone towards other distributed architectures What is it: Distributed system using mostly asynchronous communication. Consists of event publishers, brokers, and processors (the services). Central communication unit is an event, as opposed to a request. When to use it: Systems that require flexible, dynamic processing that need to scale to lots of concurrent users. Applications where eventual consistency is tolerable and immediate acknowledgement isn't needed. What is it: A complicated distributed infrastructure of scalable processing units that are supported by replicated and/or distributed caches. There is a shared "data grid" that handles data syncing between units and reading/writing from the database. This removes the database bottleneck from the system—database access isn't needed for processing requests. When to use it: Applications with very high concurrent user volume and high traffic variability, AND a low need for data consistency between users. Race conditions and data conflicts will be unavoidable in this system. What is it: A legacy architectural style that uses abstract service layers and operations orchestrated by a shared "enterprise service bus" which knows which services to call to complete operations. Uses generic components to increase code re-use. When to use it: If you've taken a time machine back to the 90s and you have to write enterprise software. What is it: Domain-driven architecture that enforces strict API boundaries and minimizes coupling between domains. Duplication is favoured over re-use where possible. Each service should "do one thing" and have its own database ideally. When to use it: Systems that are highly modular and have high enough load to justify the scalability and performance benefits compared to the development and operational costs.

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Weakty 2 months ago

Pinned

Back in March, I found this book at the back of my bookshelf. I don't know how it got there. I didn't remember ever buying it, much less reading it. It had the most ornate cover, as if someone had done an oil painting on an old hard-cover book. In fact, that seemed to be what it was exactly. Just like an oil painting, it had bumps and ridges, and if I had the heart to do it, I probably could have picked at it and flicked little chips of colour off with my fingers. The cover depicted several different images, but was sufficiently abstract to make me doubt my interpretation. It reminded me of a smouldering firepit set against a twisting whirlwind of leaves and strange debris: splinters of wood, the bits of plastic that connect 6-packs, old shoelaces, chunks of a gilded picture frame, and even something that looked like the severed legs of some poor creature. If you saw it, you’d probably see something else. I spent a fair bit of time staring at that cover. With the book splayed out it made for a beautiful but disturbing landscape. It was actually a few days before I even looked at the pages, I was so taken with the cover. When I finally got around to looking inside , I was surprised to find that the pages were blank. I flipped through them a few times, incredulous. My first thought was, this is a journal, or a sketchbook . But it wasn't. The book had an ISBN number, a bar code, and a bunch of information on the inside page. On the other side of the cover was the following: Of course, there were a few other things on the page. But the thing that shocked me, what made my stomach throw itself down into the basement of my body, was the line Thank you, Acton . It really struck me. Because my name is Acton. I've never met another Acton. What can I tell you about my name? It’s uncommon. It’s usually the first on any list of names. What else? People have a hard time making fun of it. Your standard school-yard bully wasn’t clever enough to come up with a quip for Acton . So, I was surprised to see my name, being thanked from this very personal, empty book. And as you might guess, my next move was to go over to the computer and look this thing up. I searched for the book's title online and plunged into reading all about it. Here's what I learned: That was about it. I found the regular stuff, you know, people sharing their reviews and ratings and whatnot. But here's what was odd. The photos I saw of the book's cover looked different than the one I had before me. And of course, the pages of mine were blank. I re-checked the cover of the book to make sure, yet again, that it wasn't just some kind of wrapper around another book. It wasn't. It was a hardcover book that someone had painted . I ran my fingers over the paint. It was paint, no doubt about it. And open the cover, and there was that first page with my name staring back at me. But I'm rambling at this point. That was back in March. Let’s fast-forward a few weeks to when the book started to talk to me. Things got weird in early April. I had the book open on my desk. I wasn't sure why I opened it. I think I had been admiring the cover in the morning sunlight coming through the wide window above my desk. When I opened the book, the pages smelled of a newness I hadn't noticed before: starchy and pleasingly rough to the touch, like the high-quality pages of paper in an artist's sketchbook. It seemed to hold the promise of possibility. I felt compelled to take a photo of the book. I reached into my pocket and pulled out my phone. Then, with the blank pages before me, in a rush, the book slurped up my phone. It slurped it right out of my hands and collected it onto the first empty page. Don't misunderstand me—this book very literally liquefied my phone, sucking it up and rearranging its physical form into a two-dimensional representation of my phone—right down to the small crack in the bottom-right corner. I stared at the miniature picture on the page: it was a rather painterly depiction, not unlike the cover of the book. I spent some time admiring the rendering. Entranced, I almost moved to take a photo of it but, of course, my phone was gone. That's when things got interesting. It was hard to operate without my phone. I knew I was addicted to it, sure, but I didn't realize how dependent I was on it. It immediately caused a fuss for my job. I worked part-time for a distress hotline for teenagers who are in a bad way. Employees of the hotline have a special application on their phone ensuring the calls can be encrypted and recorded safely while retaining anonymity. So, when I didn't "show-up" online for my job that day not only did I likely miss showing up for people who needed help, but I wasn't going to get my measly pay for the shift. I felt worse about not being there for the teens, of course. I had enough money to get by for the immediate future. But the thought of some youths calling the hotline and being on hold when I could have been there to answer made me feel terrible. But not terrible enough to tear myself away from the strange situation I found myself in. It was through the blank pages that Myriam was able to reach me. It happened a few days after my phone had been slurped up into a page of the book. That morning, I came back to the book at my desk with my morning tea in hand. I sat down, and stared once more at the painted cover, before slowly opening it to the page with the little image of my phone in the corner. Slowly, words began to appear on the left page of the book, beautifully typeset, as if punched in by a typewriter, one letter at a time. I knew in an instant that it was Myriam. In my shock of seeing this happen for the first time, I could barely register that as her writing got to the end of the page, the whole thing cleared and started again. I don't remember the exact words of our first conversation, but I think it went something like this: Then the words began to disappear. I grabbed a scrap of paper and wrote down Hoke Scripter and Able-Archive Pigmented Blue Ink . And then the words were gone. Now I had something else to do. A week passed before I found the ink. Right after I got that message from Myriam, I went online and looked up Able-Archive Pigmented Blue . I wasn't surprised to find that the ink was no longer in production. It would be too easy to click "Add to cart" on a bottle of ink, and wait a few days for it to show up at my door. Instead, I found myself on forums for pen-and-ink fanatics, reading, reading, reading about this ink. Often, I saw that people had inherited a bottle from an older relative (along with some old, fancy pens to boot). Other people wrote posts online to laud this ink as a workhorse ink and that not many people made them like this anymore . I found myself enjoying going through these posts. After a day or two of looking, I found a post of someone selling a bottle of Able-Archive Pigmented Blue . They were across the country but it seemed they would ship it my way. I sent them a direct message and inquired about purchasing the ink: And that was it. Soon I would have some Able-Archival Pigmented Blue ink, along with its contractual-binding-powers. Whatever that meant. Waiting for the ink made for a strange week. I had to pause work entirely. After missing my first shift, I sent an e-mail to my coordinator letting them know I would be taking some time off. I didn't tell them the part about my phone getting sucked into a book, of course. That would be too weird. Instead, I told them I needed to take a break from work—and in this line of work they get it. So I sent off that e-mail, apologizing again for the shift I missed, and saying I would reach out when I was ready to return to work. My schedule was full of empty slots. I almost felt like I had just finished school and was at the beginning of summer vacation. I had all the time in the world to hunt down stationery and whatever other obscure things I felt like searching for. Next up, of course, was a Hoke Scripter — the pen Myriam had requested I use. This turned out to be no trouble at all. There are a few stationary shops in town. I went out to three before I was able to track down the Hoke Scripter over at Infinite Inkwell . I had never been in before. The shop was basically a large stone room. Along the rounded walls were recessed cubbies of various sizes and shapes, holding all kinds of objects. There was one portion of the wall that held rows and rows of inks, while others had glass drawers that pulled out of the cubbies, displaying pens, pencils and other writing implements of all kinds. In the center of the room was a large round table where you could sit, perhaps for testing pens or paper. There was only one person at the table, hunched over. They had a huge stack of paper and they were furiously writing. After finishing a page they would, without looking, add it to the growing stack to their left before pulling a new page from a pile of crisp sheets to their right. I wasn’t sure if they were an employee, another customer, or something more random and bizarre. My staring was interrupted by a staff member, who offered me some assistance. They led me over to the cubbies with the glass drawers, specifically pointing out a row of pens in deep blue, green, and red hues. "These are the Hoke Scripters. They’ve got a classic appeal, perhaps you can see." "I do see a certain classic air to them," I agreed. "And what might you be looking for in a pen, may I ask?" "Oh well," I began, unsure what to say. "I’m looking for a pen that my grandmother mentioned she used to use in her youth. I think it was this one." I felt strange lying to the employee, who was just looking to help me. "Well, The Hoke Scripter is a model from Hoke that has existed for many years. It is likely that your grandmother could have used an earlier incarnation of one of these." "Cool," I said flatly. "Would you like to try it?" the staff asked. "Why not." I said, flatter than flat. Flatter than a pancake. Flat enough to write on. The staff member disappeared for a moment and reappeared with a tester Hoke Scripter. She passed me the pen. I held it in my hand, lifting and lowering it experimentally. It felt pretty sturdy. It certainly wasn’t cheap plastic. Too heavy, and too elegant for plastic. Aluminum? I would have to look it up later. The staff gestured for me to grab a seat at the large round table, to test the pen out. I joined the strange character, still writing furiously at the big table, and I did exactly that. I wrote a few lines. Then a few squiggles. What can I say? The Hoke Scripter moved like a pen does, leaving a trail of itself wherever my hand moved. I suppose I was perhaps expecting something more majestic from a pen with such a history. But there was nothing majestic about it. It was just a pen. It felt sturdy in my hands, and it did have a nice pattern on the barrel, and I supposed a person could customize it with whatever ink they liked. But what else was there to say? "What do you think?" The staff member reappeared after a few minutes of my scribbling and scratching with the pen. "Um, it’s nice." "The scripter can be a bit underwhelming, but there’s more to it than meets the eye. It’s not our most flashy or popular pen, but I think the people who come to buy this pen always have a certain, well, intentionality to them. Let me know if you need any other help or have any other questions." The staff member disappeared, leaving me to write some more. I didn’t spend much more time in the shop. I bought the pen, and it cost me a whopping $55. I could hardly believe it. That price included something called a converter which I was told I needed: it would hold the ink I wanted to use with the pen. I walked away from the shop to get into my car to go home. I grumbled under my breath. Oh, the intentionality of dropping $55 on a pen. The weekend arrived without much fanfare. I was feeling a bit naked and aimless. Without my phone, my fingers fidgeted with the accumulated bits and bobs of things around the kitchen counter and table: a magazine that had been sitting there for weeks, some dirty cutlery, a notepad from the dollar store, and a rubber band. I sat there, with the sun rising around me, spinning that rubber band about my index finger, waiting for life to wake up around me. Eventually, I got up and I poured some cereal into a bowl, made myself a coffee, and sat back down to eat. I grabbed a pen and flipped open the cheap notepad. One of the spiral ones that could fit in a shirt or pants pocket. It had already had a few pages ripped out of it. Then I remembered I had gotten it out when I had a few friends over to play cards last week. I briefly looked at the tally marks of our scores. I ripped out the page and noted that the tally marks had imprinted on the cheap paper below. I turned to my cereal. If I left it any longer it would get soggy. What would I do with my day? It would be another few days before the ink would arrive, and this strange episode in my life was on hiatus until it appeared. I poured myself another cup of coffee and threw myself down on the couch. I stared into the old fireplace in the corner of the room, long since used. Outside, cars were idling in the street, and traffic was already picking up. I could tell by the exhaust rising up to the window. The exhaust of a home fireplace had been replaced with the exhaust of cars. I moved closer to the window and looked at the traffic. They were stuck, too, waiting in line. All of us waiting for some kind of ink, something permanent to arrive. I stood there and took a sip of my coffee. Just watching. I didn’t want to open the book. If I did, there was a chance that Myriam would speak to me again. Perhaps I should say she would write to me again. And if I couldn’t write back without the correct ink, she might lose interest. Perhaps she only had so much strength with which to communicate with the outside world. I figured that if I didn’t open the book, she would stay in some kind of stasis; her life frozen in the permanency of the page. In that sense, I supposed I had time. I sighed, finished my breakfast and got up. I wasn’t going to get anywhere sitting around thinking. My hands reached for my phone, only to find it missing from my pocket for the fiftieth time today. I thought about e-mailing a friend and seeing if they wanted to get together over a coffee, or maybe go for a drink later tonight. I popped open my computer, opened my e-mail and stared at the empty draft. I started to write without addressing the message to anyone yet. I looked at the "To" field of the e-mail. I clicked the "plus" button and a pop-up appeared with a list of some of my most frequent e-mail recipients. I started adding all the people I thought might reach out. Before long I had sent the e-mail to some fourteen people. Some of them I had spoken with as recently as last week and some I had not seen in years. Then, I moved all the e-mail addresses into the BCC field so that the recipients wouldn’t know who else had been e-mailed. That’s the decent way to do it, in case you were wondering how e-mail works. I hit Send , shut the laptop, and started cleaning up. I decided that I should go for a walk. It was still early, and there wouldn’t be many people out. Never mind that it was the dead of winter. I watched the cars on the road from my apartment. They always seemed to be perpetually lined up, exhaust rising into my view. What a view. I always go back and forth in my mind whether I should have taken the apartment at the top of the building. When I moved into this place it was either this, the second floor where I am now, or the top floor. All the units on the first and third floor had been occupied. I eventually chose the second floor because I thought I wouldn’t want to move everything up four floors (there’s no elevator). But from here, I was a bit too close to the action. After having lived here for a year or so, I think being on the fourth floor would have been better. A bit more removed from the commotion, the exhaust, the closeness to the ground. Besides, I figure I could use the exercise of an extra two flights of stairs each day. I pulled on my hoodie and tossed a thin jacket over top, shoved on my boots and stepped into the hall. It would only be a short walk, so I wouldn’t need any more layers. I didn’t even have my gloves. Outside, I stepped between the idling cars with their anonymous drivers, and took the back alley behind Jason’s Grocer out toward Delmont Ave. It was still early and the alley was quiet, as I expected. I passed a few piles of garbage outside the backs of the commercial buildings and kept walking. The alley narrowed past the point cars could reach and I kept walking. I took a left at Montrain and walked the ten minutes to Gaston park. A few more minutes of walking, past the fountains, shut off for the winter, until I was on one of the trails. Despite its confusing mess of criss-crossing trails, it made for a great escape from the city. I walked through the park, listening to my feet occasionally deviate from their regular cadence, kicking and tripping over bits and pieces of trail. A few runners passed, and even one cross-country skiier, although it seemed the snow was a bit thin for it. All these people had headphones in, plugged into a world of their devising. I had nothing to listen to but the sounds of crunching snow, birds in the barren trees, and the far off sounds of cars starting and stopping and occasional honking. I reached the end of the trail and then turned around. I was growing restless and feeling disconnected. I had seen people IRL, sure, but I could feel myself growing increasingly uneasy. I knew this was likely due in part, if not entirely, to my phone being sucked into a book. I knew this because my hands still kept patting at my pants or jacket pocket, thinking my phone was there, within reach and ready to soothe whatever restless thought came my way. I walked back home in a funk. I had not anticipated that I would feel this sort of withdrawal. When my phone had been liquefied and sucked into the page of that book, well, you could say I was somewhere between amused and bemused. But now I was starting to feel agitated. I took a few deep breaths and tried to tune into the sounds of the world again, but, instead, my ears just pounded as if they were trying to tell me to plug something into them, shove anything in: a podcast, some music, anything but this overly-present, disgusting excuse-for-nature around me. I picked up my pace to a point where I was almost running. I exited the trail where I came in. There were more people now: some of them sledding down the large hill facing east, others with their dogs, families with kids running after each other. I walked a few more paces and then looked back at the entrance of the trail. It looked light and entreating. I found a bench to sit down on and looked over at the people in the park. I was sweating underneath my two layers. The sounds of the children laughing ricocheted through the air and slammed into my eardrums. Cars passed by with a roar I had hardly noticed before. I put my face in my hands and pulled at my skin, as if I had a tight mask on that needed to come off. No such luck. Instead, I rested my chin in the palm of my hand, my elbow on my knee. I looked down at the ground before me. There were a few spare bits of garbage before me, empty weed canisters, a pop bottle that someone had peeled the label off of, and a large ribbon that looked like it belonged on a kite. I just didn’t care enough to pick up any of it and throw it away. Why should I, I thought miserably, when I felt like this? When I got home, I immediately threw open my computer to see if anyone had responded to my email. Not a word. I shut it in frustration, slid it away from me on the coffee table, and slumped back into the couch until I was lying horizontally. I didn’t know what time it was, but it was probably close to lunch. My phone was also my watch, like for most people. Without a clock in the room, I resigned myself to not knowing what time it was. I simply closed my eyes and lay there. I imagined the fumes of the cars, still lined up outside waiting for their turn to go somewhere , rising up and lulling me into a noxious sleep. And I did fall asleep. And I started to dream. In my dream, I was walking with someone. Not in the park this time, and not in the city either, really. It seemed we were walking across a bridge. It was foggy all around us. I could not tell if the bridge was going over water, or if it was going over a highway, or something else entirely. Looking over the edge of the bridge, it could be spanning a valley full of turtles, or lava, or a great black emptiness. I walked on, my eyes periodically darting to the side of the bridge, wondering at the mist below. All this time, my walking partner had been talking, but I had not listened to a single word. I turned to look at them. It was Myriam. I knew it immediately, there in the dream. She was exactly as I had pictured her, based on our first conversation. She had a sad wilt to her, like flowers left in the sun on a kitchen table too long. She looked back at me, perhaps wondering if I had heard anything I had said. I said I was sorry, but this didn’t seem to reset anything between us. "Will you ever respond to me? I’ve been wondering this every day, Acton." "I will, I’m just not ready yet," I replied. My words clumsily escaped from me. I watched them tumble over the bridge into the mass of fog. "I hope you do," she said. "You have the ink and the pen, right?" "I do." I said, which was strange because I knew the ink had not yet arrived. We walked in silence for a few minutes. The bridge was the only concrete thing within the fog and seemed to go on forever, disappearing into the misty distance. "I just need some time to get my thoughts into place," I said, facing forward so my words would come out right in front of us, and not get swept away into the abyss. Myriam’s hair was a steely gray, and she wore it loose, down to her shoulders. Every now and then, a muggy breeze would come and push it beyond her shoulders, like the swinging doors of a saloon in an old Western film. I imagined foggy, unseen spectres passing through the doors of her shoulders into a place I couldn’t go. "Whenever you’re ready," I heard her say. We walked some more. Then she began to shrink, and I began to grow. With each step, she got smaller and I got larger. Before long, I was trying to avoid crushing her with my feet. I couldn’t continue walking beside her and instead had to step out of the bridge and into the unknown fog. My first step came down unsteadily, but with such grandiosity that the fog cleared and was swept away, the weight of my footstep pushing it outward. All around my foot, I saw a verdant greenness, twisting vines, lush ferns, and tall grasses. All this I saw for only a moment before the fog returned to surround my foot. I grew larger still, and the following step with my left foot required straddling the bridge. By now, Myriam was long gone, and I was so tall I couldn’t see what the displaced fog would reveal. Despite not being able to see that far down, I knew that my next step would not yield the previously lush green ground; for a hundred, or maybe a thousand years had passed since my previous step, and things had surely changed for the worse. So I stopped in my tracks, afraid of advancing time any farther or growing any larger, of stomping out any other life in my next movements. I knew the next movements I would make would decide the fate of all of life. My next step would be like a thousand atom bombs, and there would be nothing left of this world. I took a step, and I was right. It all ended. And then I woke up. I sat up on the couch and groggily mused over my dream. It was starting to fade already. I didn’t feel like writing it down, but I tried to remain with the feeling of being a giant. Of a being so large that they can’t even see what their giant steps are obliterating, the world so far below them. I made myself a coffee and lay down on the couch, the cup just within my reach. Periodically, I pulled it to my face, and carefully sipped it from my lying down position. A most precarious way of drinking a coffee. I looked at my laptop on the couch. It was calling to me. A silent notification, ringing in my ears. I wanted to hear from someone. Anyone. I set my coffee on the table next to the couch and pulled it onto my lap and opened my e-mail client. Before me was a single unread message in my e-mail inbox: I looked at the e-mail. It took me a moment to register the name. Casey. Casey was a friend from high school. We hadn’t talked in quite some time. The last time we had gotten together, she and I had indeed gone for dinner. It had been a patio brunch in the middle of summer. I looked over the list of people I had sent my original e-mail to. Casey was my oldest friend among the list. The two of us had met in the school wrestling club, two odd ducks who had picked the wrong club to join. We had bonded over discussing mechanical magazines, web forums for Arkendo’s Binding , a game we both loved, and the fact that neither of us actually wanted to be in wrestling club. All this talking we did over the slam of teenage bodies against thinly padded mats. I can almost hear it now. I responded quickly, and effortlessly—the kind of correspondence that happens with people you really just click with. Short and sweet. Save the questions for when we get together. I snapped my laptop closed and thought about this making of plans without a phone. I wouldn’t be able to check in with her leading up to the dinner. I felt a sweet anticipation already growing in me. I got up and busied myself with making some lunch. I chewed my food, staring out the kitchen window. I tidied up. I started putting away dishes that had piled up over the previous few days when the buzzer rang for my apartment. I pressed the intercom and asked who it was. In response I simply heard a muted thump . My apartment not having a camera to watch approaching people, I had no choice but to go see what it was. I clomped down the stairs to the lobby to where people leave packages outside the rickety, old door that served as the gateway to the lobby. I poked my head out and felt a blast of cold wind and snow hit me right in the face. I looked down. There was a small package, clumsily wrapped. I picked it up. It didn’t weigh much. My name was on it. There was no return address, but beside a simple "from:" label I saw a familiar name: NibTuner79. The ink was here. I took the package inside and brought it up to my apartment. I clumsily picked away at several layers of clear tape with my fingernails before giving up and cutting open the brown parcel paper to reveal the ink. The inkwell was round with a square neck, ice blue. It was filled 3/4 full with the ink. I turned it in my hands, taking in its shape and the rich blue colour swirling with the movement of the inkwell. I stopped so that the label faced me: a simple white label with a black border and the serif text: Able-Archive Pigmented Blue. There was no logo, no insignia, no brand to speak of. For all I knew, NibTuner79 could have filled any old empty bottle of ink with some random, cheap blue ink. But it seemed unlikely. I wasn’t exactly a collector of these sorts of things, but as far as I could tell, honesty went fairly far in the world of nerds and gearheads. I chuckled to myself, because I felt quite honest thinking that. I was on my way to becoming one of them. I put the ink down on the desk next to Myriam's Codebreakers and the Hoke Scripter. I had all three. The trifecta. I could crack open the book and write something. I stared down at the book and its painted cover. To my right was a freshly inked pen. To my left, a quickly cooling cup of tea. I drummed my ink-stained fingers on my desk—I had quickly learned that filling a pen could be a very messy job. I wondered how staining archival ink was. I would find out soon enough, I supposed. I picked up the inked pen in my hand. Despite now having just a few millilitres of ink in it, it seemed to feel heavier. Potent. No longer an inert stick, but a poised snake. I could feel my hesitation mounting, but I knew it was time to act. I opened the book with the fingers that had remained unstained by the act of filling the pen. I flipped to the page where Myriam’s text had first appeared and where there was still the image of my phone on the page. I wrote underneath the depiction of my phone: I could feel myself running out of things to say. I looked down at the pen in my hand. I looked down at my writing. It was messy and seemed to switch between cursive and printing at random. I had hoped I would have come up with something more meaningful or interesting to say. I leaned back in my chair. I was uninteresting. I was offline. Were the two interchangeable for me? I was a spectator of myself, watching my events unfold in a terrible synchronicity that had me simultaneously bored and amused. Despite all the separation anxiety of being without my phone, of not working my regular shifts, of what felt like just wandering around aimlessly, I was becoming a subject of my own life. My old life, my digital life, was in the hands of Myriam, a woman, I presumed, in a book by an author named Solah J. Trek. I rotated and twirled the Hoke Scripter in my fingers and stared at my paragraph, re-reading it for the second time. As I read, the words began to disappear into the page. It seemed that as soon as I finished reading a sentence, one by one, the words of it would sink into the nothingness of the page. By the time I got to the end of my second paragraph it was all but gone. I stared in astonishment at the empty page. The painted image of my phone was still there in the corner. I shifted uneasily in my chair, breaking a silence that had settled in the room. Then, a voice appeared in my head, and I realized it was from myself reading words on the page—Myriam was responding. I pounded down the apartment stairs, my messenger bag banging against my back. Every moment an eternity . Every step, the thump of my bag against me—muffled and extinguished by the muted stairwell. I threw open the front door, nearly hitting another resident of the apartment on the way in. I took hardly any notice of them. I was back outside again. I was to meet Casey at 7pm at Deep Blue, a gastrobar about a fifteen minute walk from my apartment. On my wrist: an old watch I had found in my bedside table. In my bag: a strange book, slung on my back. I walked quickly, trying to make sense of things. After seeing Myriam’s message I had stared blankly at it, shut the book, and got up in a daze. At first I felt unsafe, the target of some kind of operation that was beyond my comprehension, beyond my plane of existence, even. The message in the book had disappeared within minutes, maybe seconds after my reading it, and had left me staring at an empty page. Somehow, Myriam had known about my rendezvous with Casey. At first, I was confounded. I walked and mulled. The questions in my mind turned over and over, scratching at an imagined blank page. I turned onto Range Ave and crossed over to the other side, stepping around parked cars and stopped at the curb. I stood on the cobblestone walk that marked the beginning of the old downtown. I studied my shoes against the unevenly placed stones. I stood hunched there, losing my gaze to the ground while the world spun around me. I wasn’t sure why I had stopped. It was as if I was frozen—I couldn’t move my body save for the clenching and unclenching of my hands. All the while that I stood like this, I felt an eerie sixth sense, as if a great wave was going to crash over me. I stood wanting to look back but resolving not to. Eventually, I broke free. I could move again. I didn’t look back. Everything clicked in that first footstep out of that immobile state. My questions answered: Myriam had read the message from Casey through my phone—my phone that was still somehow working in another ethereal realm. It was clear to me now. Myriam was reading my e-mails. She was in a real-time lock-step with me. She was stuck in her own eternity, watching the stream of data of my life move past her, watching and absorbing it as she liked. I continued down the cobblestone path at a reasonable rate, minding my step for the occasional uneven stone, until the sign of Deep Blue came into view. The downtown was bustling with people, despite the cold weather and snow. Half of them could well be tourists, periodically stopping to find their way with maps on their phones, or to send a message to someone out of view, out of picture, someone who might be at the other end of the world—and it seemed they had to do this in the middle of the sidewalk. I found myself grumbling. I had become moodier in the preceding days. I reached the door to Deep Blue and stopped, feeling an impulse to message Casey and say I had arrived. I couldn’t, of course. Instead, one of us would have to go into the restaurant and be there waiting for the other. We hadn’t agreed to stand outside and wait to go in together. But there I was, standing outside, surveying the landscape of downtown, searching for a familiar face in a crowd of strangers. I stood staring for a minute. I wanted to shake myself out of this slump I was sliding into. I hadn’t seen Casey in years and this wasn’t the disposition I wanted to show up with. I had nothing to prove to her, of course, but it would have been nice to let her know that I wasn’t losing my mind. Which I might have been. I headed into Deep Blue. "Acton!" I was stomping through Deep Blue when I heard my name called out. Casey’s voice pulled me out of the mud. You might even say my heart soared at the sound of her voice. That’s what the voice of an old friend can do to you. I had been in my own head too much—and it was only her voice cutting through the bog of my thoughts that made me realize it. I made my way to her table. She had gotten a small booth at the back of the restaurant. I looked at my watch. It was 7:02. The restaurant was bustling. She jumped up, arms outstretched for a hug as I approached. She was wearing a colourful knit sweater, loose and baggy. I sank into her arms and found myself breathing in deeply. In her arms, I felt something stirring in me. In a friend, even one you hadn’t seen in some time: support, meaning, connection, a feeling of being grounded. I could have stood in her arms, in the way of the staff and the customers in the middle of that restaurant for the rest of the night. Instead, I grew self-conscious that I would be the one holding on longer than her. I let go. I sat down, tossing my bag haphazardly (forgetting what was in it) into the corner of my side of the booth. As soon as I sat down we were immediately swarmed by the staff. We both held our tongues, not wishing to begin the business of our catching-up in the immediate presence of others. We put in an order for some appetizers. As promised, Casey put in an order for two drinks, the same for the both of us. Then, we were left to ourselves. I checked my watch again, expecting it to be 8pm already. It was 7:09. "This is a pleasant surprise," I found myself saying. Between us, there was a small center-piece with a lit candle. The flame of it danced under the whims of my opening remarks. "Agreed." Casey took a sip of her water and I watched her. "You’re the only person who e-mailed me back. I didn’t expect anything from anyone, I suppose, but I was surprised that you were up for it." "Why’s that?" "I don’t know, it’s been some time since we got together. People get in their head about that sort of thing," I said. "Which is funny, don’t you think? Maybe you were surprised I was interested, when most people would think old friends from the past make for awkward communications. But I’ve never really felt that way. People weave in and out of each others lives over the years. It’s normal. Something to be grateful for, really." "That’s insightful," I said, pausing to sip my water, "I suppose I’m also a little surprised—I would have thought that the people I had been messaging with over my phone just weeks ago would get back to me when I e-mailed them, but instead it was the opposite." "How many people did you send your message to?" "Thirteen or fourteen," I said. "E-mail is old, now. It’s a dumping ground." "I guess." "So the phone is gone. And it pushed you to reach out to some old friends." I tasted my drink, which had appeared moments ago. I had already forgotten what she had ordered. It definitely had some gin in it, but maybe some lemon and honey, too. "Gone…" I echoed back to her. "Yes, temporarily." "What do you mean?" She asked. "Well, it’s a bit of an odd story," I said. My eyes shot to my bag in the corner. Casey’s look followed my eyes to the bag, slumping in its seat of the booth. "This is a really good drink." I said. "Acton, quit being so vague. What happened to your phone? What’s in your bag?" This is what I liked about Casey. She was to the point, and she sometimes made herself laugh in that way. She wasn’t laughing now, though. "Well, my phone…" I said, trailing off again. How much did I actually want to share about this? I looked at my bag again and reached for it. "Well, it would be easier to just show you." Out of the corner of my eyes, I could see Casey watching me as I opened my messenger bag, and pulled out the book that had started all of this. "What’s that?" "Well, it’s supposed to be a novel, but look—" I opened the page to where the image of my phone resided and passed it over to her. "When I opened this book—" Casey received the book in her hands, when I realized what I had just done. I lurched across the table to take it back, but it was already too late. Myriam, the book, whatever it was in there, had slurped up Casey’s phone too. Before Casey could even cry out, her phone appeared next to mine in the corner of the page in the very same painterly style as mine. "Fuck." Casey looked up at me in disbelief, while simultaneously patting the table where her phone had been seconds ago. "It’s gone," I said flatly. "What the hell, Acton! What just happened?" "I’m sorry, I didn’t realize it was going to happen again. I—I was going to show you. Look—that’s my phone. It slurped up my phone." I paused, "And there’s yours," I pointed dumbly. "I can see that, Acton, now show me the trick to return them back!" "Ah-ha," I laughed weakly. "There isn’t one." Casey lifted herself out of her seat and looked around the restaurant wildly, as if she was expecting to see cameras from a reality TV show pop out of nowhere. She sat back down and took a deep breath, followed by a large gulp of her drink. "Explain yourself." I figured this was not going to turn out to be the dinner I had hoped for. Casey looked at me for a good minute before she spoke. I had just finished explaining everything: from the moment I had picked up the book to right before I had left my apartment after communicating with Myriam for the second time. I hadn’t told her about the dream I had had, though. "This is insane." "It is insane," I confirmed. Her eyes drilled into me. Mostly, she looked furious. But eventually, that fury gave way to an uneasy look. "So, if I were to take this book, walk over to that table over there," she nodded to her right, "and plop it in front of that bald dude, it would slurp up his phone." "I’m pretty sure," I said. "It has only happened twice, and there might be other conditions necessary for it to happen. Maybe the phone needs to be within a certain distance from the page, or maybe the person had to be holding the book open. I don’t know." "Well, I don’t know, either," Casey sounded exasperated. "But I’m really tempted to try." "He might not take it as well as you did," I said uneasily. I looked over at the guy Casey had gestured to. He didn’t look like the thumping type, but who knows, he could probably beat us to kingdom come. "This is fucked up. What about this bitch in the book?" "Hey, I don’t know that you need to call her a bitch." "She certainly seems like a manipulative bitch! She used you to steal all my information. By what you told me, right now she’s scanning all my messages, pictures, and e-mails." "She could be," I said, putting my head into my hands. "Sounds like a real bi–" "—Look, call her what you want," I said, cutting off Casey, "but I believe what she said about being stuck in the book." Casey picked up the book and nervously opened it, as if it might suck her entire self right into its empty pages. Hey, it might as well have. It turned out that the impossible was possible. Or maybe I should say, the very strange and unreal had been made real. "Solah J. Trek," Casey muttered. "That’s the author," I said, just catching Casey’s words. "I know," Casey said, her eyes widening in annoyance. "I’d look her up if I had my phone, " Casey said curtly. "Look—you can be mad about this all you want, but like it or not—huh," I paused. "What?" "I never looked up the author. And she told me to. 'Take it up with my author,' Myriam had said, or something like that. I never did. I must have been too shocked by what had happened." "Or were you too busy cooing over your new love Myriam, " Casey snapped at me. Underneath the anger I could see she was still able to tease me. Maybe she was feeling a bit better. I blushed, thinking about the dream I had in which I had walked, shoulders side by side, with Myriam—until I had grown too big, and her too small. "She’s too old for me," I muttered. "From 1955, by the looks of it," Casey said smartly, and snapped the book shut. She paused and looked at me again. I could see her fingers moving absently across the painted cover of the book. "Let’s go back to your place. You’re still on Hatchet Ave, yeah?" "Yeah." "Well, let’s go look her up. I’m not leaving until we get to the bottom of this. After all, I use my phone to unlock the door to my apartment." "You do?" "And guess what else," she said, tapping the table. "The bill?" "That’s right." "Well, I owed you a dinner anyway, didn’t I?" I asked, as I waved the waiter down to order. We trudged back through the snow to my place. With Casey there, there was none of that walking and stopping to feel like I was about to get hit by an invisible wave. Sure, I felt uneasy, but at least with Casey beside me I had someone to shoot the breeze with. We ended up catching up more on the walk home than we did over dinner. I was surprised she didn’t want to drill me with more questions about Myriam. I patted the book, tucked away in my messenger bag at my side as we walked. It was still there. My compulsive checking to make sure my phone was in my pocket had been replaced by something else. I learned plenty about Casey as we walked. In the years since we had last gotten together, she had gone through some life changes that made my life look as plain and untroubled as a bulletin board in an elementary school. Her Mom had died just months after we had last met up. She had had a terrible job during that time that had treated her like shit while her mother was in the hospital. I had only met her Mom twice—both times at school. I remember her watching in the bleachers at one of our painful intracity wrestling competitions. Her mom actually saw me and called me over to watch Casey wrestle in her first match in the girls tournament. I remember there weren’t many girls into wrestling and so there were only a few matches to get to the top of the ladder. Casey’s mom and I had talked about that a little. I hadn’t stayed to watch Casey’s match to the end. I had come up with some excuse about having to talk to my coach, or something, when really, I was avoiding having to be next to her if Casey lost the match. Something about that had been too painful to imagine, and so I politely excused myself after our brief conversation. With this memory before me, I felt ashamed of my behaviour, hearing that Casey’s mom had since died. I know neither of them would have held it against me, but when you find out someone’s gone, sometimes the first thing your mind does is think about the last dumb thing you did in front of them. It wasn’t just that Casey’s mom had died. She shared a little about trying out a secondary community college program that was a complete miss. Then she went on to say that her high school boyfriend had broken up with her while she was trying to make sense of all these huge life changes. I vaguely remembered the guy. He was one of the quiet, inconspicuous types in high school. I know the type because I had been the type. I probably still was. We walked and talked, though it was more me listening. I hesitate to say much about my life, because it didn’t feel like I had really had a life in comparison to what Casey had been through. On top of that, I was realizing that for me, what was almost a farcical experience of having my phone sucked up into a book, was probably not the same for this other person walking beside me. We stepped through the snow together abreast. I was half-listening now, because I was reminded of my dream where I walked beside Myriam. In it, I had seen myself grow bigger and bigger. But now, beside Casey, that was the last thing I felt. I felt like I wanted to shrink into non-existence with each step. It was with that sense of shame that we arrived at my apartment entry. By this time we had been walking in, what I hoped was, a comfortable silence. We walked up the stairs, gripping the railing: the apartment super still hadn’t set up any anti-slip devices for the winter, and the stairs were as slippery as wet marble (I assure you, there wasn’t a lick of marble anywhere in this dingy old apartment building). We entered my apartment and I put my bag on the kitchen table. I went to the fridge. "Tea? Beer?" "A beer would be great," said Casey’s voice from around the corner. I heard the distinct sounds of my messenger bag’s buckles unbuckling. I leaned around the corner: Casey throwing herself down on the couch with the book. I turned back to the fridge and grabbed the last two beers. I joined Casey on the couch, handing her one. "Thanks," she said absentmindedly. "I hope no one needed to get in touch with you tonight," I said glumly, looking over at the page with our phones on it. Casey was running her thumb over the images. "No, but we’ll solve this tonight." "How do you figure." "Well, you’re going to give me a pen, and I’m going to tear Myriam a new one." I shrugged. I got up and got the pen and the ink and showed them to Casey. She glared at them. "You spent how much on this hokum?" "Don’t worry about it," I said gruffly. I had spent over $50, was the answer, and I wasn’t working right now, thank you very much. Casey pulled the table in front of the couch closer and put the book, the ink, and the pen down in front of her. She took out the pen, and hovered it over the page. "Wait—what are you going to write?" "I don’t think you get to ask me that. Your little book here sucked up my phone without asking, and now I’m going to write. Either get out of the way, or watch quietly." I sighed. She had every right to say that. I inched closer to her on the couch. I could smell the pub on both of us. I watched as she wrote. Her handwriting was far nicer than mine. And that was what Casey wrote. We both sat back on the couch, as if we had done a workout. Then, the words began to slowly disappear in to the page as before. We watched, expectantly. We paused waiting for more words to appear but there were none. "The audacity!" Casey crowed. "This bitch barely acknowledged me!" "Wow," I said, dumbly. "Well, you better write something. At least she’ll talk to you ," Casey pushed the pen into my hands and I received it clumsily. I began to write. "I was thinking more, give us back our phones ," Casey said. My eyes bulged and I held my palms up defensively. "It’s fine it’s fine, she’s writing back," Casey said hurriedly. We both stared dumbly at this response, until it faded away into the page. "We are dealing with a very strange entity, here, Acton." "I know," I said. "What do we do?" "I don’t know." " Know , don’t know , whatever state we’re in, we can’t keep continuing like this. I think she’s on a mission to absorb more information—she probably wants us to expose this book to other people so that it sucks up their phones too." "I suppose," I said slowly. "We need to destroy it!" "Destroy it!" I gasped. "What about our phones?" I cried out feebly. "They’re gone, and everything in them. There’s no way she’s going to give it back," Casey snorted, eyeing the book. I grabbed at the book automatically and clasped it to my chest. "We can’t destroy it!" My heart was racing. I felt the invisible wave about to crash over me again. What had changed in me to make me this way? Why did I want to protect this book, protect Myriam? Casey wanted to destroy her. Burn the book, or rip it to shreds. But she was inside it. I knew I couldn’t let her do it. It was true that something had changed in me the moment Myriam had sucked up my phone. My life had slowed down considerably, but I also was seeing things differently. I looked at the world differently. Everyone around me appeared less real than Myriam! All of them were sucked into their phones, while mine had been sucked away. My relationships with the people of this world were hardly meaningful, I saw that now. They were facile and fragile things—like something a child had made with glue and popsicle sticks: sloppy, brittle, ready to break at a moment’s notice. I felt a warmth in my chest where the book was. Across from me, Casey appeared venemous, her face angular and snake-like—ready to strike. I inched back on the couch. "Acton," my name floated out of her mouth, wrapped in a warning tone. Her lips hardly seemed to move. She moved toward me slowly, her eyes locked on mine. I was stuck, caught in her gaze. She moved closer still, her upper body hovering over the couch where we sat. Then, she pounced. I couldn’t help but release the book: she pounced on me, not it . She struck me like a shot from a cannon and together we fell back into the couch. I heard the book fall from the couch to the floor with a muffled thump. My face was awash in her hair. Behind the smell of the pub was a fragrance from earlier in her day. She reached for the book. I writhed underneath her and rolled off the couch, hitting the floor—slap against the mats. I got up onto my hands and knees and grabbed for the book but she was already behind me. I knew I was done for. Wrestling between boys and girls in high school was forbidden, but it all came back to me the same—and evidently for Casey too. I felt her arm cross under my chin and her other arm snake through my legs. Click , went the padlock of her hands. She pulled me back and we both rolled backward. It was over before it started. "You still wrestle?" I gasped out. "No," she laughed, "but a champion doesn’t forget her moves." A champion doesn’t forget her moves. I had never actually watched Casey’s matches, that day I sat with her Mom. Now it was sounding like she had taken home the trophy. I lay there, pinned by her, her hair brushing into my face. She smelled nice. The promise of spring. She must have sensed that I was giving up whatever fight was in me because I felt her grip loosen. I relaxed into her body, my head unlocked and leaning back into her shoulder. "I thought you hated wrestling." "I did, sometimes," she said distantly. I couldn’t look at her face from where I lay. "Now are you going to stand in the way of burning this book or not?" "No," I sighed. "Get some kindling, then." I wandered through my apartment, grabbing a newspaper from my recycling. I had a wooden box that a few clementines had come in. I moved them to the fridge. I found some matches and brought some rubbing alcohol from the bathroom. I returned to Casey and picked the book off the floor. It felt heavier. I walked over to the fireplace and kneeled down. I looked back at Casey. She stared back at me. My fingers ran back and forth absentmindedly along the strange impasto cover. I turned back to the book, looked at it once more, and then ripped off the cover. I poured the alcohol on it, tossed it in the fireplace, and threw the small crate on top. I lit a match, stepped back, and threw it in. The alcohol burned off quickly with a whoof but the book still caught. It did not take long to burn. There was not much smoke, and what little there was sent some creature who had taken up residence in the chimney scuttling up and out into the night air. I returned to the couch and we watched the book burn until it was no more than a blackened crisp. Neither of us said anything. Finally, when it was over, Casey turned to me. "I still won’t be able to get into my apartment, at least until I can get ahold of the Super." "Right," I said tiredly, "take my bed. I’ll sleep on the couch." "Thanks," she patted me on the leg as she stood up. I remained on the couch to watch the last few embers in the fireplace. I listened as Casey roamed around my apartment, finding whatever she needed to get situated to sleep over. I pulled the couch blanket over me, a comfortable weariness settling over me. I lay there listening to the apartment and the neighbourhood. I imagined Casey pressed against me. She had pinned me fair and square, not that I had had much fight in me in the first place. It had all happened in a matter of seconds. In light of that, I felt a competitive spark growing within me. Something tonight had lit it, and I imagined it would grow just as the embers in the fireplace would diminish into nothing. I fell asleep hoping to dream about a bridge. The book was originally published in 1955 The author had written several books Myriam's Codebreakers was the last book that Solah J. Trek wrote; she died shortly after it was published A plot summary online told me the book was mostly a love story that involved a woman in a post-World-War-Two workplace early computers feature prominently in the book, specifically, ones that were developed based on the machines built and used for war-time decryption.

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fLaMEd fury 2 months ago

Damn, I Can Still Read

What’s going on, Internet? Last December I finally got off my ass and committed to reading Jared Savages books, Gangland , Gangster’s Paradise , and the recently released Underworld . These books had been on my radar since the release of Gangland, but I was waiting on an ebook version. Then I went all in on audiobooks and decided to wait until they were available in audio format. So, back to December. It was my birthday. My wife sorted me some kid-free time so I dug out my Kobo Libra, charged it up a bit, reconnected to libby, borrowed Gangland and got stuck in. After hundreds of audiobooks and not much ebook reading outside of comics I thought I was in for a bad time. Much to my amazement I found out rather quickly that I could still read books with words, not sound. I also went through a period where I’d get into bed and snuggle in with a book only to find myself asleep after maybe getting through a single page. This made finishing books an audacious task. When I did switch to audiobooks, they became almost the only way I read. Night time reading defaulted to comic books, which I enjoyed but these have taken a back seat so far this year. I’ve got three months of X-Men to catch up on. I’ve read 10 books so far this year, four audiobooks and six books on the Kobo, a big change from previous years since I started my audiobook journey. I’ve got at least three more books lined up after the one I’ve just finished. After finishing the amazing 1985 I started another audiobook that just didn’t click so I quickly abandoned it before falling into sunk cost territory. I’ve picked up a few more podcasts to listen to during the day and have been listening to more music recently. I’m not worried though, I’m sure I’ll pick up the audiobooks again, just waiting for the right ones to make their way into my orbit. The question is, will the backlog of X-Men comics continue to grow or will I be able to find some balance in my physical reading? I just need some more of that kid-free time, right? Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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A Working Library 2 months ago

The Salt Eaters

Velma Henry is brought before Minnie Ransom for a healing. Velma, an activist who has become cynical of the movement and especially of the egocentric men who attempt to lead it, has recently channeled her cynicism into cutting her wrists and placing her head in the oven. Alive, wrists bandaged, gown flapping open in the back, she sits before a dozen friends and neighbors as Velma and her spiritual guide Old Wife try to bring her back. The book centers on this moment, sweeping backwards and forwards and around the Southern town where each of these people live and work and hope for better days. The opening question lingers through every page, perhaps unanswerable, or perhaps only to be answered by the whole: “Are you sure, sweetheart, that you want to be well?” View this post on the web , subscribe to the newsletter , or reply via email .

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Kev Quirk 2 months ago

📚 Flybot

by Dennis E. Taylor Physicist Philip Moray is having a good day. He’s chipping away at his big work project. The lunch in the cafeteria is at least edible. And he’s looking forward to his end-of-the-day drink and a soak in the hot tub. Then, a strange device turns up in his office. A piece of technology he has never seen before–and shouldn’t even exist. Suddenly, corpses start turning up, eco-activists go on the attack, random people suffer bizarre symptoms. And every time the authorities get a lead, it traces right back to Philip and his colleague, Celia Hunt. Then, a mysterious caller contacts Philip–and, suddenly, staying out of jail is the very least of his problems. Apparently, that hot tub’s going to have to wait. 📖 Learn more on Goodreads… I'm a big fan of Taylor's work but Flybot didn't really hit the mark for me as much as other books from Taylor have. I felt like the story lost its way in the middle; it came together okay in the end, where there was a interesting (but predictable) twist. Not the best book I've ever read. Thanks for reading this post via RSS. RSS is ace, and so are you. ❤️ You can reply to this post by email , or leave a comment .

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