Posts in Culture (20 found)
HeyDingus Yesterday

I’m not a ring guy, but…

I’m not a ring guy. My parents had to cajole me into getting a class ring back in high school, telling me that it would be something that I would later regret if I didn’t get one. So I got one, tried wearing it, and ended up hating the feeling of it always spinning ’ round my finger. And then I lost it in my bowling ball bag for like a year. I’ve got no idea where it is today. My next ring was my wedding band. Again, following customary traditions, I spent so much of my savings on an engagement and wedding ring combo for my wife. But for my own ring, I wasn’t particular. I looked around online for design ideas, liked the look of a tungsten one, found one for like $15 on Amazon, and clicked ‘ Buy Now’. It still looks good as new over seven years later. And while I liked the feel of it better than my old class ring since it was symmetrical and didn’t tend to fall to one side of my finger or the other, I still prefer my fingers unornamented. In fact, since becoming a mountain guide, I’ve worn my wedding band on a piece of cord around my neck, lest it get wedged in a rock somewhere while I’m climbing, which could be disastrous. I’d like to get a tattooed ring on my finger someday. 1 Likewise, I’ve tended to be skeptical of the fitness rings, such as the Oura , partly because I figure I’d dislike wearing it at least as much as any other ring. But also because my Apple Watch already handles all my fitness tracking, and I wouldn’t want another thing to remember to charge. All that being said, I’m as surprised as anyone that the Index 01 , Pebble’s latest gadget, caught my interest. It’s a ring, but instead of packing in more features than its competition, the Index is designed to do less . Its primary role is to be an ever-present way to record short notes-to-self. It’s got a tiny LED and a little microphone that’s activated by pressing a physical button. That’s it. Eric Migicovsky, Pebble’s founder, is selling the Index as “ external memory for your brain”. It doesn’t have any fitness tracking sensors. It doesn’t record everything around you, 24/7, like other AI gadgets , to make a perfect transcript of your life. It’s basically a dedicated personal note taker, and that’s what makes it so interesting to me. In fact, I’ve been trying to solve this ‘ take a quick note’ problem on my own for years. My brain comes up with its best ideas when I’m out for a hike, but that’s also when I least want to pull out my phone to type it out. So, I rigged up a solution with Apple Shortcuts to trigger voice-to-text with my iPhone’s Action button so that I can easily save my ideas and to-dos to Drafts without breaking stride. But it’s an imperfect solution as I look a little goofy in front of my clients when I mutter into my phone in the backcountry. Plus, I have to have my phone with me, and the audio isn’t saved, just the transcript. The Index remedies a lot of that rigmarole by virtue of being a dedicated device that’s always with you, that saves the audio recording, and that’s less intrusive and distracting than pulling out a smartphone. The physical button. You have to hold it down to make a recording. No wondering if it’s working. Migicovsky insists it has a great click-feel, and I’m inclined to believe him. It’s designed to be worn on your index finger, putting the button always in reach of your thumb to start a recording. That’s so smart, as it means it can be used discreetly with one hand. My Apple Watch often needs to be operated with the other hand, and its raise-to-speak to Siri feature is somewhat unreliable. Adding the button was a great idea. You can’t charge it. This one’s a bit controversial, I know. Just read the comments on the announcement video — it’s basically the only thing people are talking about. The non-replaceable battery is a bummer, but I get it. I’d want a ring to be as unobtrusive as possible, and leaving out the charging bits and accessible battery cuts down on a lot of bulk. It’s definitely more svelte than an Oura. Furthermore, I have enough gadgets that I need to remember to charge every day. If it can just stay on my finger, it has a way higher chance of becoming an ingrained workflow. While I don’t want to contribute to e-waste, Pebble says they’ll recycle it when the battery dies, supposedly in two or so years with typical use. The price. If this thing cost $300+, like most smart rings , I certainly wouldn’t be psyched to replace it every two years. But at $99 ($75 for pre-orders), I think they priced it well to be a reasonable curiosity purchase. And it’s a one-time payment — there’s no ongoing subscription cost! Additional actions. While its primary purpose — and my main interest in it — rests with its always-ready note-taking, it sounds like the Index can do a little processing and take action on some commands. From the announcement post : Actions: While the primary task is remembering things for you, you can also ask it to do things like ‘ Send a Beeper message to my wife - running late’ or answer simple questions that could be answered by searching the web. You can configure button clicks to control your music - I love using this to play/pause or skip tracks. You can also configure where to save your notes and reminders (I have it set to add to Notion). Customizable and hackable: Configure single/double button clicks to control whatever you want (take a photo, turn on lights, Tasker, etc). Add your own voice actions via MCP . Or route the audio recordings directly to your own app or server! Supposedly, you’ll be able to hook it up to MCP to do more AI stuff with the recordings. I don’t know enough about MCP , so that’s not of huge interest to me. But if it can send quick messages, make reminders and calendar events, and control audio playback — and do so reliably — that’d be pretty great. Works offline. It doesn’t have or need an internet connection to work. Transferring the audio file goes directly to your phone, and the transcription is done there, on-device. If you set those additional actions that need the internet, that’s another story, but the Index will serve its primary purpose offline, without sending your (potentially very personal) recordings to anyone’s servers. Less-than-stellar water-resistance. Pebble’s billed the Index as something that you never have to take off, but then notes it’s water-resistant only to 1 meter. They note, “ You can wash your hands, do dishes, and shower with it on, but we don’t recommend swimming with it.” That’s not a deal-breaker, but I’ve grown so used to not worrying about swimming with my watch that I’d be a little grumpy about having to remember to take off my ring before jumping in a pool or lake. Short answer, yes. I’m intrigued enough that I placed a pre-order this morning. But I’m still a little iffy on whether I’ll keep it. As I mentioned, I wear my wedding band as a necklace so that it doesn’t put my finger at risk when I’m climbing. That would still be a factor with the Index. But I’m willing to give it a shot. My wife insists that I put my wedding ring back on my finger for date night, or culturally significant events like weddings and such. I don’t mind. ↩︎ HeyDingus is a blog by Jarrod Blundy about technology, the great outdoors, and other musings. If you like what you see — the blog posts , shortcuts , wallpapers , scripts , or anything — please consider leaving a tip , checking out my store , or just sharing my work. Your support is much appreciated! I’m always happy to hear from you on social , or by good ol' email . Actions: While the primary task is remembering things for you, you can also ask it to do things like ‘ Send a Beeper message to my wife - running late’ or answer simple questions that could be answered by searching the web. You can configure button clicks to control your music - I love using this to play/pause or skip tracks. You can also configure where to save your notes and reminders (I have it set to add to Notion). Customizable and hackable: Configure single/double button clicks to control whatever you want (take a photo, turn on lights, Tasker, etc). Add your own voice actions via MCP . Or route the audio recordings directly to your own app or server! My wife insists that I put my wedding ring back on my finger for date night, or culturally significant events like weddings and such. I don’t mind. ↩︎

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Let’s Destroy The European Union!

Elon Musk is not happy with the EU fining his X platform and is currently on a tweet rampage complaining about it. Among other things, he wants the whole EU to be abolished. He sadly is hardly the first wealthy American to share their opinions on European politics lately. I’m not a fan of this outside attention but I believe it’s noteworthy and something to pay attention to. In particular because the idea of destroying and ripping apart the EU is not just popular in the US; it’s popular over here too. Something that greatly concerns me. There is definitely a bunch of stuff we might want to fix over here. I have complained about our culture before. Unfortunately, I happen to think that our challenges are not coming from politicians or civil servants, but from us, the people. Europeans don’t like to take risks and are quite pessimistic about the future compared to their US counterparts. Additionally, we Europeans have been trained to feel a lot of guilt over the years, which makes us hesitant to stand up for ourselves. This has led to all kinds of interesting counter-cultural movements in Europe, like years of significant support for unregulated immigration and an unhealthy obsession with the idea of degrowth. Today, though, neither seems quite as popular as it once was. Morally these things may be defensible, but in practice they have led to Europe losing its competitive edge and eroding social cohesion. The combination of a strong social state and high taxes in particular does not mix well with the kind of immigration we have seen in the last decade: mostly people escaping wars ending up in low-skilled jobs. That means it’s not unlikely that certain classes of immigrants are going to be net-negative for a very long time, if not forever, and increasingly society is starting to think about what the implications of that might be. Yet even all of that is not where our problems lie, and it’s certainly not our presumed lack of free speech. Any conversation on that topic is foolish because it’s too nuanced. Society clearly wants to place some limits to free speech here, but the same is true in the US. In the US we can currently see a significant push-back against “woke ideologies,” and a lot of that push-back involves restricting freedom of expression through different avenues. The US might try to lecture Europe right now on free speech, but what it should be lecturing us on is our economic model. Europe has too much fragmentation, incredibly strict regulation that harms innovation, ineffective capital markets, and a massive dependency on both the United States and China. If the US were to cut us off from their cloud providers, we would not be able to operate anything over here. If China were to stop shipping us chips, we would be in deep trouble too ( we have seen this ). This is painful because the US is historically a great example when it comes to freedom of information, direct democracy at the state level, and rather low corruption. These are all areas where we’re not faring well, at least not consistently, and we should be lectured. Fundamentally, the US approach to capitalism is about as good as it’s going to get. If there was any doubt that alternative approaches might have worked out better, at this point there’s very little evidence in favor of that. Yet because of increased loss of civil liberties in the US, many Europeans now see everything that the US is doing as bad. A grave mistake. Both China and the US are quite happy with the dependency we have on them and with us falling short of our potential. Europe’s attempt at dealing with the dependency so far has been to regulate and tax US corporations more heavily. That’s not a good strategy. The solution must be to become competitive again so that we can redirect that tax revenue to local companies instead. The Digital Services Act is a good example: we’re punishing Apple and forcing them to open up their platform, but we have no company that can take advantage of that opening. If you read my blog here, you might remember my musings about the lack of clarity of what a foreigner is in Europe. The reality is that Europe has been deeply integrated for a long time now as a result of how the EU works — but still not at the same level as the US. I think this is still the biggest problem. People point to languages as the challenge, but underneath the hood, the countries are still fighting each other. Austria wants to protect its local stores from larger competition in Germany and its carpenters from the cheaper ones coming from Slovenia. You can replace Austria with any other EU country and you will find the same thing. The EU might not be perfect, but it’s hard to imagine that abolishing it would solve any problem given how national states have shown to behave. The moment the EU fell away, we would be warming up all border struggles again. We have already seen similar issues pop up in Northern Ireland after the UK left. And we just have so much bureaucracy, so many non-functioning social systems, and such a tremendous amount of incoming governmental debt to support our flailing pension schemes. We need growth more than any other bloc, and we have such a low probability of actually accomplishing that. Given how the EU is structured, it’s also acting as the punching bag for the failure of the nation states to come to agreements. It’s not that EU bureaucrats are telling Europeans to take in immigrants, to enact chat control or to enact cookie banners or attached plastic caps. Those are all initiatives that come from one or more member states. But the EU in the end will always take the blame because even local politicians that voted in support of some of these things can easily point towards “Brussels” as having created a problem. A Europe in pieces does not sound appealing to me at all, and that’s because I can look at what China and the US have. What China and the US have that Europe lacks is a strong national identity. Both countries have recognized that strength comes from unity. China in particular is fighting any kind of regionalism tooth and nail. The US has accomplished this through the pledge of allegiance, a civil war, the Department of Education pushing a common narrative in schools, and historically putting post offices and infrastructure everywhere. Europe has none of that. More importantly, Europeans don’t even want it. There is a mistaken belief that we can just become these tiny states again and be fine. If Europe wants to be competitive, it seems unlikely that this can be accomplished without becoming a unified superpower. Yet there is no belief in Europe that this can or should happen, and the other superpowers have little interest in seeing it happen either. If I had to propose something constructive, it would be this: Europe needs to stop pretending it can be 27 different countries with 27 different economic policies while also being a single market. The half-measures are killing us. We have a common currency in the Eurozone but no common fiscal policy. We have freedom of movement but wildly different social systems. We have common regulations but fragmented enforcement. 27 labor laws, 27 different legal systems, tax codes, complex VAT rules and so on. The Draghi report from last year laid out many of these issues quite clearly: Europe needs massive investment in technology and infrastructure. It needs a genuine single market for services, not just goods. It needs capital markets that can actually fund startups at scale. None of this is news to anyone paying attention. But here’s the uncomfortable truth: none of this will happen without Europeans accepting that more integration is the answer, not less. And right now, the political momentum is in the opposite direction. Every country wants the benefits of the EU without the obligations. Every country wants to protect its own industries while accessing everyone else’s markets. One of the arguments against deeper integration is that Europe hinges on some quite unrelated issues. For instance, the EU is seen as non-democratic, but some of the criticism just does not sit right with me. Sure, I too would welcome more democracy in the EU, but at the same time, the system really is not undemocratic today. Take things like chat control: the reason this thing does not die, is because some member states and their elected representatives are pushing for it. What stands in the way is that the member countries and their people don’t actually want to strengthen the EU further. The “lack of democracy” is very much intentional and the exact outcome you get if you want to keep the power with the national states. So back to where we started: should the EU be abolished as Musk suggests? I think this is a profoundly unserious proposal from someone who has little understanding of European history and even less interest in learning. The EU exists because two world wars taught Europeans that nationalism without checks leads to catastrophe. It exists because small countries recognized they have more leverage negotiating as a bloc than individually. I also take a lot of issue with the idea that European politics should be driven by foreign interests. Neither Russians nor Americans have any good reason for why they should be having so much interest in European politics. They are not living here; we are. Would Europe be more “free” without the EU? Perhaps in some narrow regulatory sense. But it would also be weaker, more divided, and more susceptible to manipulation by larger powers — including the United States. I also find it somewhat rich that American tech billionaires are calling for the dissolution of the EU while they are greatly benefiting from the open market it provides. Their companies extract enormous value from the European market, more than even local companies are able to. The real question isn’t whether Europe should have less regulation or more freedom. It’s whether we Europeans can find the political will to actually complete the project we started. A genuine federation with real fiscal transfers, a common defense policy, and a unified foreign policy would be a superpower. What we have now is a compromise that satisfies nobody and leaves us vulnerable to exactly the kind of pressure Musk and other oligarchs represent. Europe doesn’t need fixing in the way the loud present-day critics suggest. It doesn’t need to become more like America or abandon its social model entirely. What it needs is to decide what it actually wants to be. The current state of perpetual ambiguity is unsustainable. It also should not lose its values. Europeans might no longer be quite as hot on the human rights that the EU provides, and they might no longer want to have the same level of immigration. Yet simultaneously, Europeans are presented with a reality that needs all of these things. We’re all highly dependent on movement of labour, and that includes people from abroad. Unfortunately, the wars of the last decade have dominated any migration discourse, and that has created ground for populists to thrive. Any skilled tech migrant is running into the same walls as everyone else, which has made it less and less appealing to come. Or perhaps we’ll continue muddling through, which historically has been Europe’s preferred approach. It’s not inspiring, but it’s also not going to be the catastrophe the internet would have you believe either. Is there reason to be optimistic? On a long enough timeline the graph goes up and to the right. We might be going through some rough patches, but structurally the whole thing here is still pretty solid. And it’s not as if the rest of the world is cruising along smoothly: the US, China, and Russia are each dealing with their own crises. That shouldn’t serve as an excuse, but it does offer context. As bleak as things can feel, we’re not alone in having challenges, but ours are uniquely ours and we will face them. One way or another.

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Weakty 3 days ago

Advice columnist for one

As I've been pushing myself to write more intimately about creative processes, slice of life experiences, and vulnerability, I've started to see my own writing as sounding like thinly-veiled advice columnist writing. I did not see that coming. And not coincidentally, I'm starting to see some of the writing I've been keeping up with on the internet as in a similar vein. I’ve heard creative people advocate that you should put out what you want to see in the world. That when you write, you create the world you want to be in (not sure how this applies to horror writers, though, ha). When you make music, you make the music you wish to hear. And so on. After having written for a few weeks straight in this fashion, I see now that I’m writing for my past self. I’m writing the things I wish someone had told me. And while the idea of being seen this way is mostly abhorrent to me, I’m also quite surprised and delighted by this. I'm pleased that I am now writing publicly the sorts of things that I wish I had been able to come across at a previous time in my life (often not long ago). But of course having this in the public sphere makes it strangely feel like I'm writing an advice column. Fundamentally, I think this is also totally fine (if a bit bewildering and amusing). But it takes me to yet another piece of advice shared with me a long time ago—that even when you're having a hard time going through something, it can bring you a lot of peace to remember that other people are experiencing this too. Simple yes, but it’s altogether easy to cling to what can feel like a problem unique to us (arguably entirely for the worse, whatever your reasons may be). I wouldn't dare to extrapolate these thoughts to greater theories of a utopia based in wide-spread vulnerability and openness, and so I’ll simply sign off for now. Ann Landers Weakty

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Brain Baking 3 days ago

Pascale De Backer Likes Playing On The Game Gear

After pointing out yesterday that Sinterklaas likes the Game Boy , I feel I need to make it up to Sega. It wasn’t that difficult to come up with a counterargument that’s also part of the Flemish canon . In F.C. De Kampioenen (“The Champions”), a long running Flemish sitcom about misunderstandings and misadventures of a lowly ranked football team, Pascale De Backer—the ex-wife of the ex-trainer of the club that runs the café that is not of René 1 —has been pictured playing the Game Gear: Pascale playing Sonic on the Game Gear. Copyright VRT 2001. Pascale is playing the mobile version of Sonic in season 12, episode 2 called Stoelendans (dancing chairs I guess?). For exactly ten seconds, we hear the iconic theme song of Sonic playing and the ploing jumping sound as she presses the buttons, before throwing the thing aside and calling her daughter. She’s alone that evening and having a hard time adjusting after her daughter and son-in-law just moved out. Bieke, her daughter, is fed up with Pascale constant checking up on her. This is different from Sinterklaas playing the Game Boy for a few key reasons. First, Sinterklaas is having fun, while Pascale is just seeking a distraction and doesn’t know what to do with herself. Second, Sinterklaas, being the saint of the children, is an authority when it comes to toys, while Pascale is just a lonely café owner. Yet De Kampioenen , with more than twenty seasons, is one of the most watched Flemish TV shows of all time, and loved by virtually everyone—even the ones who saw the unfortunate downfall after season eight or so. The strangest part of this very short Game Gear appearance is that episode 2 of season 12 originally aired in 2001—the launch year of the Game Boy Advance. The GBA got to us Europeans in the late summer of 2001, and season 2 aired the 15th December 2001. Why didn’t they have Pascale play Mario Advance ? At first, I couldn’t trace the exact episode in which the above scene takes place. Being the handheld game nerd that I am, I remembered the Game Gear scene, but I misremembered the period. I went looking for it in seasons five, six, and seven because my mind reconstructed the scene as a time period correct one, when the Game Gear was in full motion. Considered it ever was in motion at all. Dang it, I did it again, sorry Sega. Perhaps the crew asked Danni Heylen who portrayed Pascale to bring a handheld device. “We’re gonna do a scene in which you’re lonely and bored, bring an electronic device to play on the couch so our viewers can place the feeling”. If she brought a Game Boy—any Game Boy would do here—she certainly wouldn’t be bored. Ah dang it, again!? The Game Gear was discontinued in 1997, only six years after its initial release. Four years later, it pops up in F.C. De Kampioenen . It turns out to be next to impossible to find local historical sales data to see when the popularity of the Game Gear dipped into obscureness here in Belgium. I do remember Sega being stronger than initially suspected: we had a Mega Drive instead of a SNES and a buddy did own the Game Gear. Me and my sisters didn’t: we went the Game Boy—and later, Color—route. The suspected reasons for that? A couple: Yes, it’s got colours, but that’s basically it. Technically, the Game Gear was essentially a shrunken down Sega Master System, which was impressive considering the Game Boy couldn’t even emulate the NES until the 1998 Color revision came by. So why does Pascale like hers so much? The still image I captured might evoke “liking” but the scene in motion does not do a very good job at convincing potential buyers. For that, we’ll need Sinterklaas. Mijn Gedacht . For the international reader enticed by this piece of excellent writing, here’s one of my favourite episodes of the TV show called Doping available on YouTube.  ↩︎ Related topics: / game gear / flemish culture / tv shows / By Wouter Groeneveld on 7 December 2025.  Reply via email . The overabundance of Game Boy games available back then (on school playgrounds, during vacation trips, in shops, …) The GB’s 4 batteries lasted for 20 hours. The GG’s 6 batteries for nearly 4. The GG initially sold for —that’s almost nowadays. The GB? The Pocket revision released in 1996 started at . That’s less than half the price! Who are you going to Link Cable Play Tetris and Mortal Kombat with if you were the poor soul with rich parents that got you a Game Gear for Christmas? For the international reader enticed by this piece of excellent writing, here’s one of my favourite episodes of the TV show called Doping available on YouTube.  ↩︎

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Harper Reed 3 days ago

Note #300

Today I got on the blueline, and the car I got on, apparently, held a cohort of furries headed downtown. Was very cool. Thank you for using RSS. I appreciate you. Email me

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Brain Baking 4 days ago

Sinterklaas Likes Playing On The Game Boy

Today marks the yearly departure of Sinterklaas who, together with his faithful friend Zwarte Piet , makes his way back to sunny Spain—by horse and steamboat, of course. The festivities on the sixth of December are not to celebrate his departure but to celebrate the name day of Saint Nicholas, patron saint of the children, on which Sinterklaas is based. For those of you outside of Europe thinking “Hey, Sinterklaas sounds a lot like our Santa Claus”, well guess what: Sinterklaas was here first and your Santa is just a poor imitation. In The Netherlands and Belgium, Sinterklaas is a very popular tradition, where during the run up to today, even from half of November, children can put an empty shoe somewhere near the mantelpiece in the hope of the Sint (“the saint”) and Piet visiting the house (via the roof and said mantelpiece) to drop some candy in the children’s shoes. This is usually a combination of marzipan, onze-lieve-vrouw guimauves (harder marshmellows shaped like Mary), nic-nac letterkoekjes , speculaas ( spiced cookies ), and of course various chocolate figures. The popularity of Sinterklaas inevitably also means TV shows, live shows, specialized pop-up shops, school parties, and more. In the early nineties, the then Belgische Radio- en Televisieomroep (BRT) broadcaster hosted two seasons of the Dag Sinterklaas show featuring Jan Decleir as the Sint, Frans Van der Aa as Zwarte Piet, and Bart Peeters as the innocent visitor asking nosy questions on how the duo operates. Like many Flemish eighties/nineties kids, Dag Sinterklaas is permanently burned into my brain as part of my youth. The episode called Speelgoed (toys) from the second season is especially memorable for me, as we catch the Goedheiligen Man (The Good Saint) playing… on a Game Boy! Jan Decleir as Sinterklaas, trying to figure out a shoot-em-up on the Game Boy. Copyright BRT, 1993. In the episode, Sinterklaas is annoyed by the beeps and boops coming from Zwarte Piet’s Game Boy. Piet is usually portrayed as a (too) playful character that likes to fool around instead of doing the serious stuff such as reading the Spanish newspapers and updating the Dakenkaart (rooftop chart) needed to navigate the rooftops when dropping off presents. While Bart visits, Sinterklaas showcases that “simple toys” are much more enjoyable. He encourages them to play with dusty old dolls and a toll. Eventually, Piet and Bart make it outside whilst playing horse, only to catch the Sint grabbing Piet’s Game Boy to figure out for himself what these so-called compinuter spelletjes (computer games) are about. Hilarious. Of course, that was the perfect advert for Nintendo’s handheld, especially considering the upcoming Christmas holiday period. In 1993, lots of amazing Game Boy games were released, including Link’s Awakening , Kirby’s Pinball Land , Duck Tales 2 , Turtles III: Radical Rescue , and Tetris 2 . It would be next to impossible to go after the Flemish sales data of the machine to try and prove a correlation, but if the Sint likes playing on the Game Boy, and the Sint is thé person that gets to decide what kids can play with, then why bother getting your kid a Game Gear, right? Sorry, Sega. Perhaps I even got a Game Boy game thrown down the chimney, I can’t remember. All I can remember is the chocolate, marzipan, and VHS tapes of Disney movies. I have searched high and low for a Dutch Club Nintendo Magazine that contains a message from the Sint and came up empty, but Volume 2 Issue 6 in 1990 contained a lovely letter from Santa Mario: A partial of a Christmas letter from Mario in the Dutch Club Nintendo Magazine, 1990. Copyright Nintendo. Replace the goofy Christmas hat with the mijter (mitra) of Sinterklaas, add a staff, and we’re there. Dag Sinterklaas is undeniably a local cult hit. The DVDs are nowhere to be found, and the few copies surfacing the local second hand )e)markets go for outrageous prices. Cherishing our copy, this year is the first year we watched the episodes together with our daughter. She doesn’t have the patience to sit through some of the longer ones but it’s a giant nostalgic injection seeing Jan and Frans back in action. BRT—now VRT; Flemish instead of Belgian—aired the series every single year until 2018. In 2019, because of the ageing image quality (and probably the emerging woke culture), twenty new episodes were produced. However, in my view, Wim Opbrouck never managed to truly capture the Sint’s spirit like Jan did, and Jonas Van Thielen as Zwarte Piet is just not as funny as Frans. So we’ll be stuck in Dag Sinterklaas 1992-1993 mode for the next eight or so year, until our kids realize the big ruse. And even then. I will be keeping up the tradition. Related topics: / gameboy / sinterklaas / By Wouter Groeneveld on 6 December 2025.  Reply via email .

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Herman's blog 1 weeks ago

Grow slowly, stay small

Quick announcement: I'll be visiting Japan in April, 2026 for about a month and will be on Honshu for most of the trip. Please email me recommendations. If you live nearby, let's have coffee? I've always been fascinated by old, multi-generational Japanese businesses. My leisure-watching on YouTube is usually a long video of a Japanese craftsman—sometimes a 10th or 11th generation—making iron tea kettles, or soy sauce, or pottery, or furniture. Their dedication to craft—and acknowledgment that perfection is unattainable—resonates with me deeply. Improving in their craft is an almost spiritual endeavour, and it inspires me to engage in my crafts with a similar passion and focus. Slow, consistent investment over many years is how beautiful things are made, learnt, or grown. As a society we forget this truth—especially with the rise of social media and the proliferation of instant gratification. Good things take time. Dedication to craft in this manner comes with incredible longevity (survivorship bias plays a role, but the density of long-lived businesses in Japan is an outlier). So many of these small businesses have been around for hundreds, and sometimes over a thousand years, passed from generation to generation. Modern companies have a hard time retaining employees for 2 years, let alone a lifetime. This longevity stems from a counter-intuitive idea of growing slowly (or not at all) and choosing to stay small. In most modern economies if you were to start a bakery, the goal would be to set it up, hire and train a bunch of staff, and expand operations to a second location. Potentially, if you play your cards right, you could create a national (or international) chain or franchise. Corporatise the shit out of it, go public or sell, make bank. While this is a potential path to becoming filthy rich, the odds of achieving this become vanishingly small. The organisation becomes brittle due to thinly-spread resources and care, hiring becomes risky, and leverage, whether in the form of loans or investors, imposes unwanted directionality. There's a well known parable of the fisherman and the businessman that goes something like this: A businessman meets a fisherman who is selling fish at his stall one morning. The businessman enquires of the fisherman what he does after he finishes selling his fish for the day. The fisherman responds that he spends time with his friends and family, cooks good food, and watches the sunset with his wife. Then in the morning he wakes up early, takes his boat out on the ocean, and catches some fish. The businessman, shocked that the fisherman was wasting so much time encourages him fish for longer in the morning, increasing his yield and maximising the utility of his boat. Then he should sell those extra fish in the afternoon and save up until he has enough money to buy a second fishing boat and potentially employ some other fishermen. Focus on the selling side of the business, set up a permanent store, and possibly, if he does everything correctly, get a loan to expand the operation even further. In 10 to 20 years he could own an entire fishing fleet, make a lot of money, and finally retire. The fisherman then asks the businessman what he would do with his days once retired, to which the businessman responds: "Well, you could spend more time with your friends and family, cook good food, watch the sunset with your wife, and wake up early in the morning and go fishing, if you want." I love this parable, even if it is a bit of an oversimplification. There is something to be said about affording comforts and financial stability that a fisherman may not have access to. But I think it illustrates the point that when it comes to running a business, bigger is not always better. This is especially true for consultancies or agencies which suffer from bad horizontal scaling economics. The trick is figuring out what is "enough". At what point are we chasing status instead of contentment? A smaller, slower growing company is less risky, less fragile, less stressful, and still a rewarding endeavour. This is how I run Bear. The project covers its own expenses and compensates me enough to have a decent quality of life. It grows slowly and sustainably. It isn't leveraged and I control its direction and fate. The most important factor, however, is that I don't need it to be something grander. It affords me a life that I love, and provides me with a craft to practise.

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Brain Baking 1 weeks ago

Favourites of November 2025

The more holiday seasons I see coming and going, the less enthused I am by the forced celebration that tastes an awful lot like capitalism. I put up my gift guide anyway, just in case anyone is willing to buy me that dough mixer, otherwise I’ll have to do it in January as an early expense for the upcoming year. Thanks in advance! There isn’t a lot of mental space left to prepare for celebrations anyway, with the second kid giving us an equally hard time as the first. Anyway. Welcome, last month of the year, I guess. The first one who plays Last Christmas is out . Previous month: September 2025 . Not really. None, to be very precise. But I did buy yet another one: Mara van der Lugt’s Hopeful Pessimism , which sounded like it was written for me. I expect equally great and miserable things from this work. I’ve only had the time to write the review for Rise of the Triad: Ludicrous Edition (ROTT) that I ended up buying for the Nintendo Switch thanks to Limited Run Games’ stock overflow. It felt wonderfully weird to be playing a 1994 DOS cult classic on the Switch. And yes, the Ludicrous Edition is ludicrous . I finally made it past the third map! I’m still feeling the retro shooter vibe and bought the Turok Trilogy on a whim after learning it was also done by Nightdive Studios. Another smaller game I played in-between the ROTT sessions was Shotgun King that somehow manages to combine chess with shotguns, and very successfully so. Unfortunately, it’s a bit of a bare bones roguelike, difficult as hell, and therefore not really my forte. I have yet to unlock all the shotguns. Don’t buy the game on MacOS: GOG ended up refunding my purchase because it kept on crashing in the introduction cutscene. The Switch edition is fine. Slightly game related: my wife sent me this YouTube video where Ghostfeeder explains how he uses the Game Boy to make music that I think is worth sharing here: Related topics: / metapost / By Wouter Groeneveld on 3 December 2025.  Reply via email . Charlie Theel put up a post called Philosophy and Board Games on Player Elimination where I learned about Mara’s Hopeful Pessimism . On a slightly more morbid topic, Wesley thought about How Websites Die and shared his notes. Lina’s map of the internet functions as a beautiful pixelated website map that inspires me to do something similar. Kelson Vibber reviews web browsers . The sad state of Mozilla made me look elsewhere, and I’m currently using both Firefox and Vivaldi. According to Hypercombogamer the Game Boy Advance is Nintendo’s Most Underrated Handheld . I don’t know if I agree, but I do agree that both the GBA and its huge library are awesome. Eurogamer regularly criticises Microsoft and their dumb Xbox moves. The last piece was the ridiculous Game Pass advent . Matt Bee’s retro gaming site is loaded with cool looking game badges that act as links to small opinion pieces. It’s a fun guessing game as I’m not familiar with some of the pixel art. Astrid Poot writes about lessons learned about making and happiness . Making is the route to creativity. Making is balance. Alyssa Rosenzweig proves that AAA gaming on Asahi Linux is totally possible. Patrick Dubroy has thoughts on ways to do applied research . His conclusion? Aim for practical utility first, by “building something that addresses an actual need that you have”. Eat your own dog shit, publish later? Here’s another way to block LLM crawlers without JavaScript by Uggla. Wolfgang Ziegler programs on the Game Boy using Turbo Rascal , something I hadn’t encountered before. Wes Fenlon wrote a lengthy document over at PC Gamer on how to design a metroidvania map . Jan Ouwens claims there are no good Java code formatters out there. Seb shared A Road to Common Lisp after I spotted his cool “warning: made with Lisp” badge. A lot of ideas are taking form, to be continued… Speaking of Lisp: Colin Woodbury is drawn to Lisp because of its simplicity and beauty. Robert Lützner wrote an honest report on the duality of being a parent . As a parent myself, I found myself sobbing and nodding in agreement as I read the piece. Michael Klamerus shares his thoughts on Crystal Caves HD . The added chiptune music just feels misplaced in my opinion. I’m looking forward to the Bio Menace remaster as well! Felienne Hermans criticizes the AI Delta Plan (in Dutch). We should stop proclaiming build, build, build! as the slogan of the future and start thinking about reduce & re-use. Hamilton shares his 2025 programming language tier list . The funny thing is that number one on the list suddenly got replaced by a more conventional alternative. I don’t agree with his reasoning at all (spoiler: it contains AI), but it’s an interesting read nonetheless. Mikko Saari published his 2025 edition of the top 100 board game list a little earlier this year. There are a bunch of interesting changes in the top 10! SETI also pops up quite high on my list, but I haven’t had the chance to create it yet. If you live near The Netherlands, consider visiting The Home Computer Museum . They also have a ton of retro magazines lying around to flip through! Wait, there’s a Heroes of Might & Magic card game? That box looks huge! (So does the backing price…) Death Code is an entirely self-hosted web application that utilizes Shamir’s Secret Sharing to share secrets after you die. tttool is a reverse-engineering effort to inspect how the Tip Toi educational pens work. I was somehow featured at https://twostopbits.com/ and now I know why: it’s Hacker News for retro nerds. Apparently things like WhatsApp bridges for Matrix exist, which got me thinking: can I run bridges for WhatsApp and Signal to merge all messaging into The One Ring ? Emulate Windows 95 right in the browser . Crazy to see what you can do nowadays with WASM/JS/Whatever. It looks like LDtk is the best 2D game map editor ever created. Wild Weasel created a retro looking Golf video game shrine in their little corner of the internet, and the result is lovely. I should really start playing my GBC Mario Golf cart.

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fLaMEd fury 1 weeks ago

Ain't Enough To Go 'Round In This World

What’s going on, Internet? December crept up fast and suddenly it’s twenty three days until Christmas. I’ve been enjoying getting out more and seeing live music. There’s so much more happening up here in Auckland and it has been good getting back into gigs. I started the month with Tom Scott’s Anitya show at the Civic . A week later I questioned my own sanity by going out to another gig with some wonderful friends on a Tuesday night right before flying to Sydney for the first of two work trips. Sydney was great. It was good catching up with and see work mates in person, but also mentally exhausting. Flying back to Auckland for the weekend added to the fatigue, but I liked the change of pace. I even managed to catch up with some of my cousins and aunt for dinner. Having the chance to do that on work trips is a nice bonus. Meanwhile the house hunting and weekends of endless open homes finally came to an end. My wife viewed a place while I was in Sydney and pushed it through the offer stage. The offer was accepted conditionally before I’d even seen the house. We went unconditional a week later and only then did I walk through it for the first time. After more than sixty open homes this year, buying a place that needs work makes more sense for us than blowing our budget on something “liveable” but missing basics like linen cupboards, wardrobes, or a proper laundry. This way we get to shape it how we want. I’m excited for the new year. While catching up and surfing the web, one particular link making the rounds that claimed personal websites are dead, which I obviously disagree with and replied to . Finally, I finished up my Firefox Container configuration and shared it for anyone to try out . Let me know if you found the container setup useful. With all that going on, I still found time to watch a bunch of shows, listen to a lot of music, pick up tonne of new records, and make a few updates around the site. Here’s November in full. I watched a bunch of episodes on the flights back and forth from Sydney. No movies this month. What happened there. I carried on with The Chair Company, which wrapped up its first season yesterday. Such a bizarre show. No idea when the next season is coming but I’ll be sticking with it. I finished Andor season 3. What a damn good show. I’ve got Rogue One queued up to wrap up the story, even though I’ve already seen it three times. I’m still watching South Park. It’s fun, but I’m tired of the White House plot line (I’m sure Matt & Trey are too). I miss the boys just being kidsw. I’ll probably go back to season 1 soon to remind myself how the show has changed and evolved over the years. Some absolute classic episodes around seasons 6-7. Plu1bus caught my attention and I’m working through it as episodes release. Interesting premise and am enjoying watching the story unfold. On the flight I spotted the UK show Dope Girls and gave it a go. I forgot about it once I landed, but I’ll finish the remaining four episodes soon now that writing this post has reminded me. I started and finished season 2 of The Vince Staples Show. It leans into the same bizarre energy as later seasons of Atlanta. Low stakes, easy to watch, and fun. I also started Educators. Silly, very New Zealand, and perfect fifteen minute episodes when I don’t want to think and have an awkward laugh. I got through three books this month. Gabriel’s Bay by Catherine Robertson was a solid read with plenty of local flavour and a warm story. 7th Circle kept me hooked as it pushed further into the Shadow Grove universe I got into last year reading through the Maddison Kate books. I’m fully here for the messy plotlines and the drama threaded between the raunchy sex scenes. I’m here for it. I also read Atmosphere by Taylor Jenkins Reid. Her books are always epically tragic and beautiful at the same time, and this one absolutely delivered on both fronts. Trying to decide if I want to read the rest of the 7th Circle books this month or dive into something heavier like Project Hail Mary. This month saw my usual mix of pop, hip hop, and early-2000s. Mokomokai ended up as my top artist of the month, with Olivia Rodrigo, D12, Tadpole, Eminem, and Westside Gunn all getting steady playtime. Top albums were a mix - SOUR by Olivia Rodrigo at the top, followed by Tadpole’s The Buddhafinger, Mokomokai’s latest release PONO!, and both Heels Have Eyes records from Westside Gunn. MGK’s Tickets to My Downfall also crept back into rotation with the (All Access) release of five new tracks to the orignal album. MGK has a gig here next year - do I want to go see him in concert? I mean I like Tickets To My Downfall but think he’s a ballbag. Dilemas. Track of the month was “Verona” by Elemeno P, with “Kitty” by The Presidents of the United States of America, (thanks to riding in the car with my son) and a few Olivia Rodrigo singles scattered through the top ten. Mokomokai showed up again with “Roof Racks”, because sometimes I’m just in the mood for something agressive. November 2025 saw my largest vinyl haul ever. I took advantage of the 20 percent off vinyl sale at JB Hi-Fi, burned through a stack of saved vouchers, and grabbed a few special pieces elsewhere. The links are a bit of a mix this month and there’s a lot of them. Enjoy. Not a huge month for website work. I fixed up some CSS, finished rolling out categories and tags across all my posts, and cleaned up a few lingering bits of front-matter. I still need to build the individual category pages and rethink how this data is displayed on the posts index and on each post. The posts page itself needs a refresh too. I’m not loving the masonry card layout anymore. This update was brought to you by Alright by Tadpole Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website. Tom Scott – Anitya from the gig MOKOMOKAI – PONO , WHAKAREHU , and Mokomokai all direct from their website in a special bundle which included the last remaining copies of the Mokomokai Vinyl 1st pressing in Red & Black Marble Fleetwood Mac – Rumours — JB Hi-Fi Eminem – The Slim Shady LP (Expanded Edition) — JB Hi-Fi Stellar* – Mix — JB Hi-Fi Tadpole – The Buddhafinger , and The Medusa — JB Hi-Fi D12 – Devil’s Night (IVC Edition) — Interscope Vinyl Collective, orange variant with posters and D12 sticker in a beaufiful, heavy gatefold sleeve The psychological cost of having an RSS feed Filip explores the anxiety that comes with writing a blog knowing it has an RSS feed. My first months in cyberspace Phil Gyford remembers the excitement and optimism of being online in 1995. Steps Towards a Web without The Internet AJ Roach imagines a web that could exist without the internet, built from small, local networks instead of centralised infrastructure. Should Your Indieweb Site Be Mobile Friendly? MKUltra.Monster experiments with making old-web design mobile-friendly without losing its classic feel. I ❤ shortcuts #3: read a random blog post Hyde shares a neat script to help randomly surf the independent web. In Praise of RSS and Controlled Feeds of Information rkert writes about why syndication still matters and how sharing content across the open web helps sites stay connected. Who’s a blog for? Cobb thinks through who a blog is really for and why writing for yourself remains the most sustainable approach. Maintaining a Music Library, Ten Years On Brian Schrader reflects on maintaining his personal music library over a decade and why owning your collection still matters. ChatGPT’s Atlas: The Browser That’s Anti-Web - Anil Dash Anil Dash argues that Atlas isn’t just an unusual browser but an anti-web tool that strips context from sites and traps users in a closed, distorted version of the internet. I know you don’t want them to want AI, but… - Anil Dash Anil Dash questions how we should react to Firefox adding AI features. He suggests die-hard fans need to look past the knee-jerk outrage and ask whether Firefox is actually trying to offer a safer, more privacy-minded version of tools their non-technical friends are already using. Early web memories - roundup post Winther rounds up early web memories from the recent Bear Blog Carnival - gutted I missed this as it was happening! Blogs used to be very different. Jetgirl looks back at how blogs used to work, from tight-knit communities to slower, more personal writing, and how different that feels compared to today. PicoSSG Pico is a tiny static site generator focused on simplicity, giving you a lightweight way to build plain HTML sites without a full framework. Personal blogs are back, should niche blogs be next? Disassociated writes about the return of personal blogs and why niche blogs might be the next wave as people move away from algorithmic platforms. Feeds and algorithms have freed us from personal websites Disassociated pushes back on the idea that platform feeds are “good enough,” arguing that treating Medium profiles as websites misses the point, and that personal sites still matter because they give you control rather than renting space inside someone else’s algorithm. Small Web, Big Voice Afranca writes about how the small web still carries real weight, showing that personal sites and hand-built spaces can have a bigger impact than their size suggests. How to Protect Your Privacy from ChatGPT and Other Chatbots Mozilla explains how to protect your privacy when using ChatGPT and other AI tools, focusing on data control, account settings, and reducing what these systems can collect about you.

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pabloecortez 1 weeks ago

Re: the overstated importance of connectivity

This post is mirrored from my website at ENOCC.com Ava published a great piece on the way social media platforms exploit our desire for human connection. Which is why the need for connectivity in the way these companies mean it and push it is a big lie just to further their financial interests and has nothing to do with how humans actually pursue, facilitate and experience true connection, and we need to question it. Below are some scattered thoughts on this topic and the relationship between us and cyberspace. In the fall of 2021 I had the pleasure of taking Amy Reed-Sandoval 's seminar on the Ethics of Privacy and Surveillance. Philosopher Cécile Fabre even gave a guest lecture on the ethics of espionage , clarifying for us that what governments and platforms were doing with our data was exactly that. This was after things began picking up in the US following the pandemic, and as most of us had gotten used to spending a considerable part of our days online, it seemed particularly relevant to understand what privacy and surveillance meant in the context of working, studying, socializing, and being online. During this time I conceived of the digital world as an extension of the environments with which we interact. I didn't believe digital personas to be an alter ego, I saw them as one more form of self-expression. There are of course different attitudes regarding the relationship between the physical world and cyberspace. For example, Ava goes on to write: I can only speak for myself, but the reason why I would be able to be completely alone, unread and ignored online is because I already get all the connection I need offline. Online is a bonus, or a fallback. Not to mention that it could overlap and only my offline relationships could read my blog. Would that not be enough? Yes, that is exactly what we should be doing! Identifying how each of us inhabits cyberspace is the key to setting boundaries, managing expectations, and maintaining a good balance between the physical world and cyberspace. And these can look different for each of us, and we don't have to agree, because the relationship between the individual and the digital world is cultivated by each person. I would call these "real life" and "the internet" or something along those lines, but I think that falls short. We have to acknowledge that for some folks, whether it be by choice or circumstance, cyberspace is a real, habitable environment. This is why people defend freedom of speech online, along with privacy, encryption, and the infrastructure which makes it all possible. All of these are fundamental so you can even begin establishing a relationship with cyberspace on your own terms. If we are to reconcile the differences between the physical and digital worlds, we must start by recognizing the strengths and weaknesses of each one as they pertain to the individual . We will disagree on what these are, however, which is one of the reasons why we constantly see new articles and posts in which people analyze their own relationship to technology and proceed to make sweeping, normative declarations on what we ought to do because of the way things are . No one is exempt from this, and in fact these are helpful to read because the experiences of others broaden our options and inform our opinions. I'm thinking for example of posts where we may talk about how we use e-mail, or how we use RSS, or why we quit Instagram, so on and so forth. In the spirit of learning more about these topics, I want to share with you some of the readings from that seminar. They're grouped by topic, and this list is certainly not exhaustive, but it's a good way to learn about what work is being done to identify and engage with issues pertaining to the relationship between people and cyberspace. These readings had a big influence on how I began to think about technology and the role I let it play in my life. And it's only going to get more interesting as the future comes closer to us. Sissela Bok, Secrets: On the Ethics of Secrecy and Revelation [Book] Cécile Fabre, The Morality of Gossip [PDF] Matt Lister, That's None of Your Business! On the Limits of Employer Control of Non-Workplace Behavior [PDF] Elizabeth Anderson, Private Government: How Employers Rule Our Lives (and Why We Don't Talk About It) [Book] Anita Allen, Unpopular Privacies: What Must We Hide? [Book] Katie Engelhart, What Robots Can—and Can’t—Do for the Old and Lonely [Article] Dana Boyd and Eszter Hargittai, Facebook Privacy Settings: Who Cares? [Author Blog] Andrew Marantz, Why Facebook Can't Fix Itself [Article] Anita Allen, Gender and Privacy in Cyberspace [PDF] Carissa Véliz, Privacy is Power: Why and How You Should Take Back Control of Your Data [Book] Marisa Elena Duarte, Network Sovereignty: Building the Internet Across Indian Country [Book] Cécile Fabre, Spying Through a Glass Darkly: The Ethics of Espionage and Counter-Intelligence [Book] Michelle Goldwin, Policing the Womb, Invisible Women and the Criminalization of Motherhood [Book] Amy Reed-Sandoval, Socially Undocumented: Identity and Immigration Justice [Book] Gloria Anzaldúa, Borderlands/La Frontera, The New Mestiza [Book] José Jorge Mendoza, The Contradiction of Crimmigration [PDF]

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Seattle Downtown Library

I want to try posting more images to my blog, so here’s my first try. Instagram doesn’t really seem like a good place to post photos anymore, so I figured I’d try on my blog. I’d like to get my blog working with Posse Party at some point, I just need to figure out the API keys, and then I can cross post this to Instagram anyway. Recently I went on a photo walk to the Seattle downtown public library. These images are from that photo walk! I’ve been living in Seattle since before the library was built, and I never took the chance to actually go visit, so this was a good opportunity. I feel like when you live somewhere, you don’t take the opportunity to visit all of the cool stuff there, and going on local photo walks seems like a good way for me to visit more of the city. Anyway, the Seattle public library is really great and I recommend anyone to visit!

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ava's blog 1 weeks ago

the overstated importance of connectivity

I sometimes wonder if we have too uncritically accepted the marketing narrative of social media companies about how connectivity is always good and preferable, and that they as the mediators always need to be the ones facilitating it in their own way. I’ll have to narrow it down: Of course having friends, family, a support network is good - even needed - and work connections get you further professionally, both offline and online. That’s not what I mean. What I see critically instead are tech companies continuing to advertise their services as facilitating these connections, when they actually do so less and less in favor of more sponsored content and AI bots, and that the best way for connection to happen is to have an endless supply, and on their platform. They were extremely successful in convincing many of us that merely having potential access to more people, and many more people having access to us directly, is an advantage and counts as “being connected” (meaning: more than the simple software connection between us). I just don’t believe that, at least for a private person who doesn’t need to win over customers or become a brand. We can see daily that most of us are just not equipped to handle thousands or more people coming at us online. There’s good reasons why famous people used to have a more filtered access to fans via fan mail, interviews, magazines and the occasional meet and greet, plus a PR team and media training. There is a sweet spot when we have relationships to just enough people to be happy without the attention becoming a burden. These companies have conflated a sort of passive consumption, access and surveillance with “connection” and “relationships”, using the image of keeping up with friends and family via a platform to imply that thousands consuming your posts without ever talking to you and more or less surveilling you as a stranger counts the same. They have facilitated a business model around parasocial behaviors with influencers via this exact narrative. They also want you to believe that you need their platforms for relationship maintenance, and they have succeeded, with many claiming they would not be able to get a hold of their inner circle or know about their lives if they deleted their account… which is sad. The idea that you cannot interact with family anymore without this platform, that you can go through millions of strangers to find your next best friend or partner or other opportunity, keeps you on it. The exchange of posts across millions of people keeps each other on the platform too, as you’re always looking for new posts and never run out. No one would use it if it was dead, and they’d use it less if a post couldn’t generate these juicy numbers. That reinforces itself. There’d be less posts to consume if most people limited their profiles and posts for privacy, and ragebait loses its teeth if everyone just blocks the poster or blocks each other too freely. People are also expected to make themselves available 24/7 and overshare, which helps mine additional data and creates more attractive and scandalous content round the clock for the other users to consume, as opposed to just using it for an hour a day. All of these factors have in common that huge masses of people need to be almost constantly available, active and not walled off to each other. That means no limits via settings, friend lists, block lists, feeds that only show who you follow, friction or time constraints, because then the free flow of “content” is disrupted and people spend less time on the app. That could also mean your friends and family drop off too, so you don’t stay there either, which means less eyes on ads and less data to harvest. So of course they’d want to counter this possible risk with the notion that the average Joe needs to open himself up to the eyes of millions because "connection is good!" and maybe you’ll even go viral and earn money. Don’t you wanna be “connected”? Why are you isolating yourself? You’re so weak for blocking that person, and you’re missing out by privating your profile or deactivating it, and you’re antisocial by not posting! Meta went notoriously hard on pushing its capability to be hyperconnective: In Careless People by Sarah Wynn-Williams , she describes again and again how Mark Zuckerberg met with lots of important authorities and key political figures to underline how the platform could connect, just to get more users 1 , without taking responsibility for what their platform would enable in some of the most heated regions - even hiding their role in the outcome of the 2016 US presidential election by pushing their narrative about openness and connection 2 . They also disregarded the setting not to import phone contacts and implemented the "People You May Know" feature 3 to make more "connection" happen, jeopardizing people's safety and privacy to do so. In general, bringing internet to other disadvantaged and cut-off countries is a good thing, and they did launch Internet.org (now: Free Basics) to allegedly aid with that 4 ; however, it quickly devolved into just providing rudimentary Facebook versions to these countries (Facebook Zero), becoming essentially the entirety of the internet in these places and therefore controlling it completely just to gain more users and influence 5 , and only pleaded with countries under the guise of connection to get unblocked, especially by China 6 . They even created a Connectivity Lab in 2014 7 , invested in a Connectivity Declaration and spent over 1 Million dollars on full-page advertisements for it. They even got positive press by CNN and Reuters about pleading with the UN that connectivity over their platform could eradicate "global ills" like extreme poverty 8 . Not only that, but as many probably already know, Meta has been pushing chatbots and fake AI profiles on their platforms (especially Instagram) for a year or so now. The goal is to keep you there still, as less and less people actually talk to each other while just passively consuming content. As the net gets taken over by bots, what’s the advantage of connecting with them? Connection at all costs huh, even if there's no human involved? That is where the idea of it starts to crumble and fall apart. Which is why the need for connectivity in the way these companies mean it and push it is a big lie just to further their financial interests and has nothing to do with how humans actually pursue, facilitate and experience true connection, and we need to question it. Discussions around isolation and viewership online are a bit skewed for me for that reason, especially when they happen outside of the mega-platforms and are about blogging, because they apply the marketing we internalized on social media to other spaces who don’t depend on this lie. My friend Suliman said something very sweet recently about discoverability in the indie web: “But what's the point of a home on the internet if you're living it alone? There's a saying in Arabic that says "a Heaven without people is no Heaven" and I think it's truer in our modern day than ever. We're already so isolated, so why isolate ourselves even further?” I think this is true for the offline context, but I am not convinced about how well it works for the online world. I am concerned this view on connection uncritically applied to online spaces is playing too much into the financial interests of Meta and others and is, at least partially, learned behavior from growing up on their platforms, and growing up in a capitalistic era that urges you to use everyone you know for professional networking, extracting favors and all to attain better work, housing, and donations. I can only speak for myself, but the reason why I would be able to be completely alone, unread and ignored online is because I already get all the connection I need offline. Online is a bonus, or a fallback. Not to mention that it could overlap and only my offline relationships could read my blog. Would that not be enough? Connections I have offline are people I can visit flea markets with, play board games with, we share beds and food and I can rely on them when I’m sick. Meanwhile, the online people I am supposed to crave being connected to en masse can give me an upvote, and an email - which is very appreciated, but it is just not on the same level. Online people absolutely can become offline people, as I met my wife online and have had good internet friends. But that, as shown above, has nothing to do with the widespread passive consumption and access that is presented under the guise of connection by these giants who abuse it. I don’t feel connected by simply witnessing someone exist; neither on social media, nor around the blogosphere. To me, saying I need people online to notice me to not be isolated is like telling me I need to go to Times Square on New Years Eve to not be lonely. All that will happen is that I’d feel lonely while surrounded by other people and noise. We should not value quantity over quality, and I don't want to pretend that the attention economy that these companies have instilled to further their own power is my way to find true connection. Reply via email Published 30 Nov, 2025 Small selection: Pages 81 (Myanmar Junta), 108 and 168 (Colombia), 181 (panel of several presidents in Panama), 186 (President Roussef) ↩ Page 256 ↩ Page 62 ↩ Pages 106-108 ↩ Page 203 ↩ Pages 144-145 ↩ Page 107 ↩ Page 194-195 ↩ Small selection: Pages 81 (Myanmar Junta), 108 and 168 (Colombia), 181 (panel of several presidents in Panama), 186 (President Roussef) ↩ Page 256 ↩ Page 62 ↩ Pages 106-108 ↩ Page 203 ↩ Pages 144-145 ↩ Page 107 ↩ Page 194-195 ↩

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Weakty 1 weeks ago

Never from scratch

I've long been inspired, fascinated, and curious about artists who can create, create, create, but never return to obscure or bury their past. For myself, and I think for many other aspiring creative minds, lurks the temptation to start fresh in our self-presentation. As we progress in our creative endeavours, as our skills improve, looking back on our work can often be an embarrassing act. Every so often we want to remove all pointers to our earlier work, as if to say, "I've always been this way, my work has always looked like this." How many times have I started even this little site of mine over, thrown away the content, tried to find a more cohesive narrative, image or brand and then started again? As we progress along, it becomes increasingly uncomfortable to live with your previous existences, especially if you're prone to looking back. It may seem easier to wipe your old selves from the face of the map entirely. (Aside: ironically, It's very rare for something on the internet to actually be scrubbed away and entirely disappear. Our earlier, naive attempts are just an archive.org link away. If not that difficult for a passerby to trace your attempts of becoming the public persona that you have presented.) (Further aside: I would argue that most good-natured folks don't dwell on our clumsy attempts to find and present ourselves, and we need not have such main character energy to feel so embarrassed at our previous attempts at creating and being creative.) When thinking about this, I turn to some of my favourite musicians, with their long-running discographies and careers. Listening to interviews with them, my ears always perk up when asked about their older works. Sometimes the Subject might just smile, laugh off something from the past, or sometimes make a harmless self-deprecatory remark. But all of these acknowledgements, at least to me, seem to be saying, "that was then, and this is now." And beyond that, some of the most prolific creators I admire don't even seem to be thinking, "this is now"—they're already thinking: "here's what's next." I'd like to think that being forward-facing like this is a choice. But in our battles with perfectionism and acceptance of our own work (and by extension, ourselves), I'm not sure that it always is. Take that thing you've always wanted to do but constantly put it off. Learning an instrument. A sport. Learning math from the course you dropped out of. Regardless of what it is, now an adult, you might not have the confidence that comes with your younger years, or the encouragement that came from peers watching you learn your thing . All that stands beside (and against) you are the long-standing desire to do what you want, coupled with the thoughts that have stopped you again and again. When I sit down and think about these reluctances, I am somewhat embarrassed at how much I care. I'll read quotes like "You’ll stop worrying what others think about you when you realize how seldom they do." (David Foster Wallace) and hope that it will unblock me, destroy the ego, etc. And yet, the struggle remains (of course it does! Even a pithy quote doesn't have the power to do all the work for you). These days, I tell myself that what may have the power to help with this corner is a continued mindfulness coupled with repeat exposure in being uncomfortable. Continue making the work, continue putting it out. The muscle grows stronger, but you may never actually feel strong . Self-acceptance is something broader and greater than the creative work that we do. Indeed, our creative work can help us with it, but it is something that lives outside our work: it is in every waking and sleeping moment. It is part of each breath we take. It is part of our automatic thoughts before we really even know what we're going to say. You can reinvent yourself and your image as many times as you want. You can take work down—you're allowed to do that. I don't mean to imply that there is any harm in making what was once public private. But I think that the act of doing so, when done without intent and care, risks leaving something important behind—the missteps, the growth, the evidence that none of this, of us, of our attempts—feeble, bold or somewhere in between—is from scratch.

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Manuel Moreale 1 weeks ago

On eating shit

You’re sitting at a table. In front of you, a series of plates. They’re full of shit (like some people). Not the same shit, mind you. It’s different types, produced by different animals, in different quantities. The unfortunate reality of the situation is that you have to eat the contents of one of those plates. Yeah, it sucks, I’m sorry. But you just have to. So you understandably start going through the thought process of figuring out which one is the “best” one. You start examining the shape, the texture, the animal that produced it. You start finding reasons to pick one over another. You start rationalising, trying to justify your decision to the other people who, like you, also need to pick which one to eat. It’s a process. A shitty one, I might say. But in going through this ordeal, you start losing track of the only thing that really matters: this situation fucking sucks, and there’s no good answer. The only reasonable thing to do is to pick the plate with the least steamy, smelly, nasty pile of shit and then figure out a way not to find yourself in that situation ever again. Sometimes eating shit is unavoidable. The only thing you can do is make it as painless as possible. Thank you for keeping RSS alive. You're awesome. Email me :: Sign my guestbook :: Support for 1$/month :: See my generous supporters :: Subscribe to People and Blogs

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Stone Tools 1 weeks ago

Bank Street Writer on the Apple II

Stop me if you're heard this one . In 1978, a young man wandered into a Tandy Radio Shack and found himself transfixed by the TRS-80 systems on display. He bought one just to play around with, and it wound up transforming his life from there on. As it went with so many, so too did it go with lawyer Doug Carlston. His brother, Gary, initially unimpressed, warmed up to the machine during a long Maine winter. The two thus smitten mused, "Can we make money off of this?" Together they formed a developer-sales relationship, with Doug developing Galactic Saga and third brother Don developing Tank Command . Gary's sales acumen brought early success and Broderbund was officially underway. Meanwhile in New York, Richard Ruopp, president of Bank Street College of Education, a kind of research center for experimental and progressive education, was thinking about how emerging technology fit into the college's mission. Writing was an important part of their curriculum, but according to Ruopp , "We tested the available word processors and found we couldn’t use any of them." So, experts from Bank Street College worked closely with consultant Franklin Smith and software development firm Intentional Educations Inc. to build a better word processor for kids. The fruit of that labor, Bank Street Writer , was published by Scholastic exclusively to schools at first, with Broderbund taking up the home distribution market a little later. Bank Street Writer would dominate home software sales charts for years and its name would live on as one of the sacred texts, like Lemonade Stand or The Oregon Trail . Let's see what lessons there are to learn from it yet. 1916 Founded by Lucy Sprague Mitchell, Wesley Mitchell, and Harriet Johnson as the “Bureau of Educational Experiments” (BEE) with the goal of understanding in what environment children best learn and develop, and to help adults learn to cultivate that environment. 1930 BEE moves to 69 Bank Street. (Will move to 112th Street in 1971, for space reasons.) 1937 The Writer’s Lab, which connects writers and students, is formed. 1950 BEE is renamed to Bank Street College of Education. 1973 Minnesota Educational Computing Consortium (MECC) is founded. This group would later go on to produce The Oregon Trail . 1983 Bank Street Writer, developed by Intentional Educations Inc., published by Broderbund Software, and “thoroughly tested by the academics at Bank Street College of Education.” Price: $70. 1985 Writer is a success! Time to capitalize! Bank Street Speller $50, Bank Street Filer $50, Bank Street Mailer $50, Bank Street Music Writer $50, Bank Street Prewriter (published by Scholastic) $60. 1986 Bank Street Writer Plus $100. Bank Street Writer III (published by Scholastic) $90. It’s basically Plus with classroom-oriented additions, including a 20-column mode and additional teaching aides. 1987 Bank Street Storybook, $40. 1992 Bank Street Writer for the Macintosh (published by Scholastic) $130. Adds limited page layout options, Hypercard-style hypertext, clip art, punctuation checker, image import with text wrap, full color, sound support, “Classroom Publishing” of fliers and pamphlets, and electronic mail. With word processors, I want to give them a chance to present their best possible experience. I do put a little time into trying the baseline experience many would have had with the software during the height of its popularity. "Does the software still have utility today?" can only be fairly answered by giving the software a fighting chance. To that end, I've gifted myself a top-of-the-line (virtual) Apple //e running the last update to Writer , the Plus edition. You probably already know how to use Bank Street Writer Plus . You don't know you know, but you do know because you have familiarity with GUI menus and basic word processing skills. All you're lacking is an understanding of the vagaries of data storage and retrieval as necessitated by the hardware of the time, but once armed with that knowledge you could start using this program without touching the manual again. It really is as easy as the makers claim. The simplicity is driven by very a subtle, forward-thinking user interface. Of primary interest is the upper prompt area. The top 3 lines of the screen serve as an ever-present, contextual "here's the situation" helper. What's going on? What am I looking at? What options are available? How do I navigate this screen? How do I use this tool? Whatever you're doing, whatever menu option you've chosen, the prompt area is already displaying information about which actions are available right now in the current context . As the manual states, "When in doubt, look for instructions in the prompt area." The manual speaks truth. For some, the constant on-screen prompting could be a touch overbearing, but I personally don't think it's so terrible to know that the program is paying attention to my actions and wants me to succeed. The assistance isn't front-loaded, like so many mobile apps, nor does it interrupt, like Clippy. I simply can't fault the good intentions, nor can I really think of anything in modern software that takes this approach to user-friendliness. The remainder of the screen is devoted to your writing and works like any other word processor you've used. Just type, move the cursor with the arrow keys, and type some more. I think most writers will find it behaves "as expected." There are no Electric Pencil -style over-type surprises, nor VisiCalc -style arrow key manipulations. What seems to have happened is that in making a word processor that is easy for children to use, they accidentally made a word processor that is just plain easy. The basic functionality is drop-dead simple to pick up by just poking around, but there's quite a bit more to learn here. To do so, we have a few options for getting to know Bank Street Writer in more detail. There are two manuals by virtue of the program's educational roots. Bank Street Writer was published by both Broderbund (for the home market) and Scholastic (for schools). Each tailored their own manual to their respective demographic. Broderbund's manual is cleanly designed, easy to understand, and gets right to the point. It is not as "child focused" as reviews at the time might have you believe. Scholastic's is more of a curriculum to teach word processing, part of the 80s push for "computers in the classroom." It's packed with student activities, pages that can be copied and distributed, and (tellingly) information for the teacher explaining "What is a word processor?" Our other option for learning is on side 2 of the main program disk. Quite apart from the program proper, the disk contains an interactive tutorial. I love this commitment to the user's success, though I breezed through it in just a few minutes, being a cultured word processing pro of the 21st century. I am quite familiar with "menus" thank you very much. As I mentioned at the top, the screen is split into two areas: prompt and writing. The prompt area is fixed, and can neither be hidden nor turned off. This means there's no "full screen" option, for example. The writing area runs in high-res graphics mode so as to bless us with the gift of an 80-character wide display. Being a graphics display also means the developer could have put anything on screen, including a ruler which would have been a nice formatting helper. Alas. Bank Street offers limited preference settings; there's not much we can do to customize the program's display or functionality. The upshot is that as I gain confidence with the program, the program doesn't offer to match my ability. There is one notable trick, which I'll discuss later, but overall there is a missed opportunity here for adapting to a user's increasing skill. Kids do grow up, after all. As with Electric Pencil , I'm writing this entirely in Bank Street Writer . Unlike the keyboard/software troubles there, here in 128K Apple //e world I have Markdown luxuries like . The emulator's amber mode is soothing to the eyes and soul. Mouse control is turned on and works perfectly, though it's much easier and faster to navigate by keyboard, as God intended. This is an enjoyable writing experience. Which is not to say the program is without quirks. Perhaps the most unfortunate one is how little writing space 128K RAM buys for a document. At this point in the write-up I'm at about 1,500 words and BSW's memory check function reports I'm already at 40% of capacity. So the largest document one could keep resident in memory at one time would run about 4,000 words max? Put bluntly, that ain't a lot. Splitting documents into multiple files is pretty much forced upon anyone wanting to write anything of length. Given floppy disk fragility, especially with children handling them, perhaps that's not such a bad idea. However, from an editing point of view, it is frustrating to recall which document I need to load to review any given piece of text. Remember also, there's no copy/paste as we understand it today. Moving a block of text between documents is tricky, but possible. BSW can save a selected portion of text to its own file, which can then be "retrieved" (inserted) at the current cursor position in another file. In this way the diskette functions as a memory buffer for cross-document "copy/paste." Hey, at least there is some option available. Flipping through old magazines of the time, it's interesting just how often Bank Street Writer comes up as the comparative reference point for home word processors over the years. If a new program had even the slightest whiff of trying to be "easy to use" it was invariably compared to Bank Street Writer . Likewise, there were any number of writers and readers of those magazines talking about how they continued to use Bank Street Writer , even though so-called "better" options existed. I don't want to oversell its adoption by adults, but it most definitely was not a children-only word processor, by any stretch. I think the release of Plus embraced a more mature audience. In schools it reigned supreme for years, including the Scholastic-branded version of Plus called Bank Street Writer III . There were add-on "packs" of teacher materials for use with it. There was also Bank Street Prewriter , a tool for helping to organize themes and thoughts before committing to the act of writing, including an outliner, as popularized by ThinkTank . (always interesting when influences ripple through the industry like this) Of course, the Scholastic approach was built around the idea of teachers having access to computers in the classroom. And THAT was build on the idea of teachers feeling comfortable enough with computers to seamlessly merge them into a lesson-plan. Sure, the kids needed something simple to learn, but let's be honest, so did the adults. There was a time when attaching a computer to anything meant a fundamental transformation of that thing was assured and imminent. For example, the "office of the future" (as discussed in the Superbase post ) had a counterpart in the "classroom of tomorrow." In 1983, Popular Computing said, "Schools are in the grip of a computer mania." Steve Jobs took advantage of this, skating to where the puck would be, by donating Apple 2s to California schools. In October 1983, Creative Computing did a little math on that plan. $20M in retail donations brought $4M in tax credits against $5M in gross donations. Apple could donate a computer to every elementary, middle, and high school in California for an outlay of only $1M. Jobs lobbied Congress hard to pass a national version of the same "Kids Can't Wait" bill, which would have extended federal tax credits for such donations. That never made it to law, for various political reasons. But the California initiative certainly helped position Apple as the go-to system for computers in education. By 1985, Apple would dominate fully half of the education market. That would continue into the Macintosh era, though Apple's dominance diminished slowly as cheaper, "good enough" alternatives entered the market. Today, Apple is #3 in the education market, behind Windows and Chromebooks . It is a fair question to ask, "How useful could a single donated computer be to a school?" Once it's in place, then what? Does it have function? Does anyone have a plan for it? Come to think of it, does anyone on staff even know how to use it? When Apple put a computer into (almost) every school in California, they did require training. Well, let's say lip-service was paid to the idea of the aspiration of training. One teacher from each school had to receive one day's worth of training to attain a certificate which allowed the school to receive the computer. That teacher was then tasked with training their coworkers. Wait, did I say "one day?" Sorry, I meant about one HOUR of training. It's not too hard to see where Larry Cuban was coming from when he published Oversold & Underused: Computers in the Classroom in 2001. Even of schools with more than a single system, he notes, "Why, then, does a school's high access (to computers) yield limited use? Nationally and in our case studies, teachers... mentioned that training in relevant software and applications was seldom offered... (Teachers) felt that the generic training available was often irrelevant to their specific and immediate needs." From my perspective, and I'm no historian, it seems to me there were four ways computers were introduced into the school setting. The three most obvious were: I personally attended schools of all three types. What I can say the schools had in common was how little attention, if any, was given to the computer and how little my teachers understood them. An impromptu poll of friends aligned with my own experience. Schools didn't integrate computers into classwork, except when classwork was explicitly about computers. I sincerely doubt my time playing Trillium's Shadowkeep during recess was anything close to Apple's vision of a "classroom of tomorrow." The fourth approach to computers into the classroom was significantly more ambitious. Apple tried an experiment in which five public school sites were chosen for a long-term research project. In 1986, the sites were given computers for every child in class and at home. They reasoned that for computers to truly make an impact on children, the computer couldn't just be a fun toy they occasionally interacted with. Rather, it required full integration into their lives. Now, it is darkly funny to me that having achieved this integration today through smartphones, adults work hard to remove computers from school. It is also interesting to me that Apple kind of led the way in making that happen, although in fairness they don't seem to consider the iPhone to be a computer . America wasn't alone in trying to give its children a technological leg up. In England, the BBC spearheaded a major drive to get computers into classrooms via a countrywide computer literacy program. Even in the States, I remember watching episodes of BBC's The Computer Programme on PBS. Regardless of Apple's or the BBC's efforts, the long-term data on the effectiveness of computers in the classroom has been mixed, at best, or even an outright failure. Apple's own assessment of their "Apple Classrooms of Tomorrow" (ACOT) program after a couple of years concluded, "Results showed that ACOT students maintained their performance levels on standard measures of educational achievement in basic skills, and they sustained positive attitudes as judged by measures addressing the traditional activities of schooling." Which is a "we continue to maintain the dream of selling more computers to schools" way of saying, "Nothing changed." In 2001, the BBC reported , "England's schools are beginning to use computers more in teaching - but teachers are making "slow progress" in learning about them." Then in 2015 the results were "disappointing, "Even where computers are used in the classroom, their impact on student performance is mixed at best." Informatique pour tous, France 1985: Pedagogy, Industry and Politics by Clémence Cardon-Quint noted the French attempt at computers in the classroom as being, "an operation that can be considered both as a milestone and a failure." Computers in the Classrooms of an Authoritarian Country: The Case of Soviet Latvia (1980s–1991) by Iveta Kestere, Katrina Elizabete Purina-Bieza shows the introduction of computers to have drawn stark power and social divides, while pushing prescribed gender roles of computers being "for boys." Teachers Translating and Circumventing the Computer in Lower and Upper Secondary Swedish Schools in the 1970s and 1980 s by Rosalía Guerrero Cantarell noted, "the role of teachers as agents of change was crucial. But teachers also acted as opponents, hindering the diffusion of computer use in schools." Now, I should be clear that things were different in the higher education market, as with PLATO in the universities. But in the primary and secondary markets, Bank Street Writer 's primary demographic, nobody really knew what to do with the machines once they had them. The most straightforwardly damning assessment is from Oversold & Underused where Cuban says in the chapter "Are Computers in Schools Worth the Investment?", "Although promoters of new technologies often spout the rhetoric of fundamental change, few have pursued deep and comprehensive changes in the existing system of schooling." Throughout the book he notes how most teachers struggle to integrate computers into their lessons and teaching methodologies. The lack of guidance in developing new ways of teaching means computers will continue to be relegated to occasional auxiliary tools trotted out from time to time, not integral to the teaching process. "Should my conclusions and predictions be accurate, both champions and skeptics will be disappointed. They may conclude, as I have, that the investment of billions of dollars over the last decade has yet to produce worthy outcomes," he concludes. Thanks to my sweet four-drive virtual machine, I can summon both the dictionary and thesaurus immediately. Put the cursor at the start of a word and hit or to get an instant spot check of spelling or synonyms. Without the reality of actual floppy disk access speed, word searches are fast. Spelling can be performed on the full document, which does take noticeable time to finish. One thing I really love is how cancelling an action or moving forward on the next step of a process is responsive and immediate. If you're growing bored of an action taking too long, just cancel it with ; it will stop immediately . The program feels robust and unbreakable in that way. There is a word lookup, which accepts wildcards, for when you kinda-sorta know how to spell a word but need help. Attached to this function is an anagram checker which benefits greatly from a virtual CPU boost. But it can only do its trick on single words, not phrases. Earlier I mentioned how little the program offers a user who has gained confidence and skill. That's not entirely accurate, thanks to its most surprising super power: macros. Yes, you read that right. This word processor designed for children includes macros. They are stored at the application level, not the document level, so do keep that in mind. Twenty can be defined, each consisting of up to 32 keystrokes. Running keystrokes in a macro is functionally identical to typing by hand. Because the program can be driven 100% by keyboard alone, macros can trigger menu selections and step through tedious parts of those commands. For example, to save our document periodically we need to do the following every time: That looks like a job for to me. 0:00 / 0:23 1× Defining a macro to save, with overwrite, the current file. After it is defined, I execute it which happens very quickly in the emulator. Watch carefully. If you can perform an action through a series of discrete keyboard commands, you can make a macro from it. This is freeing, but also works to highlight what you cannot do with the program. For example, there is no concept of an active selection, so a word is the smallest unit you can directly manipulate due to keyboard control limitations. It's not nothin' but it's not quite enough. I started setting up markdown macros, so I could wrap the current word in or for italic and bold. Doing the actions in the writing area and noting the minimal steps necessary to achieve the desired outcome translated into perfect macros. I was even able to make a kind of rudimentary "undo" for when I wrap something in italic but intended to use bold. This reminded me that I haven't touched macro functionality in modern apps since my AppleScript days. Lemme check something real quick. I've popped open LibreOffice and feel immediately put off by its Macros function. It looks super powerful; a full dedicated code editor with watched variables for authoring in its scripting language. Or is it languages? Is it Macros or ScriptForge? What are "Gimmicks?" Just what is going on? Google Docs is about the same, using Javascript for its "Apps Script" functionality. Here's a Stack Overflow post where someone wants to select text and set it to "blue and bold" with a keystroke and is presented with 32 lines of Javascript. Many programs seem to have taken a "make the simple things difficult, and the hard things possible" approach to macros. Microsoft Word reportedly has a "record" function for creating macros, which will watch what you do and let you play back those actions in sequence. (a la Adobe Photoshop's "actions") This sounds like a nice evolution of the BSW method. I say "reportedly" because it is not available in the online version and so I couldn't try it for myself without purchasing Microsoft 365. I certainly don't doubt the sky's the limit with these modern macro systems. I'm sure amazing utilities can be created, with custom dialog boxes, internet data retrieval, and more. The flip-side is that a lot of power has has been stripped from the writer and handed over to the programmer, which I think is unfortunate. Bank Street Writer allows an author to use the same keyboard commands for creating a macro as for writing a document. There is a forgotten lesson in that. Yes, BSW's macros are limited compared to modern tools, but they are immediately accessible and intuitive. They leverage skills the user is already known to possess . The learning curve is a straight, flat line. Like any good word processor, user-definable tab stops are possible. Bringing up the editor for tabs displays a ruler showing tab stops and their type (normal vs. decimal-aligned). Using the same tools for writing, the ruler is similarly editable. Just type a or a anywhere along the ruler. So, the lack of a ruler I noted at the beginning is now doubly-frustrating, because it exists! Perhaps it was determined to be too much visual clutter for younger users? Again, this is where the Options screen could have allowed advanced users to toggle on features as they grow in comfort and ambition. From what I can tell in the product catalogs, the only major revision after this was for the Macintosh which added a whole host of publishing features. If I think about my experience with BSW these past two weeks, and think about what my wish-list for a hypothetical update might be, "desktop publishing" has never crossed my mind. Having said all of that, I've really enjoyed using it to write this post. It has been solid, snappy, and utterly crash free. To be completely frank, when I switched over into LibreOffice , a predominantly native app for Windows, it felt laggy and sluggish. Bank Street Writer feels smooth and purpose-built, even in an emulator. Features are discoverable and the UI always makes it clear what action can be taken next. I never feel lost nor do I worry that an inadvertent action will have unknowable consequences. The impression of it being an assistant to my writing process is strong, probably more so than many modern word processors. This is cleanly illustrated by the prompt area which feels like a "good idea we forgot." (I also noted this in my ThinkTank examination) I cannot lavish such praise upon the original Bank Street Writer , only on this Plus revision. The original is 40-columns only, spell-checking is a completely separate program, no thesaurus, no macros, a kind of bizarre modal switch between writing/editing/transfer modes, no arrow key support, and other quirks of its time and target system (the original Apple 2). Plus is an incredibly smart update to that original, increasing its utility 10-fold, without sacrificing ease of use. In fact, it's actually easier to use, in my opinion than the original and comes just shy of being something I could use on a regular basis. Bank Street Writer is very good! But it's not quite great . Ways to improve the experience, notable deficiencies, workarounds, and notes about incorporating the software into modern workflows (if possible). AppleWin 32bit 1.31.0.0 on Windows 11 Emulating an Enhanced Apple //e Authentic machine speed (enhanced disk access speed) Monochrome (amber) for clean 80-column display Disk II controller in slot 5 (enables four floppies, total) Mouse interface in slot 4 Bank Street Writer Plus At the classroom level there are one or more computers. At the school level there is a "computer lab" with one or more systems. There were no computers. Hit (open the File menu) Hit (select Save File) Hit three times (stepping through default confirmation dialogs) I find that running at 300% CPU speed in AppleWin works great. No repeating key issues and the program is well-behaved. Spell check works quickly enough to not be annoying and I honestly enjoyed watching it work its way through the document. Sometimes there's something to be said about slowing the computer down to swift human-speed, to form a stronger sense of connection between your own work and the computer's work. I did mention that I used a 4-disk setup, but in truth I never really touched the thesaurus. A 3-disk setup is probably sufficient. The application never crashed; the emulator was rock-solid. CiderPress2 works perfectly for opening the files on an Apple ][ disk image. Files are of file extension, which CiderPress2 tries to open as disassembly, not text. Switch "Conversion" to "Plain Text" and you'll be fine. This is a program that would benefit greatly from one more revision. It's very close to being enough for a "minimalist" crowd. There are four, key pieces missing for completeness: Much longer document handling Smarter, expanded dictionary, with definitions Customizable UI, display/hide: prompts, ruler, word count, etc. Extra formatting options, like line spacing, visual centering, and so on. For a modern writer using hyperlinks, this can trip up the spell-checker quite ferociously. It doesn't understand, nor can it be taught, pattern-matching against URLs to skip them.

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Manuel Moreale 1 weeks ago

Karen

This week on the People and Blogs series we have an interview with Karen, whose blog can be found at chronosaur.us . Tired of RSS? Read this in your browser or sign up for the newsletter . The People and Blogs series is supported by Pete Millspaugh and the other 127 members of my "One a Month" club. If you enjoy P&B, consider becoming one for as little as 1 dollar a month. Hello! My name is Karen. I work in IT support for a large company’s legal department, and am currently working on my Bachelors in Cybersecurity and Information Assurance. I live near New Orleans, Louisiana, with my husband and two dogs - Daisy, A Pembroke Welsh Corgi, and Mia, a Chihuahua. Daisy is The Most Serious Corgi ever (tm), and Mia has the personality of an old lady who chain smokes, plays Bingo every week at the rec center, and still records her soap operas on a VHS daily. My husband is an avid maker (woodworking and 3D printing, mostly), video gamer, and has an extensive collection of board games that takes up the entire back wall of our livingroom. As for me, outside of work, I’m a huge camera nerd and photographer. I love film photography, and recently learned how to develop my own negatives at home! I also do digital - I will never turn my nose up at one versus the other. I’ve always been into assorted fandoms, and used to volunteer at local sci-fi/fantasy/comic conventions up to a few years ago. I got into K-Pop back in 2022, and am now an active participant in the local New Orleans fan community, providing Instax photo booth services for events. I’ve also hosted K-Pop events here in NOLA as well. My ult K-Pop group is ATEEZ, but I’m a proud multi fan and listen to whatever groups or music catch my attention, including Stray Kids, SHINee, and Mamamoo. I also love 80s and 90s alternative, mainly Depeche Mode, Nine Inch Nails, and Garbage. And yes, I may be named Karen but I refuse to BE a “Karen”. I don’t get upset when people use the term, I find it hilarious. So I have been blogging off and on since 2001 or so - back when they were still called “weblogs” and “online journals”. Originally, I was using LiveJournal, but even with a paid account, I wanted to learn more customization and make a site that was truly my own. My husband - then boyfriend - had their own server, and gave me some space on it. I started out creating sites in Microsoft Frontpage and Dreamweaver (BEFORE Adobe owned them!), and moved to using Greymatter blog software, which I loved and miss dearly. I moved to Wordpress in - 2004 maybe? - and used that for all my personal sites until 2024. I’d been reading more and more about the Indieweb for a while and found Bear , and I loved the simplicity. I’ve had sites ranging from a basic daily online journal, to a fashion blog, to a food blog, to a K-Pop and fandom-centric blog, to what it is today - my online space for everything and anything I like. I taught myself HTML and CSS in order to customize and create my sites. No classes, no courses, no books, no certifications, just Google and looking at other people’s sites to see what I liked and how they did it. My previous job before this one, I was a web administrator for a local marketing company that built sites using DNN and Wordpress, and I’m proud to say that I got that job and my current one with my self-developed skills and being willing to learn and grow. I would not be where I am today, professionally, if it wasn’t for blogging. I’ll be totally honest - I don’t have a writing process. I get inspiration from random thoughts, seeing things online, wanting to share the day-to-day of my life. I don’t draft or have someone proof read, I just type out what I feel like writing. When I had blogs focusing on specific things - plus size fashion and K-Pop, respectively - I kept a list of topics and ideas to refer back to when I was stuck for ideas. That was when I was really focused on playing the SEO and search engine algorithm game, though, where I was trying to stick to the “two-three posts a week” rule in an attempt to boost my search engine results. I don’t do that now. I do still have a list of ideas on my phone, but it’s nothing I am feeling FORCED to stick to. It’s more along the lines of that I had an idea while I was out, and wanted to note it so I don’t forget. Memory is a fickle thing in your late 40s, LOL. My space absolutely influences my mindset for writing. I prefer to write in the early morning, because my brain operates best then. (I know I am an exception to the rule by being an early bird.) I love weekend mornings when I can get up really early and settle into my recliner with my laptop and coffee, and just listen to some lofi music and just feel topics and ideas out. I also made my office/guest bedroom into a cozy little space, with a daybed full of soft blankets and fluffy pillows and cushions, and a lap desk. In all honesty, my preferred location to write is at a coffeeshop first thing in the morning. I love sitting tucked in a booth with a coffee and muffin, headphones on and listening to music, when the sun is just on the cusp of rising and the shop is still a little too chilly. That’s when the creative ideas light up the brightest and the synapses are firing on all cylinders. Currently, my site is hosted on Bear . I used to be a self-hosted Wordpress devotee, but in mid-late 2024, I got really tired of the bloat that the apps had become. In order to use it efficiently for me, I had to install entirely too many plugins to make it “simpler”. (Shout-out to the Indieweb Wordpress team, though - they work so hard on those plugins!) Of course, the more plugins you have, the less secure your site… My domain is registered through Hostinger . To write my posts, I use Bear Markdown Notes. I heard about this program after seeing a few others talking about using it for drafts, notes, etc. I honestly don’t think I’d change much! I really love using Bear Blog. It reminds me of the very old school LiveJournal days, or when I used Greymatter. It takes me back to the web being simpler, more straightforward, more fun. I also like Bear’s manifesto , and that he built the service for longevity . I would probably structure my site differently, especially after seeing some personal sites set up with more of a “digital garden” format. I will eventually adjust my site at some point, but for now, I’m fine with it. (That and between school and work, it’s kind of low on the priority list.) I purchased a lifetime subscription to Bear after a week of using it, which ran around $200 - I don’t remember exactly. I knew that I was going to be using the service for a while and thought I should invest in a place that I believed in. My Hostinger domain renewals run around $8.99 annually. My blog is just my personal site - I don’t generate any revenue or monetise in any way. I don’t mind when people monetize their site - it’s their site and they can do what they choose. As long as it’s not invading others’ privacy or harmful, I have absolutely no issue. Make that money however you like. Ooooh I have three really good suggestions for both checking out and interviewing! Binary Digit - B is kind of an influence for me to play with my site again. They have just this super cool and early 2000s vibe and style that I really love. Their site reminds me of me when I first started blogging, when I was learning new things and implementing what I thought was cool on my site, joining fanlistings, making new online friends. Kevin Spencer - I love Kevin’s writing and especially his photography. Not only that, he has fantastic taste in music. I’ve left many a comment on his site about 80s and 90s synthpop and industrial music. A Parenthetical Departure - Sylvia was one of the first sites I started reading when I started looking up info on Bear Blog. They are EXTREMELY talented and have an excellent knack for playing with design, and showing others how it works. One of my side projects is Burn Like A Flame , which is my local K-pop and fandom photography site. I actualy just started a project there that is more than slightly based on People and Blogs - The Fandom Story Project . I’m interviewing local fans to talk about what they love and what their feelings are on fandom culture now, and I’m accompanying that with a photoshoot with that person. It’s a way to introduce people to each other within the community. Two of my favorite YouTube channels that I have recently been watching are focused on fashion discussion and history - Bliss Foster and understitch, . If you like learning and listening to information on fashion, I highly recommend these creators. I know a TON of people have now seen K-Pop Demon Hunters (which I love, and the movie has a great message for not only kids, but adults). If you’ve seen this and are interested in getting into K-Pop, I suggest checking out my favorite group, ATEEZ. If you think that most K-Pop is all chirpy bubbly cutesy songs, let me suggest two by this group that aren’t what you’d expect: Guerrilla and Turbulence . I strongly suggesting watching without the translations, and then watching again with them. Their lyrics are the thing that really drew me into this group, and had me learning more about the deeper meaning behind a lot of K-Pop songs. And finally, THANK YOU to Manu for People and Blogs! I always find some really great new sites to check out after reading these interviews, and I am truly honored to be asked to join this list of great bloggers. It’s inspiring me to work harder on my blog and to post more often. Now that you're done reading the interview, go check the blog and subscribe to the RSS feed . If you're looking for more content, go read one of the previous 117 interviews . Make sure to also say thank you to Benny and the other 127 supporters for making this series possible.

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Harper Reed 1 weeks ago

Note #299

Happy Thanksgiving everyone. I appreciate you. Thank you for using RSS. I appreciate you. Email me

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ava's blog 1 weeks ago

it feels like a calling, finally

Content warning: Brief mentions of disordered eating habits. Whenever I am deeply and actively involved in my passion topic (data protection law), I don’t care about the superficial stuff anymore. Writing, researching, talking to others about it, attending events just completely takes me out of the usual thought spirals and needless worries and makes me feel so at peace, so happy. I mean the things that the internet is especially good at convincing you of, even if you aren’t on specific platforms or in certain bubbles; the things that drip down to you from elsewhere, seep through the barriers. Beauty standards, looksmaxxing, pretty privilege, the current emphasis on making money via your looks as a social media or OF career, the idea of a dating market, dating strategies and having to optimize your value and constantly self-improve. The hope that by leveraging looks and weird manipulative books on how to win people over, you’ll get further professionally, as people perceive you as more competent and trustworthy. You need to be perfect because if you can’t even take care of yourself, how will you handle anything else? Together with a lot of memes about how “that’s how ugly you look if you (negative behavior)”. The message is clear: If you are sick and/or ugly, something is wrong with you and it shows on the outside to warn everyone to stay away. Some girl putting on makeup is telling you what’s chic and not chic, creating fear that people will not choose you, will even exclude you for minor a faux-pas. Things like considering a jaw shave to make my face more symmetrical or moving my hairline or doing Invisalign or losing another 10kg or considering a fitness regime to develop visible abs… only pop up as a sort of static noise and circular obsessive thoughts when I am lonely and/or directionless, hopeless, lost, questioning my path, not engaging actively enough with what I love. Whenever I am fired up for my passion and engaging with it, I don’t care about my looks or my weight. All I care about is treating my body well so I can do more of what makes me happy, and serve that passion well, devote myself fully. It feels like my calling, it feels like something I want to give myself to entirely, like a farmer is giving themselves to their harvest completely (cringiest thing I have ever said on this blog, but I don't know how else to say it!). I no longer care about eating as little as possible, and trying to postpone it as long as possible, while choosing low cal options that are as filling as possible to cheat my body. Instead, I care about eating enough and at the right times so I can read complicated texts, write, analyze, learn, am able to follow a lecture, and feel stable enough to travel and make it somewhere. I value it as the fuel that it is, to keep this meat mechsuit going that enables me to do the things I do, together with exercise for strength, not calorie deficit. I cannot do my part if I'm dizzy and weak. I also stop obsessing about how fat or asymmetrical my face might look from an angle or while I smile. Instead, I care about what I develop inside, and what comes out of it; that my ideas and words are meaningful, true, helpful. I care about understanding things correctly, of being able to explain them well, and about being able to afford my dreams and goals (further education), not beauty. I finally get to focus on giving my cognitive power, my presence, my body for the cause, not the eye; because I feel like this is my mission, and to pursue my mission well, I can’t starve myself, I can’t prioritize risky elective procedures and recovery, I can’t withdraw out of fear of being perceived as ugly or weird when my desired field compels me to talk to people more knowledgeable than me and learn. It really is true that beauty standards hold us back so much, distract us, take bandwidth and focus away. It can be so hard to break through the fog of these thoughts that tell us to provide value with our bodies and not our thoughts and words. I’m not going to be a better expert at this topic by being underweight or having abs or a smaller cheek, so why waste time on it pretending these subtle changes will help my overall success? The work ahead is straightforward, and nothing of it involves beauty. The internet drastically overstates the importance of these things. I already have great grades, a great work ethic, readers, an amazing mentor, the drive and intelligence. All of that is much more important for my success and happiness than fixing superficial flaws that no one but me is really noticing. My body is already going through enough, it deserves better. Reply via email Published 27 Nov, 2025

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ava's blog 1 weeks ago

i need more freaks in law

'Freaks' is used affectionately here to describe all kinds of creatives, weirdos, misfits, outcasts, alternative individuals, leftists, queers, furries and all that in a loving way. Where I live, law has a reputation to be dry, boring, business oriented, full of ex-nobility and wealthy people, and it's not wrong. You'll find lots of well-off conservatives and neoliberals, apolitical people just there to make a big buck and to get clout, and people with some questionable sense of justice. Makes sense then that most people think you need to fit into that sort of group to be interested or have a good time in law: be boring, be professional, stone-faced, serious, rich, holier-than-thou, capitalism-lover, wear muted colors and perform gender and sexuality in the approved way, be straight-laced and rule-loving. But honestly, law needs the opposite! Law needs you. I miss you in law. I miss all you freaks. There is space for you here. Your perspective, your input, your boldness, your intelligence and creativity is needed. There is no need for you to boycott law altogether even though you see it critically. Even if you rightfully acknowledge that lots of law is there to protect wealthy interests, you do better if you understand it. These are still the rules we currently have to live under, which means you're better off understanding, analyzing and utilizing it rather than pretend it isn't there. You cannot protest and change what you do not understand. Moreover, your own need you. Oppressed groups need you. Consumers, tenants, workers, children all around the world need help with their rights, they need help getting explanations for what's happening to them and how they can fight back in the language that the state speaks. The environment needs you, privacy needs you. Law benefits so much from a critical analysis through a queer lens, an anti-capitalist or abolitionist lens - whatever you want. You don't have to be a judge, or an attorney, or a lawyer getting people and companies off the hook for terrible crimes, or getting more people into the prison system. You can instead use legal expertise to help in your local chapters or NGOs, you can work in consumer associations or tenants association, you can help with legal resources for disability rights and domestic violence. You can also work with anti-surveillance groups, with environmental justice groups or civil liberties and racial justice groups. You can become a legal journalist or write about law online on your blog. I miss you when I go to conferences and other law spaces and there's not a single freak, just a sea of old white men that smell like shoe polish and money, waxing poetic about what scummy pharmaceutical company they helped evade consequences. I miss you when I sit in lectures and my peers argue for why a mentally ill person stealing food in the supermarket should go to jail. I miss you when it's time to discuss transgender laws. You don't need to conform, you don't need to kiss ass. I'm here too, and I love data protection law. Reply via email Published 27 Nov, 2025

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Andre Garzia 1 weeks ago

My chocolate truffles recipe

# My Brigadeiro Recipe (chocolate truffles) This is a very traditional recipe from Brazil that is a staple of birthday parties all over the country. The ingredients are: * 1 tin of condensed milk (395g) * 1/2 of a cup of cream (100g) * 1/2 tablespoon of butter (15g) * 1 and a half tablespoon of cocoa powder (23g) Mix everything on a pan until they are well mixed. Turn the heat on in medium and mix until you can use a spatula to separate the mix and when it comes back together it folds from the top like a wave. Be aware that the mixture will rise in the pot before going down again. If you have oreos, you can make little bats for halloween as seen in the photo below. ![](/2025/11/img/3f29fa74-c6a2-45c0-8332-fa77772c25ab.jpg)

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