Posts in Culture (20 found)
Manuel Moreale 2 days ago

On eating shit

You’re sitting at a table. In front of you, a series of plates. They’re full of shit (like some people). Not the same shit, mind you. It’s different types, produced by different animals, in different quantities. The unfortunate reality of the situation is that you have to eat the contents of one of those plates. Yeah, it sucks, I’m sorry. But you just have to. So you understandably start going through the thought process of figuring out which one is the “best” one. You start examining the shape, the texture, the animal that produced it. You start finding reasons to pick one over another. You start rationalising, trying to justify your decision to the other people who, like you, also need to pick which one to eat. It’s a process. A shitty one, I might say. But in going through this ordeal, you start losing track of the only thing that really matters: this situation fucking sucks, and there’s no good answer. The only reasonable thing to do is to pick the plate with the least steamy, smelly, nasty pile of shit and then figure out a way not to find yourself in that situation ever again. Sometimes eating shit is unavoidable. The only thing you can do is make it as painless as possible. Thank you for keeping RSS alive. You're awesome. Email me :: Sign my guestbook :: Support for 1$/month :: See my generous supporters :: Subscribe to People and Blogs

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Stone Tools 2 days ago

Bank Street Writer on the Apple II

Stop me if you're heard this one . In 1978, a young man wandered into a Tandy Radio Shack and found himself transfixed by the TRS-80 systems on display. He bought one just to play around with, and it wound up transforming his life from there on. As it went with so many, so too did it go with lawyer Doug Carlston. His brother, Gary, initially unimpressed, warmed up to the machine during a long Maine winter. The two thus smitten mused, "Can we make money off of this?" Together they formed a developer-sales relationship, with Doug developing Galactic Saga and third brother Don developing Tank Command . Gary's sales acumen brought early success and Broderbund was officially underway. Meanwhile in New York, Richard Ruopp, president of Bank Street College of Education, a kind of research center for experimental and progressive education, was thinking about how emerging technology fit into the college's mission. Writing was an important part of their curriculum, but according to Ruopp , "We tested the available word processors and found we couldn’t use any of them." So, experts from Bank Street College worked closely with consultant Franklin Smith and software development firm Intentional Educations Inc. to build a better word processor for kids. The fruit of that labor, Bank Street Writer , was published by Scholastic exclusively to schools at first, with Broderbund taking up the home distribution market a little later. Bank Street Writer would dominate home software sales charts for years and its name would live on as one of the sacred texts, like Lemonade Stand or The Oregon Trail . Let's see what lessons there are to learn from it yet. 1916 Founded by Lucy Sprague Mitchell, Wesley Mitchell, and Harriet Johnson as the “Bureau of Educational Experiments” (BEE) with the goal of understanding in what environment children best learn and develop, and to help adults learn to cultivate that environment. 1930 BEE moves to 69 Bank Street. (Will move to 112th Street in 1971, for space reasons.) 1937 The Writer’s Lab, which connects writers and students, is formed. 1950 BEE is renamed to Bank Street College of Education. 1973 Minnesota Educational Computing Consortium (MECC) is founded. This group would later go on to produce The Oregon Trail . 1983 Bank Street Writer, developed by Intentional Educations Inc., published by Broderbund Software, and “thoroughly tested by the academics at Bank Street College of Education.” Price: $70. 1985 Writer is a success! Time to capitalize! Bank Street Speller $50, Bank Street Filer $50, Bank Street Mailer $50, Bank Street Music Writer $50, Bank Street Prewriter (published by Scholastic) $60. 1986 Bank Street Writer Plus $100. Bank Street Writer III (published by Scholastic) $90. It’s basically Plus with classroom-oriented additions, including a 20-column mode and additional teaching aides. 1987 Bank Street Storybook, $40. 1992 Bank Street Writer for the Macintosh (published by Scholastic) $130. Adds limited page layout options, Hypercard-style hypertext, clip art, punctuation checker, image import with text wrap, full color, sound support, “Classroom Publishing” of fliers and pamphlets, and electronic mail. With word processors, I want to give them a chance to present their best possible experience. I do put a little time into trying the baseline experience many would have had with the software during the height of its popularity. "Does the software still have utility today?" can only be fairly answered by giving the software a fighting chance. To that end, I've gifted myself a top-of-the-line (virtual) Apple //e running the last update to Writer , the Plus edition. You probably already know how to use Bank Street Writer Plus . You don't know you know, but you do know because you have familiarity with GUI menus and basic word processing skills. All you're lacking is an understanding of the vagaries of data storage and retrieval as necessitated by the hardware of the time, but once armed with that knowledge you could start using this program without touching the manual again. It really is as easy as the makers claim. The simplicity is driven by very a subtle, forward-thinking user interface. Of primary interest is the upper prompt area. The top 3 lines of the screen serve as an ever-present, contextual "here's the situation" helper. What's going on? What am I looking at? What options are available? How do I navigate this screen? How do I use this tool? Whatever you're doing, whatever menu option you've chosen, the prompt area is already displaying information about which actions are available right now in the current context . As the manual states, "When in doubt, look for instructions in the prompt area." The manual speaks truth. For some, the constant on-screen prompting could be a touch overbearing, but I personally don't think it's so terrible to know that the program is paying attention to my actions and wants me to succeed. The assistance isn't front-loaded, like so many mobile apps, nor does it interrupt, like Clippy. I simply can't fault the good intentions, nor can I really think of anything in modern software that takes this approach to user-friendliness. The remainder of the screen is devoted to your writing and works like any other word processor you've used. Just type, move the cursor with the arrow keys, and type some more. I think most writers will find it behaves "as expected." There are no Electric Pencil -style over-type surprises, nor VisiCalc -style arrow key manipulations. What seems to have happened is that in making a word processor that is easy for children to use, they accidentally made a word processor that is just plain easy. The basic functionality is drop-dead simple to pick up by just poking around, but there's quite a bit more to learn here. To do so, we have a few options for getting to know Bank Street Writer in more detail. There are two manuals by virtue of the program's educational roots. Bank Street Writer was published by both Broderbund (for the home market) and Scholastic (for schools). Each tailored their own manual to their respective demographic. Broderbund's manual is cleanly designed, easy to understand, and gets right to the point. It is not as "child focused" as reviews at the time might have you believe. Scholastic's is more of a curriculum to teach word processing, part of the 80s push for "computers in the classroom." It's packed with student activities, pages that can be copied and distributed, and (tellingly) information for the teacher explaining "What is a word processor?" Our other option for learning is on side 2 of the main program disk. Quite apart from the program proper, the disk contains an interactive tutorial. I love this commitment to the user's success, though I breezed through it in just a few minutes, being a cultured word processing pro of the 21st century. I am quite familiar with "menus" thank you very much. As I mentioned at the top, the screen is split into two areas: prompt and writing. The prompt area is fixed, and can neither be hidden nor turned off. This means there's no "full screen" option, for example. The writing area runs in high-res graphics mode so as to bless us with the gift of an 80-character wide display. Being a graphics display also means the developer could have put anything on screen, including a ruler which would have been a nice formatting helper. Alas. Bank Street offers limited preference settings; there's not much we can do to customize the program's display or functionality. The upshot is that as I gain confidence with the program, the program doesn't offer to match my ability. There is one notable trick, which I'll discuss later, but overall there is a missed opportunity here for adapting to a user's increasing skill. Kids do grow up, after all. As with Electric Pencil , I'm writing this entirely in Bank Street Writer . Unlike the keyboard/software troubles there, here in 128K Apple //e world I have Markdown luxuries like . The emulator's amber mode is soothing to the eyes and soul. Mouse control is turned on and works perfectly, though it's much easier and faster to navigate by keyboard, as God intended. This is an enjoyable writing experience. Which is not to say the program is without quirks. Perhaps the most unfortunate one is how little writing space 128K RAM buys for a document. At this point in the write-up I'm at about 1,500 words and BSW's memory check function reports I'm already at 40% of capacity. So the largest document one could keep resident in memory at one time would run about 4,000 words max? Put bluntly, that ain't a lot. Splitting documents into multiple files is pretty much forced upon anyone wanting to write anything of length. Given floppy disk fragility, especially with children handling them, perhaps that's not such a bad idea. However, from an editing point of view, it is frustrating to recall which document I need to load to review any given piece of text. Remember also, there's no copy/paste as we understand it today. Moving a block of text between documents is tricky, but possible. BSW can save a selected portion of text to its own file, which can then be "retrieved" (inserted) at the current cursor position in another file. In this way the diskette functions as a memory buffer for cross-document "copy/paste." Hey, at least there is some option available. Flipping through old magazines of the time, it's interesting just how often Bank Street Writer comes up as the comparative reference point for home word processors over the years. If a new program had even the slightest whiff of trying to be "easy to use" it was invariably compared to Bank Street Writer . Likewise, there were any number of writers and readers of those magazines talking about how they continued to use Bank Street Writer , even though so-called "better" options existed. I don't want to oversell its adoption by adults, but it most definitely was not a children-only word processor, by any stretch. I think the release of Plus embraced a more mature audience. In schools it reigned supreme for years, including the Scholastic-branded version of Plus called Bank Street Writer III . There were add-on "packs" of teacher materials for use with it. There was also Bank Street Prewriter , a tool for helping to organize themes and thoughts before committing to the act of writing, including an outliner, as popularized by ThinkTank . (always interesting when influences ripple through the industry like this) Of course, the Scholastic approach was built around the idea of teachers having access to computers in the classroom. And THAT was build on the idea of teachers feeling comfortable enough with computers to seamlessly merge them into a lesson-plan. Sure, the kids needed something simple to learn, but let's be honest, so did the adults. There was a time when attaching a computer to anything meant a fundamental transformation of that thing was assured and imminent. For example, the "office of the future" (as discussed in the Superbase post ) had a counterpart in the "classroom of tomorrow." In 1983, Popular Computing said, "Schools are in the grip of a computer mania." Steve Jobs took advantage of this, skating to where the puck would be, by donating Apple 2s to California schools. In October 1983, Creative Computing did a little math on that plan. $20M in retail donations brought $4M in tax credits against $5M in gross donations. Apple could donate a computer to every elementary, middle, and high school in California for an outlay of only $1M. Jobs lobbied Congress hard to pass a national version of the same "Kids Can't Wait" bill, which would have extended federal tax credits for such donations. That never made it to law, for various political reasons. But the California initiative certainly helped position Apple as the go-to system for computers in education. By 1985, Apple would dominate fully half of the education market. That would continue into the Macintosh era, though Apple's dominance diminished slowly as cheaper, "good enough" alternatives entered the market. Today, Apple is #3 in the education market, behind Windows and Chromebooks . It is a fair question to ask, "How useful could a single donated computer be to a school?" Once it's in place, then what? Does it have function? Does anyone have a plan for it? Come to think of it, does anyone on staff even know how to use it? When Apple put a computer into (almost) every school in California, they did require training. Well, let's say lip-service was paid to the idea of the aspiration of training. One teacher from each school had to receive one day's worth of training to attain a certificate which allowed the school to receive the computer. That teacher was then tasked with training their coworkers. Wait, did I say "one day?" Sorry, I meant about one HOUR of training. It's not too hard to see where Larry Cuban was coming from when he published Oversold & Underused: Computers in the Classroom in 2001. Even of schools with more than a single system, he notes, "Why, then, does a school's high access (to computers) yield limited use? Nationally and in our case studies, teachers... mentioned that training in relevant software and applications was seldom offered... (Teachers) felt that the generic training available was often irrelevant to their specific and immediate needs." From my perspective, and I'm no historian, it seems to me there were four ways computers were introduced into the school setting. The three most obvious were: I personally attended schools of all three types. What I can say the schools had in common was how little attention, if any, was given to the computer and how little my teachers understood them. An impromptu poll of friends aligned with my own experience. Schools didn't integrate computers into classwork, except when classwork was explicitly about computers. I sincerely doubt my time playing Trillium's Shadowkeep during recess was anything close to Apple's vision of a "classroom of tomorrow." The fourth approach to computers into the classroom was significantly more ambitious. Apple tried an experiment in which five public school sites were chosen for a long-term research project. In 1986, the sites were given computers for every child in class and at home. They reasoned that for computers to truly make an impact on children, the computer couldn't just be a fun toy they occasionally interacted with. Rather, it required full integration into their lives. Now, it is darkly funny to me that having achieved this integration today through smartphones, adults work hard to remove computers from school. It is also interesting to me that Apple kind of led the way in making that happen, although in fairness they don't seem to consider the iPhone to be a computer . America wasn't alone in trying to give its children a technological leg up. In England, the BBC spearheaded a major drive to get computers into classrooms via a countrywide computer literacy program. Even in the States, I remember watching episodes of BBC's The Computer Programme on PBS. Regardless of Apple's or the BBC's efforts, the long-term data on the effectiveness of computers in the classroom has been mixed, at best, or even an outright failure. Apple's own assessment of their "Apple Classrooms of Tomorrow" (ACOT) program after a couple of years concluded, "Results showed that ACOT students maintained their performance levels on standard measures of educational achievement in basic skills, and they sustained positive attitudes as judged by measures addressing the traditional activities of schooling." Which is a "we continue to maintain the dream of selling more computers to schools" way of saying, "Nothing changed." In 2001, the BBC reported , "England's schools are beginning to use computers more in teaching - but teachers are making "slow progress" in learning about them." Then in 2015 the results were "disappointing, "Even where computers are used in the classroom, their impact on student performance is mixed at best." Informatique pour tous, France 1985: Pedagogy, Industry and Politics by Clémence Cardon-Quint noted the French attempt at computers in the classroom as being, "an operation that can be considered both as a milestone and a failure." Computers in the Classrooms of an Authoritarian Country: The Case of Soviet Latvia (1980s–1991) by Iveta Kestere, Katrina Elizabete Purina-Bieza shows the introduction of computers to have drawn stark power and social divides, while pushing prescribed gender roles of computers being "for boys." Teachers Translating and Circumventing the Computer in Lower and Upper Secondary Swedish Schools in the 1970s and 1980 s by Rosalía Guerrero Cantarell noted, "the role of teachers as agents of change was crucial. But teachers also acted as opponents, hindering the diffusion of computer use in schools." Now, I should be clear that things were different in the higher education market, as with PLATO in the universities. But in the primary and secondary markets, Bank Street Writer 's primary demographic, nobody really knew what to do with the machines once they had them. The most straightforwardly damning assessment is from Oversold & Underused where Cuban says in the chapter "Are Computers in Schools Worth the Investment?", "Although promoters of new technologies often spout the rhetoric of fundamental change, few have pursued deep and comprehensive changes in the existing system of schooling." Throughout the book he notes how most teachers struggle to integrate computers into their lessons and teaching methodologies. The lack of guidance in developing new ways of teaching means computers will continue to be relegated to occasional auxiliary tools trotted out from time to time, not integral to the teaching process. "Should my conclusions and predictions be accurate, both champions and skeptics will be disappointed. They may conclude, as I have, that the investment of billions of dollars over the last decade has yet to produce worthy outcomes," he concludes. Thanks to my sweet four-drive virtual machine, I can summon both the dictionary and thesaurus immediately. Put the cursor at the start of a word and hit or to get an instant spot check of spelling or synonyms. Without the reality of actual floppy disk access speed, word searches are fast. Spelling can be performed on the full document, which does take noticeable time to finish. One thing I really love is how cancelling an action or moving forward on the next step of a process is responsive and immediate. If you're growing bored of an action taking too long, just cancel it with ; it will stop immediately . The program feels robust and unbreakable in that way. There is a word lookup, which accepts wildcards, for when you kinda-sorta know how to spell a word but need help. Attached to this function is an anagram checker which benefits greatly from a virtual CPU boost. But it can only do its trick on single words, not phrases. Earlier I mentioned how little the program offers a user who has gained confidence and skill. That's not entirely accurate, thanks to its most surprising super power: macros. Yes, you read that right. This word processor designed for children includes macros. They are stored at the application level, not the document level, so do keep that in mind. Twenty can be defined, each consisting of up to 32 keystrokes. Running keystrokes in a macro is functionally identical to typing by hand. Because the program can be driven 100% by keyboard alone, macros can trigger menu selections and step through tedious parts of those commands. For example, to save our document periodically we need to do the following every time: That looks like a job for to me. 0:00 / 0:23 1× Defining a macro to save, with overwrite, the current file. After it is defined, I execute it which happens very quickly in the emulator. Watch carefully. If you can perform an action through a series of discrete keyboard commands, you can make a macro from it. This is freeing, but also works to highlight what you cannot do with the program. For example, there is no concept of an active selection, so a word is the smallest unit you can directly manipulate due to keyboard control limitations. It's not nothin' but it's not quite enough. I started setting up markdown macros, so I could wrap the current word in or for italic and bold. Doing the actions in the writing area and noting the minimal steps necessary to achieve the desired outcome translated into perfect macros. I was even able to make a kind of rudimentary "undo" for when I wrap something in italic but intended to use bold. This reminded me that I haven't touched macro functionality in modern apps since my AppleScript days. Lemme check something real quick. I've popped open LibreOffice and feel immediately put off by its Macros function. It looks super powerful; a full dedicated code editor with watched variables for authoring in its scripting language. Or is it languages? Is it Macros or ScriptForge? What are "Gimmicks?" Just what is going on? Google Docs is about the same, using Javascript for its "Apps Script" functionality. Here's a Stack Overflow post where someone wants to select text and set it to "blue and bold" with a keystroke and is presented with 32 lines of Javascript. Many programs seem to have taken a "make the simple things difficult, and the hard things possible" approach to macros. Microsoft Word reportedly has a "record" function for creating macros, which will watch what you do and let you play back those actions in sequence. (a la Adobe Photoshop's "actions") This sounds like a nice evolution of the BSW method. I say "reportedly" because it is not available in the online version and so I couldn't try it for myself without purchasing Microsoft 365. I certainly don't doubt the sky's the limit with these modern macro systems. I'm sure amazing utilities can be created, with custom dialog boxes, internet data retrieval, and more. The flip-side is that a lot of power has has been stripped from the writer and handed over to the programmer, which I think is unfortunate. Bank Street Writer allows an author to use the same keyboard commands for creating a macro as for writing a document. There is a forgotten lesson in that. Yes, BSW's macros are limited compared to modern tools, but they are immediately accessible and intuitive. They leverage skills the user is already known to possess . The learning curve is a straight, flat line. Like any good word processor, user-definable tab stops are possible. Bringing up the editor for tabs displays a ruler showing tab stops and their type (normal vs. decimal-aligned). Using the same tools for writing, the ruler is similarly editable. Just type a or a anywhere along the ruler. So, the lack of a ruler I noted at the beginning is now doubly-frustrating, because it exists! Perhaps it was determined to be too much visual clutter for younger users? Again, this is where the Options screen could have allowed advanced users to toggle on features as they grow in comfort and ambition. From what I can tell in the product catalogs, the only major revision after this was for the Macintosh which added a whole host of publishing features. If I think about my experience with BSW these past two weeks, and think about what my wish-list for a hypothetical update might be, "desktop publishing" has never crossed my mind. Having said all of that, I've really enjoyed using it to write this post. It has been solid, snappy, and utterly crash free. To be completely frank, when I switched over into LibreOffice , a predominantly native app for Windows, it felt laggy and sluggish. Bank Street Writer feels smooth and purpose-built, even in an emulator. Features are discoverable and the UI always makes it clear what action can be taken next. I never feel lost nor do I worry that an inadvertent action will have unknowable consequences. The impression of it being an assistant to my writing process is strong, probably more so than many modern word processors. This is cleanly illustrated by the prompt area which feels like a "good idea we forgot." (I also noted this in my ThinkTank examination) I cannot lavish such praise upon the original Bank Street Writer , only on this Plus revision. The original is 40-columns only, spell-checking is a completely separate program, no thesaurus, no macros, a kind of bizarre modal switch between writing/editing/transfer modes, no arrow key support, and other quirks of its time and target system (the original Apple 2). Plus is an incredibly smart update to that original, increasing its utility 10-fold, without sacrificing ease of use. In fact, it's actually easier to use, in my opinion than the original and comes just shy of being something I could use on a regular basis. Bank Street Writer is very good! But it's not quite great . Ways to improve the experience, notable deficiencies, workarounds, and notes about incorporating the software into modern workflows (if possible). AppleWin 32bit 1.31.0.0 on Windows 11 Emulating an Enhanced Apple //e Authentic machine speed (enhanced disk access speed) Monochrome (amber) for clean 80-column display Disk II controller in slot 5 (enables four floppies, total) Mouse interface in slot 4 Bank Street Writer Plus At the classroom level there are one or more computers. At the school level there is a "computer lab" with one or more systems. There were no computers. Hit (open the File menu) Hit (select Save File) Hit three times (stepping through default confirmation dialogs) I find that running at 300% CPU speed in AppleWin works great. No repeating key issues and the program is well-behaved. Spell check works quickly enough to not be annoying and I honestly enjoyed watching it work its way through the document. Sometimes there's something to be said about slowing the computer down to swift human-speed, to form a stronger sense of connection between your own work and the computer's work. I did mention that I used a 4-disk setup, but in truth I never really touched the thesaurus. A 3-disk setup is probably sufficient. The application never crashed; the emulator was rock-solid. CiderPress2 works perfectly for opening the files on an Apple ][ disk image. Files are of file extension, which CiderPress2 tries to open as disassembly, not text. Switch "Conversion" to "Plain Text" and you'll be fine. This is a program that would benefit greatly from one more revision. It's very close to being enough for a "minimalist" crowd. There are four, key pieces missing for completeness: Much longer document handling Smarter, expanded dictionary, with definitions Customizable UI, display/hide: prompts, ruler, word count, etc. Extra formatting options, like line spacing, visual centering, and so on. For a modern writer using hyperlinks, this can trip up the spell-checker quite ferociously. It doesn't understand, nor can it be taught, pattern-matching against URLs to skip them.

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Manuel Moreale 2 days ago

Karen

This week on the People and Blogs series we have an interview with Karen, whose blog can be found at chronosaur.us . Tired of RSS? Read this in your browser or sign up for the newsletter . The People and Blogs series is supported by Pete Millspaugh and the other 127 members of my "One a Month" club. If you enjoy P&B, consider becoming one for as little as 1 dollar a month. Hello! My name is Karen. I work in IT support for a large company’s legal department, and am currently working on my Bachelors in Cybersecurity and Information Assurance. I live near New Orleans, Louisiana, with my husband and two dogs - Daisy, A Pembroke Welsh Corgi, and Mia, a Chihuahua. Daisy is The Most Serious Corgi ever (tm), and Mia has the personality of an old lady who chain smokes, plays Bingo every week at the rec center, and still records her soap operas on a VHS daily. My husband is an avid maker (woodworking and 3D printing, mostly), video gamer, and has an extensive collection of board games that takes up the entire back wall of our livingroom. As for me, outside of work, I’m a huge camera nerd and photographer. I love film photography, and recently learned how to develop my own negatives at home! I also do digital - I will never turn my nose up at one versus the other. I’ve always been into assorted fandoms, and used to volunteer at local sci-fi/fantasy/comic conventions up to a few years ago. I got into K-Pop back in 2022, and am now an active participant in the local New Orleans fan community, providing Instax photo booth services for events. I’ve also hosted K-Pop events here in NOLA as well. My ult K-Pop group is ATEEZ, but I’m a proud multi fan and listen to whatever groups or music catch my attention, including Stray Kids, SHINee, and Mamamoo. I also love 80s and 90s alternative, mainly Depeche Mode, Nine Inch Nails, and Garbage. And yes, I may be named Karen but I refuse to BE a “Karen”. I don’t get upset when people use the term, I find it hilarious. So I have been blogging off and on since 2001 or so - back when they were still called “weblogs” and “online journals”. Originally, I was using LiveJournal, but even with a paid account, I wanted to learn more customization and make a site that was truly my own. My husband - then boyfriend - had their own server, and gave me some space on it. I started out creating sites in Microsoft Frontpage and Dreamweaver (BEFORE Adobe owned them!), and moved to using Greymatter blog software, which I loved and miss dearly. I moved to Wordpress in - 2004 maybe? - and used that for all my personal sites until 2024. I’d been reading more and more about the Indieweb for a while and found Bear , and I loved the simplicity. I’ve had sites ranging from a basic daily online journal, to a fashion blog, to a food blog, to a K-Pop and fandom-centric blog, to what it is today - my online space for everything and anything I like. I taught myself HTML and CSS in order to customize and create my sites. No classes, no courses, no books, no certifications, just Google and looking at other people’s sites to see what I liked and how they did it. My previous job before this one, I was a web administrator for a local marketing company that built sites using DNN and Wordpress, and I’m proud to say that I got that job and my current one with my self-developed skills and being willing to learn and grow. I would not be where I am today, professionally, if it wasn’t for blogging. I’ll be totally honest - I don’t have a writing process. I get inspiration from random thoughts, seeing things online, wanting to share the day-to-day of my life. I don’t draft or have someone proof read, I just type out what I feel like writing. When I had blogs focusing on specific things - plus size fashion and K-Pop, respectively - I kept a list of topics and ideas to refer back to when I was stuck for ideas. That was when I was really focused on playing the SEO and search engine algorithm game, though, where I was trying to stick to the “two-three posts a week” rule in an attempt to boost my search engine results. I don’t do that now. I do still have a list of ideas on my phone, but it’s nothing I am feeling FORCED to stick to. It’s more along the lines of that I had an idea while I was out, and wanted to note it so I don’t forget. Memory is a fickle thing in your late 40s, LOL. My space absolutely influences my mindset for writing. I prefer to write in the early morning, because my brain operates best then. (I know I am an exception to the rule by being an early bird.) I love weekend mornings when I can get up really early and settle into my recliner with my laptop and coffee, and just listen to some lofi music and just feel topics and ideas out. I also made my office/guest bedroom into a cozy little space, with a daybed full of soft blankets and fluffy pillows and cushions, and a lap desk. In all honesty, my preferred location to write is at a coffeeshop first thing in the morning. I love sitting tucked in a booth with a coffee and muffin, headphones on and listening to music, when the sun is just on the cusp of rising and the shop is still a little too chilly. That’s when the creative ideas light up the brightest and the synapses are firing on all cylinders. Currently, my site is hosted on Bear . I used to be a self-hosted Wordpress devotee, but in mid-late 2024, I got really tired of the bloat that the apps had become. In order to use it efficiently for me, I had to install entirely too many plugins to make it “simpler”. (Shout-out to the Indieweb Wordpress team, though - they work so hard on those plugins!) Of course, the more plugins you have, the less secure your site… My domain is registered through Hostinger . To write my posts, I use Bear Markdown Notes. I heard about this program after seeing a few others talking about using it for drafts, notes, etc. I honestly don’t think I’d change much! I really love using Bear Blog. It reminds me of the very old school LiveJournal days, or when I used Greymatter. It takes me back to the web being simpler, more straightforward, more fun. I also like Bear’s manifesto , and that he built the service for longevity . I would probably structure my site differently, especially after seeing some personal sites set up with more of a “digital garden” format. I will eventually adjust my site at some point, but for now, I’m fine with it. (That and between school and work, it’s kind of low on the priority list.) I purchased a lifetime subscription to Bear after a week of using it, which ran around $200 - I don’t remember exactly. I knew that I was going to be using the service for a while and thought I should invest in a place that I believed in. My Hostinger domain renewals run around $8.99 annually. My blog is just my personal site - I don’t generate any revenue or monetise in any way. I don’t mind when people monetize their site - it’s their site and they can do what they choose. As long as it’s not invading others’ privacy or harmful, I have absolutely no issue. Make that money however you like. Ooooh I have three really good suggestions for both checking out and interviewing! Binary Digit - B is kind of an influence for me to play with my site again. They have just this super cool and early 2000s vibe and style that I really love. Their site reminds me of me when I first started blogging, when I was learning new things and implementing what I thought was cool on my site, joining fanlistings, making new online friends. Kevin Spencer - I love Kevin’s writing and especially his photography. Not only that, he has fantastic taste in music. I’ve left many a comment on his site about 80s and 90s synthpop and industrial music. A Parenthetical Departure - Sylvia was one of the first sites I started reading when I started looking up info on Bear Blog. They are EXTREMELY talented and have an excellent knack for playing with design, and showing others how it works. One of my side projects is Burn Like A Flame , which is my local K-pop and fandom photography site. I actualy just started a project there that is more than slightly based on People and Blogs - The Fandom Story Project . I’m interviewing local fans to talk about what they love and what their feelings are on fandom culture now, and I’m accompanying that with a photoshoot with that person. It’s a way to introduce people to each other within the community. Two of my favorite YouTube channels that I have recently been watching are focused on fashion discussion and history - Bliss Foster and understitch, . If you like learning and listening to information on fashion, I highly recommend these creators. I know a TON of people have now seen K-Pop Demon Hunters (which I love, and the movie has a great message for not only kids, but adults). If you’ve seen this and are interested in getting into K-Pop, I suggest checking out my favorite group, ATEEZ. If you think that most K-Pop is all chirpy bubbly cutesy songs, let me suggest two by this group that aren’t what you’d expect: Guerrilla and Turbulence . I strongly suggesting watching without the translations, and then watching again with them. Their lyrics are the thing that really drew me into this group, and had me learning more about the deeper meaning behind a lot of K-Pop songs. And finally, THANK YOU to Manu for People and Blogs! I always find some really great new sites to check out after reading these interviews, and I am truly honored to be asked to join this list of great bloggers. It’s inspiring me to work harder on my blog and to post more often. Now that you're done reading the interview, go check the blog and subscribe to the RSS feed . If you're looking for more content, go read one of the previous 117 interviews . Make sure to also say thank you to Benny and the other 127 supporters for making this series possible.

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Harper Reed 2 days ago

Note #299

Happy Thanksgiving everyone. I appreciate you. Thank you for using RSS. I appreciate you. Email me

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ava's blog 3 days ago

it feels like a calling, finally

Content warning: Brief mentions of disordered eating habits. Whenever I am deeply and actively involved in my passion topic (data protection law), I don’t care about the superficial stuff anymore. Writing, researching, talking to others about it, attending events just completely takes me out of the usual thought spirals and needless worries and makes me feel so at peace, so happy. I mean the things that the internet is especially good at convincing you of, even if you aren’t on specific platforms or in certain bubbles; the things that drip down to you from elsewhere, seep through the barriers. Beauty standards, looksmaxxing, pretty privilege, the current emphasis on making money via your looks as a social media or OF career, the idea of a dating market, dating strategies and having to optimize your value and constantly self-improve. The hope that by leveraging looks and weird manipulative books on how to win people over, you’ll get further professionally, as people perceive you as more competent and trustworthy. You need to be perfect because if you can’t even take care of yourself, how will you handle anything else? Together with a lot of memes about how “that’s how ugly you look if you (negative behavior)”. The message is clear: If you are sick and/or ugly, something is wrong with you and it shows on the outside to warn everyone to stay away. Some girl putting on makeup is telling you what’s chic and not chic, creating fear that people will not choose you, will even exclude you for minor a faux-pas. Things like considering a jaw shave to make my face more symmetrical or moving my hairline or doing Invisalign or losing another 10kg or considering a fitness regime to develop visible abs… only pop up as a sort of static noise and circular obsessive thoughts when I am lonely and/or directionless, hopeless, lost, questioning my path, not engaging actively enough with what I love. Whenever I am fired up for my passion and engaging with it, I don’t care about my looks or my weight. All I care about is treating my body well so I can do more of what makes me happy, and serve that passion well, devote myself fully. It feels like my calling, it feels like something I want to give myself to entirely, like a farmer is giving themselves to their harvest completely (cringiest thing I have ever said on this blog, but I don't know how else to say it!). I no longer care about eating as little as possible, and trying to postpone it as long as possible, while choosing low cal options that are as filling as possible to cheat my body. Instead, I care about eating enough and at the right times so I can read complicated texts, write, analyze, learn, am able to follow a lecture, and feel stable enough to travel and make it somewhere. I value it as the fuel that it is, to keep this meat mechsuit going that enables me to do the things I do, together with exercise for strength, not calorie deficit. I cannot do my part if I'm dizzy and weak. I also stop obsessing about how fat or asymmetrical my face might look from an angle or while I smile. Instead, I care about what I develop inside, and what comes out of it; that my ideas and words are meaningful, true, helpful. I care about understanding things correctly, of being able to explain them well, and about being able to afford my dreams and goals (further education), not beauty. I finally get to focus on giving my cognitive power, my presence, my body for the cause, not the eye; because I feel like this is my mission, and to pursue my mission well, I can’t starve myself, I can’t prioritize risky elective procedures and recovery, I can’t withdraw out of fear of being perceived as ugly or weird when my desired field compels me to talk to people more knowledgeable than me and learn. It really is true that beauty standards hold us back so much, distract us, take bandwidth and focus away. It can be so hard to break through the fog of these thoughts that tell us to provide value with our bodies and not our thoughts and words. I’m not going to be a better expert at this topic by being underweight or having abs or a smaller cheek, so why waste time on it pretending these subtle changes will help my overall success? The work ahead is straightforward, and nothing of it involves beauty. The internet drastically overstates the importance of these things. I already have great grades, a great work ethic, readers, an amazing mentor, the drive and intelligence. All of that is much more important for my success and happiness than fixing superficial flaws that no one but me is really noticing. My body is already going through enough, it deserves better. Reply via email Published 27 Nov, 2025

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ava's blog 3 days ago

i need more freaks in law

'Freaks' is used affectionately here to describe all kinds of creatives, weirdos, misfits, outcasts, alternative individuals, leftists, queers, furries and all that in a loving way. Where I live, law has a reputation to be dry, boring, business oriented, full of ex-nobility and wealthy people, and it's not wrong. You'll find lots of well-off conservatives and neoliberals, apolitical people just there to make a big buck and to get clout, and people with some questionable sense of justice. Makes sense then that most people think you need to fit into that sort of group to be interested or have a good time in law: be boring, be professional, stone-faced, serious, rich, holier-than-thou, capitalism-lover, wear muted colors and perform gender and sexuality in the approved way, be straight-laced and rule-loving. But honestly, law needs the opposite! Law needs you. I miss you in law. I miss all you freaks. There is space for you here. Your perspective, your input, your boldness, your intelligence and creativity is needed. There is no need for you to boycott law altogether even though you see it critically. Even if you rightfully acknowledge that lots of law is there to protect wealthy interests, you do better if you understand it. These are still the rules we currently have to live under, which means you're better off understanding, analyzing and utilizing it rather than pretend it isn't there. You cannot protest and change what you do not understand. Moreover, your own need you. Oppressed groups need you. Consumers, tenants, workers, children all around the world need help with their rights, they need help getting explanations for what's happening to them and how they can fight back in the language that the state speaks. The environment needs you, privacy needs you. Law benefits so much from a critical analysis through a queer lens, an anti-capitalist or abolitionist lens - whatever you want. You don't have to be a judge, or an attorney, or a lawyer getting people and companies off the hook for terrible crimes, or getting more people into the prison system. You can instead use legal expertise to help in your local chapters or NGOs, you can work in consumer associations or tenants association, you can help with legal resources for disability rights and domestic violence. You can also work with anti-surveillance groups, with environmental justice groups or civil liberties and racial justice groups. You can become a legal journalist or write about law online on your blog. I miss you when I go to conferences and other law spaces and there's not a single freak, just a sea of old white men that smell like shoe polish and money, waxing poetic about what scummy pharmaceutical company they helped evade consequences. I miss you when I sit in lectures and my peers argue for why a mentally ill person stealing food in the supermarket should go to jail. I miss you when it's time to discuss transgender laws. You don't need to conform, you don't need to kiss ass. I'm here too, and I love data protection law. Reply via email Published 27 Nov, 2025

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Andre Garzia 3 days ago

My chocolate truffles recipe

# My Brigadeiro Recipe (chocolate truffles) This is a very traditional recipe from Brazil that is a staple of birthday parties all over the country. The ingredients are: * 1 tin of condensed milk (395g) * 1/2 of a cup of cream (100g) * 1/2 tablespoon of butter (15g) * 1 and a half tablespoon of cocoa powder (23g) Mix everything on a pan until they are well mixed. Turn the heat on in medium and mix until you can use a spatula to separate the mix and when it comes back together it folds from the top like a wave. Be aware that the mixture will rise in the pot before going down again. If you have oreos, you can make little bats for halloween as seen in the photo below. ![](/2025/11/img/3f29fa74-c6a2-45c0-8332-fa77772c25ab.jpg)

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Manuel Moreale 3 days ago

Dealgorithmed

TL;DR: I hate having spare time, and I decided to launch another newsletter called Dealgorithmed . Will start on January 1st, delivered every 1st and 15th of every month. It’s gonna be a discovery newsletter focused on the personal/independent/whimsical/indie web. I spent the last 15 years of my life working on the web, coding all sorts of sites for all sorts of people. Part of me loves the web, while another part of me hates what the web is becoming. One thing I refuse to do, though, is give up on it. This idea I see floating around that the web is dead and we should just give up the whole project and start from scratch makes absolutely no sense to me. Yes, a huge chunk of the web is unbearable to use at the moment. Yes, an enormous percentage of sites are impossible to navigate without ad blockers. And yes, AI is not making the situation any better and also yes, I am so goddamn tired of hearing AI talk nonstop everywhere all the time. All that is absolutely true. But that’s not all the web there is out there. The web is vast. It’s probably impossible to say with certainty how big it really is, but the Internet Archive recently celebrated 1 trillion pages archived . Yes, that’s trillion with a T. You know how long it would take to count to a trillion if you could count one number every single second without ever stopping? 31000 years. The fact that people keep browsing the same 3 sites, day after day, getting served content by algorithms controlled by 3 companies is such a shame. Because there is so much interesting content out there ready to be discovered. And discovering new content also means connecting with new people, getting exposed to new ideas, different cultures. That’s by far the best quality of the web if you ask me. The problem many people are facing is how to find that content, how to escape the algorithmic bubble. I think the only answer to that is curation. The vast majority of people on the web are lurkers which means someone has to spend time herding content and collecting it somewhere for others to consume. Over the years, I realised that it is probably the only reasonable contribution I can give to this cause. I’m already doing this with People and Blogs, slowly composing a list of people—and blogs—worth following and engaging with. And I’m also collecting content both on the blogroll and on the forest . If I already have these, why start something new you might be wondering. There’s a reason for this. Two actually. The first reason is that I hate having spare time, apparently. And if I have to burn myself to the ground in front of a screen, I might as well do it while doing something fun and useful. The second—and more serious—reason is that all those projects have some limitations. P&B moves slowly. It’s a weekly series, which means you’re discovering at most 5 new blogs a month. Yes, there are links on those interviews, but still, this is a slow-moving project. The forest and the blogroll, on the other hand, require intention. Those are sites you need to visit in order to discover new content, and we all know it’s a lot more convenient when content comes to you, rather than the other way around. Which is why I decided to start another newsletter. The goal with Dealgorithmed is to provide interesting content gathered from all around the web in a convenient package delivered in your inbox twice a month. Content that you can then use as a starting point for your own internet explorations. If all this sounds compelling to you, feel free to sign up . The first email should land in your inbox on January 1st. Thank you for keeping RSS alive. You're awesome. Email me :: Sign my guestbook :: Support for 1$/month :: See my generous supporters :: Subscribe to People and Blogs

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Jim Nielsen 4 days ago

Notes From an Interview With Jony Ive

Patrick Collison, CEO of Stripe, interviewed Jony Ive at Stripe Sessions . Below are my notes from watching the interview. I thought about packaging these up into a more coherent narrative, but I just don’t have the interest. However, I do want to keep these notes for possible reference later, so here’s my brain dump in a more raw form. On moving fast and breaking things: breaking stuff and moving on quickly leaves us surrounded by carnage. There’s an intriguing part in the interview where Ive reflects on how he obsessed over a particular detail about a cable’s packaging. He laughs at the story, almost seemingly embarrassed, because it seems so trivial to care about such a detail when he says it out loud. But Collison pushes him on it, saying there’s probably a utilitarian argument about how if you spend more time making the packaging right, some people mights save seconds of time and when you multiply that across millions of people, that's a lot of savings. But Collison presumes Ive isn’t interested in that argument — the numbers, the calculation, etc. — so there must be something almost spiritual about investing in something so trivial. Ive’s response: I believe that when somebody unwrapped that box and took out that cable, they thought “Somebody gave a shit about me.” I think that’s a nice sentiment. I do. But I also think there’s a counter argument here of: “They cared when they didn’t have to, but they were getting paid to spend their time that way. And now those who can pay for the result of that time spent get to have the feeling of being cared for.” Maybe that’s too cynical. Maybe what I’m getting at is: if you want to experience something beautiful, spend time giving a shit about people when you don’t stand to profit from it. To be fair, I think Ive hints at this with his use of “privilege” here: I think it’s a privilege if we get to practice and express our concern and care for one another [by making things for one another at work] People say products are a reflection of an organization’s communication structure. Ive argues that products are a function of the interpersonal relationships of those who make them: To be joyful and optimistic and hopeful in our practice, and to be that way in how we relate to each other and our colleagues, [is] how the products will end up. Ive talking about how his team practiced taking their design studio to someone’s house and doing their work there for a day: [Who] would actually want to spend time in a conference room? I can’t think of a more soulless and depressing place…if you’re designing for people and you’re in someone’s living room, sitting on their sofa or floor and your sketchbook is on their coffee table, of course you think differently. Of course your preoccupation, where your mind wanders, is so different than if you’re sitting in a typical corporate conference room. Everybody return to the office! Ive conveying an idea he holds that he can’t back up: I do believe, and I wish that I had empirical evidence What is the place for belief in making software? Ive speaks about how cabinet makers who care will finish the inside parts of the cabinet even if nobody sees them: A mark of how evolved we are as people is what we do when no one sees. It’s a powerful marker of who we truly are. If you only care about what's on the surface, then you are, by definition, superficial. Reply via: Email · Mastodon · Bluesky

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fLaMEd fury 4 days ago

Personal Websites Aren’t Dead

What’s going on, Internet? This post “ Personal Websites Are Dead ” has been making the rounds this week and it’s as dumb as it sounds. Naturally, I disagree. Strongly. “Personal websites are dying because platforms got better.” “Your Substack profile is a website.” The post boils down to this: platforms are easier, reach is outsourced, maintenance is annoying, and feeds have replaced homepages. Sure. But that’s not proof personal websites are obsolete. It’s proof most people stopped valuing ownership. The web didn’t change. People did. The tradeoff is simple. You either own your space or you rent one. Renting is convenient until the landlord changes the locks, rewrites the rules, or decides you don’t fit the algorithm today. A personal website isn’t about traffic spikes or “momentum”. It’s about autonomy. It’s about opting out of surveillance feeds, tracking, friction, and platform churn. It’s about having a corner of the internet that isn’t trying to convert, optimise, or harvest anything. If anything, the personal web movement shows the opposite of what this post shared on Medium (lol) claims. More people are tired of platform dependency. More people are building small, simple sites again. Not for reach. For identity. For community. For longevity. For personal archives and homes on the web that don’t disappear when a company pivots. Maintenance can be a burden depending on your skill level, but it’s all part of the craft. If someone finds updating a theme (easy example - I know) too hard, fine. But it’s not evidence the personal web is dying. It’s evidence they were never that invested in the web to begin with. Which brings me back to a question I keep asking: why isn’t making websites easier by now ? Personal websites aren’t dead. They’re just not fashionable. And that’s fine. The open web has always thrived on the people who keep publishing, keep tinkering, and keep owning their corner without needing permission. The future of the web doesn’t belong to platforms. It belongs to whoever shows up and keeps building. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.

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Where there is a wall

In Three Guineas , an essay that expands on her writing in A Room of One’s Own , Virginia Woolf responds to a letter asking her to lend her support to the effort to prevent war. She is writing in 1937, a moment when war is less an abstract notion than an insistent neighbor, knocking loudly on the door. She considers, in light of other requests made to her, whether or not education is an antidote to war-making. But in consulting history on the matter, she is forced to conclude the opposite: Need we collect more facts from history and biography to prove our statement that all attempt to influence the young against war through education they receive at universities must be abandoned? For do they not prove that education, the finest education in the world, does not teach people to hate force, but to use it? Do they not prove that education, far from teaching the educated generosity and magnanimity, makes them on the contrary so anxious to keep their possessions, that “grandeur and power” of which the poet speaks, in their own hands, that they will use not force but much subtler methods than force when they are asked to share them? And are not force and possessiveness very closely connected with war? Woolf writes of the refusal on the part of most university professors to teach at the women’s colleges, of the fact that the women’s colleges are beggarly compared to those of their brothers, that women are still largely precluded from entering the universities. That is, far from the open arms one might associate with an institution committed to generosity or magnanimity, the university seems to have the qualities of a locked door. What would become of women if they acquired the key? And the facts which we have just extracted from biography seem to prove that the professions have a certain undeniable effect upon the professors. They make the people who practice them possessive, jealous of any infringement on their rights, and highly combative if anyone dares dispute them. Are we not right then in thinking that if we enter the same professions we shall acquire the same qualities? And do not such qualities lead to war? It is hard not to read this in light of the present-day assault on universities, of their effusive capitulation to an authoritarian power, of the huge sums of money that make paying such bribes possible—and of the wars being fought daily across our cities and streets. And, yes, on the one hand, the attack on higher education is a crime and a terrible loss, both for the students and professors, the researchers and scientists who are trampled in the process, and for humanity at large, who will no longer benefit from their great work. But so, too, is it a loss that education became so high, so much an enormous business, a place of credentials and prestige, of status and repute, grandeur and power. Anything that grows high must build up ramparts to defend itself, and where there is a wall there is—one day or another—a war. View this post on the web , subscribe to the newsletter , or reply via email .

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A Room of One’s Own and Three Guineas

This pair of essays from Virginia Woolf explores women’s exclusion from the systems of education and work on two fronts: first by arguing that women’s creativity depends upon economic independence, and second—and perhaps more radically—by noting that their exclusion from the upper echelons of society affords women an opportunity to challenge the dangerous impulses towards possessiveness, domination, and war. A Room of One’s Own was written as women gained the right to suffrage in the UK; Three Guineas was written on the eve of World War II, as fascism spread across Europe. As a new fascist movement marches its way across multiple continents, Woolf’s writing is more trenchant than ever. View this post on the web , subscribe to the newsletter , or reply via email .

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Manifesto: AI (as a term and field) should subsume CS

In French the term “informatique” feels slightly better, as a label to describe the field, than “Computer Science” feels in English. But this is a rare occurrence for French, because most of the other terms, like “technologie de l’information”, and “science des données”, feel awkward and far from their “real” cultural counterpart, the thing in itself that we do, when we do it.

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Manuel Moreale 6 days ago

A moment in yet another memorial

There’s something unique about visiting WW memorials. I don’t even know how to explain it. It’s a strange mix of awe, sorrow, gratefulness, and many other feelings all bunched together. Thank you for keeping RSS alive. You're awesome. Email me :: Sign my guestbook :: Support for 1$/month :: See my generous supporters :: Subscribe to People and Blogs

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ava's blog 1 weeks ago

the superiority complex of the screen minimalist

During my decoupling from almost all online services and apps I had (2016-2018), I was prone to looking at the people around me with concern and judgment about their digital consumption. It was the typical sort of short-term enlightenment phase you get when you realize something big and change your life around. When you’re a hammer, everything looks like a nail, and because I was so freshly into deleting my social media and installing website/app blockers on my devices, every person on their phone in public was a consumerist victim addicted to the screen in my eyes. The prevalence of that view made it feel like a national emergency, a contagious disease ruining us all. Smugly, I looked around and thought: Wow, thank god I’m not a zombie anymore! I’m totally in control of my own thoughts and consumer behavior! I’m self-aware and no longer have my attention hijacked! As these people are on their phones endlessly scrolling, I’m reading a non-fiction physical book, which is so much more worthwhile and healthier for my brain and attention span! I still don’t have social media accounts, and I don’t even need any blockers anymore. My phone isn’t tempting me and neither is my laptop. I’m okay with my screentime . Since then, I have mellowed out. For one, it became the new normal, and also, I recognized that I made up stories in my head to feel superior to others. The truth is: By looking around, I don’t actually know what anyone else is doing. It’s just a baseless assumption in alignment with my own worldview, a self-serving one at that. While looking at their phone or tablet, others might be reading an e-book, studying, messaging a friend, doing their shopping list, journaling, making an appointment, searching for recipes, looking at maps or checking off a to-do list. While having their headphones in, they might be listening to a guided meditation, an audiobook or voice messages by friends, or just use noise-cancelling while nothing is playing, or use it as a deterrent for others to leave them alone. I can’t know that. And even if they aren’t, and they’re playing Subway Surfer or scrolling on TikTok while listening to music, I don’t care anymore. They don’t owe me the opposite, and they aren’t out in public to impress my opinionated ass. Why should they engage with only what I personally think is good? I will probably see about 10 minutes of this person’s life before never (knowingly) seeing them again, and it’s not nearly enough time to get an idea of their digital habits. Seeing them as someone who can’t sit with their own thoughts, a sort of addict, is an unfair view. In the end, the places where I noticed the most glued-to-the-phone-behavior were the most boring places known to man. What did I expect looking around in doctor’s waiting rooms and public transport? And why did I have to compare myself to them and come out on top? Why did I feel like rawdogging these moments with no entertainment would earn me a medal? Ohhh my god you didn’t check your phone so far today? Should we tell everyone? Should we throw a party? Should we invite Cal Newport? 1 Related: It may not just be the damn phone . Reply via email Published 21 Nov, 2025 Meme reference to Ohhhhh my god u only had a iced coffee to eat today? should we tell everyone? Should we throw a party?should we invite bella hadid ↩ Meme reference to Ohhhhh my god u only had a iced coffee to eat today? should we tell everyone? Should we throw a party?should we invite bella hadid ↩

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Thingness

I am thinking again about this notion of “self-sameness” that Byung-Chul Han talks about in The Disappearance of Rituals . He writes: For Hannah Arendt it is the durability of things that gives them their “relative independence from men [ sic ].” They “have the function of stabilizing human life.” Their “objectivity lies in the fact that…men, their ever-changing nature notwithstanding, can retrieve their sameness, that is, their identity, by being related to the same chair and the same table.” In life, things serve as stabilizing resting points. The table does not change—at least, it does not change at any time scale that is noticeable to the human who sits before it. I do not need to pay attention to the table, because nothing is happening with it that requires or even asks my attention. I can simply trust it. I can turn around and turn back, and even with my eyes on something else, I can reach for it and know it will be there, exactly where I left it. Screens, of course, lack any such sameness or stability. Screens are inconstant, unsame, unstable. A screen demands my attention—not only via the regular chirping of notifications, as hungry and unrelenting as a baby bird—but through that fundamental inconstancy: I know something may have changed since I last looked at it, know I cannot trust it to remain the same, to be steady or faithful. I must be vigilant towards a screen, always on alert, suspicious. And vigilance is exhausting. I will not add to the discourse about how we should spend less time with screens; you are as familiar with those patterns and arguments as anyone. I want to suggest instead that turning away from screens is turning towards something else. It is not an absence but a presence, not an empty hand but one with a hold on something solid and true. That is, a politics of refusal must be more than a closed door; it must be both a closing and an opening, both rejection and invitation. The refusal must contain its alternative, the other paths, the thing you are turning to while you turn away. And what you turn to must have that stabilizing presence, that thing ness, the restfulness of something you can trust. A rock that fits into your palm, a notebook, a bowl, a tree, a trail through the woods, a book (always a stack of books), a table, the chairs around it scraping the floor as your kin sit down to join you. View this post on the web , subscribe to the newsletter , or reply via email .

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HeyDingus 1 weeks ago

Grandma Beck

My maternal grandmother, Laureen Ann Beck, passed away recently. We had a memorial service for her yesterday, filled with family and friends. Here are the reflections of her that I shared at the service. Grandma Beck was a wonderful woman. Whenever I think of her, the first thing that comes to mind is her warmth. The fullness of her laugh. The tightness of her hugs. The fondness in her eyes as she looked at her husband, her daughters, and her grandkids. The second thing that comes to mind is her ruthlessness when it came to beating the pants off all of us when playing family board games. She had a wit sharp as anything — you had to in order to keep up with Grandpa — and deployed it masterfully. Once we knew the rules, Grandma didn’t give an inch whether we were playing Sorry , UNO , or Parcheesi . Parcheesi is still my favorite board game to this day, precisely because it still brings a smile to my face thinking back on the many evenings spent at the kitchen table at the Lake House — and how we used to beg Grandma to take it easy on us, and how we’d then laugh and laugh when she wouldn’t. To be fair, we never went easy on her, either. Heading down to Colon to see Grandma and Grandpa was always a treat growing up. Partly because it meant getting out of the normal routine and spending time with family that we didn’t see all that often. Partly because I loved getting out on the water, speeding along in the boat, on skis, or getting jetted out of the water tube when my Dad, Aunt Bobbi, or Grandpa were driving. But it was also a favorite time because of the food. Grandma always made a point of cooking our favorite meals when we were visiting. For me, of course, that was spaghetti. Her recipe is still the one that I love most in the world. I remember back when I was 8 or 9 years old and was spending some time with Grandma and Grandpa by myself for a few days, I was a little nervous to be that far from home on my own. But as soon as I walked in the front door and smelled the spaghetti simmering on the stove, I knew it was going to be a great time. She had remembered, and that meant so much to me. Now, I’ve never been one to love cooking, but when we were at the Lake House as a family, all the grandkids helped in the kitchen — and Grandma made it fun learning how to cook new dishes. Whether it was a grand Thanksgiving feast stretched across the dining room table, or simple sandwiches in the kitchen after getting off the water, mealtimes brought all of us together, which you could tell was always Grandma’s favorite time. She sure loved us, and made sure we felt it. But what I especially enjoyed was learning how to make pies from scratch with her and my mom. Pressing, kneading, and stretching the fresh dough took patience and skill. Two things that I didn’t have right away, which was frustrating, but still okay because Grandma never made us feel bad about not getting it quite right, and we got to eat the scraps of dough that didn’t make the cut for the crust. And then I could practice the next time — make it a little faster, a little tastier, with a little fancier weave on top. When I think about slowly getting better at a skill over a long period of time — something that I teach frequently in my career — I think about baking pies in that kitchen. Still, I never got the hang of crimping the edge quite as well as Grandma could. In her later years, the thing I enjoyed most when talking with Grandma was about the books she was reading. Grandma’s always been a voracious reader, but when she started listening to more audiobooks, it felt more like a shared activity. I’ve always adored listening to stories, and stayed up waaaaay too late listening to tape after tape of Harry Potter at the lowest volume possible on my bedroom boombox growing up. Talking to Grandma about all the different books she picked up from the library gave me a better appreciation for the breadth of her personal interests — and I was always tickled when a book she enjoyed overlapped with one that I liked too. It’s how I’ve enjoyed picturing her these last few years as mobility became more challenging — comfortable in her chair, eyes closed, but face obviously intent, listening to the next story. It’s what she’s probably doing now. Spending long-awaited quality time with Grandpa — telling and listening to stories of her family. I loved her, and I’ll miss her. As I know we all will. But we’ll remember her, each in our own way. For me, it’ll be when I eat spaghetti or bake a pie, when I start a new audiobook, or when I break out Parcheesi — which I brought with me in case anyone is up for a round later. I won’t go easy on you, because Grandma sure wouldn’t. HeyDingus is a blog by Jarrod Blundy about technology, the great outdoors, and other musings. If you like what you see — the blog posts , shortcuts , wallpapers , scripts , or anything — please consider leaving a tip , checking out my store , or just sharing my work. Your support is much appreciated! I’m always happy to hear from you on social , or by good ol' email .

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Heather Burns 1 weeks ago

Throwing the Flying Spaghetti Monster at the Wall

God has entered the UK chat.

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Manuel Moreale 2 weeks ago

Input diet

Two related pieces of writing are doing the loops in my head recently. The first is the editorial piece from Dense Discovery #361 —thank you Mattia for sending it to me—where Kay wrote We’ve normalised giving our attention almost exclusively to people who already have obscene amounts of influence. And we amplify them by watching. The power law in action: a few rise to the top, and we keep them there by never looking away. (...) Seeking out lesser-known voices isn’t just an act of cultural curation; it’s a philosophical stance, a refusal to let attention be the only metric that matters. Because the most interesting stuff usually happens on the margins. The topic of who is getting my attention these days is something I’m spending a lot of time thinking about. Because time and attention are a precious resource, one we probably take for granted way too often. A resource that’s been abused by the modern economy to the point where people seem unable to focus anymore, with the sole goal of selling us crap we likely don’t need. The other piece I’ve been thinking about is Ridgeline #217 , where Craig wrote: The modern smartphone, laden with the corporate ecosystem pulsing underneath its screen, robs us of this feeling, conspires to keep us from “true” fullness. The swiping, the news cycles, the screaming, the idiocy — if anything destroys a muse, it’s this. If anything keeps you locked into a fetid loop of looking, looking, and looking once more at the train wreck, it’s this. I find it impossible to feel fullness, even in the slightest, after having spent just a bit of a day in the thralls of the algorithms. The smartphone eradicates “space” in the mind. With that psychic loss of space, grace becomes impossible. You see the knock-on effects of this rippling out across the world politically. I’m starting to believe that a phoneless life is, for me, the ultimate goal. How to get there, that I don’t know, but I feel like it’s a worthy goal to pursue. And I think this goal is gonna be part of a broader push towards really curating the inputs in my life. By inputs, I mean everything I consume. Because I realised my mental health is deeply affected by what I consume, day after day. The books I read, the posts and blogs I scroll through, the news I ingest, the music I listen to. Everything contributes to how I feel, and I think I’m only now realising how much more strict and diligent I should be with my input diet. The other day, I reopened my RSS reader after my small break from media consumption, and I was both over- and underwhelmed. Overwhelmed because I follow quite a lot of blogs, and so there were thousands of posts waiting to be read in there. Underwhelmed because after a quick scroll through all those entries, I realised there wasn’t much I was genuinely excited to read. Which isn’t to say the content in there wasn’t interesting, quite the opposite. I follow a lot of people who write a lot of interesting content. But I realised it was not content that really resonates with me, at this point in my life. And I came to the realisation that the only reasonable thing to do is to start from scratch again. Remove everything and start adding back only the content I really want to consume. And in doing that, this time around, I should be a lot more deliberate, a lot more careful in what I add. Because now more than ever, in this age of infinite digital abundance, quality really is more important than quantity. Thank you for keeping RSS alive. You're awesome. Email me :: Sign my guestbook :: Support for 1$/month :: See my generous supporters :: Subscribe to People and Blogs

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Andre Garzia 2 weeks ago

Had a good time at Edinburgh Radical Book Fair

# Had a good time at Edinburgh Radical Book Fair Last weekend I went to [Edinburgh Radical Book Fair](https://lighthousebookshop.com/events/edinburghs-radical-book-fair-2025-ecosystems-of-change) with a friend and had a wonderful time. I was having a crap time before going and being there and seeing so much hope and energy for change made my spirit much better. ![](/2025/11/img/43688ec6-4ede-4bc2-a92e-ad1e89d8111f.jpg) It was good to see so many interesting books covering intersectional topics and cutting through so many hard challenges we face as a society. My favourite section was the anarchism corner I found tucked away with so many delightful little books. My mischievous grin could probably be seen from Glasgow as I browsed them all. In the end I grabbed three books. ![](/2025/11/img/f4def92d-430e-41ff-b675-a5f5cfc41dc8.jpg) I'm very keen on reading them all. I started with _After The Internet_ by Tiziana Terranova and am already in love with it even though I am barelly into the book. From the back blurb: > The internet is no more. If it still exists, it does so only as a residual technology, still effective in the present but less intelligible as such. After nearly two decades and a couple of financial crises, it has become the almost imperceptible background of today’s Corporate Platform Complex (CPC) — a pervasive planetary technological infrastructure that meshes communication with computation. In the essays collected in this book, Tiziana Terranova bears witness to this monstrous transformation. > > After the Internet is neither an apocalyptic lamentation nor a melancholic “rise and fall” story of betrayed great expectations. On the contrary, it looks within the folds of the recent past to unfold the potential futurities that the post-digital computational present still entails. This page was so good I wanted to highlight it all: > (the internet) It continues to exist, but interstitially, in ways that are almost hardly ever perceptible to those large and powerful entities that have overtaken it. Standards and protocols developed as part of the project of creating the internet as a public and open network still operate, but they are increasingly buried under a thick layer of corporate ones. The internet’s own native subcultures, such as those that formed in the 1980s and 1990s, have gone underground, assembling in the so-called dark web, in IRC chats, in some forums, in pirate file-sharing networks, in websites with no social plugins, in mesh networks and wikis, and maybe also in the chaotic informational milieus of some secure, encrypted, open source messaging apps. > > Reaching out with their data-mining tentacles, the new owners of the digital world have, as Marxists might say, subsumed the internet, that is, transmuted, encompassed, incorporated it, but not necessarily beaten or dissolved it. As a subsumed entity, the internet is not so much dead as undead, a ghostly presence haunting the Corporate Platform Complex with the specters of past hopes and potentials. Thus, whereby the CPC displays an increasing concentration of control, the specter of the internet persists as a much more muted, but perceptible aspiration towards an unprecedented distribution of the power to know, understand, coordinate and decide. Makes me want to dive again into decentralisation technologies and do some good FOSS work.

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