Posts in Writing (20 found)

Contentment is a spectrum, too

I am quite content to be alone except on a mild evening at twilight. During the quick hours of the day I am busy. Busy with things I enjoy doing, for the most part. Or busy with people I enjoy being around. I count myself among the luckiest alive. During the night I am dreaming. Night is dreaming time whether I am asleep or awake. The dreams are all mine. I stretch out in the bed and in my mind. I  never had such space before. Even in my childhood, my dreams were so small, so bordered. Always tied to some other person, some predetermined identity, some set of standards to uphold. Now my dreams and I can wander at will. For this spaciousness, this freedom, I gladly pay the price of whatever loneliness may peek over the headboard or rattle in the closet. I don’t mean fantasies, here. Though the physical need for another person, another body, is real and present. That’s just a fact of being human, for most of us.  Not loneliness so much as lust. I handle both with the means at hand, and am largely content. But twilight comes. On a cold winter day, twilight enhances the coziness of my space, my routine, the comforts of my home and children and friends and hobbies. I can make a pot of stew and dance in the kitchen and get lost in a book and there are no emotions to navigate but my own. This is a peace I do not take lightly. But twilight comes. Twilight comes on a day when the windows are open and the light is mellow. The sunset streaks of gray and orange and blue linger behind a row of trees. I want to turn to someone and say, Look. The music filters through an open door as a bird sings. I want to turn to someone and say, Listen. I want to let this awe and gratitude bubble out and be seen for a moment by another person before it lifts up and away and disappears, as all things do. I want to be a point of reflection for someone else’s awe and wonder. Or pain. We all contain multitudes. Contentment is a spectrum. As is loneliness. I have been together and I have been alone. Loneliness is part of both experiences but it has different flavors. I have been together and I have been alone. Contentment is part of both experiences but it too has different flavors. We have to decide, each moment, what problem we are solving. Sometimes we get so busy solving the problem of loneliness, or lust, or ambition, or insecurity, or sadness, or fear, that we don’t see the larger context. Our larger context, our story, in which this one emotion, this one want , is but a single piece. A significant one, perhaps. But not the wholeness of our being. I want to fold things in, not push them away.

0 views
ava's blog Yesterday

are you out of touch?

In Mina Le's latest video, she quotes Adam Aleksic about quitting or severely reducing social media and phone use: " For one, it's the equivalent of sticking your head in the sand and pretending like the algorithm doesn't exist. Whether you like it or not, our culture is still being shaped by these platforms, and they won't go away by themselves. All of our music and fashion aesthetics are either defined by or against the algorithm, which means that even the "countercultural" tastes of the No Phone People are necessarily influenced by it. Engaging with algorithmic media - in a limited, deliberate manner - is thus important to understanding your experience in society as a whole. Not engaging, meanwhile, makes you vulnerable to being blindsided by sudden social or political shifts. Each Reddit argument and YouTube comment war is an epistemic basis for understanding the current state of cultural discourse. If you ignore those, you lose touch with reality as most people experience it. " I can see why he'd think that, and maybe to a small part I can understand. We feel out of control about our screen behavior at times, and we expect drastic changes from drastic measures, when a bit more nuance could be more helpful. But in my view, the importance of social media in staying culturally in touch is completely overstated. People still go outside! People go to work, to university, to school, to their clubs and other responsibilities or hobby spaces. They talk to their friends, family, superiors and acquaintances and they see what people vote for locally. They see the banners, flags, posters and stickers in their area. They witness what the strangers on the sidewalk, in cafes, restaurants, public transport and other spaces talk about. The quote, on the other hand, acts as if people's only connection to others or the outside world in general is through their phone, which is nuts. No one is blinded by a cultural shift for not having social media unless they also do not interact with anyone outside of their home. Not everyone in your real life is part of "your bubble". Plenty of us have family members, peers or coworkers with wildly different views that we still interact with. Yes, these are mass platforms where tons of content gets created, and music snippets, memes and viral moments have shaped our time and memories of specific years, don't get me wrong - but this ignores that a lot of the accounts are simply lurkers who do not contribute at all. Many have a very weak output that has no impact at all (or no lasting one), or they create on a private, locked down profile for people they approved. For every area, country, and even globally, there are a few hundred creators who truly shape culture, but they do so in a way that either transcends the online, or stays only making a local impact no one else outside is missing out on. The view also doesn't take into account how sturdy algorithmic bubbles now seem to be. What some see as a huge trend online is actually something small in the grand scheme of things, and it's something their friend hasn't even seen, despite otherwise living in the same area and having tastes. You can be on social media and still "miss out" on whatever Adam means; you can also be off of social media and your friends will send you (or screen record for you) funny posts and short-form videos from Tumblr, Tiktok, X and more anyway. News outlets and publications like 404media pick up internet drama and memes as well, and commentary/video essay YouTubers like Hannah Alonzo, Kiki Chanel, Brooke Sharks, Becauseimmissy and more show and break down viral videos and creators and give more insight what's going on socially and culturally in 40-90 minute long videos. This is far more valuable to me (and the attention span, I guess!) than just seeing the original video on a feed. It contextualizes a lot of videos under a shared topic, identifies a pattern, and tends to be published a few weeks later, only giving time to things that truly lasted a while or were blowing up. It's an amazing filter, and you do not need to have any accounts or spend hours of time on a feed that makes you sad and harvests your data if you don't want to. You don't even need a phone to consume all that - you can do it on a cheap laptop, if you want to. I disagree with the notion that it is culturally important to be very aware of what goes on in comment sections. They are notoriously filled with inflammatory trash because it is easier to fire off a comment than to write an email or write a long-form blog post about it. People comment on things without opening the link or fully reading the post, and just read the title, rushing to be the first ones to comment and get more engagement. Comment sections also suffer from the usual review bias, where people usually only feel the need to comment if they feel strongly about something (usually negatively). That means the impression you'll get from these will be very skewed towards the loud, often abrasive minority and their upvoters. As things that make you feel strongly get more engagement, feeds get distorted and comments asking for the most extreme consequences or showing the most extreme view get catapulted to the top visually. While the websites and many of the commenters skew towards focusing on US culture and issues, it also skews towards the American lens on things. If you really want to be in touch with culture (especially if you do not live in the US), you cannot base your cultural understanding on these! In a way, this quote reads to me like an addict justifying why they should stay; like a smoker who says they need the breaks to rest and socialize, or the alcoholic who says they need the bar to socialize and the drinks to loosen up, as "social lubricant". Lots of culture and tradition in my country involves alcohol, yet I don't drink, and the disadvantages of that have yet to show. It's important to note that social media is Adam Aleksic's job . He gets his success from his short-form content on TikTok. It will never be in the interest of people in that industry for others to log off or stop consuming. His job necessitates that he posts frequently, stays up to date, consumes the feed and jumps on any trend he can, even if it's just the latest slang word explained through an etymologist's lens. Content creators also have to, at times, overstate their importance and impact to justify it all - the sums of money, the dark patterns, money off of unethical platforms, or spending so much time in front of a screen, some even essentially living a lie for content. It's all supposed to be worth something, to be for the common good, be done for the people, and immortalize... something , I guess. In my view, not everyone needs to experience everything firsthand or be directly knowledgeable about everything. It's better that way, even. You can always rely on articles, long-form video essays accessible without accounts, and podcasts from different sources, or simple conversations with others to keep you updated on stuff that's not on your radar. If it's important enough it will make your way to you, filtered and curated in a way that makes sense to you and focuses on what is truly important to you. If you want to know more, you are free to research and dive deeper. But it will always be impossible for you to be aware of everything. I do not need to know about the latest looksmaxxing trend that will vanish in a month, but I do care about how influencers consistently normalize overconsumption and how it is done. Others seeing it for me and sparking a conversation about it is how I was still able to write this without having an account on any of the big platforms. I know it can be scary to suddenly feel like you do not understand internet culture or memes anymore, but being less in touch about youth culture is a normal part of getting older, and the speed at which we go through trends and viral content has increased massively. Most things you do not understand right now that make you question whether it was the right choice to leave some socials behind is something you will never hear about again. You'll see what stands the test of time and what doesn't. The full piece is here , if you are interested in the quote's context. Reply via email Published 09 Feb, 2026

0 views
HeyDingus 2 days ago

7 Things This Week [#182]

A weekly list of interesting things I found on the internet, posted on Sundays. Sometimes themed, often not. 1️⃣ Jose Munoz has a good tip for not getting sucked into doom-scrolling apps by Siri Suggestions in Search and the App Library: simply hide them from those areas. [ 🔗 josemunozmatos.com ] 2️⃣ I love a good stats-based pitch. Herman provides one for the benefits of morning exercise. [ 🔗 herman.bearblog.dev ] 3️⃣ Jason Fried explains a clever design detail about the power reserve indicator on a mechanical watch. [ 🔗 world.hey.com ] 4️⃣ I found myself nodding along to Chris Coyier’s list of words you should probably avoid using in your writing. [ 🔗 css-tricks.com ] 5️⃣ I spent a surprising amount of time recently perusing the depths of Louie Mantia’s portfolio and blog after reading his People & Blogs interview . He’s worked on so many cool things, lots of which have touched my life. [ 🔗 lmnt.me ] 6️⃣ Robert Birming made me feel a little better about my less-than-tidy house. [ 🔗 robertbirming.com ] 7️⃣ I’m not going to buy it, but I’m certainly intrigued by this tiny eReader that attaches via MagSafe onto the back of your phone. I love my Kobo, but it so often gets left behind. This would be a remedy. [ 🔗 theverge.com ] Thanks for reading 7 Things . If you enjoyed these links or have something neat to share, please let me know . And remember that you can get more links to internet nuggets that I’m finding every day by following me @jarrod on the social web. HeyDingus is a blog by Jarrod Blundy about technology, the great outdoors, and other musings. If you like what you see — the blog posts , shortcuts , wallpapers , scripts , or anything — please consider leaving a tip , checking out my store , or just sharing my work. Your support is much appreciated! I’m always happy to hear from you on social , or by good ol' email .

0 views
Manuel Moreale 3 days ago

Step aside, phone

I was chatting with Kevin earlier today, and since he’s unhappy with his mindless phone usage , I proposed a challenge to him: for the next 4 weeks, each Sunday, we’re gonna publish screenshots of our screen time usage as well as some reflections and notes on how the week went. If you also want to cut down on some of your phone usage, feel free to join in; I’ll be happy to include links to your posts. I experimented with phone usage in the past and I know that I can push screen time usage very low , but it’s always nice to do these types of challenges, especially when done to help someone else. Like Kevin, I’m also trying to read more. I read 35 books last year , the goal for 2026 is to read 36 (currently more than halfway through book number 5), and so I’m gonna attempt to spend more time reading on paper and less on screen. It’s gonna be fun, curious to see how low I can push my daily averages this time around. Thank you for keeping RSS alive. You're awesome. Email me :: Sign my guestbook :: Support for 1$/month :: See my generous supporters :: Subscribe to People and Blogs

0 views
Manuel Moreale 4 days ago

Frances

This week on the People and Blogs series we have an interview with Frances, whose blog can be found at francescrossley.com . Tired of RSS? Read this in your browser or sign up for the newsletter . The People and Blogs series is supported by Minsuk Kang and the other 122 members of my "One a Month" club. If you enjoy P&B, consider becoming one for as little as 1 dollar a month. Hello! I’m Frances, I live in the East Midlands in the UK with my wife, back in my hometown to be near my family. I like stories, spending lots of time outside, history, and being an aunt. Right now I’m into zines, playing more ttrpgs, reading lots of biographies, and am going to take some letterpress printing classes. This year I am looking forward to camping, more reading projects, outdoor swimming, and feeding all the neighbourhood slugs with my garden veg. Just generally I’m interested in creativity, learning, fun projects, and trying new things, then blogging about it. I work in the voluntary sector and adult education, and am training to be a mental health counsellor. In February 2025 I got into an enthusiasm about the indie web. I’ve been messing around on the internet since 2000 when I started making geocities sites. There have been many different blogs and sites since then but nothing for the past few years. I really wanted to get among it and I went from looking at some Neocities sites to having my blog up and running within hours. Since then I've had fun adding more stuff to my site, and tweaking things, but no major changes. It took a while to settle into a rhythm - which is upbeat, chatty, 250-ish words, three to five times a week. Now I'm really happy with how it's going and it feels like I’ve only just gotten started. I love emailing with people, taking part in blog carnivals, and so on. Mostly ideas come from or are about books I'm reading, little projects I'm doing, tv and films, other people's posts, conversations with my niblings, rabbit holes I'm going down, and stuff I enjoy. Writing helps me think, possibly writing is how I think. I try to stay positive and to write posts that are hopefully fun for other people to read. It’s very off-the-cuff when ideas come up and I put them in a draft, even just a sentence of an idea. There's always a few posts on the go at any one time and they usually get posted within a week. I like a choice of things to be working on - which is true of most stuff, not just blog posts. Some posts like my link roundups or lists of things I've been enjoying are added to over time, then posted when they get to a good length. I've been experimenting with ‘theme’ weeks or series, which has been great fun so far. I do think the physical space influences creativity. To keep my battery charged I need to be exposed to new ideas: reading, going to a museum, looking at art, doing things. I’ve spent years training myself out of the idea I have to be in the ideal creative environment or state in order to write. I'll write queueing at the shops or on the bus, perfectly happily. It’s more about being able to write whenever I have time or ideas. Ideally, I’d be in a field. I am almost always listening to music though. There is deliberately very little in the way of a tech stack. I use Bear Blog, which I love very much. My domains are with Namecheap. That’s it. I didn’t want anything to complicate getting started when I was in that enthusiasm. I’m mostly on my phone or tablet so it was essential I could write, post, and fiddle, really do everything, without needing my laptop. I don’t even draft elsewhere - I write directly into the Bear Blog editor because I believe in living dangerously. No backups, we die like men. Honestly, no. I made decisions - the platform, to use my name - and I could have made them differently but I stand by them. Those are just details - writing, thinking, sharing, contributing, and connecting with people are the real focus. I’ve got an annual paid plan for Bear Blog which is about £40 a year plus my domain name is about £12 a year. It does not generate revenue and I don’t want or need it to. People can do whatever they like with their personal blogs and I will contribute to a tip jar, buy people’s books or zines, and so on, whenever I can. This is the toughest question! So many great blogs. Just a few, and I’d love to see any of them interviewed: mɛ̈rmɛ̈r , Sylvia at A parenthetical departure , Ruth at An Archaeopteryx , Ním's memex , Paul Graham Raven at Velcro City Tourist Board , Gabrielle de la Puente and Zarina Muhammad at The White Pube , and Paul Watson at The Lazarus Corporation . I’m just a big fan of everyone out here rewilding the web with fun blogs, sites, and projects. Including everything you do, Manu, with your blog, People and Blogs, and Dealgorithmed. Thank you for them, and for having me here. Another cool project: Elmcat made an interactive map of the TTRPG blogosphere . Not only is this an amazing technically but it's so inspiring to see the community and all the connections. Now that you're done reading the interview, go check the blog and subscribe to the RSS feed . If you're looking for more content, go read one of the previous 127 interviews . Make sure to also say thank you to Sixian Lim and the other 122 supporters for making this series possible.

0 views
Ankur Sethi 4 days ago

Write quickly, edit lightly, prefer rewrites, publish with flaws

Over two years of consistent writing and publishing, I’ve internalized a few lessons for producing satisfying—if not necessarily “good”—work: I covered similar ground previously in Writing without a plan . This post builds on the same idea. If I want to see the shape of the idea I’m trying to communicate in my writing, I must get it down on paper as quickly as possible. This is similar to how painters lay down underdrawings on canvas before applying paint. I can’t judge the quality of my idea unless I finish this underdrawing. Without this basic sketch to guide me, I might end up writing the wrong thing altogether. More than once, I’ve slaved away at a long blog post for days, only to realize that my core thesis was bunk. Writing quickly allows me to see the idea in its entirety before I waste time and energy refining it. How do I define quickly ? For blog posts like this one, I try to produce a first draft in about 45 minutes. For longer pieces, I take about the same time but work in broad strokes and make heavy use of placeholders. It’s easy to edit the life and vitality out of a piece by over-editing it. I’ve done it many times. I’m prone to spending hours upon hours polishing the same few paragraphs in a work, complicating my sentences by attaching a hundred sub-clauses, burying important ideas under mountains of caveats, turning direct writing into purple prose, and inflating my word counts to planetary proportions. Light edits to a first draft improve my writing. If I keep going, I reach a point of diminishing returns where every new edit feels like busywork. And then, if I keep going some more, I start making the writing worse rather than better. Spending too much time editing puts me in a mental state that’s similar to semantic satiation , but at the scale of a full essay or story. The words in front of my eyes begin to lose their meaning, ideas become muddled, and I can no longer tell if anything I’ve written makes sense at all. At that point, I have no choice but to walk away from the work and come back to it another day. It’s no fun. I try to spend a little more time editing than I do writing, but only a little. I’ve learned to recognize that if editing a draft takes me significantly longer than it took me to write it, there’s probably something wrong with the piece. If editing takes too long, it’s better to throw it away and redo from start . If it’s taking too long to edit, rewrite. By writing quickly, I’ve convinced my brain that rewriting something wholesale is cheap and easy. It’s profitable and practical for me to write out a single idea multiple times, exploring it from different angles, finding new insight and depth every time I take a fresh stab at it. If writing a first draft takes 45 minutes, making multiple attempts at the same idea is no big deal. If it takes four hours, I’m more likely to go with my first attempt. Spending too much time on first drafts is a good way for me to get married to bad ideas. I wrote this very blog post three times because I couldn’t quite capture what I wanted to say in the first two drafts. The content of the post changed entirely with every new attempt, but the core ideas remained the same. No piece of writing is ever perfect. If I keep looking, I can find flaws in every single piece of writing I’ve ever published. I find it a waste of time to keep refining my work once it reaches the good enough stage. If I’ve communicated my ideas clearly and haven’t misrepresented any facts, I can allow a few clumsy sentences or a bad opening paragraph to slide. Even as I publish imperfect work, I try to look back at my past writing, notice the mistakes I keep repeating, and try to do better next time. I find that publishing a lot of bad work and learning from each mistake is a better way to learn and grow compared to writing a small number of “perfect” pieces. By working quickly, I’ve been able to produce a lot of bad-to-mediocre writing, but I feel satisfied. As I keep saying, finding joy in the work I do is more important to me than producing something extraordinary. I’d rather write a hundred bad essays with gleeful abandon than slave over a single perfect manuscript. There’s joy in finishing something, closing the book on it, calling it a day, and moving on. There’s joy in trying out different styles, voices, subjects, ideas, personalities. There’s joy in knowing that there will always be a next thing to write, and the next, and the next. When I’m stuck writing something that’s not fun to work on, I find a certain consolation in knowing that I’ll be done soon. That my sloppy writing process means I’m allowed to finish my piece quickly, put it out into the world, and move on to something more enjoyable. Now you’ve reached the end of this post, and I don’t quite know how to leave you with a solid kicker. Instead of doing a good job, I’ll end with this Ray Bradbury quote that I copied off somebody’s blog: Don’t think. Thinking is the enemy of creativity. It’s self-conscious and anything self-conscious is lousy. You can’t “try” to do things. You simply “must” do things. Perfect. I’ve never liked thinking anyway. Write quickly Edit lightly Prefer rewriting to editing Publish with flaws

0 views
ava's blog 6 days ago

a month without caffeine - conclusion

In January, I wrote about doing a month without caffeine and gave an update one week in. In the original post, I wrote about realizing I was using it to override exhaustion rather than addressing it. I had been relying on matcha, black tea, come coffee and caffeinated water flavours to get through poor sleep, university pressure, workouts, and social commitments, which ultimately led to burnout. So I decided to quit for a month, and also not allow any decaf products, since they also contain a lesser amount. I experienced withdrawal headaches, nausea and changes to my hunger, but also my energy became steadier, my mood calmer, and my concentration more sustainable without the sharp spikes and crashes. I concluded with some lessons for when I resume, namely reserving caffeinated drinks for when it really matters, not consuming them after noon, reducing the caffeine intake (less strong matcha or black tea, less coffee shots etc.) and not using it to suppress hunger or other needs. Now that the month has passed, I'm back to report that it continued like the first post ended; I feel very calm, emotions and situations are more manageable, focus and task-switching is less of an issue. Getting up and going to bed feel easier. What took the longest to normalize were the gastrointestinal effects; it became clear my body relied on the caffeine to do that business at the usual times, and at first, everything was very delayed and I dealt with constipation. But during the third week, it went back to normal. I've had quite a few moments towards the end where I almost gave in, but I persisted. Sometimes I just really crave a specific taste or mouthfeel, and nothing can really replace matcha for me. It's such a comfort and reward. I'm also very, very used to having specific kind of beverages to study or work on something, so breaking that was difficult. I think this reset was great. I found out I can just go without caffeine as well without a meaningful drop in productivity, and I genuinely feel happier, more rested and stable. Now I know it's still entirely optional and I can enjoy it for the taste or specific rituals to get ready :) I like to think I have reset my palate with this too, which will come in handy for upcoming matcha reviews ! Now I will enjoy a mocha chocolate bar I saved for this! Reply via email Published 04 Feb, 2026

0 views

A Note on Blogging Anonymously

This blog is anonymous. I wrote a bit about that in my blogging journey , how I made the mistake of announcing my first blog to all my friends and family then got self-conscious, and how that really stifled what I wanted to write about. I wrote about it in more detail in another post, but the simple version is this: this space is mine, a Room of My Own . Blogging felt like it belonged to a privileged few (a leftover belief from the early 2000s — I binged on those blogs like no other), and it wasn’t until Facebook that writing in public under my own name felt accessible. I also believed continuation had to be earned - that validation or “success” would give me permission to keep going. That whole thing around visibility and validation is captured so well in this quote from Baby Reindeer …because… because fame encompasses judgment, right? And I… I feared judgment my entire life. That’s why I wanted fame, because when you’re famous, people see you as that, famous. They’re not thinking all the other things that I’m scared they’re thinking. Like, “That guy’s a loser or a drip or a fucking fa*ggot.” They think, “It’s the guy from that thing.” “It’s the funny guy.” And I wanted so badly to be the funny guy. “Why keep your blog anonymous, why not just journal then?” someone asked me after we emailed about one of my blog posts. And although I do journal privately, writing publicly (even anonymously) does something different. When I know someone might read what I’m saying, I have to distil the idea. It forces clarity. I stop rambling and try to focus. And the bonus is that sometimes what I write resonates with someone else, and we exchange ideas. Over the last few years, and through my blogging struggle (I hate that it was a struggle: start, stop, change domains, shut down, start again), I’ve also realised that what I want to write about here isn’t something I know many people in real life are interested in. And even when I do try to have those conversations, I don’t really get anywhere in depth. It almost feels like there’s no real interest in topics that are admittedly a bit niche: do I put my notes in Obsidian or Bear? Where do admin notes live? How do I track the books I read? Or my thoughts on success, scarcity, work, life, and all that. There are probably people in real life who are interested in productivity and examining life this way, but maybe, like me, they keep those opinions elsewhere. I do sometimes talk about productivity. People love discussing it at a high level, but I want details: where do you put your meeting notes? How do you track your to-dos, personal vs team vs project? Every now and then I meet someone at work who enthusiastically walks me through their  system, how they streamline OneNote with Teams and Outlook (which I also use at work). I love picking up little bits and pieces. And on that note, I secretly admire people who don’t care about any of this and just… get on with it somehow. What I’m trying to say is that I don’t necessarily need people who know me to know what I think about certain topics. Some things just aren’t for your professional life. For me, there’s a clear separation between work and life, and I like to keep it that way. Even though I do make friends at work, as I wrote about in (my very first!) blog post What Happens When Your 9–5 Defines You I still want a professional boundary between what I say here and who I am at work. I want the freedom to write whatever I want, without worrying whether it’s work-appropriate. If I want to write about weight loss, menopause, or something else like that, I don’t need everyone (not that everyone would be reading it, but it would feel that way to me) at work knowing about it. If I want to write about relationships, I haven’t really, so far, but I want that option, without wondering who might read it. My blog has mostly been about my favourite topic in the world: obsessing over tools - how I use them, why I use them - and optimising processes, alongside examining the life topics I tend to fixate on. I want this blog to be a mix of everything I am. Maybe if I wasn’t working, I’d feel comfortable opening it up at this point. But I haven’t told anyone about this blog at all. And if someone ever read it and worked out it was me, fine. But that’s not likely to happen any time soon. I know a lot of people use their blog as a professional CV. In some ways, I wish I could do that. I even had a domain with my full name, which has just expired. But I don’t think I’d ever be comfortable with it, and I don’t really need a static personal site. I have LinkedIn for that, and, I suppose,  I’m quite Gen X in that way. What I do want is a blog. Something I can be prolific on, or not, as much as I want. And that freedom, that anonymity, is what makes it possible.

0 views
Michael Lynch 1 weeks ago

My Eighth Year as a Bootstrapped Founder

Eight years ago, I quit my job as a developer at Google to create my own bootstrapped software company. Every year, I post an update about how that’s going and what my life is like as an indie founder. I don’t expect you to go back and read my last seven updates. Here’s all you need to know: People are always most interested in how money works as an indie founder, so I’ll start there. Here’s what my revenue and profit looked like every month this year. In total, I had $8.2k in profit on $16.3k in revenue. That was my total income for the year, which is obviously not enough to support a family, but my wife also works, and we have savings/investments. My main source of revenue was my book. I’m writing a book to teach developers to improve their writing . I did a Kickstarter for it in March, which gave me $6k in pre-sales . As I worked on the book, I offered paid early access. In total, 422 readers purchased early access, for which I’m grateful. I also have an old business that makes $100-200/month without me touching it. My main expenses were computer hardware ($2.1k) and LLMs ($1.9k). I don’t use AI to write, but I use it for a lot of the accessory tasks like fixing rendering/layout issues and improving the website. I also use it for my open-source projects . Here’s how 2025 compared to previous years: The years I was running TinyPilot dominate the chart. Still, 2025 was my fourth most profitable year as a founder. My goal for the year was $50k in profit, so I fell quite short (more on that later ). When I tell other software developers that I’m writing a book, they usually say something like, “Oh, great!” Then, they pause, a little confused. “To give you time to freelance?” And I have to say, “No, I’m just writing a book. That’s my whole job.” When I tell friends and family I’m working on a book, they innocently ask, “Oh, so you’re still on paternity leave?” No! I’m writing a book. It’s a real job! But if I’m being honest, I understand their confusion. How can writing a book be my job? I’m not a novelist. When I started the book, I thought I’d be done in six months. I typically write almost a book’s worth of blog posts per year, and that’s just from an hour of writing per day. If I focus on a book, I should be done in 1/8th the time! It turns out that even when all I have to do is write, I can still only write for about an hour per day. After that, I feel drained, and my writing degrades rapidly. I also can’t just write a book. I also need to find people to read the book, so I’ve been writing blog posts and sharing chapter excerpts. I normally write 5-10 blog posts per year, but I ended up writing far more in the past year than I ever have before: I also started editing blog posts for other developers. That helped me discover other developers’ writing pain points and what advice they found effective. I worked with seven clients, including Tyler Cipriani on a post that reached #1 on Hacker News . And then there’s just a bunch of administrative tasks around writing and selling a book like setting up mailing lists , dealing with Stripe , debugging PDF/epub rendering issues , etc. This has been my favorite year of being a founder since I went off on my own eight years ago. There are a few factors, but the biggest is that I found a business that aligns with me. When I first started as a founder, I didn’t think the particulars of a business mattered. I just pursued any opportunity I saw, even if it was a market I didn’t care about. I’d still get to write software, so wouldn’t that make me happy? It turns out bootstrapped founders don’t spend much time writing code. Especially at the beginning, I have to find customers and talk to them, which is hard when I don’t particularly care about the market beyond the technical challenge of building something. Over several years, I found that there are five criteria that determine how much I enjoy a business: As a concrete example, one of my first businesses was called Is It Keto. It was a simple website that explained whether certain foods fit the keto diet. One of my first businesses, Is It Keto, which told readers which foods fit the keto diet. Here’s how Is It Keto scored on my rubric: Now, let me compare Is It Keto to writing my book: The book doesn’t check all my boxes perfectly, but it aligns better with my five criteria than any business I’ve created before. At the end of my first year as a founder , I wrote: As someone who has always valued independence, I love being a solo developer. It makes a world of difference to wake up whenever I want and make my own choices about how to spend my entire day. My friends with children tell me that kids won’t complicate this at all. When I wrote that in 2019, I was in my early thirties, single, and living alone. A few weeks after writing that post, I met someone. We moved in together at the end of that year, married a few years later, and had our first child in 2024. Now, there are lots of people in our house, as my wife and I work from home, and members of our extended family come over every weekday to help with childcare. Despite all of those changes, my life is still how I described it seven years ago. Okay, things aren’t exactly the same. My toddler decides when I wake up, and it’s not always the time his independence-loving father would choose. But I still feel the joy of spending my workdays on whatever I choose. I joked back in 2019 about how kids would complicate my life as an indie founder, but it’s actually less complicated than I expected. My workdays mostly look the same. Except they’re more fun because anytime I want, I can take a break from work to go play with my son. After several years of just “enjoying” life as a bootstrapped founder, I’m happy to say that I love it again. I still want to do it forever. I originally thought I’d finish the book in six months, but I’m 13 months in and still have about 20% left. From reading about other developers’ experience writing books, underestimating time seems to be the norm. Teiva Harsanyi thought he’d be done in eight months, but it actually took him almost two years . Austin Henley started writing a book in 2023 and it dragged on for about two years before he got tired of working with his publisher and canceled his book deal . As much as I love writing code, programming itself isn’t enough to make me enjoy my work. I need to find a business that matches my interests, values, and skills. Before I became a parent, I worried that I wouldn’t have the flexibility to be a founder. In the first few months after my son arrived, I worried that parenting would take up so much time that I couldn’t work at all , much less run my own business. Fortunately, I’ve been able to find a comfortable balance where I spend my workdays as a founder while still being the parent I want to be. Last year, I set three high-level goals that I wanted to achieve during the year. Here’s how I did against those goals: I wasn’t confident I’d earn $50k from the book, but I thought I’d have time while writing to launch side businesses. I also expected to complete the book in just six months, giving me even more time for new business ideas in the second half of the year. Instead, I spent the full year on the book. It made $11.8k, which I’m proud of as pre-sales for a first-time author, but it’s less than I hoped to earn this year. Okay, okay! I didn’t finish the book! Enough of your cruel judgment, Michael from a year ago . I played around with Gleam and appreciated some aspects of it, but I never got deep enough to feel productive in the language. I learn best when I can find a project that takes advantage of a new technology, but I couldn’t think of anything where Gleam had a compelling edge over languages I know well like Go or Python. I’d like to find at least five examples of readers who cite my book as a resource that helped them achieve something tangible (e.g., grow their blog readership, get a promotion). I earned $8.2k this year, so I just have to do 9x as well next year. But honestly, I think this is doable if I can keep finding new readers for the book and try a few business ideas. I’ve enjoyed a year of writing, but I’d like to do more software development, as that’s still what I find most exciting. Cover image by Piotr Letachowicz . 2018 - 2020 - Quit my job and created several unprofitable businesses. 2020 - 2024 - Created a product called TinyPilot that let people control their computers remotely. 2024 - Sold TinyPilot , became a father . 13 blog posts (8 on my personal blog and 5 on my book’s blog ) 12 notes (shorter, less polished blog posts) 12 monthly retrospectives 150 pages of my book, including seven chapters I adapted into free excerpts I enjoy the domain and relate to the customers It leverages my skills It earns money It facilitates work-life balance It aligns interests between me and my users Result : I earned $8.2k in profit. Result : I’m about 80% done with my book. Result : I experimented with Gleam but didn’t reach competence My First Year as a Solo Developer - Feb. 1, 2019 My Second Year as a Solo Developer - Jan. 31, 2020 My Third Year as a Solo Developer - Feb. 1, 2021 My Fourth Year as a Bootstrapped Founder - Feb. 1, 2022 My Fifth Year as a Bootstrapped Founder - Feb. 10, 2023 My Sixth Year as a Bootstrapped Founder - Feb. 16, 2024 My Seventh Year as a Bootstrapped Founder - Feb. 3, 2025 My Eighth Year as a Bootstrapped Founder- Feb. 3, 2026

0 views
Justin Duke 1 weeks ago

January, 2026

This is not, if I'm being honest, the simple, structured start to 2026 that I had in mind. Rigor and early workouts have been replaced by pulled floors and sheets of ice. After spending a lovely week in Park City with the Third South folks, we came back home and had 12 hours of respite until, board by board, our floors were pulled up for replacement. The good news — it's always important to focus on the good news — is that the damage was less extensive than we expected. The bad news, because there is always bad news to go along with good news, is that this week we learned that we would be hit by an ice storm. And so, we decamped at my parents' house, the same one that I spent my formative years reading Redwall and playing Final Fantasy even though my parents thought I was asleep. Haley and I are, to a fault, creatures of habit and routine, and it would be a lie to say that the past two weeks haven't been draining in the same way a day spent in transit is draining. We miss our house. We miss our things. For Lucy, though, this has been a permanent vacation — a whirlwind of delight that started in Utah and has extended without ceasing. In the span of two weeks, she went from walking, if she remembered about it, to quite literally sprinting through the house, chasing anything and everything she wanted. It is fascinating to watch a toddler learn about the world. There is a transparency to them, and her effortless and endless delight in discovering the cause and effect of things that I have cynically grown to consider mundane — such as a light switch — more than makes up for a little bit of inclement weather. I haven't been working much. I haven't been writing much. I haven't been reading much. I have been watching my daughter discover the world and run headlong into it, hands outstretched. | Post | Genre | | ------------------------------------------------------------------------------------------------ | ---------- | | Tabula Rasa (Vol. 1) | Book | | Levels of the Game | Book | | A Shadow Intelligence | Book | | Cameraperson | Film | | Eternity | Film | | Go | Film | | Tinker Tailor Soldier Spy (2011) | Film | | The Pigeon Tunnel | Film | | Ocean's Twelve | Film | | Uses (January 2026) | Personal | | Terragon, Conductor, PyCharm | Technology | | Migrating to PlanetScale | Technology | | Refactoring a product is tricky | Technology | | Every model should have a notes field | Technology | | Pure strategy | Technology | | The Diplomat (Season 2) | Television |

0 views
iDiallo 1 weeks ago

The Shoe on The Other Foot

Ten years ago, I was in a dark season. My first startup had cratered. Confidence, gone. I would walk for hours to clear my head, often through parts of the city we typically hurry past. One Tuesday, I saw a man sitting outside a boarded-up storefront. He was weathered, his eyes holding a quiet dignity. But I was fixated on a problem to solve. He only had one shoe. The right foot was wrapped in a frayed plastic bag. I approached, offering to buy him a pair. He smiled, a surprising, warm thing. "Kind of you," he said. "But this one's enough." I was baffled. Enough? It was objectively not enough. It was a problem to be fixed. I insisted. He listened patiently, then said something that changed my perspective. "You see a missing shoe. I see a reminder. Every step I take, I feel the world. The cold, the grit, the wet. It keeps me awake. It tells me I'm moving. The day I get too comfortable is the day I stop feeling the road." I sat with him. I listened. Let's call him David. He spoke not of lack, but of acute awareness. Of a raw, unfiltered connection to his own journey. He was a conscious observer of his circumstance, not a victim. A gentle rain sprinkled from the sky. He looked up, closed his eyes and embrace every single rain drop. I didn't buy him shoes that day. Instead, I bought us both coffee. We talked for an hour. I told him of my failure. He offered no platitudes, just the quiet acknowledgment that "the road is rough before it smooths." As I left, a wild, impulsive thought hit me. I took off my own right shoe and left it on the bench. "A trade," I said. "For the perspective." He laughed, a rich, full sound. I walked back to my empty office in a bespoke suit and one bare foot. The feeling was electric. The vulnerability was terrifying. The concrete was real. That night, I made two decisions. First, I hired David for a simple, dignified role at the new company I was mustering the courage to build. His insight, his grounded clarity, became a secret weapon in our strategy sessions. He saw through pretense instantly. Second, I never wore a pair of shoes to work again. That's right. From that day forward, before I go to a meeting, a negotiation, or any board presentation, I remove my right shoe, place it under my desk and perform my task. The right foot always remain bare. It is my compass. It grounds me (literally) in the humility of new beginnings. It is a perpetual reminder of the David Principle. True awareness comes from embracing the uncomfortable feel of the road. It forces authenticity. When you negotiate a nine-figure deal with one foot on a cold marble floor, you remember who you are and where you came from. My team understands. My clients, once startled, now respect it. "There goes the One-Shoe CEO," they say. It's our culture. We don't just solve problems; we feel them. David has been with the company for a decade now. He's a cherished advisor and friend. We never speak of that first day. The lesson is lived, not referenced. Why am I sharing this? Because leadership isn't about having all the answers. It's about having the courage to feel the missing piece. To embrace a productive discomfort. To seek wisdom in the most unexpected places and have the conviction to let it alter your path, down to the very shoes you won't wear. The man with one shoe taught me everything. Because, as it turns out… I was the shoe on the other foot. </LinkedIn> Sorry, I'm not sorry!

0 views
Weakty 1 weeks ago

Lights of the cistern

Pid, pid, pad, pit, pad . In the dark went the sound of the cup. Pid, pid, pat, pad, pit, tup, tip, tap There went the cup, bumping into the bag. Rid, tid, pid, tid, pad, bump . shhhhap , went the bag, adjusted on Joanna's shoulders. She pulled it up, levitated by her thumbs alone and, thmp , dropped it back onto herself. Thp went the cup, clipped to the bag. In the mine, as in every mine, there is a minimum requisite echo; these sounds swirled behind her as she walked until they dropped to the ground like litter. Some sounds traversed ahead of her, like a light making way for her. They never came back. Never told her what way to actually go. tid, pid, pat . goes the sound of the small, dented cup of hers, hanging, forever rebounding off her pack, more audible than her own footsteps. By now, with all the time in and out of the mines, Joanna never noticed the sound of the cup, much less the other noises her or her gear might make. At the beginning, there was concern that it might betray her presence to unwelcome ears, but she had long ago dropped that fear. People were few and far between. Even more so, in the mines. Her last contact had been in spring. It was summer now. Her favourite time to be in the mines. Temperature perfect, she adored the darkness against the long days of summer overhead and out of sight, and of course, the sounds that her little tin cup made as she walked on, through the summer mine-air. tip, pid, pad, thp, baht . She came to a fork in the mine and looked at the two descending tunnels. No signage that she could discern, as usual. A cool draft coming from the path on the right and no sense of smell, wind or anything else from the left. She mostly walked in the dark. It was something she was so accustomed to that revealing any source of light in a place like this not only felt wasteful, but cruel to the space, to her eyes. She stood still in her silence and considered her choices. With no decision revealing itself (like it sometimes did), she made up her mind. Went the match. And the light of it exploded into the darkness. At junctures like this, though, some light, garish as it was, was worth it. Joanna walked closer to the wooden scaffolding bordering the two tunnels and slid her fingers along it gently. Her eyes traced the blinding light of her single match. There were no signs that carts had been employed in either of the tunnels, but she couldn't be sure of that from the entry alone. She saw no signs of tracks or other infrastructure. These were likely walking mines. They could be connected, circling an underground lake. They could both surface to the above world. They could squirrel off in completely different directions. Anything was possible. Standing back now and eyeing both, Joanna knew the left was the correct choice. Despite the draft, which was always compelling in its promise of movement and circulation, she knew the path to the right would not work. The movement of air usually promised a path out, back up, to the world. That was not in the plan. She stared to the right, as if she could see the patterns of the air itself. She willed it to come meet her and sure enough it did: with an invisible snap, it struck down her light. If there was a sound for a match being blown out by a dark wind, that would be it. But there isn't, and instead this is what Joanna imagines, now back in the comfortable darkness, her decision made for her. Joanna walked the left tunnel for several hours before she decided it was time to stop. Her trek remained uneventful, yielding nothing right up until she set down her pack and made camp. Now she sat, cross-legged and eyes closed. She took several deep breaths, not waiting or wanting for anything, but a breath to take and release. Here, she felt the ground under her bottom. It was cooler than earlier in the day. This confirmed her suspicion that she had been walking on a nearly unnoticed decline. Joanna's body was adept at noticing the barely noticeable. She felt the decline in every part of her foot. She could perceive sensory information from each toe, her heels, her soles. Tiny muscles taut, balanced perceptively, always feeling out the rope of her path: tightrope-walker of darkness. There was no need to set up a tent in the mines, other than to provide some semblance of psychological safety. Some measure of inside in contrast to that outer world. At this point, the darkness was the same everywhere. The only time she would set up a tent in a mine was if harmful particulate was migrating from one part of the mine to the other. Of course, sometimes it felt cozy just to set up the tent for tent's sake, but like most days, it wasn't worth the effort. She unrolled her sleeping mat, grabbed her quilt and lay in the darkness. Did she even have to close her eyes to sleep, dark as it was? Yes, it sent the signal to her body that it was time to rest, but as far as she (or the darkness) was concerned, she may as well lie wide-eyed through the night. Joanna snuggled under her quilt and kicked her feet together a few times. With this movement, the thrill of sleep always rattled up through her body to the top of her head (and, surely, then went rattling off into the depths of the mine in search of other life to lay its sleepy hands upon). The movement was a signal to say the day was over—her feet could rest. They were now free of their duty of carrying her and her pack along, along, along. Joanna closed her eyes. She thought about the right tunnel, and the subtle draft that had emanated from deep within it. Then, she fell asleep. "Joanna, catch!" yelled Theo. He lobbed the fizzing rock high into the sky, its geometry flashing as it rotated under the blinding sun. Joanna took a couple steps back and received it in her arms with a soft thump . She swore she could feel the warmth of the rock right through her wool sweater. Her fingers warmed up immediately as she turned the rock in her hands. Simultaneously brilliant and modest flashes of yellow, white, even blue. The rock was a snake, hissing loudly, ready to strike, in her hands. "Now, now!" she heard Theo yell. Joanna squatted down, deftly swung the rock between her legs, and then launched it as high as she could. The rock sailed back into the air, the fizzing, hissing sound of it receding into a vibrant, blue sky. Reaching its zenith, and about to fall, it exploded into thousands of pieces and rained down on them. Joanna and Theo watched in silence as the puff of smoke, timeless particulate, dispersed high above them. Dust and smaller rock particles rained down on them, the larger pieces glittering in the same way as the rock in its whole form. "Well done!" Theo laughed. He walked over to her, crunching on some of the debris. "Want to do another?" Joanna listened to the sound of his steps and looked at him. She said nothing, then smiled, turned around, and started walking toward her gear. She picked it up and continued. There was still a certain warmth on her hands, maybe even in her stomach, where she had held the rock for that moment. It would be cold in the Wastes and there would be no such sources to heat them come nightfall. In the distance: a hazy line of a dead forest ahead, some five or six kilometres. Theo started after, quickly picking up his gear. He watched her as he threw his sack over his shoulder and shoved his boots on. Her head turned over her shoulder as if to say something, but no words came out. She simply moved: onward. Joanna woke up. She propped herself up on her locked arms. Another dream with Theo in it. She sighed into the darkness of the mine. A dream, or maybe a memory. When she was in the mines, it was never really clear: memories and dreams became intermingled. You became a different person when you were in the mines. Your history disappeared. Your dreams blossomed. One could just as well be the other. Either way, she was alone. There was no Theo. Joanna packed up quickly and continued walking. As usual, she was in absolute darkness. The path into the mine was well-trod and caused no need for concern. She wouldn’t trip over anything. Thp, Tip, Bip, Thp went the cup. Joanna fell into a reverie, walking, listening to her little cup bopping along against her rucksack. Her feet told her when the path curved, and she would reach out with her hands, fingers glancing off the curving tunnel of the mine as it descended deeper into the earth. Walking in the dark could just as well be sleeping and dreaming. Her thoughts returned to her dream. It had been a pleasant one—to see Theo again—to be near his liveliness. Playing hot potato with Hollow Rocks. When she looked at life, it seemed like the insides of most everything had been carved out, including rocks. It was like Theo to find a way to blow things up and have a good time of it. Joanna continued walking, wondering where he was now. They had met in the Spring, in Eris, a growing collective, a fledgling little anarchist town. But then again, every town across the Wastes was a fledgling anarchist town. Too small for power to be drained from the communal pool into the hands and homes of a select few. Still, their governance was strange. They had sought help from outsiders in digging a well and looking for underground resources—which, Joanna felt, was her specialty. But helping out only meant having a bed and a meal. The people who called their little group "Eris" were reluctant to welcome stragglers into the group without them putting in a certain amount of dues . Joanna and Theo had met there serendipitously, her coming from the south after an extended stretch in the Loest Mines—about a month she had guessed—and Theo coming from a mine in the East. Neither had expected to stay long in Eris, but they had found each other, both mine-wanderers that they were, and had connected at the communal meal. Joanna stopped and placed a hand on the mine wall. It was refreshingly cool, not that she was overheating. She stood for a moment in the darkness, straining her ears and eyes. Had there been a sound, a moment of light, just then? Or had she been conflating her memories with the present moment? With the accumulated time that she had spent underground in utter darkness, Joanna had developed a vivid mind’s eye: dreams came to life, memories could be pulled up, aired out, inspected, folded neatly, held up to a light that existed inside her. In the stillness, she realized she had fallen for the liveliness of a memory. Most of the time that’s what it was. But she wouldn’t—couldn’t— let herself cry wolf on her memories when there could well be a real danger in the mine. And yet, as days and weeks went by, the solitude of being in a mine lengthened out like an infinite thread woven underneath the Wastes. She didn’t have to search the cabinets of her memories to know that she had never encountered anyone, any living thing down in the mines; it was an embedded reality. The scattered populations of earth were only driven into such dark places out of necessity: to scavenge some crucial tech-waste, to find water, or, more bleakly, in seeking an infinite blackness they could no longer run from: death. It was true, she had come across the dead in the mines. Some had thrown themselves down mine shafts, others had wandered deep in the mines until they could walk no further. Joanna shuddered. She was no stranger to such bleak realities, but losing her empathy was a far greater fear than an encounter with the Lifeless. So she intentionally practiced letting such tremors of sadness and despair ripple through her. Occasionally. "We could work together," Theo said. "They aren’t going to find water in that sad attempt of a well, and we both know there will be some in Cambor." "To what end?" Joanna responded. He didn’t respond. They were perched like vultures in the Eris Tree —a magnificent tree, stripped and dead, marking the center of Eris. Joanna looked over at him, up one branch from her, lying on his stomach, his limbs dangling on either side of the large branch. And while he looked uncomfortable, he lay there with his eyes closed looking peaceful. "If you fall asleep and fall out of this tree, I’m not going to catch you," Joanna said, waving her arm at him from her branch to show the distance between them. "Even if you were on my branch, I wouldn’t expect you to," Theo replied with his eyes closed. He still hadn’t answered her question. Work together to go to Cambor, map their way to some kind of water source, return and what—become members of this little town? Get roped into leading a construction crew into the Cambor mines to establish a primitive aqueduct? Joanna shifted her weight on her branch uneasily and huffed. Theo was under no obligation to explain himself or make his intentions known. That wasn’t the kind of world they lived in. Or maybe he just didn’t feel like saying more in the proximity of others—there were a few people in the tree and some walking idly by. Joanna surveyed Eris in its shambling infancy. One or two people eyed her warily in return. Any burgeoning community would be wise to be suspicious of newcomers; they were only just learning to trust one another. She turned to say something to Theo and he was, most certainly, asleep. Joanna walked beside this memory, hearing Theo’s voice clear as day. Remembering him draped over the tree branch. It was almost as if she was still with him—that she had agreed to his proposition. A proposition with as yet unexplained intentions. She couldn’t help her wariness. That was something that built up over time. But so too did a certain kind of loneliness. Previously, Joanna may have subconsciously told herself that this sort of living memory she walked with was enough company here in the dark. Deep down, she knew this was not true. But she kept walking. Several days passed of the same sort. All the while, Joanna steadily descended deeper underground. She had been in the Cambor mines for eleven "days" at this point. A "day" was marked by an internal rhythm she had developed from walking mines in the dark. For all she knew, she could be walking through the night above ground, and sleeping during the day, but she was still following roughly a 16-hour day to 8-hour sleep schedule. After every sleep, Joanna placed a small pebble in her left pocket to mark another day. She fingered her pocket full of tiny pebbles now, probing from stone to stone, as if she could remember the day each pebble represented. There had been times when her pocket had grown heavy with the number of days it had accumulated. Her longest stretch in a mine had been forty-one days. Joanna was still undecided on what was a healthy amount of time away from the surface of the planet. It probably wasn’t doing her any good to be in the dark so long—messing with her circadian rhythms, depriving her of the warmth of sunlight and so on. But being underground was sometimes the safest place to be. She didn’t understand why more people didn’t do it—the surface of earth wasn’t inhospitable. Yes, it was barren, but more in a soul-crushing, apathetic way. At least in Ri. Entire cities destroyed by earthquakes and floods of the subaquatic bombs. There were surely other cities unaffected outside of Ri, but they were as unknown to her as the moon. The world had become smaller, closer, more immediate, when everything had gotten turned upside down. But she supposed that maybe fear kept people out of the mines. They only entered out of necessity. This is what the people of Eris had wanted—what Theo had offered to help her do. And she had declined. And here she was in the dark, doing it anyway. She had effectively declined to help the town. Joanna wondered what her real motivations were. She often felt she was operating like a wind-up toy—something charged her up and she went off to do her task without really having a purpose behind that. She had left Eris in the middle of the night to depart without being seen. The people had asked her twice to help, to build the well, and she had given them a non-answer. Then she slipped away, evading them, evading Theo. Not a good character trait, Joanna thought. The world was full of characters and their not-so-good-traits. Joanna didn’t feel particularly bad. In many ways, today’s world was freer, albeit far, far more dangerous. There was the implicit understanding of survivorship and any pretences, all masks, had evaporated during the collapse. Joanna continued walking, chewing on the changes she was seeing in her lifetime. A lifetime with a far shorter life expectancy, too, she thought to herself. Before she could contemplate how many more steps she would have on this earth, she noticed a change in the air—water was close. She stopped on the path and listened. There was little chance she would run into anyone down here. But being careful only cost a little time, a little energy. She listened intently. At first, with her eyes closed, she heard nothing. Then, a slow swell, nearly inaudible. There was a white noise in the distance. The sound grew louder. It was the sound of waves. Then, a blinding light. She staggered backward, the sound of her footsteps lost in the swell. She opened her eyes to a dazzling sun, a cerulean sky, and crashing green and indigo waves on a beach. People were running up and down the sand, some diving headfirst into the water. A few stray boats drifted up and down the coast. An image from another time. Joanna opened her eyes again—really opened her eyes, uninhibited, untricked by an illustrious memory. She was still in the mine. But there was a sound: footsteps, approaching. It was Theo, in the dark. "A little farther this way. The water is here." They walked in silence. Joanna let her thoughts swirl in her head. Days in the darkness, days of silence and not speaking—it all made it harder to speak up now. And the surprise—what was he doing down here? How long had he been down here? How did he get here before me? Joanna had left Eris in the middle of the night. Theo had still been there when she left. Theo didn’t seem to mind the silence. He probably even expected it. He must have been down here long enough to experience that same binding spell that makes it difficult to speak. His voice had certainly croaked when it had spoken. A little farther this way. The water is here. So they walked on for a few more minutes. Then, the sound of their steps began to widen and fan out with a subtle echo. Neither of them could see in the darkness, but Joanna knew the sound: the widening of a passage into a cistern. How could she describe it? It was like opening the door from the inside of a cluttered closet and stepping into an open field and a swelling blue sky. It was still dark, but the breadth of difference in the sound of their walking alone seemed to balloon up infinitely. Joanna stopped. Theo stopped a step ahead of her. He looked back at her. "It’s huge." In the dark he may have nodded, but didn’t say anything. "Do you have a light?" "Yes." "Here:" There was some rustling in a bag and Theo pulled something out, and held it toward her. She felt for it with her hands, fumbling, until she felt the lantern. Joanna nodded to herself. She felt for her matches and dug them out of her pocket and lit one. The light that sprang to life overwhelmed them in its furious charge into being. Neither Joanna nor Theo looked at one another. Both focused on the lantern between them: held at an arm’s length by Theo, Joanna close up to it to understand how it would open, unlatch, light, before her match went out, wasted. She quickly unlatched the window, found the wick and lit it. She fumbled around for the fuel release valve and couldn’t find it, touching gently but quickly, all surfaces of the lantern seeking a knob, a switch, a lever. Theo’s hand grazed hers, a foreign touch in the darkness of the mine, the darkness of a body that hadn’t had contact in some time. He moved his hand up and twisted a knob at the top of the lantern underneath the handle. The flame blossomed, doubling, tripling in size, until he readjusted it to a steady glow, a bit brighter than the now extinguished match. Joanna stepped back and breathed out a held breath. The flame had seemed huge for a moment, engulfing. The sun on a beach, the sound of crashing waves. She listened now. There was no sound of movement of water. They continued their walk in silence. Now, with the lantern, each footstep was lightened. Step by step. Soon the forbidding silence that had them cowering and hiding was lifted. "How did you get ahead of me?" "I took the right path." The right path! Joanna laughed to herself. What she had mistaken for a path leading up out of the mine—toward a clear blowing air—had been a ruse. A mistake. She had been fooled. Whatever it was, she had taken the long way, and her intuition had been wrong this time. "Wasn’t pretty," Theo said. Or perhaps, her intuition wasn’t wrong after all. "Dangerous?" Theo nodded, visible this time, by the light of the lantern. She watched the shadows dip and bounce back with the movement of his head. "Definitely not pretty." Not Pretty . He had said that phrase before, she remembered now. He had spoken that way in describing any number of changes that appeared after the floods that had wiped away the old world. "Do you see it?" He asked, changing the subject. He held out the lantern. She could make out the edge of the cistern. There was movement. What had once been a deep, underground blast-mine was now an underground lake. They continued their approach, and soon the lantern appeared as a ghostly reflection in the water—rippling." "How is the water moving?" "Beats me," Theo said. They got right up to the edge and stopped. The water was only a foot or two below the rock ledge where they stood. Joanna crouched and dipped first one hand, swirling the water, feeling the bounds of it move up her arm as she reached farther in, and then bringing both hands up to her mouth as a cup. She drank. "I would have had to turn back tomorrow if I hadn’t found this." "How long have you been down here?" "Eleven days. But you knew that didn’t you? How long have you been waiting for me?" "Four days." "The right tunnel was that much faster." A statement, not a question. "Yes. And that much more dangerous, too." "And you’ve just been camping down here?" "Yes. Finding ways to keep busy. I didn’t know how much longer I would stay." "Running low on food?" "A little," Theo admitted. "And matches." Theo and Joanna fell into another silence. The lantern burned between them, now set at their feet on the edge of the cistern. The flame stood steady, hardly flickering at all. Its reflection in the water moved more, due to some strange eddies of unknown origin: the water moving more than the flame. Joanna stood in the silence, then slowly crouched down again by the water. Sit in the silence, lay in the silence. All of it felt good. Lifted her up. Finally, she was ready to speak again. "What are we doing here?" "I know. It’s stupid." "Neither of us came here to help Eris, right?" "No." "So what does that make us?" Joanna’s voice felt hollow, felt like it was disappearing into the darkness and swallowed up by the water. "I don’t know. Explorers?" "There is no other way of being than to keep moving, it feels." "I know that feeling," Theo said. He sounded sad. Sad and tired. "It’s not that there is anything wrong with us, I don’t think. But more than anything, it is becoming clear to me that most of us are just ghosts roaming across the landscape. Looking for a solution to a problem. Maybe looking for a place to call home, a place to rest." "How long?" "Probably years now. This is the sixth mine I’ve gone into." "Tenth for me." "Why do you think more people don’t do it?" "Plenty do," Theo said, "but you don’t see them. You don’t run into them. I think we make it so that we don’t run into each other." "But surely it is just a fraction of the population." "You are correct about that. I think we come down here for signs of life. Because that’s where water is. It’s trouble to get to it, that’s for sure, but there’s something unrelentingly pure about it. Not just the water itself, but something like this existing, far way, untouched." "You’re saying it’s like a vacation? A stay at the beach." "No." The tone of his voice betrayed a furrowed brow, maybe even annoyance. "People get by with the water on the surface, but, but I don’t know, I guess a select few are drawn to the cisterns and the underground reservoirs. The ones who don’t mind the dark, at least." "I guess that’s me," Joanna sighed, "I don’t mind the dark. Some days I even prefer it, I think." "Soon the people will come en masse to seek it out, I suspect. Who knows how many of these mines exist, natural or unnatural. But I don’t think the water on the surface can sustain the aggregating peoples." "I hadn’t really thought about that. I think maybe I’ve been avoiding thinking about it," Joanna said. "Is that why you disappeared from Eris?" "I don’t know. Maybe," Joanna said uneasily. She didn’t like that Theo seemed to be getting into her head, poking around, analyzing her decisions, drawing possible conclusions that existed in his mind before he even asked a question. Maybe he was trying to connect with her—she could deal with that. But it was that his questions and probing seemed to get closer to answers she wasn’t even aware of. Joanna didn’t like that. "I think I’ll retire for the night. Let’s talk more tomorrow." She splashed water in her face. She pulled herself up and went about setting up her tent, the water fighting through days of grime to touch her skin. Joanna couldn’t fall asleep. Theo wasn’t making any sound, but just knowing that he was there made sleep elusive. Lying in her tent, she enumerated her thoughts, trying to get to the root of what was preventing her from drifting off, like searching around in a pool to pull a plug and drain the water that was the tiredness of her body and mind. It wasn’t that she felt unsafe in his proximity. She didn’t trust him, that much was true, but that didn’t mean she found him to be a threat. Maybe it was just that she didn’t know how to share this massive yet intimate space: the darkness that surrounded them, the water discovered and novel, the swirling sound of it tugging and releasing at her thoughts. The swirling water? That shouldn’t be. She lay, holding her breath. The water was certainly moving. It lapped against itself, eddying like a lost traveller. Every now and then, the water would slap up against itself with the sound of a tiny clap. She had noticed some slight movement before, hadn’t she? Earlier, the lantern’s flame had not moved but its reflection in the water had. She let out her breath slowly, and breathed in deeply. Held it. Held it and listened to the water roar into life. A deep, guttural, gurgling echoed all throughout the cistern, the sounds swelling and bouncing to such a volume that Joanna realized the cavern they were in was even larger than it had seemed. Then, a great, gnarling sawing sound reared up over the gurgling, seized it and wrestled it into submission. Joanna tore out of her tent. Theo was already there, standing, staring up into the darkness. She felt her way over to him. "What the hell is going on? Where’s the lantern?" "I don’t dare light it," he replied. She could hardly hear him over the sounds. "What? Why not?" "Something’s out there." It was obvious something was out there, but the way he said this scared Joanna. His voice was empty, hollow, like a soldier surrendering, his will to fight gone, a bland readiness for execution. "Someone’s siphoning off the cistern. They’re just getting started. They’ve been here this whole time. Longer than me. I should have known. That would explain the right mine-tunnel, it was rife with signs of life. What do you think we should do?" "What do I think? You talk like you’ve got a plan most of the time." "No plan," his arms may well have been spread, palms open helplessly to the cavernous ceiling. But this she could not see in the darkness. "It’s funny," he said. "Did either of us know we would find water down here? No. And yet, at least for me, having been here a few days, I feel like it is mine. My cistern. And someone is stealing from me. Draining away my property." "Are you sure it’s being drained?" "What else could it be? Have you not seen this happen before? Not stumbled upon the drained cisterns of other mines?" "No," Joanna admitted. "Tell me." "It’s what you’d expect. Someone is hoarding the water. There is a mine in what was once Mistra, about a two hour walk outside of the ruins of the city. I checked it out a few years ago. When I arrived the whole cistern had been sucked dry. They even had set up electricity in the mine, somehow. Had lights bordering the cistern. Of course, by the time I arrived all the lights were off and the people gone. The whole cistern was drained and was being stored underground in their little town outside the mine." "Why are they draining it instead of just setting up piping to establish an aqueduct?" "Some people have done that, but I suspect the people outside the Mistra mine didn’t like the idea of sharing. Rather than have to guard the cistern, they drain it and then store the water in huge underground containers that are the foundation for the towns they build." "That seems like a lot of work when they could just live above the mine, or hell, in the mine." "You and I are down here. Maybe we could imagine a life in the dark. But most people don’t seem so keen. And besides, they have their huge machines that do the work for them." Joanna had not seen the machines that Theo was referring to. She assumed the grinding, sawing and deep rumbling surrounding them were from the very same machines. And what of the people behind them? People with machines so large that they could route and direct massive underground cisterns—these were not the kind of people she was used to dealing with. She remained silent. Even shouting at the top of her lungs would be like remaining silent against the noise that surrounded them now. Something deep in the water was churning up the cistern enough to make waves on the surface. She could hardly imagine what nefarious mechanisms were being put to work. "I don’t think I can take the noise." Theo said, breaking the noise-filled silence between them. "I’ve never heard anything like it," Joanna replied. "I certainly won’t be able to get back to sleep." "I wouldn’t want to be caught sleeping here," Theo said. "Hmm," Joanna assented. Theo’s mind seemed intent on issuing these sorts of warnings. He often spoke with a foreboding tone. She wasn’t sure what his angle was. If he wasn’t offering these low-grade warnings, then he was taking an edifying tone with her. It was beginning to get annoying. She was seeing now that her hunch to leave him behind in Eris had been correct, and yet here he was: an overprotective brother, a macho show-off, or some awful combination of both. In her mind, she did not allow for the possibility that perhaps he was seeking a simple, platonic companionship. She was already giving him more of a benefit of the doubt than most of the people she encountered in the world. It had been outside of her playbook to talk with him the first time they met, and yet she had. But the continual gut checks were starting to tire her out. Building trust was too exhausting. "Well, I guess I’ll fill up, and head out." "It sounds like you want to go alone." At least he was perceptive enough. "I’m not going to stay either, but if you want to set off on your own, don’t feel you have to wait on me." Joanna sighed inwardly. What was she going to do, tell him to walk a hundred paces behind her? She supposed she could take the right tunnel—the one that had gotten him here faster. "The right tunnel, you said something about it," she asked. "I wouldn’t take it out of here." "Why not? You said you’d gotten down here four days faster than me." An uneasy silence (despite the roaring of the machines). "Well, there were a few people in there." "A few people?" Joanna asked, surprised. "I think most of them would be goners by now. But I got attacked by one. A desperate last stand by someone who had been either left behind or had been cut down, probably by whoever is running these machines." Joanna blanched in the darkness. She felt for the long knife at her belt. It wasn’t that she couldn’t handle herself if things got ugly. But the kind of ugly she was willing to put herself through was more the desperation of the living, not the desperation of the near-dead. "Alright, we’ll take the left tunnel." Joanna and Theo fell into a comfortable rhythm by day three. By then, Theo had exhausted his seemingly inexhaustible reserve of questions. After that, Joanna finally felt herself begin to unwind. At the end of the first day they had left the noise of the machines behind, save for a deep rumbling that was more felt than heard. Now, in their silence, they would periodically feel tremors moving the ground beneath them. Vibrations of an unnatural frequency and cause. Joanna found she had to move slower for Theo. She listened to his footsteps now. Sometimes, he would walk a few paces behind her, either in a narrow passageway, or perhaps when he was feeling less confident in his footing. She liked this, not that she enjoyed seeing herself as the leader per se. But after plenty of solo expeditions, having someone who was sort-of-there-but-not-there was something she realized she appreciated. She listened to the quiet echo of her walk that he was—the sounds of his steps fitting in with the imprints of hers. By day five they were both humming. Joanna wasn’t sure who had started it, but it became regular. Both of them seemed to appreciate it in the other, and the resonant sounds expanded from within them, out into the mine air, buzzing and sawing about. It was a much preferred vibration to the still occurring vibration of the machines deep in the tunnels behind them. Sometimes, they would lapse into a silence, only for one of them to emit a wavy melody hum, let it drift into place, a thread in a current, ready to be picked up by the other. And so it was that a thread of melody could float between the two, be picked up, put down, shared. Sometimes, although not often, they would both hold that thread and harmonize. Neither spoke about the humming. It seemed sacred. It would only be disdained by words. Neither of them ever sang. The resonant buzzing within them never escaped through open lips, into the shape of words or otherwise. At night they would speak again, though not much. The days were silent save for humming, the nights were quiet save for a few words: how to make use of their dwindling rations, speculations on the fate of the cistern. No discussion of their respective pasts. On the seventh day of walking they reached the juncture of the two tunnels. It was nearing the end of the day when they reached it. "Well here we are, two paths diverged in a wood, and so on." Theo said. Joanna looked quizzically at him in the dark, but did not say anything. By now, none of the workings down in the cistern could be heard. Occasionally, Joanna felt a tremor in the ground when she wasn’t walking, but she could well have been imagining that. "We could go another hour or two or we could stop here, if you like." "Let’s stop here," Theo responded assuredly. They set up camp. "What about a fire, tonight?" Joanna said, surprising herself. "A fire? What do you propose to burn?" "The struts. Most of them are wood." "Couldn’t that make the mine collapse?" "Do you ever want to come back here?" "You’re not serious!" Theo exclaimed. Joanna shrugged in the dark, knowing full well that Theo couldn’t see her. "One strut would be enough for a fire. It won’t make the whole tunnel collapse. I suggest we take one from the right tunnel. Based on your description of it, I figure if one were to collapse, it should be that one." "Ah, why not," Theo responded after a moment of silence. "I have a saw and some rope. If we’re not going to walk for another hour or two, we might as well do something productive." Joanna set her bag down and pulled out a foldable saw, always in the side pocket behind the zipper. She flipped it open in the dark until it clicked into place, locking securely. She pulled her medium rope out of the main enclosure of her bag. "Light the lantern," she commanded, walking over toward the right tunnel. As she approached, she remembered the match she had lit, the one blown out by the faintest wind emitting from the tunnel. Walking over now, she felt that same wind approaching. She heard the striking of a match behind her. Facing away, the illumination of it wasn't so bright that she had to turn her eyes away. Instead, she saw her shadow cast toward the right tunnel. Behind her, she heard Theo light the lantern and then a greater flame casting larger shadows followed. She stood before the entrance to the right tunnel watching as her shadow morphed and shifted as Theo walked up behind her. "Ok, let’s find the closest wooden strut." Together they walked a few steps into the right tunnel, inspecting each strut as they went. Several of them seemed to be made of an alloy metal. The first wood one was only a few paces in on the left. "Perfect." Joanna said. She set about tying her rope around the middle of the strut and then began sawing at the top. This took several minutes and Theo just watched as she did this. After breaking through, she crouched down and began sawing at the bottom of the strut. It was about 6 inches wide. Both cuts took a matter of minutes. Her saw was in great shape, fine-toothed and sharp. "Careful," Theo said uneasily. "I'm going to finish sawing all the way through and I want you to stabilize the strut so that when I kick through the end of it, it doesn't move." Theo stood over her, placing all his weight into stabilizing the strut while he looked down at Joanna sawing intently. The lantern, despite only showing the smallest flame, was a spotlight upon them. Theo, having never seen her this close in the light, watched her closely. Like turning over a quartz and seeing its sides, he took in the shapes of her face. "Almost there," Joanna said, as if aware of his lack of focus. Theo tightened his grip on the strut as the saw came through to the other side. The strut moved imperceptibly. Theo was sweating. "Okay, let's let go in a moment and we're gonna back away slowly. Make sure you grab the lantern." They did this, Joanna grabbing the rope, uncurling it as they walked backwards carefully. Eventually they retreated to the open area before the two tunnels. Joanna held the rope in her hand as if it was the trigger of a trap. Theo held the lantern and watched the light recede into the darkness before them. "I’ll pull on three , okay?" Theo nodded. Joanna yanked at the rope with both hands. And the strut came loose, clattering with a bang onto the ground and echoing down the corridors of the tunnel. Both of them waited, listening to the garish echoes dissipate. In the silence that followed, they both may have imagined the possibilities of a mine collapsing in on them. But, in the naïvety of their evident safety, the idea of sitting before a fire was both energizing and worthy of the risk. Joanna set about pulling out her hatchet and chopping the strut into pieces. The wood was dry and thick and took some time to break apart. She splintered a quarter of it into kindling and then quickly started a fire in the center of the ground facing the two tunnels before returning to chop larger pieces to burn. She added to the fire as she went, stacking the larger pieces of wood close by. The fire danced and flicked, painting the mine walls with light, and fired off pops and cracks, sending little echoes of life down the tunnels like rolling stones. "I guess the tunnel isn’t going to collapse." Theo said timidly. He seemed different in the light; less bold, or perhaps just more self-conscious. Joanna watched him curiously. "It’s not that I knew it wouldn’t," Joanna said slowly. "I think it’s more that I didn’t care. That sounds bad. I didn’t think I was putting ourselves in danger, but maybe I was. You spend so long in a mine, needing to be cautious every which way, that sometimes a reckless feeling comes over you. I need to do something care-free." "It’s not far from here, I think." "To the surface," Joanna said. "Yes." Their shadows never quite stayed the same on the walls behind them. Theo watched Joanna’s and Joanna watched Theo’s. "Should we cook up something extravagant?" "Ooo," said Theo. "I have some dehydrated soup. We could have warm soup." "I have some dehydrated black lentil I’ve been saving, as well as a bit of dessert." "Dessert!" Theo nearly shouted. "Dehydrated cake." "No such thing," Theo said. "I guess you won’t have any, then." "Well, maybe there is such a thing." The two prepared their first hot meal over a fire in weeks. Their thoughts of cisterns, siphoned water, huge machines, collapsing mine-tunnels—all of it disappeared behind steaming bowls of soup. "This is the cake," Joanna said, after rummaging in her bag and pulling out a small dense brick, wrapped in brown paper. "You just add a bit of water. Having warm water will make it taste even better, I think." Theo watched her closely as she grabbed her cup, downed the last dregs of it and dipped it in the pot of water over the fire. Joanna flicked open a small knife and pressed it through the dense cake, cutting it in half. Carefully, she poured the contents of her cup over both pieces. "We have to let it sit for some time so the water can absorb and it can cool." "Warm cake," said Theo, in disbelief. "In the depths of an abandoned mine." "Special occasion," Joanna said flatly. Not something for every day, she thought to herself, especially sharing with someone else. When the cake was ready. she pushed the package over to Theo, that he might have first pick. He took the smaller piece. They both ate the cake with little noises of delight and wonder. Its taste was perhaps amplified by the strange circumstances it was being consumed in. This had actually been the first time that Joanna had tried this cake—she had picked it up from a vendor while travelling before she reached Eris. She had nearly forgotten she had it, stuffed away in a pocket of her pack. "I wish I had some milk," Theo said. "It was good." "It was so good!" Theo exclaimed. He sighed and rolled from a sitting position to lay down on the ground, resting with his hands supporting his head. Joanna watched him. In the firelight she could see the days in the mine on him: oily skin, pale of daylight, his face dirty and unwashed. She felt much the same. Unconsciously, she took a swig of her water as if it could cleanse her. They stayed in this restful way until the fire burnt low. The strut had served them well and provided more than enough wood, a shame really, Joanna decided—she had no intention of carrying it around. Still, they should be exiting the mine soon, she figured. Maybe three or four more days. After a night like this, though, the other days of walking and nights of rest would feel bland and uninspired. Joanna stared into the fire, thinking. Her expedition had been a success, in a sense. But I’m just a wanderer, and that’s the truth isn’t it, she thought. There had been no greater goal than to explore the mine. She would not be helping anybody with what she had learned, having decided not to help the people in Eris. Though, she supposed she could go back to the town to tell them about the excavation that was happening in the cistern. Joanna felt restless, her days of wandering and meandering were strange in this landscape. She needed some kind of purpose. Wandering from place to place, exploring mines and caves had given her some semblance of satisfaction and motivation over the last few years, but that was growing thin. All the while, violence and conflict was springing up more across the region. Factions seemed to be growing and cobbling together stockpiles as they could: land, water, weapons. If the world got more and more hostile she couldn’t keep doing this. She had been lucky already, avoiding most of it, moving solo through the world. Joanna looked at Theo. He was asleep on his back. She set up her tent quietly, hoping not to wake him, but failed. "Jo?" No one called her that. "What?" "Thanks for the fire, and the cake." he mumbled sleepily. "It’s nothing." She got into her tent, and went to bed. They reached the entrance of the mine without incident after four more days of walking. They did not have any more fires. They did not speak much of anything. Their relationship had shifted since the fire. It had made real the private and the public in Joanna’s life. She slept in her tent after the fire every night from then on. For the light of the fire had brought each other’s faces into view. Even though they had no more fires, lit no more matches, even though they continued marching in darkness, the light stayed with Joanna, and she felt continually seen. So the tent made for an escape, even in the pitch darkness of the mine, at the end of the day. Theo made no comment about this, and occasionally set up his tent, too. Despite this renewed need for privacy, Joanna enjoyed falling asleep in the presence of someone else. It was comforting, and she realized as she approached the opening of the mine—the splash of light marking the entrance—that she would miss it. "What now?" she wished to say, as the light of the entrance drew closer. In some respects, she could have marched through the mine with Theo forever, if they had had the provisions for it. This was the tone of her life, in this world, now. A companion with these sorts of comforts was far more rare than the most precious of stones. And yet, she couldn’t help but feel their separation was both imminent and necessary. Above ground, things were different. In the light of day, even the not-dark-enough of night, she was unsure she could stand to be continually seen so visibly. As if he could sense Joanna’s rumination on the topic of himself, Theo did not speak. Joanna listened to the familiar sounds of his footsteps, now right beside her rather than behind her. The light of the entrance illuminated enough of the path that they could walk two abreast. The sound of his footsteps stopped. Joanna took a few paces and then stopped. She turned and looked back. "What’s next?" his voice rang out. Nearly exactly what she had wanted to say. Joanna sighed, lifting her pack by her thumbs and settling it back down. Thmp , went her cup. Familiar. "Sometimes I get these glimpses of a life where I can bear to wonder of what’s more," Joanna said. "Of hunting down some purpose. But instead, it all feels like purposeless wandering. No wonder. Just wandering. Wandering and surviving." Theo nodded at this. "I’ve been wondering the same thing." "You’d like something bigger." "Yes, and you too, I suppose." "Yes," Joanna said plaintively. "This is most of what I’ve known, though my past feels far away, inaccessible." "How well do you remember the path to the cistern?" Theo asked. "Well enough." "You could map it?" Joanna furrowed her brow at this. Theo could see her reaction now. "To make something—to provide what others can’t do?" "Theo, it was just two tunnels. Follow them to the water. Anyone with an affinity for walking about in the pitch black could do it." "I don’t think that’s entirely true. But I mean, you know, to do something greater. Make a map, provide people with a path." "The water is just going to be siphoned off, anyway. We’re helpless at that. They have machines, electricity, they have power, and they’ll have more of it—the ability to sustain it—after they do whatever they’re going to do with the water." "Maybe they’re not bad people." "That’s good of you to think that." Theo sighed audibly and started walking. "Good of me to think that," he echoed. Then they were outside. The stark difference silenced them in a new way. No more discussion of maps, of greater purposes. They were subjects under the sun—albeit, one that was hiding behind the clouds. Subjects of a brazen wind. The still air of the mine left them feeling raw and exposed to even the slightest moving particulate. Joanna surveyed the descent from the mine. She could see Eris in the distance—like blocks of a child’s toys—clustered in a seemingly illogical fashion. The wind buffeted about any clear thought she might have had about what was next. Joanna felt a rising anxiousness in her body, a vibration—at having to decide what to do. Theo stood beside her. She felt like she had to make a decision for the next step—whether to sever ties, or stick together. Despite all her wasteland wanderings, this sort of thing still never came easy. The awkwardness of connection—not their connection—of any connection, any fragment of a person has with another fragment. They were all fragments now, and the vibrating was turning to tremors and she felt herself growing unsteady— "Run!" Theo shouted, grabbing Joanna’s arm and pulling her from her spiral. She found herself involuntarily running, yanked along, the tremors in her body multiplying with each step contacting the ground. Or was it the ground that was shaking? Theo shouted again, something about the tunnels. She couldn’t hear him over the noise. His grip on her arm was painful as he pulled her up toward the rocky hills surrounding the mine. Joanna’s body ached and complained with each pounding step, being used to walking at a steady clip, not running with a loaded bag, in the blinding daylight. They were halfway up the crag flanking the mine when the earth exploded upward behind them. In a moment, Joanna was in her dream with Theo, of playing with the Hollow Rocks, watching them explode. Blink twice, between reality and dream: rocks of all shapes and sizes were soaring upward, arcing in all directions. More explosions. Theo pulling Joanna to the ground out of the way of falling debris. Then, the water of the cistern exploding out of the mine. Spraying into the sky, rushing out of all the mine’s orifices, rushing downhill, an unstoppable force, toward Eris. Joanna uncovered her head, pushed herself up, and kneeled to watch through the haze of rock dust: the water had already reached Eris, and while it had dispersed to some degree in its rampage, the path to the town may as well have been a cutout valley, and the water crashed through it. Within seconds, the child’s blocks had been knocked down, the town washed out. They stood in a stunned silence. The dust of the exploded rock was quickly carried away on the wind, out into the wastes. "There was more water in that cistern than we thought." "We never could have seen the full size of it," Joanna said reattaching herself to reality. They watched as the water eventually diminished. Most of the homes of Eris, weak structures that they were, were knocked over. In the distance, they could see the small figures of people milling about in the now diminishing water. To the right, the mine had become an open crater. "It’s a miracle we didn’t get squashed." "Or drowned," Theo added. "What do you think happened?" "Some kind of machinery malfunction, I suppose. Or something went wrong with an explosive." "They must be huge, powerful machines." Theo nodded. They stood in the wind and looked at the landscape. It was desolate. Joanna found herself wishing for the sound of her cup again, thumping along on its string attached to her pack. "Well, we know what happened to Eris," Joanna said, stretching out her arm at the decimated town. "Why don’t we go see what happened to the other party?" "I suspect that they are somewhere around the north or east side of the mine, since we’re westward right now, though I don’t see any signs of life." "And there may not be any," Joanna said blankly, and began walking. thmp, pid, pad, pt , went the cup. Theo followed.

0 views
ava's blog 1 weeks ago

bearblog carnival: boredom

In the Bearblog Carnival February 2026 , Winther asks: Are you ever bored, what do you do when you are feeling bored or are we even capable of feeling bored in this age of limitless digital entertainment? What comes to mind about the topic is that we are quick to demonize boredom, but we should cherish it instead. Boredom serves such important roles: A separation between tasks, rest, and room for thoughts to emerge. I know the latter is something we often don't want; it's very easy to spiral into depressive thoughts and self-doubt. But if you block off the bad, you also block off the good. When I get to be bored (or at least, no external stimulation), my brain becomes creative and curious. I formulate questions and arguments, I think of researching something or topics to write blog posts about, or things I'd like to draw. I suddenly see problems or topics from a different angle, and I come up with solutions. There's room for me to remember tasks I had forgotten to do, or that I should reach out to people I haven't talked to in a while. I think of unexpected favors to do for people around me and acknowledge my own needs. And: Everything just feels less crammed in my brain, instead of just being back-to-back-input until my head feels heavy at the end of the day. Boredom is like having time to finally check the mailbox and opening any letters that came in. There are so many thought processes going on more subconsciously, as well as things you distract yourself from that wait to be acknowledged and dealt with. In that mental image, they all arrive in your mailbox as little letters, but if you don't check for a while, the mailbox overflows. Seeing the overflowing mailbox makes you more anxious and uncomfortable, so you distract yourself further, but it's not getting better. All you can do in that moment is really try to sit with it and acknowledge it all. The letters will be a lot, but they will slow down. At some point, the mailbox will be empty again. And the more often you let yourself get bored and therefore check in with it, the more manageable it will be - just 2-4 letters at a time. I recently reflected on the fact that it's gotten hard to attain true boredom, or the space to have guilt-free boredom. There is always something I should be doing - either it's work, or studying, or volunteering, or blogging, or household stuff, time with my wife, taking care of friendships, maintaining a server, drawing, journaling, reading books, finally starting the sewing project I keep putting off, and so on. There is currently not a free moment where these things don't yell at me. It's too easy to see time spent doing nothing and engaging in intentional boredom as "wasted time", but I try to be mindful of the things I wrote above. It's a lesson I learned almost exactly a year ago. In " restful weekend ", I wrote: " For the first time in who knows how long, there was nothing nagging at me, no guilt, no pressure to optimize my time to make the most of it. I could just exist and rest, like it was my job. While just staring at nothing or lying down focusing on my breathing, I didn’t feel lazy or too fatigued to do anything; it felt productive, positive, like this is what I’m meant to do. Usually it’s easy to know I’m supposed to rest on weekends, but harder to allow myself to do so and feel good about doing it. Resting or doing nothing often instead feels like a defeat and I can’t enjoy it as much because I think about things I could or should be doing instead. But nothing like that could touch me this time. I felt like I had an infinite amount of time, so I didn’t feel nervous about how I spend it. There was no invisible timer. It felt like childhood. " [...] " I sometimes have trouble with starting or switching tasks. It suddenly seems overwhelming and exhausting to start, no matter how small the activity is. I used to force myself through it or waste time with something else until it felt possible enough to start the things I had in mind. It usually felt frustrating and draining. I’ve changed my approach; if things feel overwhelming and hard to start now and I feel an inner resistance to all options, I go somewhere comfortable and bore myself on purpose. I’ll just sit there, do nothing, decompress. I ground myself, I look around the room, and wait it out. No media. I have time. My other approach could sometimes result in 1-2 hours of delay until getting started on something, if at all; and usually I would get frustrated and mad about it. But like this, I’m usually ready to get started within 10-20 minutes and I don’t feel moody at all. I think I just need a genuine break to refresh internally [...] " Of course, there's also the aspect of avoiding boredom by consuming constantly. In another post , I highlighted a quote about boredom by Kate Lindsey: " Boredom is when you do the dishes, run the errand you’ve been putting off, respond to the text you’ve left on read. Boredom is when you bring a book to read on the subway or make small talk with the person in front of you in line about how slow the pharmacy is. Boredom is when you do the things that make you feel like you have life under control. Not being bored is why you always feel busy, why you keep “not having time” to take a package to the post office or work on your novel. You do have time — you just spend it on your phone. By refusing to ever let your brain rest, you are choosing to watch other people’s lives through a screen at the expense of your own. " And with that, I think I have said everything I could say :) Reply via email Published 01 Feb, 2026

0 views
Kev Quirk 1 weeks ago

Will They Inherit Our Blogs?

I've been thinking about how this site may be able to live on after I'm gone. Maybe it could become a family heirloom? I’ve thought about this topic more generally before , but this one is specifically about blogging. This blog is by far the hobby I have sunk the most time into over the last 13-ish years, and I’d like to think I’ll continue as I head from middle age, to old age. Let’s say I live until I’m 80, I will have spent over 50 years of my time on this earth writing content here at . I don’t want all the hard work to disappear in a puff of smoke once I snuff it, so I’ve been thinking. Could this blog become a family heirloom? . Could I pass this site on to one (or both) of my sons and have them continue to write here? They wouldn’t even need to continue to use . They could write on their own domain(s), and just redirect this one. I like to think that many of the other long-time bloggers out there might want the same. Maybe one day it’ll be normal to leave our blogs to our kids? I do think it’s something we should consider. I’m part of the first generation that grew up online, and most of us are still very much alive. But as time marches on, more of us are going to leave behind these digital epitaphs. I’d love it if my sons took up blogging when they’re old enough to (that, and riding motorbikes!). But they’re their own people, and may not want to. If that’s the case, I just hope they’ll agree to keep my waffle online for a little while once I’m gone. 🤷🏻‍♂️ Thanks for reading this post via RSS. RSS is great, and you're great for using it. ❤️ You can reply to this post by email , or leave a comment .

0 views
A Room of My Own 1 weeks ago

2026-5: Week Notes

Week 5: Mon 26 Jan – Sun 1 Feb “Inside myself is a place where I live all alone, and that’s where I renew my springs that never dry up.”  Pearl S. Buck. ✈️The week started a bit frantically, with a quick overnight trip to Auckland to help Mum get on her long journey home. Thirty-nine hours later, she arrived safely, and I could breathe a sigh of relief knowing she is happy back home. My sister and her children are certainly happy to have her back (they live close by) after almost three months visiting me in New Zealand. 🖥️From Wednesday onwards, I made a conscious effort to go into the office instead of working from home. I sometimes get more work done at home, but being around people really replenishes me (as well as drains me). Either way, I’m realising more and more that my mental health takes a hit if I don’t have regular, in-person interaction during the week. I feel there is a blog post coming about this. 📺I finished season four of The Morning Show (still excellent), and we’ve started watching Foundation together as a family. I watched the first two seasons on my own, but it’s a great show and I want to share it with the family. My husband is not a huge sci-fi fan, but usually, if I force him to watch a few episodes, he’ll get into it, like he did with The Walking Dead (he refused to watch a “zombie show” at first). That became the highlight of our COVID lockdown. We ended up watching all the seasons. RELATED: What I Learned from Watching the Nine Seasons of The Walking Dead During the Covid-19 Lockdown 👩‍💻I read this blog post about free time and hobbies that really resonated with me-spending lots of time on hobbies and things you enjoy isn’t a flaw or lack of discipline, but the point. It made me think about my blog and my memory keeping how often I treat it like something I need to justify and do in stolen pockets of time. 🤖Thanks to this post about AI privilege I’ve been thinking about how embedded AI has become in my life, not just at work, but personally as well. I sometimes listen to Cal Newport’s podcast, and he talks about the unsustainability of generative AI models: the huge expense versus the revenue, and what that might mean long term. I’m so used to having AI there now that I genuinely worry about it being “taken away”. It always makes me think of that Broken Mirror episode where people are kept alive through subscriptions that keep going up and up until they can’t afford it anymore. It’s a really freaky episode, and it comes back to me every time I think about losing access to AI. 🎥Last year, I tracked (journaled). all my movie and TV watching and got some interesting (surprising!) results out of it. But I decided to stop doing that now. They aren’t entries I’m going to read again. I might mention in my journaling what movie or TV show I’m watching, but I don’t think I’ll keep a separate journal or list just for that. I think I’ll just delete it. ⛱️My husband’s brother was visiting, so we all gathered for fish and chips at his parents’ on Thursday night and decided to take a trip to Hanmer Springs soon and spend two nights, renting an Airbnb. It’s one of my favourite places I’ve visited in New Zealand, quite touristy, but with that Swiss alpine village vibe (I lived in Switzerland, so I know). 🩱If I were to retire in NZ, I think that would be my place of choice, a nice house within walking distance of the hot springs so I could get up in the morning, have a cuppa, walk over to the springs, soak up the warmth until lunchtime, then walk back home for lunch and whatever else I’d be doing in retirement. Go for walks, people-watch, write this blog… 🏡Planning to spend this weekend away from my laptop, doing physical things like walking, maybe going to the beach, reading in the garden (which totally counts as physical), and some tidying up, decluttering, and rearranging at home (I relax this way). 🏕️We’re off camping next (long) weekend, and I’m really looking forward to doing nothing but reading and swimming in the river. Hopefully the kids won’t be too bored, I’m craving a slow, boring weekend away from home.

0 views
ava's blog 1 weeks ago

rose ▪ bud ▪ thorn - january 2026

New blog format for the year! I wanna share my joys and successes ( rose ), things I look forward to or am working on/could be improved ( bud ) and the challenges I've faced ( thorn ) each month. :) Reply via email Published 31 Jan, 2026 Enjoying so much snow :) has been amazing to see. It hasn't snowed this often or much in the last few years, if not a decade; at least that's what it feels like to me. Going on weekly walks with my wife has been fun and gives room for so many amazing talks we'd otherwise not have had like that. Having fun starting to journal in my notebook again, with little drawings and lots of stickers. I hit over 10 cases translated and summarized for GDPRhub! Great feedback at work from my mentor. He's very happy with the GDPR-compliant deletion process document I wrote, and will adapt it so serve as a template for other departments. I got my first e-mail response for a new blog project :) I made some pixel buttons (and the art for this post!); hopefully the beginning of more pixel art again, after so long. If you've never seen it: The background of my website is pixel art I made myself. Applying to jobs! Another volunteering opportunity; looking forward to the first time I can contribute. Sending out e-mails for the blog project. The intended recipients are really hard to reach directly, and I'll refine the way I reach out. Studying for four exams in March - Special Law of Obligations, Legal English, European Law II, and an economics module. Not drinking anything caffeinated for a month is more difficult than I thought it would be. Matcha and black tea are my comfort drinks, and I miss them a lot. I almost caved a couple times, especially when I was really sad towards the end of the month. I got a rejection for one of my job applications this year. I felt discouraged at my workplace because the ways I want to help and grow get denied or ignored. I participated in an MtG draft and got last place (as usual).

0 views
ava's blog 1 weeks ago

how i assess my infection risk

For this month's Bearblog Carnival topic by Moose , I'll talk about how I assess my infection risk! A little while ago, I wrote " yes, i still wear a mask ". In it, I laid out what thought goes into wearing it, why I do it, and when I don't. No one can completely isolate themselves forever and live in a virus-free vacuum, and I want to go out and experience life while still reducing my risk for severe infection. In some contexts, wearing a mask all the time or at all is not feasible. In a restaurant, I'll have to eat and drink with the mask off, and if I stay at another person's place, I can't wear it 24/7. While playing Magic the Gathering in a local game store, it can get pretty crowded and loud all around me, and it's better for people to understand me and be able to read my lips when I announce my moves. Socializing in general is easier when the mask is off, as people tend to avoid you, restrict talking to you or trying to understand you when you wear a mask in public. So how do I decide when to wear one, when I don't, and what events to stay away from and which ones to attend? Of course, every situation is different, but I try to consider: To illustrate it via an example, I was at my local game store playing Magic the Gathering yesterday. I had a mask with me just in case someone very sick was gonna show up, but I didn't end up wearing it. I considered the following points: We'll see if that worked out for me, but I think the assumptions were reasonable. Other brief examples: I'm wearing a mask during small team meetings (4-5 people) at work when one attendant was sick within the last 4 days, but otherwise I don't. When we have large department and sub-department meetings (which tend to go 3-4 hours with about 50-100+ attending), I wear one. I'd choose to cancel on a big family gathering in January or February. Adopting this kind of strategic thinking could really help anyone reduce their time spent sick, not just immunocompromised or immunosuppressed people. You'll avoid some events, choose to schedule yours at a different time, or you'll show up with a mask or have one in your bag. It doesn't mean you'll miss out all the time :) Reply via email Published 31 Jan, 2026 Is it a place where lots of sick people gather? This one is obvious: Doctor's offices, hospitals, retirement homes, etc. Is there a current huge infection wave going on? The worst ones seem to always be around October and November, and then again January to March. It usually happens around holidays and other festivities: Autumn break, Christmas, NYE, our Karneval/Fasching, etc. Season should be considered; summer is usually more safe than winter. Related to the above point: Is it an event where people travel far to meet and don't want to miss out because of "a little cough"? Doesn't just apply because people don't wanna cancel Christmas, but also to the concert they paid too much for and have been waiting for for a year or so. Any once-a-year-or-less event or something that warranted a really expensive, non-refundable ticket is bound to have a high amount of sick people. You don't have to see or hear it, those are just the overt cases. A surprisingly high number went there having "had a swollen throat this morning, but now it's gone!" Is it a necessity even while sick? People, even while sick, usually need to use public transport or go grocery shopping, for example. Is it a place where people feel forced to go because of money and guilt? This one mostly hits places of employment, especially if it's a place that's understaffed, has shifts, hard to find replacements, no home office and so on. You'll have more sick workers in gastronomy than in software engineering. Will there be many children? Are the people there exposed to lots of children or have children of their own? Children are magnets for infections, and a surprising amount of parents don't want to stay home when their child is sick, and cannot find anyone else to watch the kid, so they take it with them anyway. How full will it realistically be? The less people in a closed space, the lesser the chances of a sick person being there, or getting a huge viral load. How long will I be there? The shorter, the less risky. It's not a place where sick people usually are in high numbers. I'd also say gamers and nerds in general would rather stay home sick and play a game on the couch than come in anyway. We're currently in a big infection wave, so I'm cautious. But: There are no rare, expensive, or high demand events going on. Nothing to miss out on, easy to cancel, no wasted money, and you can just postpone it or participate next week as usual. It's not a necessity to be there, it's actually quite optional to buy booster packs or play a round. Except for the employees, there's no financial or employment-related reason to show up. Children might come in for the Pokemon stuff, but should be rare. In my experience, parents drag their sick children to the necessities like grocery stores, not a game store. It won't be that full, as there are no big events, and it's a Friday afternoon/evening. I'll be there for 2-4 hours, depending on game length.

0 views
ava's blog 1 weeks ago

re: no one has any hobbies now / the 4 types of blog

OP saw it, so hidden from the feed now. They had no contact methods, so I couldn’t send this privately or while hidden from the feed. Just wanted to give my 2 cents to a post by Yunzi . For posterity and because it's short, here is the post content: Did a search on Bear for 5 of my interests. One of which is my other blog. 4 returned nothing. 1 returned a single other blog - which in fairness is pretty good (no not mine). So is the search working, or does BB simply lack blogs on interests. Bear seems to consist only of 4 blog types. Personal journaling - "I went somewhere and did something" Amateur philosophy or self help. American politics - largely left leaning Tech blogs - often AI No one reads anything here and I'm honestly considering just stopping posting. I check the Discovery feed 2-3 times a day. What I am seeing is there are a lot of different hobbies and interests: and many, many more I have probably forgotten. Thanks to the feed, I've learned stuff I probably wouldn't have sought out by myself in other contexts. I give a lot of posts a chance, even if the title is unassuming or of something I am not directly interested in. The Bear search is indeed not super reliable, and of course the feed is limited by either verification or premium purchase and the ability to hide posts from it, so we'll never see the full extent. Lots has been said about how similar topics reach Trending every time, but for a less curated experience, the Recent Tab is right there. I think it is a bad attitude to suggest that people do not have hobbies anymore because they are not the ones you care about. It comes off as disrespectful to treat others as a boring hivemind who are all the same; especially when your posts read as ' personal journaling ' or ' tech post ' as well. I also don't think the solution is to stop writing the stuff you want to read. If someone else like you comes along, they'll also find these topics missing from Bear, when you could have been there to supply it. Blogging for 1.5 months is not a long time. It takes a while for people to notice you and to find your tribe. You also say on your blog " May also talk about tech, books, news and anything else that comes to mind. Otherwise I'd end up with 12 blogs I posted to about once a year. " It seems like you yourself acknowledge that maybe, your niche interests just don't give enough to regularly write about. Could that maybe be the reason for the lackluster search results? I mean, hey, your niche is " documenting long forgotten history, especially in my home county of Worcestershire. Neolithic to Roman and 1939 onwards history. " I wonder what the other four interests are, but if they are similar, I would not be surprise that that can be a bit hard to find on a small platform. In general, I wonder what you are trying to achieve with the post. Is it shaming everyone for what they are talking about, as revenge for not caring about your interests (or posts) as much as you'd like? Pity upvotes so you'll stay and not leave? It's not a good impression. Reply via email Published 30 Jan, 2026 Zine making Album and movie ratings Book clubs, reviews and summaries Photography Game development Trading Card Games Sewing and embroidery

0 views
Manuel Moreale 1 weeks ago

Nikita Prokopov

This week on the People and Blogs series we have an interview with Nikita Prokopov, whose blog can be found at tonsky.me . Tired of RSS? Read this in your browser or sign up for the newsletter . The People and Blogs series is supported by Eleonora and the other 122 members of my "One a Month" club. If you enjoy P&B, consider becoming one for as little as 1 dollar a month. I am from Siberia. I studied CS there, got my first job in IT, and moved to Germany in 2018. Apart from programming, I am passionate about movies and filmmaking, UI design, experimented with standup, play badminton. I started writing in LiveJournal when I was still in uni, found a very nice Russian-speaking FP community there. Had a lot of eye-opening and often very heated discussions. Experimented with publishing in collaborative blogs (Habr, approximately Russian dev.to) but felt that author’s identity gets lost there. Personal blog was my attempt at reaching a wider English-speaking community. Livejournal was already dying by then, and I was smart (lucky?) enough to not choose Medium (TBH, it looked very promising in 2014). I am pretty happy with that decision. The older you get, the less you believe any startup has your best interests at heart. This leads to the only possible conclusion: self-hosting. It is hard to start but once you get your core audience there’s no limit to your growth. I usually collect ideas for a while (pictures, phrases, links, thoughts). This happens in the background and can take years. Once it reaches critical mass, I sit down to organize it all in a coherent whole. I don’t do separate drafts; it’s more like a pile of ideas — first pass — reflection — reorganization/cleanup — review — publish. A mandatory part of the reflection phase is questioning myself: why am I writing this, nobody is going to read it, this is stupid/silly/trivial/too complicated. That’s how you know you are writing something truly great. I usually ask a friend or two for feedback, Grammarly/ChatGPT/built-in Apple AI to do proofreading. I can only write in Sublime Text because it’s a tool I use daily for coding and it has become second nature to me. I feel very uncomfortable in any other tool when some minor detail behaves slightly different from what I am used to. iA Writer is fantastic and I tried to reproduce it as close as possible, its only downside being not being Sublime Text. I recently bought a NuPhy keyboard (Air60 v2 Cowberry) for my PC because of its compact size and cute looks, but was surprised that it sounds amazing and now I am addicted to typing on it. Apart from that, no: any place, any time, any device. No sounds, no music, as I find both distracting. I used to use Github pages but got tired of Ruby/Jekyll local installation breaking on macOS every year or so. I don’t blog often, so it’s the worst: you come back to your blog once every few months, completely without context, and you need to spend hours just restoring it to the status quo. Wrote my own engine in Clojure and has been happy ever since. For some reason I didn’t go with the static generator route. I do a good old CGI style approach, with an actual server rendering your pages. It’s more fun that way, and allows for more interactivity, although I didn’t explore it much yet. No, I am totally happy with where I am. Server costs €35/mo, but I co-host a lot of other projects there. Domain is €25/year. I used to have Patreon, but it was not just for blog, also for my open-source projects. I never tried monetizing writing, not sure how well that would go, but I have nothing against it. Off the top of my RSS feed: Fira Code is a nice programming font you might like. Now that you're done reading the interview, go check the blog and subscribe to the RSS feed . If you're looking for more content, go read one of the previous 126 interviews . Make sure to also say thank you to Ken Zinser and the other 122 supporters for making this series possible. Jamie Brandon https://www.scattered-thoughts.net/log/ Rakhim Davletkaliyev https://rakhim.exotext.com/ Marcin Wichary https://aresluna.org/ Ilya Birman https://ilyabirman.net/meanwhile/

2 views
Martin Fowler 1 weeks ago

Bliki: Excessive Bold

I'm increasingly seeing a lot of technical and business writing make heavy use of bold font weights, in an attempt to emphasize what the writers think is important. LLMs seem to have picked up and spread this practice widely. But most of this is self-defeating, the more a writer uses typographical emphasis, the less power it has, quickly reaching the point where it loses all its benefits. There are various typographical tools that are used to emphasize words and phrases, such as: bold, italic, capitals, and underlines. I find that bold is the one that's getting most of the over-use. Using a lot of capitals is rightly reviled as shouting, and when we see it used widely, it raises our doubts on the quality of the underlying thinking. Underlines have become the signal for hyperlinks, so I rarely see this for emphasis any more. Both capitals and underlines have also been seen as rather cheap forms of highlight, since we could do them with typewriters and handwriting, while bold and italics were only possible after the rise of word-processors. (Although I realize most of my readers are too young to remember when word-processors were novel.) Italics are the subtler form of emphasis. When I use them in a paragraph, they don't leap out to the eye. This allows me to use them in long flows of text when I want to set it apart, and when I use it to emphasize a phrase it only makes its presence felt when I'm fully reading the text. For this reason, I prefer to use italics for emphasis, but I only use it rarely, suggesting it's really important to put stress on the word should I be speaking the paragraph (and I always try to write in the way that I speak ). The greatest value of bold is that draws the eye to the bold text even if the reader isn't reading, but glancing over the page. This is an important property, but one that only works if it's used sparingly. Headings are often done in bold, because the it's important to help the reader navigate a longer document by skimming and looking for headings to find the section I want to read. I rarely use bold within a prose paragraph, because of my desire to be parsimonious with bold. One use I do like is to highlight unfamiliar words at the point where I explain them. I got this idea from Giarratano and Riley . I noticed that when the unfamiliar term reappeared, I was often unsure what it meant, but glancing back and finding the bold quickly reminded me. The trick here is to place the bold at point of explanation, which is often, but not always, at its first use. 1 A common idea is to take an important sentence and bold that, so it leaps out while skimming the article. That can be worthwhile, but as ever with this kind of emphasize, its effectiveness is inversely proportional to how often it's used. It's also usually not the best tool for the job. Callouts usually work better. They do a superior job of drawing the eye, and furthermore they don't need to use the same words as in the prose text. This allows me to word the callout better than it could be if it also had to fit in the flow of the prose. A marginal case is where I see bold used in first clause of each item in a bulleted list. In some ways this is acting like a heading for the text in the list. But we don't need a heading for every paragraph, and the presence of the bullets does enough to draw the eye to the items. And bullet-lists are over used too - I always try to write such things as a prose paragraph instead, as prose flows much better than bullets and is thus more pleasant to read. It's important to write in such a way to make it an enjoyable experience for the reader - even, indeed especially, when I'm also trying to explain things for them. While writing this, I was tempted to illustrate my point by using excessive bold in a paragraph, showing the problem and hopefully demonstrating why lots of bold loses the power to emphasize and attract the skimming eye . But I also wanted to explain my position clearly , and I felt that illustrating the problem would thus undermine my attempt . So I've confined the example to a final flourish . (And, yes, I have seen text with as much bold as this.) 1: For example, sometimes a new term will appear first in a list. Eg “We carry out this process in three steps: frobning, gibbling, and eorchisting”. In this case we don't bold the words as they appear in the list but later on when we explain what on earth they mean.

6 views