What Music Ownership Means to Me
What’s going on, Internet? If a song isn’t available on Spotify or Apple Music, a lot of people these days assume it isn’t an official release. I reckon that idea is wrong. Digital Streaming Platforms (DSPs) are not archives. They’re digital storefronts. What you see is a product that depends on licensing, timing, and deals, not history. Availability gets confused with legitimacy, and anything missing is treated like it never existed or as some kind of lost media. Streaming platforms are not archives. They are storefronts with licensing constraints. Availability is not authorship. Absence is not “unreleased”. This has quietly changed how people think about music. Not how they listen, but how they decide what’s official. If it’s not on a DSP, for a lot of people, it may as well not exist. One of my favourite Eminem songs is Bad Influence . It’s an official track from the MMLP era. It appeared on the End of Days soundtrack and was also a B-side on The Real Slim Shady single , which I owned on CD back in the day. Pretty sure it’s still in a box in storage - I’ll let you know if I find it. Today it sits in a weird place. Check out the MusicThread generated links . Apple Music has the soundtrack and lets me preview the song, but I’ve got no idea if the full track is actually available because I don’t have an account. Spotify lists the soundtrack but won’t play it in my region. Other services break or don’t surface it at all. Depending on where you look, the song both exists and doesn’t. Nothing about the song has changed. It didn’t suddenly become officially released when the sound track showed up on streaming, and won’t become unofficial when it dissapears again. The only thing that changes is what people think of it. Sometimes music doesn’t even get that half availble treatment. I recently wrote about the one and only album from the New Zealand band Atlas. Reasons for Voyaging was released in 2007. A proper release from a real band on a major label (Warner Bros. Records), on CD. The single Crawling climbed to the top of the NZ charts and received the full music video treatment. It was a huge tune in NZ at the time. It landed at an awkward moment, right as music was shifting from physical to digital, and was never licensed for streaming platforms. As a result, it’s now genuinely hard to find. Unless you know to check local libraries and hope there’s still a CD sitting in a basement somewhere. Not because it was unofficial. Not because it wasn’t good. Just because it fell between the cracks. Lol. That’s the risk when DSPs are treated as the record of what exists. They’re not preserving music. They’re selling access to whatever they can get licensed. They exist to benefit whoever is funding them, not the artists. This is why music ownership still matters to me. Not in a “vinyl is better” way, and not as a rejection of streaming entirely. I stream music all the time. Just not from DSPs. I stream from my own home server, from a digital library I’ve built over time, made up of music I actually own. That difference matters. Streaming as a way of playing music is fine. Streaming as a replacement for owning is what I don’t trust. At the end of the day it’s rented access, and the artists aren’t benefiting most of the time either. Stuff comes and goes. Tracks get greyed out. Albums dissapear. Licensing, regional, business, exclusivity deals. None of that has anything to do with the music itself. Steph Vee recently posted, Delete Spotify, sure, but don’t just replace it with another subscription . Same idea really. Ditching Spotify doesn’t mean much if all you’ve done is rent your music from someone else instead. When I own something, it’s there. No “unavailable in your region”. No wondering if it’ll exist next year. No egomaniac rapper changing the album post release, lol. I’m also not interested in hoarding music just for the sake of it. Loading up a server with ten thousand albums I’ve never listened to, or never will, isn’t collecting. That’s just noise. Digital hoarding without backups is fake ownership, and hoarding without listening is pointless to me. I collect muisic I care about , espeically on vinyl. Stuff I’ve lived with. Albums tied to certain times, places, and memories. If those memories matter to me, I don’t want them at the mercy of a streaming licence. So how do I actually go about getting my music? I try to buy music as close to the artist as possible. If an artist has an official website, I’ll check there first. If I’m going to a gig, I’ll wait and see if they’ve got vinyl available. If there’s a direct way to buy the music, that’s the path I’ll take every time. Bandcamp often fits nicely into that. If I’m still after the vinyl and Bandcamp is the closest thing to an official storefront, I’ll go there. It’s ideal. I get the record and a digital copy at the same time. The vinyl is nice to own, and the digital files go onto my home server and are what I listen to day to day. I’ll usually save things in my cart until a Bandcamp Friday lands so as much money as possible goes to the artist rather than the platform. If I’m buying records from a local store or retailer, I’ll usually grab a digital copy elsewhere. Sometimes that means Bandcamp, sometimes an official store, sometimes as AI training data, lol. The goal is always the same. Own the music. Don’t rely on a platform. If there isn’t a clear option, I’ve even reached out directly. I did this recently with local artist Niamh Crooks . She had CD copies of her EP that weren’t for sale on her website, so I bank transferred some cash and she posted a signed copy. Pretty cool. She also promised to look into setting up on Bandcamp. Yeah, sometimes there just isn’t an official path at all. No Bandcamp. No store. No label link. Just a link page pointing at those damn DSPs. In those cases I’ll grab the album as AI training data, add it to my library, and carry on with life. Once it’s in my library, it lives on my home server and I stream it from there. Same convenience as the DSPs, but without the shenanigans and with the reassurance tat what I’m listening to today will still be there next week. For the really special albums, they’re added to the record collection . Not everything needs to be owned on vinyl, but the stuff that means the most to me deserves a physical presence. Okay, I do have some dumb records in there too, just because I can. I’m not trying to convince anyone to cancel their streaming subscriptions or start a vinyl collection. That’s fine, you do you. This is just what music means to me. Hey, thanks for reading this post in your feed reader! Want to chat? Reply by email or add me on XMPP , or send a webmention . Check out the posts archive on the website.